Pitchfork Media

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Pitchfork Media
Web address pitchfork.com
Type of site Music webzine
Registration No
Owner Ryan Schreiber
Created by Ryan Schreiber
Launched 1995 (1995)
Alexa rank negative increase 3,632 (February 2014)[1]
Current status Active

Pitchfork Media, usually known simply as Pitchfork, is a Chicago-based daily Internet publication devoted to music criticism and commentary, music news, and artist interview. Its focus is on independent music,[2] especially indie rock. However, the range of musical genres covered extends to pop, hip hop, folk, jazz, heavy metal, experimental, and various forms of electronic dance music.

The site, which was established in 1995, concentrates on new music, but Pitchfork journalists also review reissued albums and box sets. The site has also published "best-of" lists – such as the best albums of the 1970s, 1980s and 1990s, and the best songs of the 1960s – as well as annual features detailing the best singles and albums of each year since 1999.

History

A previous Pitchfork logo

In late 1995, Ryan Schreiber, then just out of high school, created Pitchfork in Minneapolis, Minnesota. Influenced by local fanzines and college radio station KUOM, Schreiber, who had no previous writing experience, aimed to provide the Internet with a regularly updated resource for independent music. At first bearing the name Turntable, the site was originally updated monthly with interviews and reviews. In May 1996, the site began publishing daily, and was renamed "Pitchfork", a reference to Tony Montana's tattoo in the 1983 film Scarface.[3]

In early 1999, Schreiber uprooted Pitchfork from its Minneapolis base and relocated to Chicago, Illinois. By then, the site had expanded to four full-length album reviews daily, as well as sporadic interviews, features, and columns. It had also begun garnering a following for both its extensive coverage of underground music and its writing style, which was often unhindered by the conventions of print journalism. In October of that year, the site added a daily music news section.

Size, readership and site traffic

Pitchfork now receives an audience of more than 240,000 readers per day, and more than 1.5 million unique visitors per month, making it the most popular independent-focused music publication online.[4][5]

On October 24, 2003, the author of Pitchformula.com reported that Pitchfork had published 5,575 reviews from 158 different authors, with an average length of just over 520 words. Together, the reviews featured a total of 2,901,650 words.[6]

Influence

Pitchfork's opinions have gained increased cultural currency in recent years; some in the mainstream media view the site as a barometer of the independent music scene, and positive quotes from its reviews are increasingly used in press releases and affixed to the front of CDs.

Some publications[7] have cited Pitchfork in having played a part in "breaking" artists such as Arcade Fire, Sufjan Stevens, Clap Your Hands Say Yeah, Interpol, The Go! Team, Junior Boys, The Books, Broken Social Scene, Cold War Kids, Wolf Parade, Tapes 'n Tapes, and Titus Andronicus although the site's true impact on their popularity remains a source of frequent debate.

Conversely, Pitchfork has also been seen as being a negative influence on some indie artists. As suggested in a Washington Post article in April 2006, Pitchfork's reviews can have a significant influence on an album's popularity, especially if it had previously only been available to a limited audience or had been released on an independent record label. A dismissive 0.0 review of former Dismemberment Plan frontman Travis Morrison's Travistan album led to a large sales drop and a virtual college radio blacklist.[3] On the other hand, "an endorsement from Pitchfork – which dispenses its approval one-tenth of a point at a time, up to a maximum of 10 points – is very valuable, indeed."[3]

Examples

  • Arcade Fire is among the bands most commonly cited to have benefited from a Pitchfork review. In a 2005 Chicago Tribune article, a Merge Records employee states, "After the Pitchfork review, Funeral went out of print for about a week because we got so many orders for the record."[8]
  • Bon Iver was catapulted to mainstream and critical success after a 2007 Pitchfork review of the album For Emma, Forever Ago.[9] Pitchfork was the only publication to have included the album on a 2007 end-of-the-year list, while over sixteen popular publications included the re-release on their 2008 lists. In the summer of 2011, Pitchfork noted Bon Iver's self titled release as "Best New Music," and later chose the release as the Best Album of 2011. Pitchfork's critical acclamation of Bon Iver is widely seen as lifting the artist to commercial mainstream success, which culminated with his Grammy Award for Best New Artist and Best Alternative Music Album. Time Magazine nominated Bon Iver as Person of the Year in 2012, noting the 2007 Pitchfork review as the "indie cred" that "led to mainstream success."[10]
  • Clap Your Hands Say Yeah member Lee Sargent has discussed the impact of Pitchfork's influence on their album, saying, "The thing about a publication like Pitchfork is that they can decide when that happens. You know what I mean? They can say, 'We're going to speed up the process and this is going to happen...now!' And it was a kick in the pants for us, because we lost control of everything."[11]

