Rock Steady (album)

From Wikipedia, the free encyclopedia
For other uses, see Rocksteady (disambiguation).
Rock Steady
Studio album by No Doubt
Released December 11, 2001 (2001-12-11)
Recorded January–June 2001
Genre Dance-rock, reggae fusion, dancehall, rocksteady
Length 49:02
Label Interscope
Producer Nellee Hooper, No Doubt, Ric Ocasek, William Orbit, Prince, Sly & Robbie, Steely & Clevie, Philip Steir, Mark "Spike" Stent
No Doubt chronology

Return of Saturn
(2000)		 Rock Steady
(2001)		 The Singles 1992–2003
(2003)
Singles from Rock Steady
  1. "Hey Baby"
    Released: October 29, 2001
  2. "Hella Good"
    Released: April 13, 2002
  3. "Underneath It All"
    Released: August 15, 2002
  4. "Running"
    Released: July 1, 2003

Rock Steady is the fifth studio album by American rock band No Doubt. It was released on December 11, 2001 by Interscope Records. The band began writing the album with initial recording sessions in Los Angeles and San Francisco, then traveled to London and Jamaica to work with various performers, songwriters, and producers. Sly & Robbie, The Neptunes, and William Orbit were among the many artists the band collaborated with on the album.

As a result of these collaborations, Rock Steady touches on many musical styles, focusing on dub, synthpop, and dance styles more so than in the past. The band attempted to capture the vibe of Jamaican dancehall music, and experimented with writing songs without its standard instrumentation. Singer Gwen Stefani wrote her lyrics quickly in comparison to previous records, and dealt with topics ranging from partying to ruminations on her relationship with Gavin Rossdale.

Rock Steady received mostly positive reviews from music critics, and it was nominated for Best Pop Vocal Album at the 2003 Grammy Awards. The album was a commercial comeback for the band, surpassing sales of their previous offering, Return of Saturn, released in 2000. Rock Steady spawned four singles, two of which won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal. Rolling Stone ranked Rock Steady number 316 on its 2003 list of "The 500 Greatest Albums of All Time".

Background and production

Every night on the tour to support their 2000 album Return of Saturn, No Doubt threw after-show parties where people danced to Jamaican dancehall music. During a discussion over dinner in late 2000, the band members decided they wanted to explore dancehall-style rhythms for their next album.[1] Drawing inspiration from artists such as Bounty Killer, Cutty Ranks, and Mr. Vegas,[2] the band began work on the album in January 2001 by creating beats on Pro Tools at guitarist Tom Dumont's apartment. The group often tried recreating beats from other song files on the computer, which resulted in modified versions of the original rhythms.[1] They worked with producer Philip Steir at Toast Studios in San Francisco during this time, where the beginnings of "Hey Baby" emerged.[3] When writing lyrics for previous albums, Stefani typically read works by Sylvia Plath that would make her depressed "or find different words that inspire me."[1] In contrast, for Rock Steady she wrote the lyrics quicker and on the spot to meet the goal of writing a song a day. Many of the demos recorded during these early sessions were used in the final tracks, rather than completely reworking the songs. The band saw this as a way to preserve the "initial spark" from when the songs were conceived.[2]

The next month, Stefani left Los Angeles for London to visit boyfriend Gavin Rossdale, and the band traveled with her to finish recording "Detective".[1] There, they worked with Eurythmics member David A. Stewart and wrote the song "Underneath It All" in only ten minutes.[4] In March, No Doubt traveled to Jamaica, staying at the Blue Lagoon in Port Antonio.[2] The band "spent most of the time swimming and getting sunburned and drinking and smoking and recording a little music", according to Dumont.[5] The group would often have Red Stripe beers or rum and cokes with jerk food for breakfast;[1][2] on one occasion, Dumont passed out from heavy drinking while recording a track.[1] They began work in the mid-afternoon and worked into the night, with an after-party following the session.[2] The group collaborated with Sly & Robbie, who produced "Underneath It All" and "Hey Baby" and brought in dancehall toasters Lady Saw and Bounty Killer, and Steely & Clevie, who produced "Start the Fire".

