Richard Milazzo

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Richard Milazzo is a critic, curator, publisher, independent scholar and poet. In the 1970s, he was the editor and co-publisher of Out of London Press. Among the books he edited were The Syntactic Revolution: Collected Writings of Abraham Lincoln Gillespie (New York, 1980) and the first English facsimile edition of Pontormo’s Diary (New York, 1982). Other titles included the first monograph on Vito Acconci by Mario Diacono, Discussion by Annina Nosei-Weber and Robert Pincus-Witten’s Postminimalism. In 1981, he co-edited La rosa disabitata 1960-1980 for Feltrinelli, one of the first anthologies to document the post-Gertrude Stein ‘Language’ writing movement in America, which included the writings of Vito Acconci, Charles Bernstein, John Cage, Clark Coolidge, Lyn Hejinian, Dick Higgins, Frank Kuenstler, Jackson Mac Low, Bob Perelman, Bern Porter and Jerome Rothenberg, among others.

Life and work

Since 1982, he has worked internationally as a critic and curator in the art world. His exhibitions and critical writings with Collins & Milazzo brought to prominence a whole new generation of artists in the 1980s. It was their exhibitions and writings that originally fashioned the theoretical context for a new kind of Conceptual Art – one that argued simultaneously against Neo-Expressionism and Picture-Theory Art –, and it was through this context that the work of many of the artists associated with Neo-Conceptualism (or what the critics reductively called “Simulationism” and “Neo Geo”) was first brought together – artists such as Ross Bleckner, James Welling, Steven Parrino, Richard Prince, Peter Nagy, Sarah Charlesworth, Mark Innerst, Allan McCollum, Peter Halley, Jonathan Lasker, Haim Steinbach, Jeff Koons, Philip Taaffe, Robert Gober, Saint Clair Cemin, Lawrence Carroll and Vik Muniz, among others.

In the early 1980s, he co-published and co-edited with Tricia Collins Effects: Magazine for New Art Theory in the East Village, and from 1986 to 1988 he was the American co-editor of Kunstforum (Cologne). Among the many publications of those years were Radical Consumption and the New Poverty (New York: New Observations, 1987); Art at the End of the Social (Malmö, Sweden: The Rooseum, 1988); and Hyperframes: A Post-Appropriation Discourse in Art, the lectures they delivered as Senior Critics at Yale University in 1988 and 1989. The lectures were originally published in 1989 and 1990 in two volumes in a bilingual English and French edition in Paris, with Editions Antoine Candau, and became known as the “Green Books.” They were recently reissued in an Italian edition by Campanotto Editore in Udine, in 2005. In 1991, he co-edited An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns (New York: White Columns, 1991).

He co-curated and curated exhibitions in such galleries and museums as Nature Morte (NY), International with Monument (NY), White Columns (NY), C.A.S.H./Newhouse (NY), Postmasters (NY), Tibor De Nagy (NY), Diane Brown (NY), CEPA (Buffalo, NY), Margo Leavin (Los Angeles, CA), S.L. Simpson (Toronto, Canada), American Fine Arts Co. (NY), Massimo Audiello (NY), Lia Rumma (Naples, Italy), Galerie Albrecht (Munich, Germany), John Gibson (NY), 303 Gallery (NY), the Rooseum (Malmö, Sweden) Meyers/Bloom (Santa Monica, CA), Greenberg/Wilson (NY), Tony Shafrazi (NY), Sidney Janis (NY), Fay Gold (Atlanta, GA), The Hopper House (Nyack, NY), Annina Nosei (NY), Emilio Mazzoli (Modena, Italy), James Danziger (NY), and Alain Noirhomme (Brussels, Belgium), among others. Interviews with and writings on Collins & Milazzo’s critical and curatorial work have appeared in Artforum, Art in America, ARTnews, Arts Magazine, The Los Angeles Times, Vogue, Artscribe International, Village Voice, Art & Auction, The New York Times, The New Yorker, The New Criterion, II Giornale dell’Arte, The New York Times Magazine, HG, New Art Examiner, Galeries Magazine, Flash Art, among others.

