Snow globe

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An illustration of a snow globe

A snow globe (also called a" waterglobe", "snowstorm",[1] or "snowdome") is a transparent sphere, usually made of glass,[citation needed] enclosing a miniaturized scene of some sort, often together with a model of a landscape. The sphere also encloses the water in the globe; the water serves as the medium through which the "snow" falls. To activate the snow, the globe is shaken to churn up the white particles. The globe is then placed back in its position and the flakes fall down slowly through the water. Snow globes sometimes have a built-in music box that plays a song. Some snow globes even have a design around the outerbase for decoration.

History

When the first snow globe exactly became well-known remains uncertain, but seemingly dates to the early 19th century in France. They may have appeared as a successor to the glass paperweight, which became popular a few years earlier. Snow globes appeared at the Paris Universal Expo of 1878, and by 1879 at least five or more companies were producing snow globes and selling them throughout Europe.

In 1889, a snow globe containing a model of the newly built Eiffel Tower was produced to commemorate the International Exposition in Paris, which marked the centenary of the French Revolution. Snow globes became popular in England during the Victorian era and, in the early 1920s, crossed the Atlantic to the United States of America where they became a popular collectors item. Many of these globes were produced by Atlas Crystal Works, which had factories in Germany and America.

At the end of the 19th century Erwin Perzy, a producer of surgical instruments, invented the so-called Schneekugel (snow globe) and got the first patent for it. Originally his goal was to develop an extra bright lightsource for use as a surgical lamp. As he tried to intensify the candlepower of a so-called Schusterkugel (a water filled flask used to focus light since the Middle Ages) with particles made out of different materials for reflection purpose, the effect reminded him of snowfall and it's said that by this he got the idea for a snow globe. He then built his first actual globe with the basilica of Mariazell as a model in it. Because of the great request for his snow globes, Perzy, along with his brother Ludwig opened a shop in Vienna, where the production continues until today as a family business.[2][3] Today the globes get exported throughout the world; the material out of which the "snow" is made is handed down from generation to generation as a production secret (it should float as long as possible in the water before sinking down).

In the United States, the first snow globe-related patent was granted in 1927 to Joseph Garaja of Pittsburgh, Pennsylvania. In 1929, Garaja convinced Novelty Pool Ornaments to manufacture a fish version underwater.

In America, during the 1940s, snow globes were often used for advertising. In Europe, during the 1940s and 1950s, religious snow globes were common gifts for Catholic children. Snow globes have appeared in a number of film scenes, the most famous of which is the opening of the 1941 classic Citizen Kane.

In the 1950s, the globes, which were previously made of glass, became available in plastic. Currently, there are many different types of snow globes available. These globes are produced by a number of countries and range from the mass-produced versions of Hong Kong and China to the finely crafted types still produced in Austria. Snow globes feature diverse scenes, ranging from the typical holiday souvenirs to more eclectic collectibles featuring Christmas scenes, Disney characters, popular icons, animals, military figures, historical scenes, etc. Snow globes have even been used for election campaigns.

Contents

Initially snow globes consisted of a heavy lead glass dome which was placed over a ceramic figure or tableau on a black cast ceramic base, filled with water and then sealed. The snow or "flitter" was created by use of bone chips or pieces of porcelain, sand or even sawdust. As they became more sophisticated, the glass became thinner, the bases were lighter (Bakelite was popular during the Art Deco period) and the snow was made out of particles of gold foil or non-soluble soap flakes, although nowadays, for health and safety reasons, small pieces of white plastic are used. Later, the liquid was changed to light oil, then water with antifreeze (glycerin or glycol). An added benefit was that glycerin and glycol slowed the descent of the snow.

Embellishments

Today's snow globes can include music boxes, moving parts, internal lights, and even electric motors that make the "snow" move so that it is no longer necessary to shake the globe. Some also have central slots for positioning items such as photographs. Contemporary fine artists also use snow globes as a medium.

Forced-air globes

Beginning in 2005, many U.S. stores sell inflatable snow globes as part of their Christmas décor. These have a base with a blower, forcing air which carries styrofoam pellets from the bottom and through a tube up the back to the top, where they are blown out and fall down inside the front, which is made of transparent vinyl. The rest of the globe, including the characters inside, are made of colorful nylon fabric. These globes are typically large decorations for the front yard, and are lighted internally with a few C7 (nightlight-type) incandescent light bulbs (which are enclosed in plastic spheres to prevent heat damage to the fabric).

A variation on this is the "tornado globe", where small foam objects spin around inside a globe. This is more common for Halloween, where foam bats or sometimes ghosts may fly around the Halloween figures in the middle. These were most common in 2006, and come in both large inflatables, and smaller tabletop versions with rigid plastic globes about 8 to 12 inches or 20 to 30 centimeters in diameter. As with the snow globes, static cling often causes the foam to stick to the plastic (especially vinyl) when humidity is low, while condensation will do the same thing on outdoor inflatables when humidity is high, or rainwater has seeped in while it is deflated.

Cultural references

In modern film and literature, snow globes often symbolize childhood, innocence or so-called "happy days". However, they are also sometimes used, with dark humor, to evoke more gruesome scenes.

Film and television

  • The 1996 special edition VHS release of Fargo included a snow globe which, when shaken, stirred up both snow and "blood".[4]
  • The 1941 film Citizen Kane starts with Charles Foster Kane in a bed while holding a snow globe, uttering "Rosebud ..."; the globe slips from his dying hand and smashes. The film historian Paul Malcolm noted the scattered content of the snow globe parallels the scattered or "dispersed" story of Kane to come in the film.[5]
  • The well-known series finale of the television program St. Elsewhere famously ends with the implication that the events of the whole series were nothing more than a mere fantasy imagined by Tommy Westphall, an autistic boy whose most treasured possession is a snow globe containing a small model of a building resembling the hospital in which the series is set.

Publications

  • In Erica Rand's The Ellis Island Snow Globe (Duke UP, 2005), a snow globe from the Ellis Island gift shop is one of the objects that "demonstrate how some narratives are promoted while others are repressed to represent a particular version of United States history and citizenship."[6][7]
  • In Libba Bray's book Going Bovine, snow globes are used periodically as metaphors for the constraints of reality and life as we know it. At the end of the book, the main characters smash them, claiming that they are "freeing the snow globes".[citation needed]

References

  1. "snowstorm". OED. http://dictionary.oed.com/cgi/entry/50229500?single=1&query_type=word&queryword=snowstorm&first=1&max_to_show=10.  (subscription required for online version)
  2. "The family company that invented the snow globe". BBC. Retrieved 3 January 2014. 
  3. a unicum from vienna broadcast on ORF-Volksgruppen from 8. December 2006
  4. Burr, Ty (May 2, 1999). "Summer Films: Synergy, A Few Words in Defense of Swag". The New York Times. Retrieved 2010-12-09. 
  5. Alex Clayton, Andrew Klevan, The Language and Style of Film Criticism, Taylor & Francis 2011, page 182
  6. Nishime, LeiLani (2006). "Rev. of Rand, The Ellis Island Snow Globe". Journal of American Ethnic History 26 (1): 96–97. 
  7. Sendzikas, Aldona (2006). "Rev. of Rand, The Ellis Island Snow Globe". Australasian Journal of American Studies 25 (2): 122–24. 

See also

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