Criticism

Along with its popularity, Pitchfork has attracted criticism.

One common complaint is that the site's journalism suffers from a narrow view of independent music, favoring lo-fi and often obscure indie rock and giving only cursory treatment to other genres.[12] Some critics have suggested that the site rates albums from particular music scenes or artists more favorably in order to bolster its influence when the music becomes popular.[13]

The majority of criticism, however, is aimed at the site's album reviewing style. Critics argue the site often emphasizes a reviewers' own writing over the actual music being reviewed, sometimes not even reviewing the album and instead criticising the artist's integrity.[12] Pitchfork is also known to give "0.0" ratings, deeming the work as utterly worthless. One critic wrote that Pitchfork's "0.0" rating of a particular album amounts to no more than a "cheap publicity stunt" for a website that "thrives on controversy."[14] The critic also hypothetically asked how a neo-Nazi punk record would be scored in comparison to these "0.0" albums, based on Pitchfork standards.[14]

Parodies

  • When Pitchfork asked comedian David Cross to compile a list of his favorite albums, he instead provided them with a list of "Albums to Listen to While Reading Overwrought Pitchfork Reviews". In it, he satirically piled over-the-top praise on fictional indie rock records, mocking Pitchfork Media's reviewing style.[15]
  • In 2004, comedy website Something Awful created a parody of Pitchfork's front page. Entitled "RichDork Media", the page makes reference to nonexistent, obscure-sounding indie-rock bands in its reviews, news headlines and advertisements. The rating system measures music on its proximity to the band Radiohead.[16] A similar, more light-hearted parody was created by Sub Pop, a record label whose musical artists Pitchfork has reviewed (often favorably).[17]
  • On September 10, 2007, the satirical newspaper The Onion published a story in which Pitchfork Media editor Ryan Schreiber reviews music as a whole, giving it a 6.8 out of 10.[18]

Leaked music

In August 2006, a directory on Pitchfork's servers containing over 300 albums was compromised. A web surfer managed to discover and download the collection, which included The Decemberists' The Crane Wife and TV on the Radio's Return to Cookie Mountain, both of which had previously leaked to peer-to-peer networks. Allegedly, one of the albums on the server, Joanna Newsom's Ys, had not been available previously on file-sharing networks.[19]

Deleted and changed reviews

Pitchfork has been criticized for deleting older reviews from their archive in an effort to keep up with the changing trends in indie music. One such example is the 9.5/10 review written for ska band Save Ferris' album It Means Everything.[20] Similarly, the original review of Psyence Fiction by UNKLE received 9.8/10, but the review was later deleted[21] and when the group released their next album four years later, the website gave it a score of 5.0/10 and described it as an improvement on their debut, calling Psyence Fiction "one of the most anti-climactic and jaw-dropping disappointments of recent years" which "came up short on little things like, oh, vitality, restraint, emotional resonance, and tunes."[22]

Negative reviews of two By Divine Right albums were also removed from Pitchfork after members Brendan Canning and Leslie Feist became successful with the band Broken Social Scene and their own solo work. Steven Byrd's deleted review of By Divine Right's Bless This Mess, on which Canning and Feist play bass and guitar, went so far as to compare the band to "retard(s) with a guitar" who "wouldn't know Rock and Roll if she broke into their house and beat up their children," rating the album 1.8 out of ten.[23] After Belle & Sebastian's "comeback" in the mid-to-late 2000s, Pitchfork removed their 0.8-rated review of The Boy With the Arab Strap from the site.[24][25] The reviewer lambasted the band for writing songs that were "so sticky they should be hanging from Ben Stiller's ear, and I don't mean that in a good way."[26] Pitchfork originally gave the Flaming Lips album Zaireeka a scathing 0.0/10 in a review that also derided all Flaming Lips fans.[27]

