Steven Parrino

Steven Parrino (1958 - 2005) was an artist and musician associated with energetic punk nihilism. He is best known for creating big modernist monochrome paintings (his colors were limited to monochrome black (or black-and-white), orange, red, blue, and silver) that he violently slashed, torn or twisted off their stretchers. He died in a motorcycle traffic accident in Greenpoint, Brooklyn at the age of 46.

Art work

Parrino was born in New York City in 1958 and grew up on Long Island. The family was Albanian-Arbëreshë originally from Sicily. He earned an associate of applied science degree from SUNY Farmingdale, in 1979 and a bachelor of fine arts degree from Parsons The New School for Design in 1982.

Parrino began producing art at the end of the 1970s, driven, as he said himself, by his ‘necrophiliac interest’ in painting, which at that time had been pronounced dead. As early as 1981 he detached the canvas from the stretcher in places to create rough, folded, cleft surfaces, thus achieving a literal deconstruction of painting.

Parrino first showed his paintings of deep-seated pessimism at Gallery Nature Morte, an East Village gallery, in 1984, when he emerged as part of a strain of postmodernism called Neo-Geo. Neo-Geo artists, includeding Peter Halley, Haim Steinbach, John Armleder and Olivier Mosset, mixed modernist abstraction with a more cynical form of Pop Art worldliness by adding references to commerce, design, music or the movies.^[1] Parrino called his mauled canvases “misshaped paintings,” in response to the shaped paintings of the sixties.^[2]

In addition to painting, Parrino exhibited painted environments that involved monochrome walls pounded with sledgehammers such as the 13 plaster panels painted black and smashed to pieces as a memorial to the Punk legend Joey Ramone called 13 Shattered Panels for Joey Ramone (2001). He also made films of the making of these environments along with sleek metal sculptures whose bent and folded elements related to his misshaped canvases. He also exhibited photographs of his desktop strewn with the newspaper stories, magazine spreads and music albums that often inspired him. Parrino used intentionally provocative subjects like abstract swastikas, rebel flags, and silhouettes of Russ Meyer starlets, Elvis Presley as rendered by Andy Warhol, the Hells Angels, Johnny Cash, and other works by Andy Warhol. His work has been called "mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction" by the art critic Jerry Saltz.^[2]

Noise music

Parrino also played electric guitar in several downtown bands, most recently Electrophilia, a two-person group he formed with the painter and keyboardist Jutta Koether.

In 1999, a CD titled Electrophilia – Live France 1999 was released by the Consortium in Dijon, France. It is a live recording from two noise music concerts that Parrino gave: one at La Chapelle, École Nationale des Beaux-Arts in Bourges on March 24, 1999 and the other at the Consortium in Dijon on March 26, 1999. Also a LP of his audio work was released in 2002 titled Steven Parrino - Electrophilia / Shock Wave Troop (2002) that had three pieces on it: Helen Fordsdale, Eulogy For Dead Jerks and Shock Wave Troop. It is a 10 inch LP that was released in an edition of 400 by Circuit in Lausanne, Switzerland.

Several videos document Parrino as a performer and the central role played by music in his life and work. In a noise music work titled Guitar Grind (1995), he rubbed his bass up against a guitar, causing the two instruments to scream through the amplifiers.

Parrino did the cover art for Tellus Audio Cassette Magazine #20 titled Media Myth (1988), for The Melvins LP It Tastes Better Than the Truth (2003) and for Thurston Moore's CD Demolished Thoughts (2011).

Black Noise book

A book titled Black Noise – A Tribute to Steven Parrino was released by RP-Ringier in 2007. It was made up of a series of 32 artist books in a boxset, in the comic book format, conceived in tribute to the late Steven Parrino. 250 copies limited edition. Each volume was signed by a different artist, linked in some way to Steven Parrino, by projects and exchanges, by friendship, by reciprocal inspiration.

The No Texts book

A 56 page book of Steven Parrino's art theory writings, edited by Lionel Bovier, titled The No Texts: An anthology of writings was released by Abaton Book Company in 2003.

Reception

Until his untimely demise, Parrino’s work had drawn little attention in the United States. He had nine solo shows in New York, the last four at the Team Gallery in Chelsea and showed widely in galleries and museum in Europe, where his work was more widely appreciated than in the United States.^[3]

Following his death, Parrino's work has been included in the Whitney Biennial 2006: Day for Night, Whitney Museum of American Art (2006) and in The Painted World, P.S.1 Contemporary Art Center, (2005). Solo exhibitions of his work have included the Musée d'Art Moderne et Contemporain in Geneva (2006) and the Palais de Tokyo in Paris (2007). His estate is represented by Gagosian Gallery.