The band returned from Jamaica and resumed work in June 2001, collaborating with producers Nellee Hooper and Timbaland.[6] The Timbaland track, titled "It's a Fight", and a Dr. Dre-produced song titled "Wicked Day" were excluded from the album because their hip hop sounds did not work well on the album.[7][8] The band then worked with producer and former Cars frontman Ric Ocasek in late June.[5] Stefani commented that No Doubt worked with so many people for the record because none were available for the time needed to make an LP, but that she would have liked to work with Ocasek longer.[9] The band and its A&R manager Mark Williams chose collaborators based on how well they thought the person would fit the personality of the song that No Doubt had written.[2] In late August, the band returned to London for Mark "Spike" Stent to polish off the songs with audio mixing.[1]

Composition

The band members often did not play their standard instruments when working on the songs for Rock Steady.[10] As a result, the album's instrumentation contains less guitar and bass guitar than the band's previous work.[11] Many of the album's sounds come from electronic keyboard effects, which bassist Tony Kanal called "Devo-y bleeps and Star Wars noises".[1] Dumont commented that many of the effects came from being unfamiliar with the equipment and "just twiddling knobs".[12] Dumont created an effect similar to that of an echo chamber by placing a microphone inside a metal garbage can with the can's open end facing a drum kit.[13] Richard B. Simon of MTV News asserted that the sound of Rock Steady was part of the decade nostalgia of the 1980s retro movement.[14]
"Hey Baby" (2001)
The album's lead single, a ragga song about the band's groupies.
"Underneath It All" (2002)
The third single, a slower reggae song with a toast from Lady Saw.
Problems playing these files? See media help.

Rock Steady maintains many of the styles present in No Doubt's previous work, while introducing influences from the music of Jamaica. "Hey Baby", "Underneath It All" and "Start the Fire" all feature dancehall and ragga, an electronic-oriented subgenre, as well as guest toasters.[15] The latter, written using backward string samples, also contains the band's traditional ska and reggae sounds.[3] Ocasek produced the New Wave-influenced tracks "Don't Let Me Down" and "Platinum Blonde Life", the former of which was described as sounding "more like the Cars than the Cars".[16] "Platinum Blonde Life" was so strongly influenced by The Cars' work that Kanal apologized to Ocasek, though Ocasek apologized back that he hadn't seen the similarity.[10] The synthpop ballad "Running" was composed on a Yamaha keyboard purchased for Kanal in the 1980s and drew inspiration from the Thompson Twins.[3] Its simple keyboard riff drew comparisons to the work of Depeche Mode, Erasure, and Yazoo.[17]

Because of the number of collaborations, the album touches on several other styles. "Waiting Room", a song written and sung with Prince for Return of Saturn, evokes his R&B style over a drum and bass beat.[1][18] "Hella Good", an electro rock song co-written with hip hop production duo The Neptunes, is inspired by the funk songs of the late 1970s such as Queen's "Another One Bites the Dust" and the Commodores' "Brick House".[2] William Orbit, best known for his work on Madonna's electronica-oriented Ray of Light, incorporates trance music in the production of "Making Out". "Detective", one of the five tracks produced by Hooper, takes slight influence from pop music.[19] The album's title track closes the album by tying together the many musical themes.[20] It is a slow dub song,[20] with acid house-style bleeps and moans.[21]

Stefani's vocals range from innocent to seductive, sometimes transitioning from one to the other within a song.[19] Her lyrics are based on her relationship with Rossdale, whom she married less than a year after the album's release.[20] Stefani is openhearted and unreserved as on Return of Saturn, but her approach becomes more immediate and instinctive.[19] The lyrics are more youthful than those on Return of Saturn and detail partying and feelings of lust.[22] An overarching theme on the album is Stefani's impatience in the couple's long-distance relationship. She discusses wanting to see Rossdale on "Making Out" and "Waiting Room", and she reveals her distrust in Rossdale on "In My Head".[20] On "Hey Baby" she gives an innocuous account of the debauchery between her bandmates and their groupies during parties, as she observes the party.[9] The lyrics of "Underneath It All" question whether or not Rossdale is a good match for her,[17] an issue resolved in the chorus, which was written based on a journal entry where Stefani wrote the line "You're lovely underneath it all" about Rossdale.[23]