He has taught, read, or participated in symposia and lectured at the University of Chicago (“‘Donna me prega’: Modern Poetry and Its Context”), Yale University (on Lacan), The Maryland Institute and College of Arts, The School of the Museum of Fine Arts (Boston), Tisch School of the Arts (New York University), The Museum of Modern Art (“Contemporary Art in Context”) in New York, The Glassell School of Art (Museum of Fine Arts, Houston, Texas), National Museum of American Art (Smithsonian Institute), Columbia University (New York), Jan van Eyck Akademie (Maastricht, Belgium), The Ghent Academy (Belgium), the High Museum (Atlanta, Georgia), among many others. He delivered the lecture “Rhetorical Answers: Curating and the Practice of Criticism” at The Meadows School of the Arts, Southern Methodist University, Dallas, Texas, in conjunction with the Lecture Series “Between Art and Life,” in celebration of Robert Rauschenberg’s receiving The Meadows Award for Excellence in the Arts. In December 2012, Howard B. Johnson donated a painting, Available Portrait Colors, by Annette Lemieux to the Harvard Art Museums "in honor of Richard Milazzo."

He has also lectured to Sotheby’s “Connoisseurship in Contemporary Art” seminar, and delivered a paper to the symposium, “The Convergence of Art and Philosophy,” with Jean Baudrillard, Joseph Kosuth and Peter Halley, at ICASA, New York University. He has also delivered a lecture on the work of Jeff Koons, “Against Interpretation; or, the Decline of Abstraction in Contemporary Sculpture,” at the New York Studio School, and a series of six lectures on Philip Taaffe at the Instituto Universitario di Architectura di Venezia; and a paper on poetics at Stony Brook University. He has given poetry readings at Beyond Baroque Foundation, Venice, CA.; and at Cornelia Street Café, Bowery Poetry Club, and the Russian Tea Room, in New York.

In the 1990s, he curated an exhibition space he founded, 11, rue Larrey at Sidney Janis Gallery, and co-founded and edits the publishing house, Edgewise Press. In 1996, he curated Realism After Seven A.M.: Realist Painting After Edward Hopper – An Exhibition of 25 Artists in Honor of the 25th Anniversary of the Hopper House; and, in 1998, he organized an art auction and benefit exhibition to relaunch Barney Rosset’s Evergreen Review on line. He has curated, both in the United States and Europe, one-person exhibitions of the works of Malcolm Morley, Ross Bleckner, Sandro Chia, Abraham David Christian, Robert Longo, Saint Clair Cemin, Alessandro Twombly, Michel Frère, Bill Rice, David Salle, Alex Katz, Mark Innerst, William Anastasi and Peter Nagy. He has written the major monographs, Saint Clair Cemin: Sculptor from Cruz Alta (New York: Brent Sikkema Editions, 2005), and The Paintings of Ross Bleckner (Brussels: Editions Alain Noirhomme, 2007). For Edgewise Press he has recently published and edited, with introductions, Ross Bleckner’s Examined Life: Writings 1972-2007 and Peter Halley: Selected Essays 1981-2001.

Other art books are Malcolm Morley (a monograph); Caravaggio on the Beach: Essays on Art in the 1990s; Jonathan Lasker: Expressions Become Things (a study of the sketches); the study The Flower Paintings of Ross Bleckner (Modena: Galleria Mazzoli Editions, 2011), which functions as the companion volume to The Paintings of Ross Bleckner; a catalogue on the recent work of Mimmo Paladino (2012); and, most recently, Peter Nagy: Entertainment Erases History - Works 1982 to 2004 to the Present (New York: EISBox Projects, Inc., 2014).

A book of his early poetry, Alogon (1969-1981), was published by Tokyo Publishing House in Tokyo in May 2007. Several of these poems appeared in such magazines as Il Verri, Tam Tam, and others, before he stopped writing poetry in 1982 and later resumed writing it in 1993. Others books of poetry include Le Violon d’Ingres; Hotel of the Heart; Il facchino di Venezia (The Porter of Venice); Green Nights / Golgotha / Love’s Quarrel; Stone Dragon Bridge; An Earring Depending from the Moon; and Circus in the Fog.

Most recent are Eastern Shadows (Craiova: Scrisul Romanesc, 2010); Keats Dying in Your Arms (Brussels: Editions Passage St.-Hubert, 2010); With Grass Ropes We Dragged the World to Her in Wooden Boats: Poems of Jordan, Syria and Egypt 2008 (with accompanying works on paper by Alessandro Twombly) (Turin: Paolo Torti degli Alberti, 2011); Small China Moon (Udine: Campanotto Editore, in 2010); Where Angels Arch Their Backs and Dogs Pass Through (Craiova: Scrisul Romanesc, 2012); and Frost Heaves (with accompanying drawings by William Anastasi) (Turin: Libri Canali Bassi, 2014).

