Roger Kimball

Roger Kimball

Roger Kimball (born 1953), a notable^{[1][2][3][4][5][6][7][8]} American art critic and social commentator, is the Editor and Publisher of The New Criterion and the Publisher of Encounter Books. He was educated at Cheverus High School, a Jesuit institution in South Portland, Maine, and then at Bennington College, where he received his B.A. in philosophy and classical Greek, and at Yale University. He first gained prominence in the early 1990s with the publication of his book, Tenured Radicals: How Politics Has Corrupted Higher Education. He currently serves on the board of the Manhattan Institute for Policy Research, the board of Transaction Publishers and as a Visitor of Ralston College, a start-up liberal arts college based in Savannah, Georgia.^[9] He also served on the Board of Visitors of St. John's College (Annapolis and Santa Fe). His latest book, The Fortunes of Permanence: Culture and Anarchy in an Age of Amnesia, was published by St. Augustine's Press in June of 2012.

Essays and media appearances

Kimball lectures widely and is a frequent contributor to many newspapers and journals, including The Wall Street Journal, National Review, The Spectator, The New Criterion, The Times Literary Supplement, and The New York Sun. Kimball is also a regular contributor to The New Criterion's weblog Armavirumque. In the autumn of 2007 he inaugurated Roger's Rules,^[10] a regular column at the Pajamas Media weblog,^[11] which was launched in the spring of 2006.

Some of Kimball's work as a writer is polemical, directed against what he sees as the politicization and "dumbing down" of Western culture and the arts. As Kimball wrote:

For us, the imperative of criticism has revolved primarily around two tasks. . . . The first is the negative task of forthright critical discrimination. To a large extent, that means the gritty job of intellectual and cultural trash collector. . . . [M]uch of what presents itself as art today can scarcely be distinguished from political sermonizing, on the one hand, or the pathetic recapitulation of Dadaist pathologies, on the other. Mastery of the artifice of art is mostly a forgotten, often an actively disparaged, goal. At such a time, simply telling the truth is bound to be regarded as an unwelcome provocation. . . . An equally important part of criticism revolves around the task of battling cultural amnesia. From our first issue, we have labored in the vast storehouse of cultural achievement to introduce, or reintroduce, readers to some of the salient figures whose works helped weave the great unfolding tapestry of our civilization. Writers and artists, philosophers and musicians, scientists, historians, controversialists, explorers, and politicians: The New Criterion has specialized in resuscitating important figures whose voices have been drowned out by the demotic inanities of pop culture or embalmed by the dead hand of the academy.

Many of Kimball's essays in The New Criterion, and in books like Experiments Against Reality and Lives of the Mind, endeavor to reacquaint readers with important figures from the Western canon whose work he feels has been neglected or misunderstood. Kimball's interests range from the work of literary figures such as G.C. Lichtenberg, Robert Musil, Walter Pater, Anthony Trollope, Milan Kundera, and P.G. Wodehouse, to philosophers and historians such as Plutarch, Hegel, Walter Bagehot, George Santayana, Raymond Aron, and Leszek Kołakowski. Kimball also writes regularly about art. He has devoted essays to artists from Delacroix and Vuillard to Robert Motherwell, Frank Stella, and Robert Rauschenberg; in recent years, he has been particularly interested in bringing attention to Classical Realism and other contemporary art movements that champion the traditional values and techniques of representational art. In addition, Kimball was instrumental in bringing the thought of the Australian philosopher David Stove (1927–1994) to a wider audience through his anthology of Stove's writings, Against the Idols of the Age.

Tenured Radicals

First published in 1990, Tenured Radicals: How Politics Has Corrupted Our Higher Education was updated in 1998 and again in 2008. The most recent third edition includes a new introduction by Kimball as well as the preface to the 1998 edition. The book critiques the ways in which humanities are currently taught and studied in American universities. The book takes the stance that modern humanities have become politicized while seeking to subvert "the tradition of high culture embodied in the classics of Western art and thought".^[12] Kimball claims that yesterday's radical thinker has become today's tenured professor carrying out "ideologically motivated assaults on the intellectual and moral substance of our culture".^[12] The book has been deemed controversial due to its specificity, with the New York Times Book Review's Roger Rosenblatt noting, "Mr. Kimball names his enemies precisely...This book will breed fistfights."^[13]

The Long March

One abiding concern of Kimball's work is the legacy of the 1960s. In The Long March: How the Cultural Revolution of the 1960s Changed America, Kimball critically examined many of the accepted notions about that decade and its influential figures, including Norman Mailer, Susan Sontag, William S. Burroughs, Allen Ginsberg, Timothy Leary, William Sloane Coffin, Eldridge Cleaver, Charles Reich, Norman O. Brown, and Herbert Marcuse. The aim of the book, Kimball wrote in his introduction, was to "show how the paroxysms of the 1960s continue to reverberate throughout our culture". Kimball contended that

The Age of Aquarius did not end when the last electric guitar was unplugged at Woodstock. It lives on in our values and habits, in our tastes, pleasures, and aspirations. It lives on especially in our educational and cultural institutions, and in the degraded pop culture that permeates our lives like a corrosive fog.

