Stringed instrument tunings
This is a chart of stringed instrument tunings. Instruments are listed alphabetically by their most commonly known name.[1]
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- X
- Y
- Z
- See also
- References
- Notes
Terminology
A course may consist of one or more strings.[2]
Courses are listed reading from left to right facing the front of the instrument, with the instrument standing vertically. On a majority of instruments, this places the notes from low to high pitch. Exceptions exist: instruments using reentrant tuning (e.g., the charango) may have a high string before a low string. Instruments strung in the reverse direction (e.g. mountain dulcimer) will be noted with the highest sounding courses on the left and the lowest to the right.
Strings within a course are also given from left to right, facing the front of the instrument, with it standing vertically. Single-string courses are separated by spaces; multiple-string courses (i.e. paired or tripled strings) are shown with courses separated by bullet characters (•).
Pitch: Unless otherwise noted, contemporary western standard pitch (A4 = 440 Hz) and 12-tone equal temperament are assumed.[3]
Octaves are given in scientific pitch notation, with Middle C written as "C4". (The 'A' above Middle C would then be written as "A4"; the next higher octave begins on "C5"; the next lower octave on "C3"; etc.)[4]
Because stringed instruments are easily re-tuned, the concept of a "standard tuning" is somewhat flexible. Some instruments:
- have a designated standard tuning (e.g., violin; guitar)
- have more than one tuning considered "standard" (e.g. mejorana, ukulele)
- do not have a standard tuning but rather a "common" tuning that is used more frequently than others (e.g., banjo)
- are typically re-tuned to suit the music being played or the voice being accompanied and have no set "standard" at all (e.g., đàn nguyệt)
Where more than one common tuning exists, the most common is given first and labeled "Standard" or "Standard/common". Other tunings will then be given under the heading "Alternates".
A
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Ahenk | 12 strings
6 courses |
Standard/Common:
A3 A3•B3 B3•E4 E4•A4 A4•D5 D5•G5 G5 Alternates: May also use various oud tunings |
Turkey | |||
Ajayu | 12 strings
5 courses |
Standard/Common:
A A•E E•A A•C# C# C#•F# F# F# Alternate:
|
Chile | A very recent instrument, invented in 2007 | ||
Akkordolia | 4 strings
4 courses |
F2 A2 C3 F3 |
Taishogoto, Bulbul-tarang, Benju | Germany & Austria / Japan / India / Pakistan | There are also a number of drone strings, the number and tuning of which vary widely. | |
Akonting | 3 courses
3 strings |
Common:
D3 G3 F4 C3 F3 E4 |
Ekonting, Bunchundo, Econtin, Konting | Senegal | Often strung with fishing line.
A rare 4-string version also exists. |
|
Amzad | 1 string
1 course |
No standard tuning; tuned to any convenient note. | Imzad | Niger, Mali, Algeria | Horse hair string. | |
Archlute | 27 strings
14 courses |
F1 F2•G1 G2•A1 A2•B1 B2•C2 C3•D2 D3•E2 E3•F2 F3•G2 G2•C2 C2•F3 F3•A3 A3•D4 D4•G4 |
Arciliuto, Erzlaute. | Europe | Number of courses could vary from 11-14, and the number of strings from 21-27. | 12-course, 23-string archlute: |
Armonico | 7 strings
6 courses |
E3•A3•D4•G4 G4•B3•E4 | Cuba | |||
Arpeggione | 6 strings
6 courses |
E2 A2 D3 G3 B3 E4 | Vienna, Austria | Rare.
Tuning is same as guitar. |
||
Autoharp | 36 strings
36 courses |
F2 G2 C3 D3 E3 F3 F#3 G3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 |
Chord zither | USA | Instruments with additional bass strings exist (from 37 - 48 totalstrings), but are very rare. |
B
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Baglamas | 6 strings
3 courses |
D4 D5•A4 A4•D5 D5 | Baglama, Baglama Saz, Baglamadaki | Greece | Standard AKA "Modal D" | |
Bajo quinto | 10 strings
5 courses |
A2 A1•D3 D2•G2 G2•C3 C3•F3 F3 | Mexico | Although true 10-string bajo quintos are made, many so-called "bajo quintos" are really bajo sextos with the lowest course of strings removed. | ||
Bajo Sexto | 12 strings
6 courses |
Standard/Common (All fourths):
E2 E1•A2 A1•D3 D2•G2 G2•C3 C3•F3 F3 Alternate:
E2 E1•A2 A1•D3 D2•G2 G2•B3 B3•E3 E3 |
Mexico | |||
Balalaika, Alto | 3 strings
3 courses |
E3 E3 A3 | Alto | Russia | ||
Balalaika, Bass | 3 strings
3 courses |
E2 A2 D3 | Bass | Russia | ||
Balalaika, Contrabass | 3 strings
3 courses |
E1 A1 D2 | Contrabass | Russia | ||
Balalaika, Piccolo | 3 strings
3 courses |
B4 E5 A5 | Piccolo | Russia | ||
Balalaika, Prima | 3 strings
3 courses |
Standard/Common:
E4 E4 A4 Alternates:
|
Prima | Russia | This is the standard instrument of the balalaika family | |
Balalaika, Prima, 6-string | 6 strings
3 courses |
Standard/Common:
E4 E4 • E4 E4 • A4 A4 Alternates:
|
Prima | Russia | ||
Balalaika, Secunda | 3 strings
3 courses |
A3 A3 D4 | Secunda | Russia | ||
Balalaika, Tenor | 3 strings
3 courses |
A2 A2 E3 | Tenor | Russia | ||
Bandola Andina Colombiana | 16 strings
6 courses |
F#3 F#3•B3 B3•E4 E4 E4•A4 A4 A4•D5 D5 D5•G5 G5 G5 | Colombia | |||
Bandola Llanera | 4 strings
4 courses |
A2 D3 A3 E4 | Venezuela | |||
Bandola Oriental | 8 strings
4 courses |
G3 G3•D4 D4•A4 A4•E5 E5 | Venezuela | |||
Bandolin | 15 strings
6 courses |
E5 E4 E5•A5 A4 A5•D5 D5 D5•F#5 F#5 F#5•B5 B5 B5 | Ecuador | |||
Bandurria, Philippine | 14 strings
6 courses |
F#2•B2 B2•E3 E3•A3 A3 A3•D4 D4 D4•G4 G4 G4 | Philippines | One octave higher than the Philippine laud. | ||
Bandurria, Spanish | 12 strings
6 courses |
G#2 G#2•C#3 C#3•F#3 F#3•B3 B3•E4 E4•A4 A4 | Spain | Standard tuning AKA "Spanish tuning",
one octave higher than the laud. |
||
Banjo, Bass | 4 strings
4 courses |
E1 A1 D2 G2 | US | The Cello banjo is sometimes called "bass banjo", but it is tuned differently, and there are true bass banjos as well. | ||
Banjo, Cello | 4 strings
4 courses |
C2 G2 D3 A3 | "bass" banjo | US | Same as used for the cello. | |
Banjo, Cello | 5 strings
5 courses |
G3 D2 G2 B2 D3 | banjo cello | US | One octave lower than 5-string Bluegrass Banjo. | |
Banjo, Contrabass | 3 strings
3 courses |
Standard/Common:
E1 A1 D2 Alternates:
|
US | Essentially in the same range as the bass banjo, but with a much larger resonator. These instruments are very rare, and tuning is not standardized. | [5] [6] | |
Banjo (5-string) | 5 strings
5 courses |
Standard/Common:
G4 D3 G3 B3 D4 Alternates: |
Bluegrass Banjo | US via Africa |
There are dozens of other, less common tunings. |
|
Banjolin | 4 strings
4 courses |
G3 D4 A4 E5 | US | Hybrid of mandolin and banjo | ||
Banjo (Long Neck) | 5 strings
5 courses |
G4 B2 E3 G#3 B3 | "Pete Seeger" Banjo | US (commissioned by Pete Seeger) | Open string tuning; often played with capo on 3rd fret | |
Banjo, Tenor | 4 strings
4 courses |
Standard/Common (all fifths):
C3 G3 D4 A4 Alternate:
|
US | US via Africa | Irish tuning same as octave mandolin tuning | |
Banjo, Plectrum | 4 strings
4 courses |
C3 G3 B3 D4 | US via Africa | |||
Bisernica | 5 strings
4 courses |
E3•A3•D4•G4 G4 | Croatia, Serbia, Hungary, Slovenia | Other courses are sometimes doubled. | ||
Bordonua | 10 strings
5 courses |
A2 A3•D4 D3•F#3 F#4•B3 B3•E4 E4 | Puerto Rico | |||
