Sherrill Milnes

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Sherrill Milnes

Sherrill Milnes (right) as Baron Scarpia in Tosca (Festival Puccini, 1997)
Born (1935-01-10) January 10, 1935
Downers Grove, Illinois

Sherrill Milnes (born January 10, 1935) is an American operatic baritone most famous for his Verdi roles. From 1965 until 1997 he was associated with the Metropolitan Opera.

His voice is a high dramatic baritone, combining good legato with an incisive rhythmic style; furthermore, he has a commanding and handsome stage presence. By 1965 he had made his debut at the Metropolitan Opera. His international debuts followed soon thereafter, and Milnes became one of the world's prominent Verdi baritones of the 1970s and 1980s.

He has been a prolific recording artist, often in partnership with Plácido Domingo and Luciano Pavarotti.

Early life

Milnes was born in Downers Grove, Illinois to a dairy farmer and his wife. As a child, he exhibited strong and varied musical talents. In addition to singing, he also played piano, violin, viola, double bass, clarinet, and tuba. Although his interests did not always lean toward opera, he spent many hours singing to his father's cows and was once found on a tractor practicing an operatic laugh.

While in high school, Milnes planned to be an anesthesiologist, but later returned to music, studying music education at Drake University and Northwestern University, with the idea of becoming a teacher. He attended North Central College before transferring to Drake University and Northwestern University. Milnes was awarded an honorary doctorate from North Central College in 2006. After graduating from Drake, he spent a summer as an apprentice at the Santa Fe Opera and thereafter dedicated himself to becoming an opera singer, studying briefly with the famed soprano Rosa Ponselle.

Career

Milnes began his career with the Opera Company of Boston in 1960, joining Boris Goldovsky's Opera Theater, and debuting as Masetto in Don Giovanni. From very early on in his career, Milnes was managed by well known talent manager Herbert Barrett. In 1961, he made his debut at Ponselle's Baltimore Opera as Gérard in Andrea Chénier.

In 1964, Milnes made his first major breakthrough singing the role of Valentin in Gounod's Faust at the New York City Opera (opposite Norman Treigle as Mephisto), the role with which he also made his Metropolitan Opera debut in 1965. In 1967 he created the role of Captain Adam Brant in the world premiere of Marvin David Levy's Mourning Becomes Electra at the Met.

In 1964, Milnes also made his European debut singing Figaro from The Barber of Seville at the Teatro Nuovo in Milan. However, it was his performance as Miller in Verdi's Luisa Miller in 1968 which catapulted him into international fame.

In the early 1980s, Milnes experienced serious vocal health problems, but he eventually surmounted them. In 1984 he sang in the world premiere of Act I of Sergei Rachmaninoff's opera Monna Vanna, which had been left in piano score by the composer and orchestrated by Igor Buketoff.

Milnes was awarded Phi Mu Alpha Sinfonia fraternity's Charles E. Lutton Man of Music Award at its 1982 national convention in Urbana, Illinois. He had been initiated into the Fraternity's Alpha Beta chapter at Drake University in 1954.

On July 5, 1986, he performed on the New York Philharmonic's tribute to the 100th anniversary of the Statue of Liberty, which was televised live on ABC Television.[1] The orchestra, conducted by Zubin Mehta, performed in Central Park.

In September 1996 Milnes was honored by the French government with the distinguished Chevalier de l'Ordre des Arts et des Lettres.[2] He made his final performance at the Met on March 22, 1997 in Aida. In 1998, Milnes published a memoir, American Aria.

Starting in 2001, Milnes has been bringing his experience and expertise to young rising operatic talent through V.O.I.C.E. (Vocal and Operatic Intensive Creative Experience), which he founded in 2001 with his third wife, Maria Zouves. Their workshops allow educators and performers to share their knowledge through master classes, private coachings, presentations, one-on-one consultations, lectures, and performances. They strive to create a realistic view of the many challenges that singers face throughout their career. The auditor program allows both opera lovers and singers a unique interaction in the creative process.

Milnes is currently a professor emeritus in voice at Northwestern University. He is a recipient of Yale University's Sanford Medal. He is Artistic Advisor to Opera Tampa (FL).[3]

He is a National Patron of Delta Omicron, an international professional music fraternity.[4]

Milnes has been a resident of Cresskill, New Jersey.[5]