Critical reception

Professional ratings
Aggregate scores
Source Rating
Metacritic 69/100[24]
Review scores
Source Rating
Allmusic [15]
Blender [25]
The Boston Globe favorable[26]
Entertainment Weekly B+[22]
NME 7/10[27]
Q [28]
Rolling Stone [17]
Slant Magazine [20]
Spin 8/10[29]
Stylus Magazine C[21]
Vibe [30]

Rock Steady received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 69, based on 15 reviews, which indicates "generally favorable reviews".[24] Rolling Stone's Rob Sheffield said it was "impressive to hear No Doubt summon the musical imagination to transcend the formula that used to imprison them"[17] and ranked Rock Steady number 316 on its 2003 list of the 500 greatest albums of all time.[16] Stephen Thomas Erlewine of Allmusic referred to the album as "a good, hooky, stylish mainstream pop record".[15] David Browne of Entertainment Weekly remarked that there was "something oddly flimsy" about No Doubt that prevented it from becoming a milestone in pop music, but that the band's "party-throwing skills improve with each new gathering."[22] Stylus Magazine commented that the band sounded like it had "growing pains" and was unsure of its place in mainstream rock, predicting that No Doubt would either become a singles band "or go all Radiohead on us and make an album of avant-jazz-electro-acid-funk-polka."[21]

Many reviewers focused on the large number of styles that Rock Steady incorporates. PopMatters, noting that Rock Steady maintains the introspection of Return of Saturn without the latter's "longing and wistfulness", stated that "it is to No Doubt's credit...that they manage to keep the album together with little more than their collective personalities."[19] Blender, however, called it "an intermittently engaging but overall shapeless collection...the product of happy-go-lucky musicians who once cavorted in bad track suits but now spend their days commuting between London, Jamaica and Los Angeles seeking the wisdom of expensive studio geeks."[25] Nevertheless, Blender included the album on its 2003 list of "500 CDs You Must Own Before You Die!".[31] The NME viewed the album's "enormous waterfront of styles" positively, noting that it had many strong potential singles, but found that some of the "empty-headed guitar pop" on the second half of the album spoiled the listening experience.[27] Time stated that Rock Steady was able to integrate ska, pop, New Wave, and dancehall "without sounding contrived or chaotic". It added that though the album lacked the energy and sales of No Doubt's 1995 breakthrough album Tragic Kingdom, Rock Steady was "their greatest effort to date...the sound of band dropping pretense to realize its potential."[32] Slant Magazine included Rock Steady on its list of 50 Essential Pop Albums, commenting that "not since Blondie...has a rock act so effortlessly, irreverently, and fashionably skidded across so many different genre boundaries at one time."[20] LAUNCHcast said that "even with so many producers attempting to steer this bus along the superstar highway, they end up in a better-than-most parking lot".[33]

Release and impact

Stefani, Stephen Bradley, and Kanal performing on the Rock Steady Tour in March 2002

Rock Steady sold approximately three million copies.[16] NME reviewer Alex Needham compared the album's revival of No Doubt's popularity to the performance of Madonna's 1998 album Ray of Light.[27] The album debuted at number nine on the Billboard 200, selling 254,000 copies in its first week.[34] By 2002 it was certified double platinum by the Recording Industry Association of America.[35] At the 2003 Grammy Awards, the album was nominated for Best Pop Vocal Album but lost to Norah Jones' Come Away with Me.[36] The lead single "Hey Baby" and third single "Underneath It All" won the award for Best Pop Performance by a Duo or Group with Vocals at the 2003 and 2004 Grammy Awards, respectively.[36][37]

The album did not perform as strongly outside the United States. In September 2002, Rock Steady was certified platinum in Canada,[38] and in the United Kingdom, the album was certified silver by the British Phonographic Industry.[39] It peaked at number fifteen on the ARIA Albums Chart and spent nine non-consecutive weeks in the top forty.[40] The album was listed at number ninety-seven on the 2002 Australian Recording Industry Association end-of-year chart,[41] and was certified gold by the ARIA.[42]