Pitchfork has also removed the 9.4/10 review for the album Things Fall Apart by The Roots.[28] They also removed the 1998 review of In the Aeroplane Over the Sea by Neutral Milk Hotel which initially received an 8.7.[29] A Ryan Schreiber review of the John Coltrane album Live! at the Village Vanguard was deleted.[30]

Misinformation

Pitchfork has been criticized directly by artists for misrepresentation, most famously in 2007 by the artist M.I.A. for what one of their writers later described as "perpetuating the male-led ingenue myth" with regard to her work.[31][32] Some have argued this is not isolated to Pitchfork in the music press, while this incident was later cited and similarly condemned by the artist Björk,[33] who criticized the site for assuming female musicians do not usually write or produce their own music. Pitchfork's articles on M.I.A. and her career since the incident have been noticeably negative and have attracted media commentary;[34] an article titled "M.I.A. Uses Pitchfork Tweets to Diss Pitchfork" was printed by LA Weekly in 2010.[35]

Music festivals

Pitchfork Music Festival logo.

Intonation Music Festival

Main article: Intonation Music Festival

In 2005, Pitchfork curated the Intonation Music Festival, attracting approximately 15,000 attendees to Chicago's Union Park for a two-day bill featuring performances by 25 acts, including Broken Social Scene, The Decemberists, The Go! Team, and an appearance by Les Savy Fav.

Pitchfork Music Festival

Main article: Pitchfork Music Festival

On July 29 and 30, 2006, the publication premiered its own Pitchfork Music Festival in the same park. The event attracted over 18,000 attendees per day. More than 40 bands performed at the inaugural festival, including Spoon and Yo La Tengo, as well as a rare headlining set by reunited Tropicália band Os Mutantes.[36]

The Pitchfork Music Festival was held again in 2007. It was expanded to three days (Friday, July 13 - Sunday, July 15), with the first day being a collaboration between Pitchfork and the British music festival All Tomorrow's Parties as part of the latter's "Don't Look Back" series, in which seminal artists perform their most legendary albums in their entirety. Performers that evening included Sonic Youth playing Daydream Nation, Slint playing Spiderland, and GZA/Genius playing Liquid Swords. Some of the other artists who performed over the weekend included Yoko Ono, De La Soul, Cat Power, The New Pornographers, Stephen Malkmus, Clipse, Iron & Wine, Girl Talk, Of Montreal, Deerhunter, Dan Deacon, The Ponys, and The Sea and Cake.

Since 2011, a European winter edition of the festival takes place in Paris.

All Tomorrow's Parties

In 2008 Pitchfork collaborated with All Tomorrow's Parties to curate half of the bill for one of their May festival weekends. This was the first event that Pitchfork has been involved in outside of the United States.

Rating system

Pitchfork's music reviews use two different rating systems:

  • Individual track reviews were formerly ranked from 1 to 5 stars, but on January 15, 2007, the site introduced a new system called "Forkcast". In it, instead of assigning tracks a particular rating, reviewers simply label them one of the self-explanatory categories "New Music", "Old Music", "Video", "Advanced Music", "Rising", "WTF", the category of their most favorably regarded songs, "On Repeat" and, for the least favored songs, "Delete".
  • Album reviews are given a rating out of 10.0, specific to one decimal point.

On October 24, 2003, Pitchformula.com[37] made a survey of the 5,575 reviews available on Pitchfork at that time, showing that:

  • 6.7 was the average rating
  • 2,339 reviews had been awarded a rating of 7.4 or higher
  • 2,362 reviews had been awarded a rating of between 5.0 and 7.3
  • 873 reviews had been awarded a rating of less than 5.0[6]

The review for Radiohead's album In Rainbows seems to have taken a satirical approach towards the method of pay that Radiohead utilized for the album. It allows a user to type in their own rating, and when a question mark is clicked, says, "It's up to you" (similar to Radiohead's website). If clicked again, it says, "No really, it's 9.3".[38] British Sea Power's 2008 album Do You Like Rock Music? was awarded a rating of "U.2".[39]

Initial release 10.0 rated albums

The following is a list of albums given a 10 out of 10, Pitchfork's highest possible rating, on initial release. The score is rare and has only been given to eleven albums since the site was launched in 1995. Several more albums have been given a 10 on re-release.