Experiments Against Reality

Experiments Against Reality: The Fate of Culture in the Postmodern Age is a book criticizing the literary and philosophical foundations of postmodernity. Examining the work of Eliot, Auden, Nietzsche, Heidegger, Foucault and more, Kimball critiques the ways in which these writers deal with what he views as the intellectual and moral deterioration of modernity. He also laments the state of modern culture, focusing his analysis on the realms of contemporary art and academia. Kimball argues against nihilist, deconstructionist, and anti-enlightenment perspectives prevalent in modern theory, contending that objective truth is an important tenant of any discourse. As one review put it, "Kimball’s writings offer weapons of resistance to such indoctrination" and "they set a traditional criterion: the lessons of history, ordinary experience, beauty, reality."^[14] The New York Times Book Review calls Kimball a “scathing critic…whose tirades are usually justified” and whose “intellectual rigor is refreshing”.^[15]

Lives of the Mind

Lives of the Mind: The Use and Abuse of Intelligence from Hegel to Wodehouse is a book that explores intellect and rationality through western history. Kimball posits that intelligence “is neither good nor bad in itself but rather takes its virtue, its moral coloring, from its application”.^[16] He examines a variety of figures, ranging from Plutarch to Kierkegaard to Descartes, illuminating the benefits and dangers of genius as it relates to culture, common sense, and reality.

Art's Prospect

In 2003's Art's Prospect: The Challenge of Tradition in an Age of Celebrity, Kimball turns a critical eye towards what he sees as modern art's avant-garde assault on tradition. He argues that the most invigorating action in today's modern art is a quiet affair that takes place out of the limelight and celebrity that have become part of the art world. In a series of essays and reviews, he touches on numerous subjects including minimalism, the Barnes Foundation, and the Whitney Museum of American Art and examines artists including Vincent van Gogh, Edward Burne-Jones, Gustave Moreau, Picasso, Renoir, Matisse, Paul Klee. Mark Rothko, and more.^[17] The book has enjoyed positive critical reception from a variety of publications. The Tennessean called the book's reviews "lucid mini-educations in the exercise of taste"^[18] and in The Weekly Standard, Thomas M. Disch wrote that "Kimball knows his business...His reviews make me hungry to see what I've missed" and that "Kimball is an honest hater: deadpan in delivery, deadly in his accuracy".^[19]

Rape of the Masters

Published in 2004, The Rape of the Masters: How Political Correctness Sabotages Art is a critical account of contemporary academic art history and its infatuation with "theory" and the "transgressive" at the expense of aesthetic appreciation and a traditional view of the ennobling resources of art. Among the figures Kimball discusses are Michael Fried on Gustave Courbet, Svetlana Alpers on Peter Paul Rubens, Griselda Pollock on Paul Gauguin, and Martin Heidegger and Meyer Schapiro on Vincent van Gogh.

The New Leviathan

In 2012, Kimball edited The New Leviathan, a collection of essays that discuss a variety of political topics from "the folly of ObamaCare to the politicization of the Justice Department and the disastrous efforts to nationalize our education system."^[20] Many prominent conservative intellectuals serve as contributors including John R. Bolton, Richard Allen Epstein, Peter Ferrara, John Fund, Victor Davis Hanson, Andrew C. McCarthy, Betsy McCaughey, Michael Mukasey, Glenn Reynolds, Kevin D. Williamson, and more.