Following the success of the regular edition, Rock Steady had two special edition re-releases in October 2002, each of which had a bonus CD. The two-song CD features acoustic live performances of "Underneath It All" and "Just a Girl" recorded at 1LIVE in Cologne, Germany in June 2002 as well as the music video for "Underneath It All". The four-song CD includes a remix of "Hey Baby" featuring Outkast and Killer Mike; another remix by F.A.B.Z.; Roger Sanchez's remix of "Hella Good", which won a Grammy Award for Best Remixed Recording, Non-Classical in 2003;[43] and a remix of Return of Saturn's lead single "Ex-Girlfriend" made by Philip Steir, who helped produce "Hey Baby". The songs from the two-song bonus disc were released in North American iTunes Stores, and those from the four-song bonus disc were released in other countries. Rock Steady Live, a live DVD of No Doubt performing in 2002 in support of Rock Steady, was released in November 2003.

Rock Steady produced the band's most successful singles. "Hey Baby" preceded the album with an October 2001 release. It set a record for the band when it reached number five on the Billboard Hot 100.[44] The positive response to "Hey Baby" from radio stations and video channels prompted the band to push forward the release of Rock Steady from December 18 to December 11.[45] The next single, "Hella Good", was released in April 2002. It was somewhat less successful and peaked at number thirteen. It was followed by "Underneath It All", which was released that August. The single is No Doubt's most successful American single to date, peaking at number three on the Hot 100, and like "Hey Baby", it managed to top the Billboard Top 40 Mainstream chart. The fourth and final single was "Running" in April 2003. Peaking at number sixty-two, "Running" became No Doubt's lowest position on the Hot 100 to date.[44] Despite all their singles from Rock Steady failing to chart anywhere on No Doubt's main radio format at the time, Modern Rock Tracks, their 1st 3 hit singles still managed to have successful airplay on U.S. alternative rock radio stations also making their 1st 3 hit singles modern rock hits.

When singer-songwriter Jewel released her fifth album 0304 in June 2003, reinventing and sexualizing her public image, music critics identified Rock Steady and Ray of Light as influences on the album. Slant Magazine compared 0304's retro tribute to New Wave music with that on Rock Steady.[46] Blender commented that Jewel had "brushed up on two sacred pop texts, the Manual of Madonna and the Gospel According to Gwen". The magazine compared her use of a more restrained, throaty purr to Stefani's vocals and noted 0304's use of "jumpy bubblegum choruses and boop-boop-beeping keyboards" as descendants of No Doubt's production.[47]

Track listing

No. TitleWriter(s)Producer(s) Length
1. "Intro"     0:27
2. "Hella Good"  Gwen Stefani, Pharrell Williams, Chad Hugo, Tony KanalNellee Hooper, No Doubt 4:02
3. "Hey Baby" (featuring Bounty Killer)Stefani, Kanal, Tom Dumont, Rodney PriceSly & Robbie, No Doubt, Mark "Spike" Stent (add.), Steir (add.) 3:26
4. "Making Out"  Stefani, Kanal, DumontWilliam Orbit, No Doubt 4:14
5. "Underneath It All" (featuring Lady Saw)Stefani, David StewartSly & Robbie, No Doubt, Stent (add.) 5:02
6. "Detective"  Stefani, Kanal, DumontHooper, No Doubt 2:53
7. "Don't Let Me Down"  Stefani, Kanal, DumontRic Ocasek, No Doubt, Stent (add.) 4:08
8. "Start the Fire"  Stefani, Kanal, DumontSteely & Clevie, No Doubt 4:08
9. "Running"  Stefani, KanalHooper, No Doubt 4:01
10. "In My Head"  Stefani, Kanal, DumontHooper, No Doubt 3:25
11. "Platinum Blonde Life"  Stefani, Kanal, DumontNo Doubt, Ocasek, Stent (add.) 3:27
12. "Waiting Room"  Prince, Stefani, Kanal, DumontPrince, No Doubt, Stent (add.) 4:27
13. "Rock Steady"  Stefani, KanalHooper, No Doubt 5:22
2-song bonus CD
  1. "Underneath It All" (live) – 3:44
  2. "Just a Girl" (live) – 3:32
  3. "Underneath It All" (video)
4-song bonus CD
  1. "Hey Baby" featuring Outkast and Killer Mike (dirty version) – 4:10
  2. "Hey Baby" (The Homeboy Mix) – 3:50
  3. "Hella Good" (Roger's Release Yourself Mix) – 7:16
  4. "Ex-Girlfriend" (The Psycho Ex Mix) – 7:42
  5. "Hey Baby" (video)
  6. "Hella Good" (video)
  7. "Underneath It All" (video)