Bouzouki | 8 strings
4 courses |
C3 C4•F3 F4•A3 A3•D4 D4 | Tetrachordo bouzouki | Greece | Standard AKA "F6 tuning" | |
Bouzouki | 6 strings
3 courses |
D3 D4•A3 A3•D4 D4 | Trichordo bouzouki | Greece | Standard AKA "F6 tuning" | |
Bouzouki, Irish | ( See Irish bouzouki ) | ( See Irish bouzouki ) | ||||
Brac | 5 strings
4 courses |
E2•A2•D3•G3 G3 | Basprim, Brach | Croatia, Serbia, Slovenia | ||
Braguinha | 4 strings
4 courses |
D4 B4 G4 D5 | Braguinã, Cavaquinho, Machete de braga | Madeira, Portugal | Standard AKA "Banjo tuning" (octave higher than the plectrum banjo) | |
Bugarija | 5 strings
4 courses |
G2•B2•D3•G3 G3 or F# F# A D D | Kontra | Croatia, Serbia, Slovenia | First course is sometimes not doubled. |
C
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Cak | 4 strings
3 courses |
D5 D5 • G4 • B4 |
Steel kroncong guitar | Indonesia | ||
Cavaquinho | 4 strings
4 courses |
Standard/Common:
D3 G3 B3 D4 Alternates:
|
Cavaco, Manchete, Machimbo | Portugal | ||
Cello | 4 strings
4 courses |
Standard/Common:
C2 G2 D3 A3 Alternates:
|
Violoncello | Europe | Many scordatura tunings have been employed by various composers for individual pieces, for example:
B1 F#2 D3 A3 |
|
Celovic | 4 strings
4 courses |
E2 A2 D3 G3 | Celo, Csello, Cselo | Croatia, Serbia, Slovenia | ||
Cetera | 16 strings
8 courses |
Standard/Common:
C3 C3•D3 D3•Eb3 Eb3•F3 F3•G3 G3•G3 G3•D4 D4•G4 G4 Alternate:
G2 G2•A2 A2•C3 C3•D3 D3•A3 A3•G3 G3•D4 D4•E4 E4 |
Corsica, France. | |||
Chanzy | 3 strings
3 courses |
Standard/Common:
F2 C3 F3 Alternates:
|
Chanzi, Tyanzi | Tuva, Russia | ||
Chapey | 3 strings
2 courses |
F3 F3 • B3 |
Chapei, Chapei Dong Veng | Cambodia | ||
Chapman Stick | 10 strings
10 courses |
E3 A2 D2 G1 C1 F#2 B2 E3 A3 D4 |
Stick, The Stick, Classic Stick | United States | There are many alternate tunings, which vary from individual to individual | |
Chapman Stick,
Grand Stick |
12 strings
12 courses |
B3 E3 A2 D2 G1 C1 C#2 F#2 B2 E3 A3 D4 |
Stick, The Stick, Grand Stick | United States | There are many alternates, which vary from individual to individual | |
Charango | 10 strings
5 courses |
G4 G4•C5 C5•E5 E4•A4 A4•E5 E5 |
Quirquincho, Mulita, Tatu, Kirki | Bolivia, Peru, Argentina
Chile, Ecuador |
Common C6/Am7 tuning, but there are many variants. 3rd course is an octave pair. | |
Charango, Hatun | 7 or 8 strings
6 or 7 courses |
(A3) • D4 • G4 • C5 • E5 E4 • A4 • E5 |
Grand Charango, Hatun Charango, Peruvian Charango | Peru | A recent addition to the charango family. | |
Charangón | 10 strings
5 courses |
Standard/Common:
G3 G3•C4 C4•E4 E3•A3 A3•E4 E4 Alternates:
G3 G3•C4 C3•E4 E3•A3 A3•E4 E4
G3 G2•C4 C3•E4 E3•A3 A3•E4 E4
C4 C4•F4 F4•A4 A3•D4 D4•A4 A4
D4 D4•G4 G4•B4 B3•E4 E4•B4 B4 |
Bass Charango | Andean Region | Standard AKA "C6 tuning", one octave lower than the charango.
Very similar in appearance to the ronroco, but slightly larger. |
|
Charango, Ranka | 11 strings
5 courses |
G4 G4•C5 C5•E5 E4•A4 A4•E5 E5 E6•D4 D4•A4 A4•G5 G4•C5 C5•G5 G5 G6 | Patasi Charango, Ranqha Charango | Cochabamba, Bolivia | ||
Chillador | 10 strings
5 courses |
Standard/Common:
G3 G3•C4 C4•E4 E3•A3 A3•E4 E4 Alternates: Same as charango |
Andean mountains | Essentilally a flat-backed charango | ||
Chitarra battente | 10 strings
5 courses |
A3 A3•D4 D4•G3 G3•B3 B3•E4 E4 |
Italy | |||
Chonguri | 4 strings
4 courses |
Standard/Common:
D2 F2 D3 A2 Alternate:[*]
|
Georgia | [*]There are many tuning variations. Note that both examples here are re-entrant. | ||
Çiftelia | 2 strings
2 courses |
B3 E3 | Albania | Common tuning, there are variants. | ||
Cimbalom | [*] about 125 strings
about 53 courses |
A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 [...] * A#5 B5 C6 C#6 D6 D#6 E6 F6 F#6 G6 G#6 A6 |
Cimbál, cymbalom, cymbalum, ţambal, tsymbaly and tsimbl, santur, santouri, sandouri | Hungary | * String number varies with size of instrument; bass courses are usually triple strung and higher courses typically quadruple strung. Range given is for a Concert Grand; other sizes with smaller, and with more extended ranges exist. Only lowest and highest octaves are given; intervening notes are tuned chromatically. | |
Cinco Cuatro | 5 strings
4 courses |
G3•D4 D3•F#4•B4 | North-western Venezuela | |||
Cinco Y Medio | 5 strings
5 courses |
Standard/Common:
E4•G3•D4•F#4•B4 Alternates:
A4•D3•F#4•B4•E4 |
North-western Venezuela | |||
Cinco y Medio | 6 strings
6 courses |
Standard/Common:
E3•A3•D3•F#4•B4•E4 Alternate:
A4•A3•D3•F#4•B4•E4 |
North-western Venezuela | Standard aka "Sanara tuning" | ||
Cinco Seis | ( See Seis Cinco ) | ( See Seis Cinco ) | ||||
Cittern | 10 strings
5 courses |
Standard/Common:
C2 C2•G2 G2•D3 D3•A3 A3•D4 D4 Alternates:
C2 C2•G2 G2•D3 D3•A3 A3•E4 E4
D2 D2•G2 G2•D3 D3•A3 A3•D4 D4
G2 G2•D3 D3•A3 A3•E4 E4•B4 B4
D2 D2•A2 A2•D3 D3•A3 A3•D4 D4 |
Celtic or Flatback Cittern | Europe | Many other modal tunings have been described for citterns. | |
Crwth | 5 strings
5 courses |
G2•C3•C2•D2•D3 | Wales | Traditional Welsh tuning | ||
Cuatro Alto | 10 strings
5 courses |
F#4 F#3•B3 B4•E4 E4•A4 A4•D5 D5 |
Alto Cuatro | Puerto Rico | Rare.[7] | |
Cuatro Antiguo | 8 strings
4 courses |
A3 A3•E4 E4•A4 A4•D5 D5 |
Puerto Rico | An 4 string/4 course version exists, tuned the same | ||
Cuatro Bajo | 10 strings
5 courses |
E3 E2•A3 A2•D3 D3•G3 G3•C4 C4 |
Bass Cuatro | Puerto Rico | Rare.[8] | |
Cuatro Cubano | 8 strings
4 courses |
Standard/Common:
G4 G3•C4 C4•E4 E4•A4 A4 Alternates:
|
Cuban Cuatro, Tres-Cuatro | Cuba | ||
Cuatro, Puerto Rican | 10 strings
5 courses |
B3 B2•E4 E3•A3 A3•D4 D4•G4 G4 |
Cuatro Tradicional, Cuatro Tenor, Cuatro Puertorriqueno, Cuatro Aviolinado, Cuatro Moderno, Tenor Cuatro | Puerto Rico | The Tenor Cuatro is the standard instrument of the Puerto Rican Cuatro Family.[9]
Cuatro Aviolinado means 'violin-shaped cuatro'; Cuatro Moderno is to distinguish from the Cuatro Antiguo |
|
Cuatro, Venezuelan | 4 strings
4 courses |
A3•D4•F#4•B3 |
Cuatro Venezolano | Venezuela | Standard AKA "D6 tuning" | |
Cuatro Soprano | 10 strings
5 courses |
C#5 C#4•F#4 F#5•B4 B4•E5 E5•A5 A5 |
Soprano Cuatro | Puerto Rico | Rare.[10] | |
Cuk | 3 strings
3 courses |
G4 • B3 • E3 |
Kroncong Cuk, Nylon kroncong guitar | Indonesia | ||
Cümbüş | 12 strings
6 courses |
Standard/Common:
A2 A2•B2 B2•E3 E3•A3 A3•D4 D4•G4 G4 Alternates:
E2 E2•A2 A2•B2 B2•E3 E3•A3 A3•D4 D4
A2 A2•D3 D3•E3 E3•A3 A3•D4 D4•G4 G4 |
Turkey | |||
Cümbüş, Tambor | 6 strings
3 courses |
D2 D2•A2 A2•D3 D3 |
Turkey | |||
Cura | 6 strings
3 courses |
D4 D4•A4 A4•E5 E5 |
Cura saz | Turkey | ||
Cura | 7 strings
3 courses |
G3 G3•D4 D4•A4 A4 A4 |
Cura saz | Turkey | ||
Cura | 8 strings
4 courses |
G3 G3•D4 D4•A4 A4•E5 E5 |
Cura saz | Turkey | Same as Mandolin |
D
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Đàn đáy | 3 strings
3 courses |
G3•C4•F4 | Vo de cam,
Đàn đáy |
Vietnam | ||
Đàn nguyệt | 2 strings
2 courses" |
[ * ] | Nguyệt cầm,
Đàn kìm |
Vietnam | * There is no fixed tuning: one string is tuned to a convenient vocal pitch, the other is tuned a 4th, a 5th or (rarely) an octave above that. | |
Dihu | 2 strings
2 courses |
* G2 D3
|
Dadihu, Dahu, Ziaodihu, Zhongdihu | China | A larger version of the Erhu.
