Sunbaker
 | |
| Artist | Max Dupain |
|---|---|
| Year | 1937 |
| Type | Photograph: paper, photographic emulsion |
| Dimensions | 70.2 cm × 79.6 cm (27.6 in × 31.3 in) |
Sunbaker is a 1937 black-and-white photograph by Australian modernist photographer Max Dupain, depicting the head and shoulders of a man lying on a beach, taken from a low angle. The iconic photograph has been described as "quintessentially Australian"[1] and "arguably the most widely recognised of all Australian photographs."[2]
Composition
It was a simple affair. We were camping down the south coast and one of my friends leapt out of the surf and slammed down onto the beach to have a sunbake – marvellous. We made the image and it's been around, I suppose as a sort of icon of the Australian way of life.
The photograph depicts the head and shoulders of a man lying flat on his stomach on the sand. His head, tilted to the left, is resting on one arm and his other arm is lying flat on the sand before him. The photograph is taken from a very low angle and head on, so nothing else of the subject can be seen. The sun appears to be almost directly overhead and casts much of the subject into deep shadow while reflecting off the beads of water on his arms and back. The subject takes up much of the upper half of the work, with the bottom half consisting of a bright, empty area of sand.[4] The picture can be seen as "forming a single pyramidal form positioned against the horizon."[2]
Dupain took the photograph in 1937 at Culburra Beach, a small town on the New South Wales South Coast.[5] The man in the photograph was Harold Salvage (1905-1991), a British builder, who was part of a group of friends on a surfing trip.[3] The most familiar version of the photograph was not printed until a retrospective of Dupain's work in 1975.[3]
Reception and legacy
Sunbaker is more than just a young man on the beach sunbathing. It is iconic, it is a symbol of the body in contact with primal forces. These are elemental, regenerating forces, and the body on the beach gains sustenance from the earth, the sun and water.
The photograph has been described as "perhaps the most famous and admired photograph in Australia"[1] and "probably the most widely recognised Australian photograph".[6] The image has been seen as inspired by European modernist photographers, "more interest in abstract form than descriptive photographs."[5] The image has "become part of the consciousness of Australians – symbolising health, vitality, a love of the outdoors and an appreciation of sport and relaxation."[6]
Isobel Crombie, Senior Curator of Photography at the National Gallery of Victoria has argued that this work, and much of Dupain's works in the 1930s, shows sign of being influenced by the concepts of eugenics, vitalism and the "body culture" movement.[1] Crombie states "Most of us think of Dupain as a strict, clear modernist ... But there is a whole series of works ... heavily influenced by the ideas of the regeneration of a race through the revitalisation of the body." Crombie considers Dupain's work of the period, including Sunbaker to represent a "racial archetype" of ideal Australians.[1]
References
- ↑ 1.0 1.1 1.2 1.3 1.4 Bennie, Angela (13 December 2004). "Looking at Dupain in a fresh light". The Age. Retrieved 18 October 2010.
- ↑ 2.0 2.1 "Sunbaker". National Museum of Australia. Retrieved 18 October 2010.
- ↑ 3.0 3.1 3.2 "Sunbaker". National Gallery of Victoria. Retrieved 18 October 2010.
- ↑ "Sunbaker". The Learning Federation: English and literacy. Curriculum Corporation and Art Gallery of South Australia. Retrieved 18 October 2010.
- ↑ 5.0 5.1 "Sunbaker". Federation: Australian Art & Society 1901-2001. National Gallery of Australia. Retrieved 18 October 2010.
- ↑ 6.0 6.1 Matthews, Emma. "Max DUPAIN". Highlights. Monash Gallery of Art. Retrieved 18 October 2010.