Enhanced content

  • "Hey Baby" Video
  • Rock Steady Screensaver
  • The Making of Rock Steady

Personnel

Credits for Rock Steady adapted from album liner notes.[48]

No Doubt
  • No Doubt – producers
  • Gwen Stefani – vocals (all tracks); additional programming (4, 13); album art concept
  • Tony Kanal – bass, keyboards (all tracks); additional engineer (3, 6–9, 11, 13); programming (3, 7, 8, 11); additional programming (4, 6, 9, 13); saxophone (5)
  • Tom Dumont – guitar, keyboards (all tracks); additional engineer (3, 6–9, 11, 13); programming (3, 7, 8, 11); additional programming (4, 6, 9, 13)
  • Adrian Young – drums
Additional personnel

  • Rory Baker – additional engineer (3, 5)
  • Bounty Killer – performer (3)
  • Hans Buff – engineer (12)
  • Bob Clarke – radio voice (5)
  • Dan Chase – engineer (3, 5, 8)
  • Jolie Clemens – design, layout
  • Greg Collins – engineer (2, 6, 9)
  • Cindy Cooper – album package coordination
  • Count – additional engineer (3)
  • Karl Derfler – engineer (7, 11)
  • Ned Douglas – programming (5)
  • Sly Dunbar – programming (3)
  • Matt Fields – mix assistant engineer
  • Brian "Big Bass" Gardner – mastering
  • Simon Gogerly – additional engineer (2, 6, 9)
  • John Gould – additional mix programming
  • Nellee Hooper – producer (2, 6, 9, 10, 13)
  • Brian Jobson – executive producer (3, 5, 8)
  • Wayne Jobson – executive producer (3, 5, 8)
  • Alain Johannes – additional engineer (12)
  • Jeff Kanan – assistant engineer (4, 7, 11)
  • Ekaterina Kenney – album package coordination
  • Anthony Kilhoffer – assistant engineer (2, 6, 9)
  • Lady Saw – performer (5)
  • Steve Mandel – assistant engineer (12)
  • Gabrial McNair – Clavinet, trombone (5); keyboards (8)
  • Tkae Mendez – additional engineer (3, 5, 8)
  • Shawn Mortensen – back cover photography
  • Clif Norrell – engineer (4)
  • Ric Ocasek – keyboards, producer (7, 11)
  • Frank Ockenfels – collage photography
  • William Orbit – producer (4)
  • Andy Potts – saxophone (5)
  • Prince – backing vocals, keyboards, producer (12)
  • Ian Rossiter – assistant engineer (2, 6, 9, 10)
  • Robbie Shakespeare – additional melodic bass (5)
  • Sly & Robbie – producers (3, 5)
  • Sean Spuehler – programming (4)
  • Steely & Clevie – producers (8)
  • Philip Steir – additional producer, additional programming (3)
  • Mark "Spike" Stent – mixing (all tracks); additional producer (3, 5, 7, 11, 12)
  • Django Stewart – saxophone (5)
  • David Treahearn – mix assistant engineer
  • Keith Uddin – mix assistant engineer
  • Juan Pablo Velasco – assistant engineer (7, 11)
  • Fabien Waltmann – programming (2, 6, 9, 10, 13)
  • Paul "P Dub" Watson – mix programming
  • Toby Whalen – assistant engineer (3, 5. 8)
  • Eric White – additional programming (4)
  • Wayne Wilkins – mix programming
  • Mark Williams – A&R direction
  • Jennifer Young – assistant engineer (4)