ART

  • Radical Consumption and the New Poverty, Collins & Milazzo (New York: New Observations, 1987). ISSN: 0737-5387.
  • Art at the End of the Social, Collins & Milazzo, with a Swedish translation by Stefan Sandelin (Malmö, Sweden: The Rooseum, 1988). ISBN 0-945295-03-3.
  • Cultural Promiscuity: A Conversation with Collins & Milazzo and 13 Studies for a Painting entitled Cultural Promiscuity by Jonathan Lasker (Rome: Gian Enzo Sperone, 1989).
  • Hyperframes: A Post-Appropriation Discourse in Art (“The Yale Lectures”), Collins & Milazzo, translated by Giovanna Minelli (Vol I), and by Giovanni Minelli, Marion Laval-Leantet and Benôit Mangin (Vol II) (Paris: Editions Antoine Candau, 1989 and 1990). ISBN 2-908139-00-6.
  • The Last Decade: American Artists of the ’80s, Collins & Milazzo, )New York: Tony Shafrazi Gallery, 1990).
  • Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Collins & Milazzo (New York: Sidney Janis Gallery, 1991).
  • Sal Scarpitta: New Works, Collins & Milazzo (New York: Annina Nosei, in cooperation with Leo Castelli, 1991).
  • Malcolm Morley: The Art of the Superreal, the Rough, the Neo-Classical, and the Incommensurable, Richard Milazzo (Tangiers, Morocco: Éditions d'Afrique du Nord, 2001). ISBN 978-606-8229-48-5.
  • Robert Longo: 1980-2000, Richard Milazzo, (Modena, Italy: Emilio Mazzoli Editore, 2000).
  • Caravaggio on the Beach: Essays on Art in the 1990s (Tangiers, Morocco: Éditions d'Afrique du Nord, 2000). ISBN 1-893207-06-4.
  • Alex Katz: New Paintings, Richard Milazzo (Modena, Italy: Emilio Mazzoli Editore, 2003).
  • Alessandro Twombly: New Paintings 2003, Richard Milazzo (Brussels, Belgium: Gallery Alain Noirhomme, 2003).
  • David Salle: New Paintings, Richard Milazzo (Modena, Italy: Emilio Mazzoli Editore, 2003).
  • Jonathan Lasker: Expressions Become Things – From Sketch to Study to Painting, Richard Milazzo (New York - Paris - Turin: Edgewise Press, 2005). ISBN 1-893207-15-3.
  • Saint Clair Cemin: Sculptor from Cruz Alta, Richard Milazzo (New York: Brent Sikkema Editions, 2005). ISBN 1-893207-25-0.
  • The Paintings of Ross Bleckner, Richard Milazzo (Brussels, Belgium: Editions Alain Noirhomme, 2006). ISBN 978-930487-01-4.
  • Mark Innerst: Paintings of New York 2005-2007, Richard Milazzo (Modena, Italy: Emilio Mazzoli Editore, 2007).
  • William Anastasi: Paintings, Small Works, Drawings, Richard Milazzo (Modena, Italy: Galleria Mazzoli Editore, 2009).
  • The Flower Paintings of Ross Bleckner, Richard Milazzo (Modena, Italy: Galleria Mazzoli Editions, 2011).
  • Mimmo Paladino: New Paintings 2008-2011, Richard Milazzo (Modena, Italy: Galleria Mazzoli, 2012).
  • Peter Nagy: Entertainment Erases History - Works 1982 to 2004 to the Present, Richard Milazzo (New York: EISBox Projects, Inc., 2014). ISBN 0-615-49792-6.

