Snapshot (film)

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Snapshot
Directed by Simon Wincer
Produced by Antony I. Ginnane
Written by Everett De Roche
Chris De Roche
Starring Sigrid Thornton
Chantal Contouri
Robert Bruning
Music by Brian May
Cinematography Vince Monton
Editing by Philip Reid
Studio Australian Film Commission
Australian International Film Corporation
Victorian Film Corporation
Distributed by Filmways
Release dates 1 June 1979
Running time 92 mins
Country Australia
Language English
Budget $300,000 (est.)[1]

Snapshot is a 1979 Australian thriller film. It was the first feature directed by Simon Wincer.

It was released in the US as The Day After Halloween.

Plot

A young hairdresser, Angela, is lured into modelling by a bitchy model, Madeline, who talks her into stripping for a photo shoot. She starts to be stalked by a mysterious assailant. Her ex-boyfriend Daryl is possessive and creepy, Madeline's husband Elmer wants to photograph her naked and her mother robs her. In the end Elmer is burnt to death, Daryl is run down by his own Mr Whippy van, and Madeline turns out to be the driver. Angela leaves with her. All is well.

Cast

Production

Ginnane had originally intended to make a film after Patrick called Centrefold, based on a script by Chris Fitchett, and raised money for it. He showed it to TV director Simon Wincer who only liked the fact the script was set in the modelling world and there was a Mr Whippy Van. Ginnane then commissioned Everett de Roche to write a new screenplay. Wincer says he and de Roche re-wrote it in three weeks, and the film took eleven weeks from the first day of shooting until sitting down with the release print.[2]

Wincer planned to use a different actress to play Angela but she turned it down because she did not think the script was good enough "which was pretty amazing for someone who had only done television soap operas."[3] Sigrid Thornton was cast two days before shooting started.

"It was a very easy film to make and probably my most pleasant experience to date" said Ginnane in 1979. The budget was $100,000 less than for Patrick (1978).[1]

Ginnane then took the film to the US where he sat down with an editor and cut 12 minutes out of the film. According to Wincer, these were mostly lighter scenes, and a moment where it is explained Elmer is married to Madeline. This meant Wincer was not happy with the final result although he says "for what it is, it is quite a good little film."[4]

Release

The film performed poorly at the Australian box office, only running a week in Melbourne, but sold very well overseas. [5]

References

  1. 1.0 1.1 Beilby, Peter and Scott Murray, ‘Antony I. Ginnane’, Cinema Papers, January/February 1979 p234
  2. Beilby & Murray 1979-80 p 641
  3. Beilby & Murray 1979-80 p642
  4. Beilby & Murray, 1979-80 p641
  5. David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p253
  • Peter Beilby & Scott Murray, 'Simon Wincer', Cinema Papers Dec-Jan 1979-80 p641

External links

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