Spin (magazine)

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Spin

Nirvana lead singer Kurt Cobain, wife Courtney Love, and daughter Frances on Spin, December 1992.
Editor Jem Aswad[1]
Categories Music
Frequency Bimonthly
Total circulation
(2011)
459,586[2]
Year founded 1985
First issue May 1985
Final issue September/October 2012
Company Spin Media
Country USA
Based in New York City
Language English
Website www.spin.com
ISSN 0886-3032

Spin is a music magazine founded in 1985 by publisher Bob Guccione Jr.. The magazine stopped running in print in 2012 and currently runs as a webzine.

Early years

In its early years, the magazine was noted for its broad music coverage with an emphasis on college-oriented rock music and on the ongoing emergence of hip-hop. The magazine was eclectic and bold, if sometimes haphazard. It pointedly provided a national alternative to Rolling Stone's more establishment-oriented style. Spin prominently placed newer artists such as R.E.M., Prince, Run-D.M.C., Eurythmics, Beastie Boys, and Talking Heads, on its covers and did lengthy features on established figures such as Bob Dylan, Keith Richards, Miles Davis, Aerosmith, Lou Reed, Tom Waits, and John Lee Hooker[3]Bart Bull's article on Hooker won the magazine its first major award.[citation needed]

Putting black artists and women artists on the cover was considered to be potentially damaging to newsstand sales. Moreover, the magazine devoted itself to a long term set of investigative pieces on the AIDS crisis at a time when even gay publications were concerned about losing advertisers by doing coverage of the disease. On a cultural level, the magazine devoted significant coverage to hardcore punk, alternative country, reggae and world music, experimental rock, jazz of the most adventurous sort, the burgeoning college rock and underground music scenes of the 1980s, and a variety of fringe styles. Artists such as the Ramones, Patti Smith, Blondie, X, Black Flag, and the former members of the Sex Pistols, The Clash, and the early punk/New Wave movement were cultural heritage pioneers in Spin's editorial mix, and were reviewed, featured, and mentioned constantly at a time when Rolling Stone and other publications scarcely acknowledged their existence.[citation needed] Spin's extensive coverage of hip-hop music and culture, especially that of contributing editor John Leland, was notable at a time when no other national publication was paying serious attention to the genre.[citation needed]

Editorial contributions by musical and cultural figures such as Lydia Lunch, Henry Rollins, David Lee Roth, Dwight Yoakam, and others were an innovation at the time. The magazine also did scene reports on cities such as Austin, Texas, or Glasgow, Scotland, at times when they were unrecognized as cultural incubators. A 1990 article on the contemporary country blues scene brought R. L. Burnside to national attention for the first time. Coverage of American cartoonists, Japanese manga, monster trucks, outsider artists, Twin Peaks, and other non-mainstream cultural phenomena distinguished the magazine's dynamic early years.

In late 1987, publisher Bob Guccione Jr.'s father, Bob Guccione Sr., abruptly shut the magazine down despite the fact that the two-year-old magazine was widely considered a success, with a newsstand circulation of 150,000.[citation needed] Guccione Jr. was able to rally much of his staff, partner with former MTV president and David H. Horowitz, locate additional new investors and offices and after missing a month's publication, returned with a combined November–December issue. During this time, it was published by Camouflage Associates.

Guccione sold the magazine to Miller Publishing in 1997.

2000s and 2010s

In February 2006, Miller Publishing sold the magazine for less than US$5 million to a San Francisco-based company called the McEvoy Group LLC, which was also the owner of Chronicle Books.[4] That company formed Spin Media LLC as a holding company. The new owners replaced editor-in-chief (since 2002) Sia Michel with Andy Pemberton, a former editor at Blender. The first issue to be published under his brief command was the July 2006 issue—sent to the printer in May 2006—which featured Beyoncé on the cover. Pemberton and Spin parted ways the next month, in June 2006. The current editor, Doug Brod, was executive editor during Michel's tenure.

For Spin's 20th year, it released a book chronicling the last two decades in music. The book has essays on grunge, Britpop, emo, and many other types of music, as well as pieces on musical acts including Marilyn Manson, Nirvana, Weezer, Nine Inch Nails, Limp Bizkit, and The Smashing Pumpkins.