POETRY

  • Hotel of the Heart: Poems 1997-2001 (Pavia, Italy: Night Mail, 2002). ISBN 88-88454-06-3.
  • Le Violon d’Ingres: Sunday Poems and Lineations 1993-1996 (Bomarzo, Italy: Night Mail, 2004). ISBN 88-88454-09-8.
  • Along the Hudson, with drawings by Abraham David Christian (Tokyo, Japan: Tokyo Publishing House, 2006).
  • Il Facchino di Venezia (The Porter of Venice): Poems 2002-2003 (Venice: Sotoportego Editore, 2007). ISBN 978-0-9793507-0-2.
  • Green Nights / Golgotha / Love’s Quarrel: Poems 2001-2003 (Belgrade, Serbia: Dossier, 2007). ISBN 978-86-7738-046-5.
  • Alogon: Early Poems 1969-1981 (Tokyo, Japan: Tokyo Publishing House, 2007). ISBN 978-4-902663-00-6.
  • Stone Dragon Bridge: Poems 2006-2007 (Modena, Italy: Emilio Mazzoli Editore, 2007).
  • An Earring Depending from the Moon: Poems 2006 (Venice: Sotoportego Editore, 2008). ISBN 978-0-9793507-1-9.
  • The Fishmonger’s Door: Poems of Modena 2000-2008, with photographs by Carlo Benvenuto (Modena, Italy: Emilio Mazzoli Editore, 2009).
  • Circus in the Fog: Poems 2005-2006 (Venice: Sotoportego Editore, 2009). ISBN 978-0-9793507-26.
  • Small China Moon: Poems 2002 (Pasian di Prato [Udine], Italy: Campanotto Editore, 2010). ISBN 978-88-456-1196-4.
  • Eastern Shadows: Poems 2008-2009 (Craiova, Romania: Scrisul Romanesc, 2010). ISBN 978-606-8031-38-5.
  • Keats Dying in Your Arms: Poems 2007-2008 (Brussels, Belgium: Éditions Passage St.-Hubert, 2010). ISBN 1-893207-32-3.
  • With Grass Ropes We Dragged the World to Her in Wooden Boats: Poems of Jordan, Syria, and Egypt 2008, with accompanying works on paper by Alessandro Twombly (Cumiana, Italy: Libri Canali Bassi / Paolo Torti degli Alberti, 2011). ISBN 978-8890-538506.
  • Where Angels Arch Their Backs and Dogs Pass Through: Poems 2010-2011 (Craiova, Romania: Scrisul Romanesc, 2012). ISBN 978-606-8229-48-5.
  • Frost Heaves: Poems 2008, with accompanying drawings by William Anastasi (Turin: Libri Canali Bassi, 2014). ISBN 978-88-905385-3-7.

Published authors at Edgewise Press

  • Alan Jones, Long After Hannibal Had Passed With Elephants: Poems and Epigrams
  • Bruce Benderson, Toward the New Degeneracy: An Essay (2nd Edition)
  • Peter Halley, Recent Essays 1990-1996 (out of print)
  • Nanni Cagnone, The Book of Giving Back: A Poem
  • Jonathan Lasker, Complete Essays 1984-1998
  • Cid Corman, Tributary: Poems (dedicated to painter Beauford Delaney, edited by Philippe Briet)
  • B.H. Friedman, Swimming Laps: Stories and Meditations
  • Abraham David Christian, La Salle des Pieds Perdus: Drawing / Zeichnung
  • Remo Guidieri, Too Late Too Early: An Essay
  • Rackstraw Downes, In Relation to the Whole: Three Essays from Three Decades - 1973, 1981, 1996 (2nd Edition)
  • Demosthenes Davvetas, Architecture of Tears: Stories, Poems, Aphorisms
  • Mary de Rachewiltz, For the Wrong Reason: Poems
  • John T. Spike, Dissimilar Revelations: Essays on Neolithic Art, Fra Angelico, Velázquez, Goya, and Cézanne
  • Vik Muniz, Natura, Pictrix: Interviews and Essays on Photography
  • Saint Clair Cemin, Fragments of a Mind: Stories and Comments on Art
  • Enrico Pedrini, Irreversibility and the Avant-Garde: An Essay on Physics and Modern Culture
  • Nanni Cagnone, Index Vacuus: Poems
  • Robert Burke, Every Occupation in America: Photography and Reflections on Earning a Living
  • Joseph Masheck, The Carpet Paradigm: Integral Flatness from Decorative to Fine Art
  • Peter Nadin, The First Mark: Unlearning How to Make Art
  • Ross Bleckner, Examined Life: Writings 1972 - 2007
  • Joseph Nechvatal, Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality 1993-2006
  • Andrew McCarron, Mysterium: Poems
  • Brunella Antomarini, The Maiden Machine: Philosophy in the Age of the Unborn Woman
  • Peter Halley, Selected Essays 1981-2001
  • Peter Nadin, Taxonomy Transplanted: Art, Language, Farming

Exhibitions

1. Civilization and the Landscape of Discontent. Curated by Collins & Milazzo, Gallery Nature Morte, New York, March 1984. Text by Tricia Collins and Richard Milazzo. Artists: Stephen Aljian, Ross Bleckner, Stephan Gantenbein, Mark Innerst, Peter Nadin, Louis Renzoni, Susan Beschta-Springfield, James Welling, Michael Zwack.

2. Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces. Curated by Collins & Milazzo, International With Monument Gallery, New York, March 28 - April 21, 1984. Text by Tricia Collins and Richard Milazzo. Artists: Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Kevin Larmon, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, Laurie Simmons.

3. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects. Curated by Collins & Milazzo, Florida State University Gallery & Museum, Tall., Fla., Aug. 31-Sept. 30, 1984. Color catalogue with text by Tricia Collins and Richard Milazzo. Artists: Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Kevin Larmon, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack.

4. Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces. Curated by Collins & Milazzo, Galerie Jurka, Amsterdam, November 1984. Text by Tricia Collins and Richard Milazzo. Artists: Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Kevin Larmon, Peter McCaffrey, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Laurie Simmons, Tyler Turkle, Meyer Vaisman, Oliver Wasow.

5. The New Capital. Curated by Collins & Milazzo, White Columns, New York, December 4, 1984 - January 5, 1985. Text by Tricia Collins & Richard Milazzo. Artists: Vikky Alexander, Jane Bauman, Alan Belcher, Gretchen Bender, Barry Bridgwood, Sarah Charlesworth, Peter Halley, Jeff Koons, Daniel Levine, Frank Majore, Peter Nagy, Joseph Nechvatal, David Robbins, Tyler Turkle, Meyer Vaisman, Oliver Wasow.

6. Final Love. Curated by Collins & Milazzo, C.A.S.H./Newhouse Gallery, New York, March 15 - April 14, 1985. Text by Tricia Collins and Richard Milazzo. Artists: Ross Bleckner, Peter Halley, Kevin Larmon, Jonathan Lasker, Allan McCollum, Olivier Mosset, Peter Nadin, Bonnie Nielson, Meyer Vaisman, Wallace & Donohue, James Welling, Stephen Westfall.

7. Paravision. Curated by Collins & Milazzo, Postmasters Gallery, New York, May 3 - June 2, 1985. Text by Tricia Collins and Richard Milazzo. Artists: Jane Bauman, Alan Belcher, Gretchen Bender, Ross Bleckner, Barry Bridgwood, Peter Halley, Jeff Koons, Jonathan Lasker, Robert Longo, Richard Milani, Olivier Mosset, Ricardo Regazzoni, David Robbins, Gary Stephan, Philip Taaffe, Meyer Vaisman, Wallace & Donohue

8. Persona Non Grata. Curated by Collins & Milazzo, Daniel Newburg Gallery, New York, September 11 - October 5, 1985. Text by Tricia Collins and Richard Milazzo. Artists: Vikky Alexander, Ellen Carey, Stephen Lack, Vera Lehndorff & Holger Trülzsch, Allan McCollum & Laurie Simmons, Richard Milani, Peter Nadin, Richard Prince, David Robbins, Walter Robinson, Brigitta Rohrbach, Julie Wachtel, Michael Zwack.

9. Cult and Decorum. Curated by Collins & Milazzo, Tibor De Nagy Gallery, New York, December 7, 1985 - January 4, 1986. Text by Tricia Collins and Richard Milazzo. Artists: Ross Bleckner, Sarah Charlesworth, David Diao, Peter Halley, Jeff Koons, Kevin Larmon, Jonathan Lasker, Peter Nadin, Joel Otterson, Ricardo Regazzoni, Robin Rose, Laurie Simmons, Haim Steinbach, Gary Stephan, Philip Taaffe, Meyer Vaisman, Not Vital.

10. Time After Time (A Sculpture Show). Curated by Collins & Milazzo, Diane Brown Gallery, New York, March 8 - April 2, 1986. Text by Tricia Collins and Richard Milazzo. Artists: Edward Allington, Gretchen Bender, Don Bonham, Barry Bridgwood, Saint Clair Cemin, Maureen Connor, Joel Fisher, Kenji Fujita, James Hill, Richard Jarden, Jeff Koons, Annette Lemieux, Erik Levine, Allan McCollum, Joseph Nechvatal, John Newman, Alastair Noble, Joel Otterson, Ricardo Regazzoni, Haim Steinbach, Gary Stephan, Not Vital, Michael Zwack.