Charts

Weekly charts

Chart (2001–03) Peak
position
Australian Albums Chart[40] 15
Austrian Albums Chart[49] 12
Belgian Alternative Albums Chart (Flanders)[50] 30
Canadian Albums Chart[51] 21
Dutch Albums Chart[52] 66
Finnish Albums Chart[53] 34
French Albums Chart[54] 79
German Albums Chart[55] 13
Hungarian Albums Chart[56] 30
Irish Albums Chart[57] 53
Japanese Albums Chart[58] 48
New Zealand Albums Chart[59] 17
Norwegian Albums Chart[60] 8
Swedish Albums Chart[61] 52
Swiss Albums Chart[62] 33
UK Albums Chart[63] 43
US Billboard 200[64] 9

Year-end charts

Chart (2002) Peak
position
Australian Albums Chart[41] 97
US Billboard 200[65] 25

Decade-end charts

Chart (2000–09) Peak
position
US Billboard 200[66] 166

Certifications

Region Certification
Australia Gold[42]
Canada Platinum[38]
United Kingdom Silver[39]
United States 2× Platinum[35]

References

  1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 Edwards, Gavin (October 16, 2001). "No Doubt Make Party Music". Rolling Stone. Wenner Media. Retrieved January 21, 2013. 
  2. ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 Orshoski, Wes (November 21, 2001). "No Doubt Feels 'Rock Steady'". Billboard. Prometheus Global Media. Retrieved July 12, 2007. 
  3. ↑ 3.0 3.1 3.2 Montoya, Paris and Lanham, Tom. The Singles 1992–2003 (liner notes). Interscope Records. 2003.
  4. ↑ Scaggs, Austin (May 3, 2001). "No Doubt Records with Prince, Dre". Rolling Stone. Wenner Media. Retrieved January 21, 2013. 
  5. ↑ 5.0 5.1 vanHorn, Teri; Waller, Curtis (June 18, 2001). "No Doubt: Recording New Album Runs Rings Around Saturn". MTV News. Viacom. Retrieved April 8, 2007. 
  6. ↑ "Timeline". nodoubt.com. Archived from the original on February 23, 2009. Retrieved July 13, 2007. 
  7. ↑ Graff, Gary (October 24, 2001). "No Doubt's Hip-Hop Tracks Might Get Future Release". Yahoo! Music. Retrieved July 13, 2007. 
  8. ↑ vanHorn, Teri (October 16, 2001). "Dre, Timbaland Beats Will Be Absent On No Doubt LP". MTV News. Viacom. Retrieved July 13, 2007. 
  9. ↑ 9.0 9.1 Wiederhorn, Jon; Rankin, Rebecca (November 1, 2001). "No Doubt's 'Hey Baby' Pays Tribute To Drooling, Gawking Groupies". MTV News. Viacom. Retrieved July 12, 2007. 
  10. ↑ 10.0 10.1 Wielenga, Dave (December 6, 2001). "The Happy Ones". OC Weekly. Village Voice Media. Retrieved September 17, 2001. 
  11. ↑ vanHorn, Teri (March 30, 2001). "No Doubt Head To Jamaica To Stir Up Reggae Sound". MTV News. Viacom. Retrieved April 8, 2007. 
  12. ↑ Norris, John (2001). "No Doubt: Time To Party". MTV. Retrieved April 8, 2007. 
  13. ↑ "Making of Rock Steady". Rock Steady bonus CD. Interscope Records. 2001.
  14. ↑ Simon, Richard B. (March 19, 2002). "Rock Steady Show Leaves No Doubt About '80s Revival". MTV News. Viacom. Retrieved October 22, 2007. 
  15. ↑ 15.0 15.1 15.2 Erlewine, Stephen Thomas. "Rock Steady – No Doubt". Allmusic. Rovi Corporation. Retrieved January 14, 2007. 
  16. ↑ 16.0 16.1 16.2 "316) Rock Steady". Rolling Stone. Wenner Media. November 1, 2003. Archived from the original on May 1, 2009. Retrieved March 31, 2007. 