The Fortunes of Permanence

Kimball's latest book, published in 2012, The Fortunes of Permanence: Culture and Anarchy in an Age of Amnesia looks at cultivation of mind and spirit as intrinsically tied to inherited cultural instructions. He argues that this cultivation is a spiritual enterprise and of utmost importance to political freedom. He uses such figures as G.K. Chesterton, Rudyard Kipling, and Friedrich von Hayek to illuminate these "cultural instructions" and criticize doctrines such as relativism and multiculturalism.^[21] Czech President Václav Klaus called the book "completely unified and 'unwavering'...The breadth of the author’s range and knowledge is completely exceptional, both in the world of culture (especially literature and the visual arts) and in the world of philosophy and political thought in general."^[22] Michael Uhlmann wrote that "the publication of The Fortunes of Permanence confirms Roger Kimball's status as America's foremost cultural critic."^[23]

List of works

As author

• The Fortunes of Permanence: Culture and Anarchy in an Age of Amnesia, St. Augustine's Press: South Bend, 2012.
• The Rape of the Masters: How Political Correctness Sabotages Art, Encounter Books: San Francisco, 2004.
• Art's Prospect: The Challenge of Tradition in an Age of Celebrity, Ivan R. Dee: Chicago, 2003.
• Lives of the Mind: The Use and Abuse of Intelligence from Hegel to Wodehouse, Ivan R. Dee: Chicago 2002.
• Experiments Against Reality: The Fate of Culture in the Postmodern Age, Ivan R. Dee: Chicago 2000.
• The Long March: How the Cultural Revolution of the 1960s Changed America, Encounter Books: San Francisco, 2000.
• Tenured Radicals: How Politics Has Corrupted Our Higher Education, HarperCollins, New York, 1990; revised edition, Ivan R. Dee, Chicago, 1998; third, expanded edition, Ivan R. Dee, Chicago, 2008.
  • Brazilian Edition of Tenured Radicals: How politics has corrupted our higher education (Peixoto Neto Publishing House, 2010)

As editor and contributor

• "The Consequences of Richard Weaver," Foreword to an expanded edition of "Ideas Have Consequences" by Richard Weaver University of Chicago Press: Chicago 2013.
• "Mental Hygiene and Good Manners: The Contribution of George Santayana," in "The Genteel Tradition in American Philosophy" and Character and Opinion in the United States, edited by James Seaton, Yale University Press: New Haven, 2009.
• Counterpoints: 25 Years of The New Criterion on Art and Culture, co-edited by Roger Kimball & Hilton Kramer, Ivan R. Dee: Chicago, 2007.
• Lengthened Shadows: America and Its Institutions in the Twenty-first Century, co-edited by Roger Kimball & Hilton Kramer, Encounter Books: San Francisco, 2004.
• The Survival of Culture: Permanent Values in a Virtual Age co-edited by Roger Kimball & Hilton Kramer, Ivan R. Dee: Chicago 2002.
• The Betrayal of Liberalism: How the Disciples of Freedom and Equality Helped Foster the Illiberal Politics of Coercion and Control, co-edited by Roger Kimball & Hilton Kramer, Ivan R. Dee: Chicago, 2000
• The Future of the European Past co-edited by Roger Kimball & Hilton Kramer Ivan R. Dee: Chicago 1997.
• Against the Grain: The New Criterion on Art and Intellect in the Twentieth Century co-edited by Roger Kimball & Hilton Kramer, Ivan R. Dee: Chicago 1994.

As editor

• The New Leviathan: The State Versus the Individual in the Twenty-first Century. A Collection of Encounter Broadsides, edited, with an introduction, by Roger Kimball and a foreword by George Will, Encounter Books: New York 2012.
• Athwart History: Half a Century of Polemics, Animadversions, and Illuminations: A William F. Buckley Jr. Omnibus, co-edited by Roger Kimball and Linda Bridges, introduction by Roger Kimball, Encounter Books: New York 2010.
• The Age of the Avant Garde: 1956-1972, by Hilton Kramer, introduction by Roger Kimball, Transaction Publishers: New Brunswick, 2008.
• The Treason of the Intellectuals, by Julien Benda, introduction by Roger Kimball, Transaction Publishers: New Brunswick, 2006.
• Art in Crisis, by Hans Sedlmayr, introduction by Roger Kimball, Transaction Publishers: New Brunswick, 2006.
• Darwinian Fairytales: Selfish Genes, Errors of Heredity, and Other Fables of Evolution,by David Stove, edited and with an Introduction by Roger Kimball, Encounter Books: New York, 2006.
• Diversions And Animadversions: Essays from the New Criterion by Alexander Coleman, edited with a preface by Roger Kimball, introduction by Denis Donoghue, Transaction Publishers: New Brunswick, 2005.
• Physics and Politics: Or: Thoughts on the Application of the Principles of 'Natural Selection' and 'Inheritance' to Political Society, by Walter Bagehot, edited and with an introduction by Roger Kimball, Ivan R. Dee: Chicago, 1999.
• Against the Idols of the Age, by David Stove, edited and with an introduction by Roger Kimball, Transaction Publishers: New Brunswick, 1999.

References

External links

• The New Criterion: Roger Kimball.