11. Spiritual America. Curated by Collins & Milazzo, CEPA, Buffalo, May 3 - June 15, 1986. Catalogue with text by Tricia Collins and Richard Milazzo. Artists: Jane Bauman, Gretchen Bender, Barry Bridgwood, Calvin Brown, David Cabrera, Sarah Charlesworth, Peter Coates & Nancy Dwyer, Michael Corris, Dorit Cypis, David Diao, Lea Douglas, Sarah Drury, Daniel Faust, Diana Formasano, Peter Halley, James Hill, Peter Hopkins, Sara Hornbacher, Mark Innerst, Jeff Koons, Liz Koury, Annette Lemieux, Allan McCollum, Steve Miller, Robert Morgan, Peter Nagy, Joseph Nechvatal, Bonnie Nielson, Anna Oberto, David Reisman, Jim Rodgers, Kay Rosen, Tad Savinar, John Schlessinger, Tyler Turkle, Wallace & Donohue, Robin Weglinski.

12. Paravision II. Curated by Collins & Milazzo, Margo Leavin Gallery, Los Angeles, July 12 - August 23, 1986. Text by Tricia Collins and Richard Milazzo. Artists: Gretchen Bender, Ross Bleckner, Barry Bridgwood, Calvin Brown, Sarah Charlesworth, Charles Clough, David Diao, Carroll Dunham, Peter Halley, Peter Hopkins, Barbara Kruger, Jonathan Lasker, Robert Longo, Richard Milani, Olivier Mosset, Peter Nagy, Joel Otterson, Walter Robinson, Brigitta Rohrbach, Haim Steinbach, Gary Stephan, Philip Taaffe, Meyer Vaisman, Wallace & Donohue, James Welling.

13. Ultrasurd. Curated by Collins & Milazzo, S.L. Simpson Gallery, Toronto, September 1986. Catalogue with text by Tricia Collins and Richard Milazzo. Artists: Saint Clair Cemin, Sarah Charlesworth, Abraham David Christian, Charles Clough, David Diao, Barbara Ess, Joel Fisher, Peter Hopkins, Suzanne Joelson, Annette Lemieux, Olivier Mosset, Allan McCollum, Peter Nagy, Lucio Pozzi, Walter Robinson, Robin Rose, Tyler Turkle, Julie Wachtel, Oliver Wasow.

14. Modern Sleep. Curated by Collins & Milazzo, American Fine Arts Co., New York, October 17 - November 16, 1986. Brochure with text by Tricia Collins and Richard Milazzo. Artists: Saint Clair Cemin, John Dogg, Tishan Hsu, Kevin Larmon, Jonathan Lasker, Annette Lemieux, Olivier Mosset, Joel Otterson, Jeffrey Plate.

15. The Antique Future. Curated by Collins & Milazzo, Massimo Audiello Gallery, New York, February 13 - March 15, 1987. Brochure with text by Tricia Collins and Richard Milazzo. Artists: Edward Allington, Ross Bleckner, Saint Clair Cemin, Abraham David Christian, Tishan Hsu, Annette Lemieux, Lucio Pozzi, Sal Scarpitta, Mike and Doug Starn, Gary Stephan, Not Vital.

16. Extreme Order. Curated by Collins & Milazzo, Lia Rumma Gallery, Naples, May - July 1987. Brochure with text by Tricia Collins and Richard Milazzo. Artists: Saint Clair Cemin, Robert Gober, Peter Halley, Annette Lemieux, Haim Steinbach.

17. The Ironic Sublime. Curated by Collins & Milazzo, Galerie Albrecht, Munich, June 4 - July 18, 1987. Catalogue with text by Tricia Collins and Richard Milazzo. Artists: Ross Bleckner, Saint Clair Cemin, Abraham David Christian, Suzan Etkin, Joel Fisher, Tishan Hsu, Allan McCollum, Gary Stephan, Joel Otterson, James Welling.