Discography

Compact Discs

1967
  • Mozart: Così fan tutte (with L. Price, Troyanos, Raskin, Shirley, Flagello Leinsdorf, cond.)
  • Verdi: La traviata (with Caballé, Bergonzi Prêtre, cond.)
1968
  • R. Strauss: Salome (with Caballé, R. Lewis, Resnik, J. King Leinsdorf, cond.)
1969
  • Beethoven: Symphony No. 9, "Choral" (with J. Marsh, Veasey, Domingo Leinsdorf, cond.)
  • Orff: Carmina Burana (with Mandac, Kolk Ozawa, cond.)
  • Verdi: Il trovatore (with L. Price, Domingo, Cossotto Mehta, cond.)
1970
  • Verdi: Aïda (with L. Price, Domingo, Bumbry, Raimondi Leinsdorf, cond.)
  • Verdi: Macbeth (with Ludwig, Cossutta Böhm, cond.) Live recording
1971
  • Great Opera Duets (with Domingo)
  • Verdi: Un ballo in maschera (with Tebaldi, Pavarotti—Bartoletti, cond.)
  • Puccini: Il tabarro (with L. Price, Domingo—Leinsdorf, cond.)
  • Verdi: Don Carlos (with Domingo, Caballé, Raimondi, Verrett—Giulini, cond.)
  • Donizetti: Lucia di Lammermoor (with Sutherland, Pavarotti, Ghiaurov—Bonynge, cond.)
  • Leoncavallo: Pagliacci / Puccini: Il tabarro (Pagliacci: with Caballé, Domingo—Santi, cond. / Il tabarro: with L. Price, Domingo—Leinsdorf, cond.)
  • Verdi: Rigoletto (with Sutherland, Pavarotti, Tourangeau, Talvela—Bonynge, cond.)
1972
  • Verdi: Attila (with Raimondi, Deutekom, Bergonzi—Gardelli, cond.)
  • Verdi: Giovanna d'Arco (with Caballé, Domingo—Levine, cond.)
1973
  • Domingo Conducts Milnes Milnes Conducts Domingo
  • Puccini: Tosca (with L. Price, Domingo Mehta, cond.)
1974
  • Puccini: La bohème (with Caballé, Domingo, Blegen, Sardinero, Raimondi Solti, cond.)
  • Verdi: I vespri siciliani (with Arroyo, Domingo, Raimondi Levine, cond.)
1975
  • Rossini: Il barbiere di Siviglia (with Sills, Gedda, Capecchi, Raimondi, Barbieri Levine, cond.)
  • Verdi: Luisa Miller (with Pavarotti, Caballé Maag, cond.)
  • Massenet's La Navarraise (with Horne, Domingo, Bacquier H. Lewis, cond.)
  • Verdi: Il trovatore [with bonus tracks from a 1968 recording of Act II with Richard Tucker] (with Caballé, Cossutta, Arkhipova Guadagno, cond.)
1976
  • Giordano: Andrea Chénier (with Scotto, Domingo Levine, cond.)
  • Verdi: Macbeth (with Cossotto, Carreras, Raimondi Muti, cond.)
  • Massenet: Thaïs (with Sills, Gedda, van Allan Maazel, cond.)
1977
  • Cilea: Adriana Lecouvreur (with Scotto, Domingo, Obraztsova Levine, cond.)
  • Bizet: Carmen (with Berganza, Domingo, Cotrubas C. Abbado, cond.)
  • Puccini: La fanciulla del West (with Neblett, Domingo Mehta, cond.)
  • Verdi: La forza del destino (with L. Price, Domingo, Cossotto, Giaiotti, Bacquier Levine, cond.)
  • Verdi: La traviata (with Cotrubas, Domingo Kleiber, cond.)
1978
  • Bravissimo, Domingo! Arias and Duets with Leontyne Price and Sherrill Milnes
  • Rossini: Guglielmo Tell (with Freni, Pavarotti, Mazzoli, Jones, Ghiaurov Chailly, cond.)
  • Verdi: Otello (with Scotto, Domingo Levine, cond.)
  • Verdi: Rigoletto (with Sills, Kraus, M. Dunn, Ramey Rudel, cond.)
  • Puccini: Tosca (with Freni, Pavarotti Rescigno, cond.)
1979
  • Puccini: La bohème (with Scotto, Neblett, Kraus, Manuguerra, Plishka, Tajo; Levine, cond.)
1980
  • Massenet: Le roi de Lahore (with Sutherland, Lima, Ghiaurov, Morris, Tourangeau Bonynge, cond.)
1981
  • Ponchielli: La Gioconda (with Caballé, Baltsa, Pavarotti, Ghiaurov Bartoletti, cond.)
1986
  • Ponchielli: La Gioconda (with Marton, Ramey, Lamberti Patanè, cond.)
1990
  • Fauré: Requiem (with Te Kanawa Dutoit, cond.)
2001
  • Wolf-Ferrari: Sly (with Carreras, Kabatu Gimenez, cond.)

Recitals

  • Sherrill Milnes in Recital, Volume 1, "There but for You Go I" (Jon Spong, piano)
  • Sherrill Milnes in Recital, Volume 2, "Kingdom by the Sea" (Jon Spong, piano)
  • Met Legends: Sherrill Milnes
  • Grandi Voci: Arias (de la Fuente, cond.)
  • The Baritone Voice
  • Copland: Old American Songs
  • Griffes: Four German Songs; Songs of the Dagger (Ozawa, cond.)

DVDs

1976
  • Puccini: Tosca (with Kabaivanska, Domingo Bartoletti, cond., de Bosio, dir.)
1979
  • Verdi: Luisa Miller (with Scotto, Domingo, Morris; Levine, cond., Merrill, dir.)
1980
  • Verdi: Don Carlos (Scotto, Troyanos, Moldoveanu, Plishka, Hines; Levine, cond., Dexter, dir.)
1983
  • Verdi: Ernani (with L. Mitchell, Pavarotti, Raimondi Levine, cond., Samaritani, dir.)
1984
  • Verdi: Simon Boccanegra (with Tomowa-Sintow, Moldoveanu, Plishka Levine, cond., Capobianco, dir.)
1985
  • Verdi: Nabucco (with Bumbry, Cortez, Raimondi Santi, cond.)
  • Sherrill Milnes: An All-Star Gala (various artists)
1986
  • Sherrill Milnes at Juilliard: An Opera Master Class
1988
  • Verdi: Il trovatore (with Marton, Zajick, Pavarotti Levine, cond., Melano, dir.)
1989
  • Verdi: Aïda (with Millo, Zajick, Domingo Levine, cond., Frisell, dir.)
1991
  • Met's 25th Anniversary Gala at Lincoln Center (various artists)
1992
  • Puccini: La fanciulla del West (with Daniels, Domingo Slatkin, cond., del Monaco, dir.)
1996
  • James Levine 25th Anniversary Gala (various artists)

References

External links

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