Relaxation of the Asshole, a comedy album by Guided by Voices singer Robert Pollard, was awarded a dual 0.0 and 10.0 on initial release. A later site redesign changed the rating to 0.0 only, although the explanation for the unusual rating remains in the text of the review.[40]

Artist Title Year Source
12 Rods Gay? 1996 [41]
...And You Will Know Us by the Trail of Dead Source Tags & Codes 2002 [42]
Amon Tobin Bricolage 1997 [43]
Bob Dylan The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert 1998 [44]
Bonnie 'Prince' Billy I See a Darkness 1999 [45]
The Flaming Lips The Soft Bulletin 1999 [46]
Kanye West My Beautiful Dark Twisted Fantasy 2010 [47]
Radiohead Kid A 2000 [48]
Radiohead OK Computer 1997 [49]
Walt Mink El Producto 1996 [50]
Wilco Yankee Hotel Foxtrot 2002 [51]

Subsidiary Websites

Pitchfork.tv

On April 7, 2008 Pitchfork Media launched Pitchfork.tv, a website displaying videos related to many independent music acts. It features bands that are typically found on pitchforkmedia.com.

Altered Zones

On July 7, 2010, Pitchfork announced Altered Zones, a blog aggregator devoted to underground and do-it-yourself music.[52] Altered Zones was closed on November 30, 2011.[53]

Nothing Major

On December 26, 2012, Pitchfork launched Nothing Major, a website that covers visual arts such as fine art and photography[54]

The Dissolve

On May 31, 2013, Pitchfork announced they would be launching a film news and criticism website, The Dissolve, during the summer of 2013.[55] The site's staff includes former AV Club writers Keith Phipps, Scott Tobias, Nathan Rabin, Genevieve Koski, Tasha Robinson, and Noel Murray.[55] The Dissolve launched on July 10, 2013.[56]

The Dissolve Film of the Year
Year Title Director Nation Source
2013 Her Spike Jonze  United States [57]

Pitchfork Album and Track of the Year winners

Pitchfork Album of the Year

Modern Vampires of the City, best album of 2013
Main article: The Top 50 Albums of the Year
Year Artist Album Nation Source
1999 The Dismemberment Plan Emergency & I  United States [58]
2000 Radiohead Kid A  United Kingdom [59]
2001 The Microphones The Glow Pt. 2  United States [60]
2002 Interpol Turn on the Bright Lights  United States [61]
2003 The Rapture Echoes  United States [62]
2004 Arcade Fire Funeral  Canada [63]
2005 Sufjan Stevens Illinois  United States [64]
2006 The Knife Silent Shout  Sweden [65]
2007 Panda Bear Person Pitch  United States [66]
2008 Fleet Foxes Sun Giant/Fleet Foxes  United States [67]
2009 Animal Collective Merriweather Post Pavilion  United States [68]
2010 Kanye West My Beautiful Dark Twisted Fantasy  United States [69]
2011 Bon Iver Bon Iver  United States [70]
2012 Kendrick Lamar good kid, m.A.A.d city  United States [71]
2013 Vampire Weekend Modern Vampires of the City  United States [72]

Pitchfork Track of the Year

"Hold On, We're Going Home", best song of 2013
Year Artist Song Nation Source
2003 Outkast "Hey Ya!"  United States [73]
2004 Annie "Heartbeat"  Norway [74]
2005 Antony & The Johnsons "Hope There's Someone"  United Kingdom [75]
2006 Justin Timberlake featuring T.I. "My Love"  United States [76]
2007 LCD Soundsystem "All My Friends"  United States [77]
2008 Hercules and Love Affair "Blind"  United States [78]
2009 Animal Collective "My Girls"  United States [79]
2010 Ariel Pink's Haunted Graffiti "Round and Round"  United States [80]
2011 M83 "Midnight City"  France [81]
2012 Grimes "Oblivion"  Canada [82]
2013 Drake "Hold On, We're Going Home"  Canada [83]

