Stoneywell

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Stoneywell
Location within Leicestershire
General information
Type Domestic House
Architectural style Arts and Crafts
Location SK498118
Town or city Ulverscroft, Leicestershire
Country United Kingdom
Coordinates 52°42′05″N 1°15′53″W / 52.70149°N 1.26465°W / 52.70149; -1.26465Coordinates: 52°42′05″N 1°15′53″W / 52.70149°N 1.26465°W / 52.70149; -1.26465
Construction started 1898
Completed 1899
Cost £920
Client Sydney Gimson
Design and construction
Architect Ernest Gimson

Stoneywell is the largest of a small group of cottages designed in the Arts and Crafts style by Ernest Gimson, in Ulverscroft, a dispersed settlement in Charnwood Forest, Leicestershire. It was built by Detmar Blow in 1899 for Ernest's brother Sydney Gimson as a summer residence, and along with much original furniture, it remained in the Gimson family for over a century. As part of a highly influential vernacular movement, it has become well known within Arts and Crafts circles. In spring 2013 the National Trust announced that following a year-long appeal, it had been able to acquire the house with its Arts and Crafts contents, gardens and woodland and intend to open it to the public from 2014.

The house

Built between 1897 and 1899 out of the stones found in the immediate locality, and constructed directly onto outcrops of exposed Charnwood bedrock, Stoneywell creates the impression it is an organic part of the landscape.[1] Set away from the road, it is close to Stoneywell Wood and its surrounding gardens are by design and necessity more wild than cultivated. The house is built on a slope and approached from above so that a visitor is required to walk round the house to get to the front door, which faces south-west over the rugged landscape.[2] At one end the roof almost reaches the ground, and the massive chimney stack buttresses the south wall.[2] The roof, like many of Gimson's houses, was originally thatch, but following a fire in 1938 was re-roofed in second-hand Swithland slates.[3] The rooms, windows and roofline step downwards, along the open z-shape of the groundplan, to follow the contours of the hill, such that the ground floor is on three levels, and both groundfloor and dormer windows are all at different heights.[4] The fireplace and doorway have huge Swithland slate lintels, that were found nearby at abandoned slate quarries.[5] The stone walls were built from undressed stones, their surfaces being kept even by the careful selection of each stone by the masons, to fit needs of the wall. Many of the stones were re-used from dry stone walls already on the site, or recovered from the boulder clay and outcrops around about.[6] Externally the stone has been left in a natural state, whereas internally both the walls and the exposed timbers are white. These constructional timbers, matching the intricate irregularities of the ground plan, had been cut and prepared by Richard Harrison at Sapperton, Gloucestershire to Ernest Gimson's design, and transported the 150 miles for assembly on site, showing how much pre-planning and design had gone into Gimson's plan.[7] In 1966 it was listed as a grade II* listed building.[8]

The furniture

Ernest Gimson was born in Leicester in 1864, the son of Josiah Gimson, engineer and iron founder, owner of the Vulcan Works. Having worked as an architect in London during the 1880s, he had moved to the Cotswolds to found an Arts and Crafts community. In 1894 he settled in Pinbury near Sapperton, with Sidney and Ernest Barnsley, principally designing and making wooden furniture, following traditional craft principles, applied to new designs using clean lines and unadorned surfaces.[9] It was from this background that Ernest Gimson applied himself not just to the architectural plans for Stoneywell, but to designing and making the furniture too. Because the house has remained with the Gimson family throughout the 20th century, much of the furniture remains at the house, including Gimson's ladder-back chairs, and a large table and dresser by the Barnsleys,[10] and an oak bed made by Gimson.[4]

Construction

Stoneywell is one of five cottages designed by Ernest Gimson in Ulverscroft. The earliest were a pair of workmen's cottages, built for James Billson in 1897. Rather than employ contractors, Gimson collaborated with a fellow Arts and Crafts architect, Detmar Blow. Following the principle that an architect should be able build what he designs, Blow had begun practical building alongside stonemasons in North Yorkshire.[11] He came to Leicestershire to work on the cottages, and brought several Yorkshire stonemasons, as well as employing three Leicestershire men. The Gimson family were Leicester industrialists, familiar with this corner of Charnwood.[12][13] They bought three plots of land from James Billson, to build cottages for summer use by Ernest's brothers Sydney and Mentor, and their sister Margaret. Detmar Blow collaborated in the building of two of these, Stoneywell and Lea Cottage. Stoneywell was the most architecturally 'extreme' of these, and remains the most unchanged of any of them.[2] Ernest Gimson had suggested that it could be built for £500, whereas the final bill came in at £920.[14] The cost over-run was not the only frustration experienced by Sydney. At the same time as building the Charnwood houses, Detmar Blow also had commitments to carry out painstaking repairs to Lake House in Wiltshire, followed by Clare Church, Suffolk. These used new techniques to preserve the stonework of ancient decayed walls, under the guidance of the Society for the Protection of Ancient Buildings (SPAB), and during 1898 both Sydney Gimson and the SPAB secretary wrote to Blow complaining about the absences from their project, highlighting the problem of such a hands-on approach to architecture.[15] Stoneywell was completed in 1899, the date and a Gimson 'G' being carved in the slate lintel above the front door.[8] It was initially used purely as a summer residence. Humphrey Gimson, as well as re-roofing it after the 1938 fire, carried out limited alterations to make it habitable all year round,[1] and Donald Gimson, from the third generation of the family, continued to live there until 2012.[16]