  17. ↑ 17.0 17.1 17.2 17.3 Sheffield, Rob (January 2, 2002). "Rock Steady". Rolling Stone. Wenner Media. Retrieved January 14, 2007. 
  18. ↑ Massa, Beth. "Rock Steady: No Doubt". Amazon.com. Retrieved July 13, 2007. 
  19. ↑ 19.0 19.1 19.2 19.3 Miller, Eden (December 10, 2001). "No Doubt: Rock Steady". PopMatters. Retrieved July 12, 2007. 
  20. ↑ 20.0 20.1 20.2 20.3 20.4 20.5 Cinquemani, Sal (December 12, 2004). "No Doubt: Rock Steady". Slant Magazine. Retrieved April 8, 2007. 
  21. ↑ 21.0 21.1 21.2 Delaney, Colleen (September 1, 2003). "No Doubt – Rock Steady". Stylus Magazine. Retrieved October 22, 2007. 
  22. ↑ 22.0 22.1 22.2 Browne, David (December 14, 2001). "Rock Steady (2001)". Entertainment Weekly (630). Retrieved July 13, 2007. 
  23. ↑ Strauss, Neil (January 31, 2002). "No Doubt: Sex, Success and Staying Together". Rolling Stone. Wenner Media. Retrieved January 21, 2013. 
  24. ↑ 24.0 24.1 "Rock Steady – No Doubt". Metacritic. CBS Interactive. Retrieved May 17, 2012. 
  25. ↑ 25.0 25.1 Howe, Rupert. "No Doubt : Rock Steady Review". Blender. Alpha Media Group. Retrieved April 8, 2007. 
  26. ↑ Massari, Paul. Rock Steady Review. The Boston Globe. January 3, 2002. Retrieved November 16, 2009.
  27. ↑ 27.0 27.1 27.2 Needham, Alex (January 7, 2002). "No Doubt : Rock Steady". NME. IPC Media. Retrieved July 12, 2007. 
  28. ↑ Dorian Lynskey (December 2001). "Mixed Bizness". Q. p. 119. 
  29. ↑ Berrett, Jesse (January 2002). "Hollywood Squares". Spin 18 (1): 105–106. Retrieved January 21, 2013. 
  30. ↑ Vaziri, Aidin (February 2002). "No Doubt: Rock Steady". Vibe 10 (2): 121. Retrieved January 21, 2013. 
  31. ↑ Aizlewood, John (April 2003). "500 CDs You Must Own Before You Die!". Blender. Alpha Media Group. Retrieved September 21, 2007. 
  32. ↑ Reyes, Kimberly (January 15, 2002). "Review: "Rock Steady," by No Doubt". Time. Retrieved November 20, 2007. 
  33. ↑ Oliver, Lisa (February 14, 2002). "No Doubt – 'Rock Steady'". Yahoo! Music. Archived from the original on March 28, 2008. Retrieved April 8, 2007. 
  34. ↑ Martens, Todd (December 20, 2001). "Creed Continues Cruise On Top". Billboard. Prometheus Global. Retrieved January 5, 2013. 
  35. ↑ 35.0 35.1 "Gold & Platinum". Recording Industry Association of America. October 11, 2002. Retrieved December 4, 2010. 
  36. ↑ 36.0 36.1 D'angelo, Joe (February 24, 2003). "Norah Jones Sweeps Grammys, Boss Wins Three, Avril Shut Out". MTV News. Viacom. Retrieved April 13, 2007. 
  37. ↑ Mueller, Gavin (February 11, 2004). "46th Annual Grammy Awards". Stylus Magazine. Retrieved April 13, 2007. 
  38. ↑ 38.0 38.1 "Gold Platinum Database". Music Canada. September 3, 2002. Retrieved July 30, 2011. 
  39. ↑ 39.0 39.1 "Certified Awards Search". British Phonographic Industry. February 15, 2002. Retrieved June 13, 2011. 
  40. ↑ 40.0 40.1 "No Doubt – Rock Steady". australian-charts.com. Hung Medien. Retrieved July 13, 2007. 
  41. ↑ 41.0 41.1 "ARIA Charts – End Of Year Charts – Top 100 Albums 2002". ARIA Charts. Retrieved April 14, 2007. 