Either tuning may be considered standard. |
|
Domra | 3 strings
3 courses |
E4•A4•D5 | Russia | |||
Domra | 4 strings
4 courses |
G3•D4•A4•E5 | Ukraine | Same as mandolin tuning | ||
Dotar | 2 strings
2 courses |
Standard/Common:
D3•G3 Alternate:
|
Dutar | Uzbekistan | This instrument is found in many forms throughout central Asia. | |
Dotara | 4 strings
4 courses |
F#3•C#3•F#4•B4 | India | |||
Dotara | 6 strings
5 courses |
G2 G3•C4•G4•G4•C5 | Bangladesh | |||
Double bass | 4 strings
4 courses |
Standard/Common:
E1•A1•D2•G2 Alternates:
C1•A1•D2•G2
B0•A1•D2•G2 |
Bass, bass fiddle, contrabass, string bass, standup bass, doghouse | Europe | Standard AKA "orchestral tuning" | |
Double bass, 5-string | 5 strings
5 courses |
Standard/Common:
C1•E1•A1•D2•G2 Alternates:
B0•E1•A1•D2•G2 |
Bass, bass fiddle, contrabass, string bass, standup bass, doghouse | Europe | Standard AKA "orchestral tuning" | |
Dranyen | 7 strings
3 courses |
A3 A3•D4 D3 D3•G3 G3 | Dramyin, Dramnyen | Bhutan and Tibet | Standard AKA "Bhutanese tuning" | |
Dranyen | 6 strings
3 courses |
A3 A3•D3 D3•G3 G3 | Dramyin, Dramnyen | Bhutan and Tibet | Standard AKA "Tibetan tuning" | |
Dulcimer | 3-6 strings
3 courses |
Standard 3-string:
A3•A3•D3 Standard 6-string: A3 A3•A3 A3•D3 D3 Alternates:
|
Mountain Dulcimer, Appalachian Dulcimer, Lap Dulcimer, Dulcimore, Delcimore, Delcimer | US | Standard AKA "Ionian Tuning"; Galax AKA "unison tuning"; there are many, many variations.
Dulcimers with 3, 4, 5, and 6 strings exist, usually 3 courses, but sometimes with 4 courses. (The traditional dulcimer is fretted diatonically whole, whole, half, whole, whole, half, whole. ) |
E
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Ektara | 1 string
1 course |
No standard; string is tuned to any convenient pitch. | Ektar, Iktar, Gopichand, Gobijeu | India | ||
Epinette Des Vosges | 6 strings [*]
6 courses |
Common:
G C G |
France | Typically three fretted strings; three drones, but the number of drones may vary widely.
Similar in concept to the Apalacian Dulcimer |
||
Erhu | 2 strings
2 courses |
D4 A4 | Nanhu | China |
F
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Fiddle | 4 strings
4 courses |
Standard/common:
G3 D4 A4 E5 Alternates:
|
Violin, Kit, Pochette | "Fiddle" describes a playing style more than a unique instrument; a fiddle is just a violin with a slightly different "set-up".
Standard AKA "Italian" or "orchestral" tuning High Bass AKA "Old-time D tuning" Cross tuning AKA "High counter" Calico AKA "Black Mountain Rag" or the Swedish tunings: Trollstämning, or Näckastämning |
G
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Gabusi | 6 strings
4 courses |
D g bb dd | Gaboussi | Comoros Islands | ||
Gadulka | 3 strings
3 courses |
A3 E3 A4 | The Balkans | 3 playing strings, with up to 10 sympathetic strings. | ||
Gehu | 4 strings
4 courses |
C2 G2 D3 A3 | Erhu-cello, | China | Same tunings as cello | |
Gekkin | 4 strings
4 courses |
A3 D4 D4 D5 | Japanese Yueqin | Japan | ||
Geyerleier | 8 strings
4 courses |
Standard/Common:
E3 E2•B3 B2•E3 E3•B3 B3 Alternate:
|
Hamburg, Germany | |||
Grajappi | 4 strings
2 courses |
F2 F2 • B2 B2 | Krachappi, Krachap pi | Thailand | ||
Guitalele | 6 strings
6 courses |
Standard/Common:
A2 D3 G3 C4 E4 A4 Alternate:
|
US, Japan | Tuned a 4th or a 5th higher than the standard guitar. | ||
Guitar | 6 strings
6 courses |
Standard:
E2 A2 D3 G3 B3 E4 Common Alternates:
|
Arch-top,
Axe, Classical Guitar, Flamenco Guitar, Flat-top, Guit-box, Guit-fiddle, Nylon String Guitar, 6-string Guitar, Spanish Guitar, Steel-string Guitar |
Spain | "6-string" / "steel" = guitar with metal strings;
"classical" / "nylon" = guitar with nylon or other synthetic strings; "flamenco" may have gut or nylon strings. Open G AKA "bottleneck," "taro patch"; Open A AKA "Spanish"; "Lute tuing" is usually capoed on 3rd fret to give G2 C3 F3 A3 D4 G4, and E2 is often dropped to D2 (F2 with capo). There are hundreds of alternate guitar tunings; whole books have been written on the subject.[11] |
|
Guitar, Alto | 11 strings
11 courses |
Bb1 C2 D2 Eb2 F2 G2 C3 F3 Bb3 D4 G4 | Archguitar, altgitarren, Bolin guitar | Sweden | ||
Guitar, Alto | 13 strings
13 courses |
A1 Bb1 C2 D2 E2 F2 G2 A2 D3 F3 A3 D4 F4 | Archguitar, altgitarren, Bolin guitar | Sweden | This instrument is very rare. | |
Guitar, Alto (Niibori) | 6 strings
6 courses |
Standard/Common:
B2 E3 A3 D4 F#4 B4 |
G Guitar | Japan | Transposing guitar in the key of G, developed for the Niibori Guitar Orchestra | |
Guitar, 7 string | 7 strings
7 courses |
Standard/Common:
B1 E2 A2 D3 G3 B3 E4 Alternate:
|
US | 6-string alternates may be adapted for the 7-string | ||
Guitar, 8 string (low/high) | 8 strings
8 courses |
B1 E2 A2 D3 G3 B3 E4 A4 | 8 string classical guitar | Spain | AKA "Galbraith tuning" | |
Guitar, 8 string (added basses) | 8 strings
8 courses |
[B1 D2] E2 A2 D3 G3 B3 E4 | 8 string classical guitar | Spain | Tuning of two lowest strings varies with player and music | |
Guitar, 9 string | 9 strings
6 courses |
E3 E2•A3 A2•D4 D3•G3 B3 E4 | US | 12-string guitar variant with doubled bases | ||
Guitar, 9 string | 9 strings
6 courses |
E2• A2• D3• G4 G3•B3 B3•E4 E4 | US | 12-string guitar variant with doubled trebles | ||
Guitar, 10 string | 10 strings
10 courses |
F#1 G#1 A#1 C2 E3 A2 D3 G3 B3 E4 | 10 String classical guitar | Spain | Standard tuning | |
Guitar, 12 string | 12 strings
6 courses |
Standard/Common:
E3 E2•A3 A2•D4 D3•G4 G3•B3 B3•E4 E4 Alternates:
All 6-string alternates may be adapted to 12-string. |
Twelve-stringed Guitar | US? | Some players tune the third course to unison G3's to minimize breakage of the high G string. | |
Guitar, baritone | 6 strings
6 courses |
Common tunings:
|
US | There really is no "standard" tuning for baritone guitar; choice of tuning depends on instrument, stringing, and player's preferences. | ||
Guitar, bass | 4 strings
4 courses |
|
Bass, electric bass, 4-string bass | |||
Guitar, bass (5-string) | 5 strings
5 courses |
Standard/Common:
|
Bass, electric bass, 5-string bass | Essentially a 4-string bass with one added high or low string. Choice of tuning depends whether the added string is low or high. | ||
Guitar, bass (6-string) | 6 strings
6 courses |
B0 E1 A1 D2 G2 C3
E1 A1 D2 G2 B2 E3 |
Bass, electric bass, 6-string bass, Contrabass Guitar | Essentially a 4-string bass with either added high and low strings. | ||
Guitar, bass (8-string) | 8 strings
4 courses |
E2 E1•A2 A1•D3 D2•G3 G2 | Eight-string bass guitar, 8-string bass | US | Essentially a 4-string bass with each string doubled at the upper octave. | |
Guitar, octave | 6 strings
6 courses |
E3•A3•D4•G4•B4•E5 | Piccolo Guitar, Soprano Guitar | Germany | One octave higher than the standard guitar. | |
Guitarra De Golpe | 5 strings
5 courses |
Standard/Common:
D3•G3•C4•E3•A3 Alternates:
|
Guitarra Colorada, Quinta De Golpe, Mariachera | Mexico | ||
Guitarrenlaute | 6 strings
6 courses |
Standard/Common:
E2•A2•D3•G3•B3•E4 Alternates are the same as the Guitar |
Guitarren laute, Guitar-lute, Lute-guitar | Germany | Basically this is a lute-shaped guitar; a guitar neck on a lute body. | |
Guitarro | 6 strings
6 courses |
B4 F#4 D5 A5 E5 | Guitarrico, Spanish Tiple | Spain | ||
Guitarrón | 6 strings
6 courses |
A1 D2 G2 C3 E3 A2 | Guitarrón de Toloche | Mexico | ||
Guitarron Argentino | 6 strings
6courses |
B1 E2 A2 D3 G3 B3 | Argentina | A 6-string scoustic bass guitar. | ||
Guitarrón Chileno | 24 or 25 strings total
5 courses + 4 resonating strings |
D4 D4 D3 D3 D2•G4 G4 G4 G3 G3•
(C4) C4 C4 C3 C2•E4 E4 E4•A4 A4 A4 res. strings: F#5 A4 G4 B4 |
Chile | Resonating strings are known as diablos (devils). | ||
Guitar, tenor | 4 strings
4 courses |
C3 • G3 • D4 • A4 | US | Same tuning as tenor banjo, mandola. | ||
Guqin | 7 strings
7 courses |
sol la do re mi sol la | China | Guqin music uses no absolute pitch so tuning varies.
The common Zheng Diao tuning set "do" to approx. "F3" and tunes other strings relative to that to give C3 D3 F3 G3 A3 C4 D4 |
||
Gusli | 9 strings
9 courses |
Standard/Common:
E3 A3 B3 C4 D4 E4 F4 G4 A4 |
Крыловидные гусли | Russia | Tuning varies; this is a common traditional tuning |
H
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Halszither | 9 strings
5 courses |
G2 • D3 D3 • G3 G3 • B3 B3 • D4 D4 | Krienser Halszither | Switzerland | ||
Hardingfele | 4 strings
4 courses plus 4-5 resonating strings |
Standard/Common:
A3 D4 A4 E5 res. strings: (B3) D4 E4 F#4 A4
res.: (A3) D4 E4 G4 A4
res.: (B3) D4 E4 F#4 A4
res.: (A3) C#4 E4 F#4 A4
res.: (A3) C#4 E4 F#4 A4
res.: (F3) B3 D4 G4 A4
res.: (B3) D4 E4 G4 A4 |
Hardanger violin, Hardanger fiddle | Norway |
"Devil's Tuning"
|
|
Harp, Concert | 47 strings
47 courses |
Cb1 Db1 Eb1 Fb1 Gb1 Ab1 Bb1
[ . . . ] * Cb7 Db7 Eb7 Fb7 Gb7 |
Pedal Harp, Double-action Harp, Diatonic Double-action Harp | France | * Only lowest and highest octaves shown. Tuning proceeds through 6-1/2 octaves using the Cb diatonic scale | |
Harp, Celtic | 34 strings
34 courses[*] |
C2 D2 E2 F2 G2 A2 B2
[ . . . ] * C6 D6 E6 F6 G6 A6 |
Clàrsach, Folk Harp, Lever Harp | British Isles | * Number of strings varies, generally between 19-40; 34 strings is typical. Not all models have levers. Only lowest and highest octaves shown. Tuning proceeds through 4-1/2 octaves using the C diatonic scale. | |
Harpsichord | Varies[*] | [*]Typical:
C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 [...] * C#6 D6 D#6 E6 F6 F#6 G6 G#6 A6 A#6 B6 C7 |
Virginal, Spinet, Clavicytherium, Ottavino, Pedal Harpsichord, et al | Europe (Belgium?) | Many variants exist having differing number of keys, multiple keyboards, pedal boards, choirs of strings, etc., and they may have anywhere from about 120 to many hundreds of strings. Tuning is given for a typical single-keyboard, 5-octave instrument, for the main choir of strings. Only lowest and highest octaves are shown; intervening notes are tuned chromatically. Often tuning is in some musical temperament other than 12-tone equal temperament (common on modern pianos). | |
Harzither | 8 strings
4 courses |
GG • CC • EE • GG | Bergzither | Germany | ||
Huapanguera | 8 strings
5 courses |
G2 •D3 D4•G3 G3•B3 B3•E3 | Mexico | |||
Huobosi | 4 strings
4 courses |
E2 A2 D3 G3 | Hubo, Sugudu | China | ||
Hurdy Gurdy | 5 or 6 strings
5 courses |
Traditional:
(G4)G4 C4 G3 C3 C2 Alternates:
(G4)G4 C4 G3 C3 G2
(D5)D4 D4 G3 D3 D2
(D5)D4 D4 A3 D3 G2
(A5)A5 D4 A3 D3 D2 |
Beggar’s lyre, Crank lyre, Cymphan, Forgolant, Organistrum, Symphonia, Wheel fiddle | France | Stringing is given in reverse order, owing to the orientation of the instrument while playing. The first one (or two) strings are melody strings; others are drone strings. Other regional tuning variants exist. |
I
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Ichigenkin | 1 string
1 course |
no standard [*] | Japan | [*]
string is tuned to any note convenient for the vocalist |
||
Igil | 2 strings
2 courses |