The Ulverscroft cottages

Chitterman House, the now greatly altered pair of workmen's cottages

James Bilson's pair of workmen's cottages are now a single dwelling, Chitterman House,(52°42′06″N 1°16′12″W / 52.70177°N 1.27002°W / 52.70177; -1.27002 (Chitterman House, Ulverscroft), SK4966011796 [17]) and altered beyond recognition.[18]

Lea Cottage, Ulverscroft. The wing on the left of the picture was added in 1972

Lea Cottage (52°42′06″N 1°16′00″W / 52.70157°N 1.26654°W / 52.70157; -1.26654 (Lea Cottage, Ulverscroft), SK4979511647 ), a little further down the Lea Lane from Stoneywell and built in tandem with it, sits hard against the road. It was enlarged in 1972 by the addition of a south-west wing.[19] Unlike Stoneywell it is still a thatched building, and remains whitewashed externally, as in Gimson's original design.[11]

Rockyfield Cottage, the last of Gimson's Ulverscroft houses, was built for his sister Margaret nearly ten years later, close by on Priory Lane (52°42′01″N 1°15′52″W / 52.70022°N 1.26456°W / 52.70022; -1.26456 (Lea Cottage, Ulverscroft), SK4942411816 ).[20] The building work for Rockyfield was supervised by Norman Jewson, who was younger than many of the Arts and Crafts circle, and this was one of his first projects away from their Cotswolds base. It was completed in 1908.[5]

Sketches of Stoneywell and Lea Cottage were published by R. A. Briggs in his 1904 book, Homes for the Country.[21] The building of the Ulverscroft cottages was described in considerable detail by Lawrence Weaver, architectural editor of Country Life, in his volumes, Small Country Houses of To-day, published in 1911.[22]

Stoneywell Wood

Stoneywell Wood is an area of ancient woodland adjoining the house and gardens. 4 hectares (9.9 acres) of the wood belong to Stoneywell, which, along with 2 hectares (4.9 acres) of garden are planned to be open to the public, depending on planning permission being granted.[16] Stoneywell Wood as a whole occupies some 17 hectares (42 acres) of deciduous semi-natural woodland, and is part of the 105 hectares (260 acres) Ulverscroft Valley SSSI.[23]

A National Trust property

Following an appeal, and donations from The Monument Trust and the J Paul Getty Jr Trust, the National Trust was able to raise enough money to buy Stoneywell from the Gimson family. Subject to planning permission, the hope is that the house, gardens and woodland will be open to the public in 2014. This is the first house in Leicestershire to be in the care of the National Trust. (Their other properties in the county are Staunton Harold Church and Ulverscroft Nature Reserve.)[24]

References

  1. 1.0 1.1 Comino 1980, p. 139.
  2. 2.0 2.1 2.2 Gradidge 1980, p. 166.
  3. Pevsner 1984, p. 415.
  4. 4.0 4.1 Gradidge 1980, p. 168.
  5. 5.0 5.1 Drury 2000, p. 85.
  6. Gradidge 1980, p. 170.
  7. Gradidge 1980, p. 171-2.
  8. 8.0 8.1 Charnwood.gov.uk Listed buildings: Stoneywell Cottage Accessed 13 September 2012
  9. Comino 1980, p. 8.
  10. Comino 1980, p. cover.
  11. 11.0 11.1 Drury 2000, p. 31.
  12. Comino 1980, p. 138.
  13. gimson.leicester.gov.uk, stoneywell cottage (2007)
  14. Drury 2000, p. 90.
  15. Drury 2000, p. 94.
  16. 16.0 16.1 National Trust: Local to You: Historic Arts & Crafts house could be saved. Accessed 27 September 2012
  17. Charnwood.gov.uk Listed buildings: Chitterman House, locally listed in 2004. Accessed 13 September 2012
  18. Pevsner 1984, p. 417.
  19. Charnwood.gov.uk Listed buildings: Lea Cottage, listed grade II in 1966. Accessed 13 September 2012
  20. Charnwood.gov.uk Listed buildings: Rockyfield Cottage, listed grade II in 1966. Accessed 13 September 2012
  21. Gradidge 1980, p. 167, 172.
  22. Drury 2000, p. 89-90.
  23. Natural England SSSI Unit list for Ulverscroft Valley SSSI (Stoneywell Wood occupies the units numbered 11 and 12)
  24. Near You: National Trust News and Events - East Midlands. May 2013

Bibliography

  • Comino, Mary (1980). Gimson and the Barnsleys:'Wonderful furniture of a commonplace kind'. London: Evans Brothers Limited. ISBN 0237448955. 
  • Drury, Michael (2000). Wandering Architects: In Pursuit of an Arts and Crafts Ideal. Stamford, Lincs: Shaun Tyas. ISBN 190028913X. 
  • Gradidge, Roderick (1980). Dream Houses: The Edwardian Ideal. London: Constable and Company. ISBN 0094619301. 
  • Pevsner, Nikolaus; Williamson, Elizabeth (1984). The Buildings of England: Leicestershire and Rutland. New Haven & London: Yale University Press. ISBN 9780300096187. 
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