  42. ↑ 42.0 42.1 "ARIA Charts – Accreditations – 2002 Albums". Australian Recording Industry Association. Retrieved April 14, 2007. 
  43. ↑ "Past Winners Search". Grammy Awards. The Recording Academy. Retrieved January 21, 2013. 
  44. ↑ 44.0 44.1 "Rock Steady – No Doubt : Awards". Allmusic. Rovi Corporation. Retrieved January 8, 2007. 
  45. ↑ "No Doubt's Rock Steady Now Slated for Dec. 11 Release". NY Rock. November 27, 2001. Retrieved December 3, 2007. 
  46. ↑ Cinquemani, Sal (June 6, 2003). "Jewel: 0304". Slant Magazine. Retrieved October 10, 2007. 
  47. ↑ Light, Alan. "Jewel : 0304 Review". Blender. Alpha Media Group. Retrieved October 10, 2007. 
  48. ↑ Rock Steady (CD liner notes). No Doubt. Interscope Records. 2001. 0694931582.
  49. ↑ "No Doubt – Rock Steady" (in German). austriancharts.at. Hung Medien. Retrieved April 8, 2007. 
  50. ↑ "No Doubt – Rock Steady" (in Dutch). Ultratop. Hung Medien. Retrieved January 5, 2013. 
  51. ↑ "Hits of the World". Billboard 114 (23). June 8, 2002. ISSN 0006-2510. 
  52. ↑ "No Doubt – Rock Steady" (in Dutch). dutchcharts.nl. Hung Medien. Retrieved July 16, 2011. 
  53. ↑ "No Doubt – Rock Steady". finnishcharts.com. Hung Medien. Retrieved April 8, 2007. 
  54. ↑ "No Doubt – Rock Steady" (in French). lescharts.com. Hung Medien. Retrieved April 8, 2007. 
  55. ↑ "No Doubt | Longplay-Chartverfolgung" (in German). Musicline.de. PHONONET GmbH. Retrieved July 16, 2011. 
  56. ↑ "Top 40 album- és válogatáslemez-lista – 2002. 28. hét" (in Hungarian). MAHASZ. Retrieved July 16, 2011. 
  57. ↑ "Top 75 Artist Album, Week Ending 3 October 2002". Chart-Track. Irish Recorded Music Association. Retrieved July 16, 2011. 
  58. ↑ "ノー・ダウトのアルバム売り上げランキング" [No Doubt album sales ranking] (in Japanese). Oricon. Retrieved January 21, 2013. 
  59. ↑ "No Doubt – Rock Steady". charts.org.nz. Hung Medien. Retrieved April 8, 2007. 
  60. ↑ "No Doubt – Rock Steady". norwegiancharts.com. Hung Medien. Retrieved July 16, 2011. 
  61. ↑ "No Doubt – Rock Steady". swedishcharts.com. Hung Medien. Retrieved April 8, 2007. 
  62. ↑ "No Doubt – Rock Steady". swisscharts.com. Hung Medien. Retrieved April 8, 2007. 
  63. ↑ "No Doubt – Rock Steady". Chart Stats. Archived from the original on February 15, 2013. Retrieved July 16, 2011. 
  64. ↑ "No Doubt Album & Song Chart History – Billboard 200". Billboard. Prometheus Global Media. Retrieved July 16, 2011. 
  65. ↑ "Billboard 200 Albums – 2002 Year End Charts". Billboard. Prometheus Global Media. December 28, 2002. Retrieved July 16, 2011. 
  66. ↑ "Decade End Charts – Billboard 200 Albums". Billboard. Prometheus Global Media. Retrieved July 16, 2011. 
No Doubt
Studio albums
Compilation albums
Video albums
Singles
No Doubt
The Beacon Street Collection
Tragic Kingdom
Return of Saturn
Rock Steady
The Singles: 1992-2003
  • "It's My Life"
Push and Shove
Non-album singles
  • "Bathwater (Invincible Overlord Remix)"
  • "Stand and Deliver"
Concert tours
Related articles

This article is issued from Wikipedia. The text is available under the Creative Commons Attribution/Share Alike; additional terms may apply for the media files.