See also

Internet music journalism

References

  1. ↑ "Pitchfork.com Site Info". Alexa Internet. Retrieved 2014-02-02. 
  2. ↑ Burns, Anna. "Pitchfork Media: triple j print reviews". Australian Broadcasting Corporation. Retrieved 2006-10-29. 
  3. ↑ 3.0 3.1 3.2 du Lac, Josh Freedom (April 30, 2006). "Giving Indie Acts A Plug, or Pulling It". The Washington Post. Retrieved 2006-10-29. 
  4. ↑ "Site Traffic Information for www.pitchforkmedia.com". Alexa Internet. Retrieved 2006-10-29. 
  5. ↑ Itzkoff, Dave (September 2006). "The Pitchfork Effect". Wired. Retrieved 2006-10-29. 
  6. ↑ 6.0 6.1 Wilson, Loren Jan. "Statistics for the reviews database". pitchformula.com. Retrieved 2006-10-29. 
  7. ↑ du Lac, Josh Freedo (April 30, 2006). "Giving Indie Acts A Plug, or Pulling It". The Washington Post. Retrieved 2008-05-06. 
  8. ↑ Kot, Greg (May 8, 2005). "Pitchfork e-zine tells indie fans what's hot and not". The Honolulu Advertiser. Retrieved 2006-10-29. 
  9. ↑ Staff, Time (June 2011). "Bon Iver's New Album: An Elusive Kanye West Collaborator Returns to His Emotional Roots". Time. Retrieved 2011-06-20. 
  10. ↑ Staff, Time (June 2012). "Bon Iver". Time. Retrieved 2012-03-29. 
  11. ↑ CR (June 2005). "Clap Your Hands Say Yeah Interview". Tiny Mix Tapes. Retrieved 2008-02-02. 
  12. ↑ 12.0 12.1 Thomas, Lindsey (June 14, 2006). "The Pitchfork Effect". City Pages. Retrieved 2006-10-30. 
  13. ↑ Slate. "The Indie Music Site Everyone Loves to Hate"
  14. ↑ 14.0 14.1 Dusted Features [ All Y'All Haters ]
  15. ↑ Cross, David (May 5, 2005). "Albums to Listen to While Reading Overwrought Pitchfork Reviews". Pitchfork Media. Retrieved 2006-10-30. 
  16. ↑ "RichDork Media and Music Reviews and General Pretentiousness". Something Awful. 2004. Retrieved 2007-04-28. 
  17. ↑ Whitmore, Dean. "Popdork Feature: The Dean's List". Sub Pop. Archived from the original on August 6, 2004. 
  18. ↑ "Pitchfork Gives Music 6.8". The Onion. September 5, 2007. Retrieved 2007-09-10. 
  19. ↑ The Joanna Newsom leak - Music - The Phoenix
  20. ↑ "Critical Differences: Pitchfork’s Lost Archives – Save Ferris Edition". Jonnyleather.com. 2010-04-27. Retrieved 2011-01-30. 
  21. ↑ "UNKLE: Psyence Fiction: Pitchfork Record Review". Pitchfork. Retrieved 24 January, 2014. 
  22. ↑ UNKLE: Never Never Land | Album Reviews | Pitchfork
  23. ↑ Steven Byrd, review (via Internet Archive)
  24. ↑ Jason Josephes, (via Internet Archive)
  25. ↑ Belle & Sebastian Discography (via Pitchfork Media)
  26. ↑ Jason Josephes, (via Internet Archive)
  27. ↑ Jason Josephes, (via Internet Archive)
  28. ↑ Samir Khan, (via Internet Archive)
  29. ↑ M. Christian McDermott, (via Internet Archive)
  30. ↑ Schreiber, Ryan. "John Coltrane Live at the Village Vanguard: The Master Takes". Pitchford Media. Archived from the original on August 10, 2004. 