In February 2008, Spin released a digital edition available through Texterity.

In February 2012, Spin relaunched the magazine in a larger, bi-monthly format with reviews being seen on the website and on Twitter rather than being read in the magazine which now does longer, extended editorials and interviews featuring up and coming talent.

In July 2012, Spin was sold to Buzzmedia.[5] The September/October 2012 issue was the last print issue for Spin.[6] However, its publication was ceased three weeks later.[7]

Notable contributors have included Barry Michael Cooper, Dave Eggers, Chuck Klosterman, Byron Coley, Kim France, Tad Friend, Elizabeth Gilbert, Andy Greenwald, William T. Vollman, Will Hermes, Dave Itzkoff, David Bourgeois, John Leland, Bart Bull, Greil Marcus, Matt Groening, Gabriel Garcia Marquez, Glenn O'Brien, Norman Mailer, R. Meltzer, Karen Schoemer, Marilyn Manson, William S. Burroughs, Anton Corbijn, Bob Gruen, Roberta Bayley, Jon Dolan, Rob Tannenbaum, Jonathan Ames, Strawberry Saroyan, Paul Beahan (founder of Manimal Vinyl), Michael O'Donoghue, Bönz Malone, Hari Kondabolu, Dan Ackerman, Chuck Klosterman and Marc Spitz.

Year-end lists

Although SPIN began publication in 1985, it did not begin compiling year-end lists until 1990.

Single of the Year

Year Artist Song Nation Source
1994 Beck "Loser"  United States
1995 N/A no selection
1996 N/A no selection
1997 The Notorious B.I.G. "Hypnotize"  United States
1998 Fatboy Slim "The Rockafeller Skank"  England
1999 TLC "No Scrubs"  United States
2000 Eminem "The Real Slim Shady"  United States
2001 Missy Elliott "Get Ur Freak On"  United States
2002 Eminem "Cleanin' Out My Closet"  United States
2003 50 Cent "In da Club"  United States
2004 Green Day "American Idiot"  United States
2005 Gorillaz "Feel Good Inc."  England
2006 Gnarls Barkley "Crazy"  United States
2007 Kanye West "Stronger"  United States
2008 M.I.A. "Paper Planes"  England
2009 Yeah Yeah Yeahs "Zero"  United States
2010 Cee-Lo Green "Fuck You"  United States
2011 Adele "Rolling in the Deep"  England
2012 GOOD Music "Mercy"  United States
2013 Daft Punk "Get Lucky"  France

Album of the Year

Year Artist Album Nation Source
1990 Ice Cube AmeriKKKa's Most Wanted  United States
1991 Teenage Fanclub Bandwagonesque  Scotland
1992 Pavement Slanted and Enchanted  United States
1993 Liz Phair Exile in Guyville  United States
1994 Hole Live Through This  United States
1995 Moby Everything is Wrong  United States
1996 Beck Odelay  United States
1997 Cornershop When I Was Born for the 7th Time  England
1998 Lauryn Hill The Miseducation of Lauryn Hill  United States
1999 Nine Inch Nails The Fragile  United States
2000 Radiohead Kid A  England [8]
2002 The White Stripes White Blood Cells  United States
2003 The White Stripes Elephant  United States
2004 Kanye West The College Dropout  United States
2005 Kanye West Late Registration  United States
2006 TV on the Radio Return to Cookie Mountain  United States
2007 Against Me! New Wave  United States
2008 TV on the Radio Dear Science  United States
2009 Animal Collective Merriweather Post Pavilion  United States
2010 Kanye West My Beautiful Dark Twisted Fantasy  United States
2011 Fucked Up David Comes to Life  Canada
2012 Frank Ocean Channel Orange  United States
2013 Kanye West Yeezus  United States

Note: The 2000 album of the year was awarded to "your hard drive", acknowledging the impact that filesharing had on the music listening experience in 2000.[8] Kid A was listed as number 2, the highest ranking given to an actual album.

References

External links


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