(E • B) | Ikili | Tuva, Mongolia | Pitch varies depending what other instruments the Igil is playing with, but the two strings are always tuned a 5th apart. | |
Irish bouzouki | 8 strings
4 courses |
Standard/Common:
G3 G2•D4 D3•A3 A3•E4 E4 Alternates:
G2 G2•D3 D3•A3 A3•E4 E4
G3 G2•D4 D3•A3 A3•D4 D4
A3 A2•D4 D3•A3 A3•D4 D4 |
Bouzouki, Octave Mandolin, Zouk | Ireland | Irish bouzouki is basically an octave mandolin with the two lowest courses tuned in octaves instead of unisons. "Modal D" octaves can also be tuned in unisons. | |
J
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Jarana huasteca | 5 strings
5 courses |
G3 • B3 • D4 • F#4 • A4 | Mexico | |||
Jarana jarocha | 8 strings
5 courses |
A3 • D4 D4 • G3 G4 • B3 B3 • E4
G3•C4 C4•E3 E3•A3 A3•G4 |
Mexico | Part of their name usually describes their size, for example:
Jarana Chaquiste, Jarana Primera, Jarana Segunda, Jarana Tercera, Jarana Tercerola Where octave doublings occur will often differ depending on the size of the instrument. The larger instruments commonly double the middle courses at the octave. |
||
Jarana Jarocha Requinto | 4 strings
4 courses |
Standard/Common:
G2•A2•D2•G3 Alternates:
|
Jarocha Requinto, Requinto Jarocha, Guitarra De Son | Mexico | ||
Jarana Leona | 4 strings
4 courses |
G2•A2•D3•G3 | Mexico | |||
Jouhikko | 3 strings
3 courses |
D A E | Jouhikannel | Finland | Absolute pitch is not fixed on this instrument |
K
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Kabosy | 6 strings
4 courses |
G • G • B B • D D | Madagascar | |||
Kacapi | 6 strings
3 courses |
A#• B •C# •F• F# | Indonesia | Uses a gamelan pelog scale. Tuning is approximated to western notation. | ||
Khonkhota | 8 strings
5 courses [*] |
G4 G3•C4•D4 D3•A3•D4 D4 | Qonqhota, Ponputu, Mokholos, Machus | South America | Strings/courses are usually 8/5 but 7/5, 9/5, 10/5 or 11/5 variations exist. | |
Kithara Sarda | 6 strings
6 courses |
B2 E2 A2 D3 F3 B3 | Sardinia, Italy. | |||
Kobza | 8 strings
4 courses |
Standard/Common:
GG • DD • GG • CC Alternate:
|
Kobuz, Kobsa | Moldavia, Romania, Hungary | ||
Komuz | 3 strings
3 courses |
A E A | Qomuz, Gopuz, Kopuz, Kopus | Kyrgyzstan | ||
Kora | 21 strings
21 courses |
Traditional Tunings:
|
West Africa | Scales roughly correspond to Western major, minor, and lydian scales, but are not in equal temperament. Any of the scales may be considered "standard". | ||
Koto | 13 strings
13 courses |
Traditional tunings:
D4 D4 A3 B3 D4 E4 F#4 A4 B4 D5 E5 F#5 A5
E4 A3 B3 D4 E3 F#3 A3 B3 C#4 E4 F#4 A4 B4
E4 A3 B3 C#4 E3 F#3 A3 B3 C#4 E4 F#4 A4 B4
B3 E3 F#3 A3 B3 C#4/D4 E4 F#4 A4 B4 C#5/D5 E5 F#5
B3 E3 F#3 G#3 B3 C#4 E4 F#4 G#4 B4 C#4 E4 F#4
F#3 B3 C#3 E3 F#3 G#3/A3 B3 C#4 E4 F#4 G#4/A4 B4 C#5
G3 G3 D3 E3 G3 A3 B3 D4 E4 G4 A4 B4 D5 |
箏, 琴 | Japan |
|
|
Kwitra | 8 strings
4 courses |
GG • EE • AA • DD | Kuitra, Kouitra, Quwaytara | Algeria |
L
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Laouto | 8 strings
4 courses |
Standard/Common:
C2 C3•G2 G3•D2 D3•A3 A3 Alternate:
|
Laghouto | Greece | Standard aka "Mainland" | |
Laúd, Philippine | ( See Octavina ) | (See Octavina ) | ||||
Laúd | 12 strings
6 courses |
Standard/Common:
G#1 G#1•C#2 C#2•F#2 F#2•B2 B2•E3 E3•A3 A3 Alternates:
D1 D1•A1 A1•E2 E2•B2 B2•F#3 F#3•C#4 C#4
D1 D1•A1 A1•E2 E2•B2 B2•F#3 F#3•D4 D4 |
Spanish laud | Spain | Standard AKA Spanish Tuning;
one octave lower than the Spanish Bandurria |
|
Laud, Cuban | 12 strings
6 courses |
D3 D3•F#3 F#3•B3 B3•E4 E4•A4 A4•D5 D5 | Laud Cubano | Cuba | ||
Lili'u | 6 strings
4 courses |
G3 • C3 C4 • E4 • A4 A4 | Li'liu, Taropatch, Tenor Ukulele | Hawaii | C6 tuning Tenor Ukulele tuning with courses 1 and 3 doubled. | |
Lili'u | 8 strings
4 courses |
G3 G4 • C3 C4 • E4 E4 • A4 A4 | Li'liu, Taropatch, Tenor Ukulele | Hawaii | Double-strung tenor ukulele. | |
Liuqin | 4 strings
4 courses |
G3 • D4 • G4 • D5 | liuyeqin, willow leaf instrument | China | ||
Liuto cantabile | 10 strings
5 courses |
C2 C2•G2 G2•D3 D3•A3 A3•E4 E4 | Liuto moderno | Naples, Italy | Some courses are occasionally single-strung | |
Luc huyen cam | 5 strings
5 courses |
Standard/Common:
C3 • F3 • C4 • G4 • C5 Alternate:
(aka "slide guitar tuning") |
Đàn Ghita, Ghita, Phím Lõm,
Vietnamese guitar |
Vietnam | Originally a 4- or 5-string instrument; today often nearly identical to a 6-string western guitar, except for having a scalloped fingerboard and one less string.
(See below.) |
|
Luc huyen cam | 6 strings
6 courses |
Standard/Common:
E2 • A2 • D3 • G3 • B4 • E4 Alternates:
|
Đàn Ghita, Ghita, Phím Lõm,
Vietnamese guitar |
Vietnam |
|
|
Lute | [ * ] |
G2 G2 • C3 C3 • F3 F3 • A3 A3 • D4 D4 • G4 G4
D2 D3•G2 G3•C3 C4•F3 F3•A3 A3•D4 D4•G4
D2 D3•F2 F3•G2 G3•C3 C4•F3 F3•A3 A3•D4 D4•G4
C2 C3•D2 D3•E♭2 E♭3•F2 F3•G2 G3•C3 C4•F3 F3•A3 A3•D4 D4•G4
A1 A2•B1 B2•C2 C3•D2 D3•E2 E3•F2 F3•G2 G3•A2 A2•D3 D3•F3 F3•A3 A3•d4•f4 |
Europe | [ * ] The number of strings and courses on a lute can vary widely depending on period and geographical region. Among the more common forms are 6, 7, 8, 10, and 13 courses. (Pictured: 8 course Renaissance Lute.) | ||
Lyra | 3 strings
3 courses |
D3 • A3 • E5 | Crete, Greece |
M
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Mandobass | 4 strings
4 courses |
Standard/Common:
E1 A1 D2 G2 Alternate: G1 D2 A2 E3 |
Europe | The alternate tuning (2 octaves below the mandolin) is usually applied to a smaller-scale instrument (see 'Mandobass'). | ||
Mandobass | 8 strings
4 courses |
Standard/Common:
G1 G1•D2 D2•A2 A2•E3 E3 Alternate:
|
Tremolo-bass | Europe | Relatively rare; larger than the standard mandobass.