Exhibitions

Solo exhibitions

• 1987 Holes and Slots, Gallery Nature Morte, New York, USA
• 1991 Galerie Arnaud Lefebvre, Paris, France
• 1991 Daniel Newburg Gallery, New York, USA
• 1992 John Gibson Gallery, New York, USA
• 1992 L'Usine, Dijon, France
• 1993 Galerie van Gelder, Amsterdam, The Netherlands
• 1993 Art & Public, Geneva, Switzerland
• 1995 Galerie Rolf Ricke, Cologne, Germany
• 1996 Calm Water/Distressed Fields, Artsplace, Nova Scotia, Canada, with Monica Forestall
• 1996 Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria, with Wilhelm Mundt
• 1999 L'Usine, Dijon, France
• 2001 Dark Matter/ Exit, Grazer Kunstverein, Graz, Austria
• 2001 Gallery Team, New York, USA
• 2003 Steven Parrino, Jean Brolly, Paris, France
• 2005 Steven Parrino - Hommage, Art & Public, Geneva, Switzerland
• 2006 Retrospective 1977 - 2004 / Steven Parrino, Mamco, Geneva, Switzerland, curator: Fabrice Stroun
• 2007 Steven Parrino, Gagosian Gallery, New York, U.S.A.
• 2007 La marque noire: Steven Parrino - Retrospective 1981-2004, Palais de Tokyo, Paris, France
• 2007 Steven Parrino - Galerie Schmidt Maczollek, Cologne
• 2008 Steven Parrino, Art & Public, Geneva, Switzerland

Group exhibitions

• 1998 Jingle Bells, Galleria Massimo de Carlo, Milan, Italy
• 1998 Le Trésor; Ghost, Tableaux aux murs, Le Consortium, Centre d' Art Contemporain, Dijon, France
• 2001 Here and now, Zacheta National Gallery, Warsaw and Arsenal Gallery, Bialystok, Poland
• 2002 Jutta Koether and Steven Parrino, Swiss Institute, New York, USA
• 2002 Flash two: JRP Editions, Chouakri Brahms, Berlin, Germany
• 2002 From the Observatory, Paula Cooper Gallery, New York, USA
• 2002 Black Bonds, Swiss Institute, New York, USA
• 2002 Valentin Carron et Steven Parrino, Centre d' Art Contemporain Kunsthalle, Fribourg, Switzerland
• 2002 Galerie Les Filles du Calvaire, Paris, France
• 2003 Following and to be followed (coming back), Le Consortium, Dijon, France
• 2003 C'est arrivé demain/It happened tomorrow, La Biennale d'Art Contempoain de Lyon, Lyon, France
• 2003 Selected Multiples by JRP Editions, Galerie Edward Mitterand, Geneva, Switzerland
• 2004 La Piste Noire, Hervé Loevenbruck, Paris
• 2004 None of the above, Swiss Institute, New York, USA
• 2005 What's New Pussycat?, Museum für Moderne Kunst, Frankfurt, Germany
• 2005 MMK/Museum für Moderne Kunst, Frankfurt/Main, Germany
• 2006 Soundtrack for an exhibition, Musée d'Art Contemporain de Lyon, France
• 2006 Minderkoud/less cold, Galerie van Gelder, Amsterdam, Netherlands
• 2007 What we do is secret, Galerie Blancpain-Art Contemporain, Geneva, Switzerland
• 2009 Portrait of the artist as biker, Le Magasin, Grenoble, Switzerland
• 2010 Portrait de l’ártiste en motocycliste, Musée des Beaux-arts, Ville de La Chaux-de-Fonds, Switzerland
• 2010 Golden Factory - Immanence, Espace d'Art Contemporain, Paris, France
• 2010 Ganz konkret - Folge 1, Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zurich, Switzerland
• 2010 Negation, Subtraction, Dissolution, Kantor Gallery, Los Angeles, U.S.A.
• 2010 Radical Postures, Galerie Les Filles du Calvaire, Brussels, Belgium
• 2010 La Carillon de Big Ben, CREDAC / Centre d´Art Contemporain d´Ivry, Ivry sur Seine, France
• 2010 Diary of a Madman, Regina Gallery, Moscow, Russia
• 2010 Move on up, Galerie Schmidt Maczollek, Cologne, Germany
• 2010 Crash, Gagosian Gallery / Britannia Street, London, England
• 2010 Sonic Youth etc.: Sensational Fix, CA2M / Centro de Arte Dos de Mayo, Móstoles, Spain
• 2010 Stripped, Tied and Raw, Marianne Boesky Gallery, New York, U.S.A.
• 2011 Spencer Brownestone Gallery, New York, USA
• 2011 The Indiscipline of Painting: International Abstraction from the 1960s to now, Tate, St. Ives, Cornwall, England
• 2011 MMK 1991-2011: 20 Jahre Gegenwart - MMK / Museum für Moderne Kunst, Frankfurt/Main, Germany

Footnotes

References

• Steven Parrino,The No Texts: An anthology of writings, Abaton Book Company, 2003 ISBN 978-2-940271-25-2
• Carlo McCormick, The Downtown Book: The New York Art Scene, 1974–1984, Princeton University Press, 2006