  31. ↑ "Album Reviews: M.I.A.: Kala". Pitchfork Media. 2007-08-21. Retrieved 2011-01-30. 
  32. ↑ Thomson, Paul (2007). "M.I.A. Confronts the Haters". Pitchforkmedia. Retrieved 2007-12-10. 
  33. ↑ Nicholson, Rebecca (August 27, 2008). "Why Björk is right to stand up for female producers". The Guardian (London). 
  34. ↑ Culture Desk: M.I.A. Shouldn’t Have Apologized : The New Yorker
  35. ↑ M.I.A. Uses Pitchfork Tweets to Diss Pitchfork, Show Off Obama Ecstasy Pills Pic - Los Angeles Music - West Coast Sound
  36. ↑ "Pitchfork Music Festival 2006". Pitchfork Media. August 2, 2006. Retrieved 2006-10-30. 
  37. ↑ Pitchformula.com
  38. ↑ Radiohead: In Rainbows: Pitchfork Record Review
  39. ↑ British Sea Power: Do You Like Rock Music?: Pitchfork Record Review
  40. ↑ Robert Pollard - Relaxation of the Asshole review - Pitchfork
  41. ↑ Pitchfork Media
  42. ↑ Pitchfork
  43. ↑ Pitchfork Media
  44. ↑
  45. ↑ Pitchfork Media
  46. ↑ Pitchfork Media
  47. ↑ Pitchfork
  48. ↑ Pitchfork
  49. ↑ Pitchfork Media
  50. ↑ Pitchfork Media
  51. ↑ Pitchfork
  52. ↑ "Pitchfork launches Altered Zones". Pitchfork Media. 2010-07-07. Retrieved 2013-05-30. 
  53. ↑ "Altered Zones RIP". The Brooklyn Vegan. 2011-11-30. Retrieved 2013-05-30. 
  54. ↑ "Welcome to Nothing Major". Pitchfork Media. 2012-12-26. Retrieved 2013-05-30. 
  55. ↑ 55.0 55.1 "Introducing The Dissolve, A New Film Site". Pitchfork Media. 2013-05-31. Retrieved 2013-05-30. 
  56. ↑ "A Letter from the Editor". The Dissolve. 2013-07-10. Retrieved 2013-07-10. 
  57. ↑ http://thedissolve.com/features/2013-in-review/330-the-best-films-of-2013/
  58. ↑ Pitchfork
  59. ↑ Pitchfork
  60. ↑ Pitchfork
  61. ↑ Pitchfork
  62. ↑ Pitchfork
  63. ↑ Pitchfork
  64. ↑ Pitchfork
  65. ↑ Pitchfork
  66. ↑ Pitchfork
  67. ↑ Pitchfork
  68. ↑ Pitchfork
  69. ↑ Pitchfork
  70. ↑ Pitchfork
  71. ↑ Pitchfork
  72. ↑ http://pitchfork.com/features/staff-lists/9293-the-top-50-albums-of-2013/5/
  73. ↑ Pitchfork
  74. ↑ Pitchfork
  75. ↑ Pitchfork
  76. ↑ Pitchfork
  77. ↑ Pitchfork
  78. ↑ Pitchfork
  79. ↑ Pitchfork
  80. ↑ Pitchfork
  81. ↑ Pitchfork
  82. ↑ Pitchfork
  83. ↑ http://pitchfork.com/features/staff-lists/9288-the-top-tracks-of-2013/10/

External links

Pitchfork sites

Other links

Music Festivals
Lists
Music criticism
Magazines
Websites
Best albums by Year
  • 2010
  • 2011
  • 2012
  • 2013
Pitchfork Media's 10.0 rated albums
Pitchfork Media's Track of the Year
2003
Outkast – "Hey Ya!"
2004
Annie – "Heartbeat"
2005
Antony & The Johnsons – "Hope There's Someone"
2006
Justin Timberlake featuring T.I. – "My Love"
2007
LCD Soundsystem – "All My Friends"
2008
Hercules and Love Affair – "Blind"
2009
Animal Collective – "My Girls"
2010
Ariel Pink's Haunted Graffiti – "Round and Round"
2011
M83 – "Midnight City"
2012
Grimes - "Oblivion"
2013
Drake - "Hold On, We're Going Home"
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