Standard tuning is 2 octaves below the mandolin. |
|
Mandocello | 8 strings
4 courses |
C2 C2•G2 G2•D3 D3•A3 A3 | mandolincello, mandoloncello | Standard tuning is 1 octave below the mandola. | ||
Mandola | 8 strings
4 courses |
C3 C3•G3 G3•D4 D4•A4 A4 | Tenor mandola (Europe) | A 5th below mandolin tuning. | ||
Mandolin | 8 strings
4 courses |
G3 G3•D4 D4•A4 A4•E5 E5 | Mando | Standard instrument of the mandolin family. | ||
Mandolinetto | 8 strings
4 courses |
G3 G3•D4 D4•A4 A4•E5 E5 | USA and Canada | A guitar-shaped mandolin, or mandolin neck on ukulele body. | ||
Mandolin (Octave) | 8 strings
4 courses |
G2 G2•D3 D3•A3 A3•E4 E4 | Tenor Mandolin, Irish Bouzouki, Octave mandola (Europe) | Pitched 1 octave below the mandolin. | ||
Mandolin (Piccolo) | 8 strings
4 courses |
C4 C4•G4 G4•D5 D5•A5 A5 | Brilliant tone mandolin | Tuned a 4th above the mandolin; 1 octave above the mandola. | ||
Mandriola | 12 strings
4 courses |
G3 G3 G3•D4 D4 D4•A4 A4 A4•E5 E5 E5 |
Tricordia | Europe | Tricordia is also a similar instrument tuned differently; both instruments are known by both names. (see Trichordia) | |
Manguerito | 7 strings
5 courses |
D4•G4•B4 B3•E4•B4 B4 | La Paz, Bolivia | |||
Mejorana | 5 strings
5 courses |
D4•A4•A3•B3•E4
D4•G4•G3•B3•E4 |
Mejorana, Rumbo | Panama | Either tuning may be considered "standard." |
N
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Nevoud | 11 strings
6 courses |
C#2•F#2 F#2•B2 B2•E3 E3•A3 A3•D4 D4 | Nevud, New Oud | Turkey | ||
Nigenkin | 2 strings
2 courses |
No standard [*] | Japan | [*] Strings are tuned in unison, to any pitch convenient for vocalist. | ||
Nyckelharpa | 4 strings
4 courses + 12 resonating strings |
C3 • G3 • C4 • A4
res.strings: G#3 A3 Bb3 B3 C4 C#4 D4 Eb4 E4 F4 F#4 G4 |
Key-harp,
Chromatic Nyckelharpa |
Sweden | Number of sympathetic strings may vary. | |
Nyckelharpa, Tenor | 4 strings
4 courses + 12 resonating strings |
G2 • D3 • G3 • E4
res.strings: G#2 A2 Bb2 B2 C3 C#3 D3 Eb3 E3 F3 F#3 G3 |
Sweden | This instrument is of very recent invention. |
O
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Octavina | 14 strings
6 courses |
F#1•B1 B1•E2 E2•A2 A2 A2•D3 D3 D3•G3 G3 G3 |
Philippine Laúd | Philippines | One octave lower than the Philippine Bandurria | |
Octobass | 3 strings
3 courses |
C0 G0 D1 | Subcontrabass, triple bass | France | Extremely rare. Tuning is that supplied by the inventor, Jean Baptiste Vuillaume (1798-1875), 2 octaves below the modern cello. | |
Octofone | 8 strings
4 courses |
* C2 C2•G2 G2•D3 D3•A3 A3
|
USA | Any of the tunings may be considered "standard". | ||
Oud | 11 strings
6 courses |
C2 F2 A2 D3 G3 C4
F4 A2 D3 G3 C4 F4
D2 G2 A2 D3 G3 C4
E2 A2 B2 E3 A3 D4
C#2 F#2 B2 E3 A3 D4
D2 F#2 B2 E3 A3 D4 |
Ud, Al-Ud, Oud Arbi | Middle East | Standard AKA "Arabic tuning"; notated a 4th higher in ME notation; one octave higher in western notation. |
P
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Palida | 4 strings
4 courses |
D3 • A3 • E4 • B4 | Europe | |||
Panduri | 3 strings
3 courses |
Standard/Common:
G3 • A3 • C4 Alternate:
|
Georgia (Asia) | |||
Pedal Steel Guitar | [ * ]
10 strings 10 courses |
Standard/Common:
Alternates:
|
Steel guitar | United States | [ * ] 10 strings is more or less standard now, but instruments with 6, 8, 12, and other numbers of strings, and 2, 3, or 4 necks exist. A different tuning is usually applied to each neck, but setups vary from player to player. | 2-Neck Pedal Steel Guitar
|
Phin | 3 strings
3 courses |
A3 E4 A4 | Thailand | |||
Piano | 230 strings[*]
88 courses |
A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1
[...] *C#7 D7 D#7 E7 F7 F#7 G7 G#7 A7 A#7 B7 C8 |
Pianoforte, Grand, Grand Piano, Concert Grand, Upright, Upright Piano, Spinet | Europe (Italy) | * About 2/3 of courses are triple strung; some lower courses are double strung; the remaining bases are single strung. All multi-strung courses are tuned to unisons. Exact number of strings varies by manufacturer and model, 220 - 240 is typical.[12] Only lowest and highest octaves are shown; tuning of the intervening notes is chromatic. | Upright Piano:
Grand Piano: |
Piano, Imperial Grand | 249 strings[*]
97 courses |
C0 C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0
[...] *C#7 D7 D#7 E7 F7 F#7 G7 G#7 A7 A#7 B7 C8 |
Imperial Grand, 290, Bösendorfer | Austria | * About 2/3 of courses are triple strung; some lower courses are double strung; the remaining bases are single strung. All multi-strung courses are tuned to unisons. Only lowest and highest octaves are shown; tuning of the intervening notes is chromatic. These extended-range pianos are very expensive and uncommon. | |
Pipa | 4 strings
4 courses |
A2 D3 E3 A3 | Pi p'a | China | ||
Portuguese guitar | 12 strings
6 courses |
D3 D2•A3 A2•B3 B2•E3 E3•A3 A3•B3 B3
C3 C2 • G3 G2 • A3 A2 • D3 D3 • G3 G3 • A3 A3 |
Guitarra Portuguesa | Portugal | Either tuning may be considered "standard". | |
Q
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Qinqin | 3 strings
3 courses |
G3 D4 A5 | China |
R
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Rajao | 6 strings
5 courses |
D4•G4•C4•E4•A4 (A4) | Rajão | Portugal | Sometimes the top course is not doubled, so there are only 5 strings | |
Ramkie | 4 strings
4 courses |
C3 F3 A3 C4 | Afri-can, Kitaar | South Africa | Typically these are homemade, and therefore quite variable. | |
Rebab | 2 strings
2 courses |
D3 A3 | Java | Tuning given is approximate: does not follow western equal temperament | ||
Requinto | 6 strings
6 courses |
A2 D3 G3 C4 E4 A4 | Requinto guitar | Mexico | 4th above the standard guitar | |
Ronroco | 10 strings
5 courses |
D3 D3•G4 G4•B2 B3•E4 E4•B4 B4
C3 C3•F4 F4•A2 A3•D4 D4•A4 A4
G3 G3•C4 C4•E4 E3•A3 A3•E4 E4 |
Ronrroco | Andean Region | In effect, a baritone charango. Bolivian tuning is one octave below the charango. Either tuning may be considered "standard". | |
Ruan | 4 strings
4 courses |
G2 D3 G3 D4 | Ruanqin | China | ||
Russian guitar | 7 strings
7 courses |
Standard/Common:
D2 G2 B2 D3 G3 B3 D4 Alternate:
|
semistrunnaya gitara, semistrunka | Russia | There are many variant tunings, mostly idiosyncratic to individual performers. |
S
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Sanshin | 3 strings
3 courses |
Standard/Common:
C3 • F3 • C4 Alternates:
|
Okinawa shamisen, jabisen | Ryukyu Islands, Japan | Standard AKA Hon chōshi | |
Sanxian | 3 strings
3 courses |
Standard/Common:
A2 • D3 • A3 Alternate: D3 A3 D4 |
Sanhsien, Small Sanxian, Xianzi, Quxian, Shuxian, Chinese Banjo | China | ||
Sanxian, Large | 3 strings
3 courses |
G2 • D3 • G3 |
Sanhsien, Large Sanxian, Xianzi, Quxian, Shuxian, Chinese Banjo | China | Other size variants exist, but are uncommon. | |
Sarangi, Nepalese | 4 strings
4 courses |
G4•C5•C5•G5 | Nepal | |||
Sargija | 6 strings
3 courses |
C3 C3 • G3 G3 • D3 D3 | Sharkia, Sharki, Shargija | Albania | ||
Seis Cinco | 6 strings
5 courses |
E3•A4 A3•D3•F#4•B4 |
Seis Cinco | North-western Venezuela | ||
Setar | 4 strings
3 courses |
C3 C4 • G3 • C4 | Iran | |||
Shamisen | 3 strings
3 courses |
Standard/Common:
D G D Alternates:
|
Samisen, Sangen | Japan | Standard = "Honchoshi" tuning | |
Sitar | 8 strings
(3 are drones) 8 courses plus 12 resonating strings |
C5 C4 G3 C2 G2
drones: C2 C2 F2 |
North India | 5th string can be tuned to C. Sympathetic (resonating) strings are tuned to the raga being played. | ||
Socavon | 4 strings
4 courses |
G3 D4 A4 B2 | Bocona | Panama | ||
Strumstick | 3 strings
3 courses |
Standard/Common:
G3 D4 G4 Alternate:
|
Dulcitar, Dulcimer stick, Strumbly, Standard Strumstick | US | Other sizes exist. General tuning is Root-5th-Octave, but the variations used are endless. |
T
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Tambura | 8 strings
4 courses |
D3 D3 • G3 G3 • B3 B3 • E4 E4 |
Tamboura | Bulgaria | ||
Tambura | 4 strings
4 courses |
sol do' do' do* |
Tanpura, Tampuri, Tamboura, Taanpura | India | *Classical Indian music has no absolute pitch. "Do" is tuned to a convenient note for any singers, or for the Raga being played, and the other strings are tuned relative to that reference. | |
Tambura | 4 strings
2 courses |
D D • A A |
Tamboura | Macedonia | ||
Tar | 4 strings
3 courses |
C3 C4 • G3 • C4 C4 |
Iran | |||
Tarica | 5 strings
3 courses |
Standard/Common:
C2 • G2 G2 • C3 C3 Alternate:
|
Tarika, Tricord, Trichord | Europe | ||
Taropatch | ( See Lili'u ) | ( See Lili'u ) | ||||
Tembor | 5 strings
3 courses |
A A•D•G G | China | |||
Terzin Kitarra | 6 strings
6 courses |
G#2 B2 E3 A3 C#4 E4 |
Malta | |||
Timple | 5 strings
5 courses |
G4 C5 E4 A4 D5 |
Canary Island Tiple | Canary Islands, Spain | ||
Tiple, American | 10 strings
4 courses |
A4 A3 • D4 D3 D4 • F#4 F#3 F#4 • B3 B3 |
Tiple ukulele, Martin Tiple | US | The D and F# are triple-strung; the other strings are paired. | |
Tiple, Colombian | 12 strings
4 courses |
Standard/Traditional:
C4 C3 C4 • E4 E3 E4 • A4 A3 A4 • D4 D4 D4 Alternate:
|
Tiple Colombiano | Colombia | Triple strung | |
Tiple de Menorca | 5 strings
5 courses |
D4•G4•C5•E5•A5 | Menorca, Spain | |||
Tiple, Puerto Rican | 5 strings
5 courses |
E3 • A3 • D4 • G4 C5 |
Tiple Doliente | Puerto Rico | ||
Tiple Requinto | 12 strings
4 courses |
Standard/Traditional:
C4 C4 C4 • E4 E4 E4 • A4 A4 A4 • D4 D4 D4 Alternate:
|
Tiple Requinto Colombiano | Colombia | Triple strung: smaller than Tiple Colombiano, and central lower octave strings are replaced with unisons. | |
Trembulo | 6 strings
4 courses |
B3•E3•A4 A4•D4 D4 | Fusao, Fusao Trembulo, Fusion Trembulo | Portugal | ||
Trembulo | 8 strings
4 courses |
* A4 A3•D4 D3•B4 B3•E4 E3
|
Portugal | Any of the tunings may be considered "standard". | ||
Tres,
Cuban |
6 strings
3 courses |
Standard/Common:
G4 G3• C4 C4• E4 E3 Alternate:
A4 A3• D4 D4 • F#4 F#3 |
Tres, Tres Cubano | Cuba | ||
Tres,
Puerto Rican |
9 strings
3 courses |
Standard/Common:
G4 G3 G4 • C4 C4 C4 • E4 E3 E4 Alternates:
|
Tres, Puerto Rican Tres | Puerto Rico | Note that alternates simply change the location of the octave doublings. | |
Tricordia | 12 strings
4 courses |
G2 G3 G3 • D3 D4 D4 • A3 A4 A4 • E4 E5 E5 |
Mandriola | Mexico | Although tuned differently from the mandriola, both instruments are known by both names | |
Tzouras | 6 strings
3 courses |
D3 D4 • A3 A3 • D4 D4 |
6 strings/3 courses | Tzouras | Greece |
U
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Ukulele (Baritone) | 4 strings
4 courses |
D3 G3 B3 E4 |
Baritone Uke, Bari Uke | Hawaii | Same as 4 highest-pitched guitar strings. | |
Ukulele (Bass) | 4 strings
4 courses |
E1 A1 D2 G2 |
Bass Uke, Travel Bass, Rubber Bass, U-Bass | US | Same as bass guitar. A relatively new instrument that has to be amplified to be heard; tone is much like a double bass. | |
Ukulele, Concert | 4 strings
4 courses |
Standard/Common:
G4 C4 E4 A4 Alternate:
|
Uke | Hawaii | Often just a soprano uke with a slightly longer neck -- 15, 16 or 18 frets, as opposed to 12 or 13 frets. | |
Ukulele, Soprano | 4 strings
4 courses |
Standard/Common:
A4 D4 F#4 B4 Alternate:
|
Uke | Hawaii | The standard, basic ukulele. | |
Ukulele, Tahitian | 8 strings
4 courses |
G4 G4 • C5 C5 • E5 E5 • A4 A4 |
Tahitian banjo, Tahitian Ukulele, Ukulélé Tahitien, Youke | Tahiti | ||
Ukulele (Tenor) | 4 strings
4 courses |
G3 C4 E4 A4 |
Uke, Tenor Uke | Hawaii | 6- and 8- string versions exist. 6-string has the first (highest) and third courses doubled; paired strings are tuned in unison. For 8-string, see Taro Patch | |
V
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Veena | 7 strings
7 courses |
C3 • D3 • E3 • F3 • G3 • A3 • B3 |
Vina, Saraswati Veena; Sawaswati Vina | South India | Pitches are approximate: does not use the western equal tempered tuning system. | |
Vihuela | 5 strings
5 courses |
A3 • D4 • G4 • B3 • E4 |
Mexico | This is the modern Mariachi instrument. Vihuela also refers to many historic antecedents of the guitar, in various configurations, most of them currently obsolete. | ||
Viol, alto | 6 strings
6 courses |
A2 D3 G3 B3 E4 A4 |
Europe | |||
Viol, bass | 6 strings
6 courses |
D2 G2 C3 E3 A3 D4 |
Europe | |||
Viol, bass | 7 strings
7 courses |
A1 D2 G2 C3 E3 A3 D4 |
Europe | |||
Viol, contrabass | 6 strings
6 courses |
D1 G1 C2 E2 A2 D3 |
violone, D'violone | Europe | octave lower than the 6-string bass viol | |
Viol, Tenor | 6 strings
6 courses |
G2 C3 F3 A3 D4 G4 |
Viol da Gamba, Viola da Gamba | Europe | ||
Viol, Treble | 6 strings
6 courses |
D3 G3 C4 E4 A4 D5 |
Europe | |||
Viola | 4 strings
4 courses |
C3 G3 D4 A4 |
Europe | Pitched a 5th below the violin. | ||
Viola Amarantina | 10 strings
5 courses |
D3 D2•A3 A2•B3 B2•E3 E3•A3 A3 | Viola Aramante, Viola de dois coracois | Amarante, Portugal | ||
Viola Beiroa | 12 strings
7 courses |
D3•D3•A3 A2•D3 D2•G3 G2•B3 B3•D3 D3 | Portugal | |||
Viola Braguesa | 10 strings
5 courses |
C4 C3•G4 G3•A4 A3•D4 D4•G4 G4 |
Viola Da Braga | Portugal | ||
Viola caipira | 10 strings
5 courses |
A3 A2 • D4 D2 • F#4 F#3 • A3 A3 • D4 D4 |
Viola de dez cordes, Viola sertaneja | Brazil | ||
Viola Campaniça | 10 strings
5 courses |
C3 C2 • F3 F2 • C3 C3 • E3 E3 • G3 G3 |
Viola de Beja | Portugal | ||
Viola da Gamba | See Viol, Tenor | See Viol, Tenor | ||||
Viola Da Terra | 12 strings
5 courses |
A4 A4 A3•D4 D4 D3•G3 G3•B3 B3•D4 D4 |
Azores (Portugal) | |||
Viola De Arame | 9 strings
5 courses |
G3 G2•D3 D2•G3 G3•B3•D3 D3 |
Viola de Madeira | Madeira, Portugal | ||
Viola de cocho | 5 strings
5 courses |
G3 • D3 • E3 • A3 • D4 |
Mato Grosso, South-western Brazil | |||
Violao De Sete Cordas | 7 strings
7 courses |
Standard/Common:
C2•E2•A2•D3•G3•B3•E4 Alternate:
|
Brazil | |||
Viola Sertaneja | 10 strings
5 courses |
[*]
A3 A2•D4 D2•F#4 F#3•B3•A3 A3 A3•D4•G4 G4•B3•B3 B3 B3•E4 E4 E4 |
Viola Nordestina | Brazil | Two different arrangements are employed for the courses:
2-2-2-2-2 (1st tuning) or 1-1-2-3-3 (2nd tuning) |
|
Viola Terceira | 15 strings
6 courses |
E3 E3 E2•A3 A3 A2•D3 D3 D2•G3 G2•B3 B3•E3 E3 |
Viola Da Terceira, Viola Terceirense | Azores (Portugal) | ||
Viola Toeira | 12 strings
5 courses |
A3 A3 A2 • D3 D3 D2 • G3 G2 • B3 B3 • E3 E3 |
Portugal | |||
Violin | 4 Strings
4 courses |
G3 D4 A4 E5 |
Fiddle (colloquial) | Lombardy | For other tunings see fiddle | |
Violin, Tenor | 4 Strings
4 courses |
Standard/Common:
G2 D3 A3 E4 Alternate:
|
Tenor violin, baritone violin, violotta | US | Standard is one octave below the violin;
4th below the viola. Rare. |
|
W
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Walaycho | 10 strings
5 courses |
*Bolivian (F6):
C4 C4•F4 F4•A5 A4•D5 D5•A5 A5
D4 D4•G4 G4•B5 B4•E5 E5•B5 B5 |
Waylacho, hualaycho, maulincho | Andean region | A soprano charango
F6 = 4th higher than the charango G6 = 5th higher than the charango |
|
Waldzither | 9 strings
5 courses |
Standard/Common:
C3•G3 G3•C4 C4•E4 E4•G4 G4 Alternate:
|
Forest zither | Germany | ||
X
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Xenorphica | 73 strings
73 courses |
F1 F#2 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2[...] *
F#6 G6 G#6 A6 A#6 B6 C7 C#7 D7 D#7 E7 F7 |
claviharp, harp piano,
keyed harp |
Austria | Only lowest and highest octaves are shown; tuning of the intervening notes is chromatic.
Rare. |
|
Y
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Yayli Tambur | 6 strings
3 courses |
D2 D2•A2 A2•D3 D3 |
Yayli Tanbur | Turkey | ||
Yueqin | 4 strings
4 courses |
G3•D4•G4•D5 |
Yueh qin,
Yueh chin, Moon guitar |
China | ||
Yueqin,
Taiwanese |
2 strings
2 courses |
D3•A4 |
Yueh qin,
Yueh chin, Moon guitar |
Taiwan |
Z
Instrument | Strings & Courses | Tuning(s) | Alternative Names | Origin | Notes | Picture |
---|---|---|---|---|---|---|
Zheng | 18 strings
18 courses |
Common:
C2 D2 E2 G2 A2 C3 D4 E4 G4 A4 C4 D4 E4 G4 A4 C5 D5 E5 |
Guzheng, Gu Zheng, Pinyin | China | Tuning is not absolute, and is not limited by Western equal temperament.
Zhengs also come with varying numbers of strings, typically from 16-26; the pentatonic tuning is extended to accommodate these extra (high and low) strings. |
|
Zhonghu | 2 strings
2 courses |
|
China | Either tuning may be considered "standard". | ||
Zither Alpine | 5 fretted strings[*]
5 courses plus 37 open accompaniment & bass strings |
Fretted Strings Standard/Common:
A4 A4 D4 G3 C3 Alternate:
[See ZITHER TUNING CHART, below, for unfretted string tunings] |
Alpine Zither, Harp Zither | Austria, Germany, elsewhere. | Standard Tuning AKA "Munich"
[*]
|
|
Zither, Concert | 5 fretted strings[*]
5 courses plus 29 - 30 open accompaniment & bass strings |
Fretted Strings Standard/Common:
A4 A4 D4 G3 C3 Alternate:
[See ZITHER TUNING CHART, below, for unfretted string tunings] |
Concert Zither, Fretted Zither | America, Germany, elsewhere. | Standard AKA "Munich"
[*]
|
|
Zither Guitar | Varies | Varied open string chord sets and chromatic or diatonic tuning of additional open strings. The string tuning is often printed on the instrument itself. See the picture. No frets nor fingerboard. | Guitar zither, Chord zither, Fretless Zither | Austria, Germany, elsewhere. | May have from 12 to 50 strings, or more, depending on design
|
Zither Tuning Chart
Zither Tuning Chart | ||||||||||||||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Fretted | Accompaniment | Basses | Countrabasses | |||||||||||||||||||||||||||||||||||||||
String | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 |
Pitch | A4 | A4 | D4 | G3 | C3 | Eb4 | Bb3 | F4 | C4 | G3 | D4 | A3 | E4 | B3 | F#3 | C#4 | G#3 | Eb4 | Bb3 | F4 | C4 | G3 | D4 | A3 | E4 | B3 | F#3 | C#4 | G#3 | F3 | E3 | Eb3 | D3 | C#3 | C3 | B2 | Bb2 | A2 | G#2 | G2 | F#2 | F2 |
A4 | D4 | G3 | G3 | C3 | NOTE: Unfretted string #6 is closest to fretted string #5. | Concert | Alpine |
Notes
- ↑ Marcuse, Sibyl; Musical Instruments: A Comprehensive Dictionary; W. W. Norton & Company (1975).
- ↑ Randel, Don Michael, Ed.; The New Harvard Dictionary of Music; Cambridge, Massachusetts: The Belknap Press of Harvard University Press (1986). p. 211.
- ↑ Backus, John; The Acoustical Foundations of Music; New York: W. W. Norton & Company (1975).
- ↑ Ibid. p. 60-61.
- ↑ http://24.media.tumblr.com/tumblr_lmcpvhDYxr1qb1o6yo1_400.jpg
- ↑ http://api.ning.com/files/rKOLpnVd66P9W54bZUwf8KBJlcpNm4aYsDHWu847NEtLkctOqUmQ8hIL27uPmVDwaiJPsWe9jtLliYuroZRVYrDfkj74E0yc/bassbanjo3001.JPG
- ↑ http://www.cuatro-pr.org/node/70
- ↑ Ibid.
- ↑ Ibid.
- ↑ Ibid.
- ↑ See for Example: Hanson, Mark; The Complete Book of Alternate Tunings; West Linn, Oregon: Accent of Music. (1995)
- ↑ Smith, Eric; Piano Care & Restoration; Blue Ridge Summit, Penn.: TAB Books, Inc. (1981). p. 60.
References
- Brody, David; The Fiddler's Fakebook: The Ultimate Sourcebook For The Traditional Fiddler; Music Sales America (1992). ISBN 0825602386
- Dearling, Robert; Stringed Instruments; Chelsea House Publishing (2000). ISBN 0791060926
- Hanson, Mark; The Complete Book of Alternate Guitar Tunings; Music Sales America (1995). ISBN 0936799137
- Marcuse, Sibyl; Musical Instruments: A Comprehensive Dictionary; W. W. Norton & Company (1975). ISBN 0393007588
- Piston, Walter; Orchestration; W. W. Norton & Company (1955). ISBN 0393097404
- Randell, D. M. (editor); Harvard Dictionary of Music, 4th Edition; Belknap Press of Harvard University Press (2003). ISBN 0674011635
See also
- Bass Guitar Tunings
- Guitar Tunings
- Piano Tuning
- Plucked string instrument list
- Scale (string instruments)
- Scordatura
- Violin Tuning
External links
- Atlas of Plucked Instruments
- A Case Study of the Zheng Concerto
- Chapman Stick Tunings
- Hurdy-gurdy Tuning
- Koto Tunings
- Zither Tuning
|