18. The New Poverty. Curated by Collins & Milazzo. Catalogue with text by Tricia Collins and Richard Milazzo, John Gibson Gallery, New York, October 10 - November 7, 1987. Artists: Ford Beckman, David Cabrera, Saint Clair Cemin, Abraham David Christian, John Dogg, Suzan Etkin, Peter Fend, Joel Fisher, Ronald Jones, Ange Leccia, Joel Otterson, Lucio Pozzi, Holt Quentel, Sal Scarpitta, Not Vital, Meg Webster, Michael Zwack.

19. Media Post Media. Curated by Collins & Milazzo, Scott Hanson Gallery, New York, January 6 - February 9, 1988. Color catalogue with text by Tricia Collins and Richard Milazzo. Artists: Vikky Alexander, Gretchen Bender, Sarah Charlesworth, Colette, Nancy Dwyer, Barbara Ess, Suzan Etkin, Jenny Holzer, Barbara Kruger, Annette Lemieux, Sherrie Levine, Holt Quentel, Nancy Shaver, Cindy Sherman, Laurie Simmons, Karen Sylvester, Rosemarie Trockel, Julie Wachtel, Meg Webster.

20. A Deer Manger, A Dress Pattern, Farthest Sea Water, and a Signature. Curated by Collins & Milazzo, 303 Gallery, New York, February 18 - March 13, 1988. Brochure with text by Tricia Collins and Richard Milazzo. Artists: David Carrino, Suzan Etkin, Sal Scarpitta, Meg Webster

21. Off White. Curated by Collins & Milazzo, Diane Brown Gallery, New York, May 24 - June 18, 1988. Brochure with text by Tricia Collins and Richard Milazzo. Artists: Ford Beckman, David Carrino, Lawrence Carroll, Saint Clair Cemin, Abraham David Christian, Suzan Etkin, Andrew Lord, Holt Quentel, Sal Scarpitta, Not Vital

22. Art at the End of the Social. Curated by Collins & Milazzo, The Rooseum, Malmö, Sweden, July - October 1988. Color catalogue with text by Tricia Collins and Richard Milazzo. Artists: Donald Baechler, Ford Beckman, Gretchen Bender, Ross Bleckner, David Carrino, Lawrence Carroll, Saint Clair Cemin, Sarah Charlesworth, Charles Clough, David Diao, John Dogg, Suzan Etkin, Peter Fend, Robert Gober,Peter Halley, Claudia Hart, Tishan Hsu, Jon Kessler, Jeff Koons, Kevin Larmon, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Joel Otterson, Richard Prince, Holt Quentel, Sal Scarpitta, Nancy Shaver, Haim Steinbach, Gary Stephan, Philip Taaffe, Tyler Turkle, Meg Webster, James Welling

23. Hybrid Neutral: Modes of Abstraction and the Social. Curated by Collins & Milazzo, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, Texas, August 29 - September 30, 1988; J.B. Speed Art Museum, Louisville, Kentucky, November 7, 1988 - January 2, 1989; Alberta College Gallery of Art, Calgary, Alberta, Canada, February 9 - March 9, 1989; The Contemporary Arts Center, Cincinnati, Ohio, March 31 - May 6, 1989; Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York, October 12 - November 15, 1989; Santa Fe Community College Art Gallery & Museum, Gainesville, Florida, February 4 - March 18, 1990; Mendel Art Gallery & Museum, Saskatoon, Saskatchewan, Canada, July 1990. Catalogue with texts by Tricia Collins and Richard Milazzo, and Gary Indiana. Artists: Vikky Alexander, John Armleder, Gretchen Bender, Ross Bleckner, Saint Clair Cemin, Sarah Charlesworth, David Diao, Robert Gober, Peter Halley, Tishan Hsu, Jeff Koons, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nagy, Joel Otterson, Haim Steinbach, Gary Stephan, Philip Taaffe, Meyer Vaisman, James Welling

24. Primary Forms, Mediated Structures. Curated by Collins & Milazzo, Massimo Audiello Gallery, New York, September - October 1988. Catalogue with text by Tricia Collins and Richard Milazzo. Artists: Saint Clair Cemin, Joel Fisher, Jon Kessler, Joel Otterson.

25. The New Poverty II. Curated by Collins & Milazzo, Meyers/Bloom Gallery, Santa Monica, California, December 3, 1988 - January 8, 1989. Brochure with text by Tricia Collins and Richard Milazzo. Artists: Ford Beckham, Eberhard Bosslet, Lawrence Carroll, David Carrino, Saint Clair Cemin, Abraham David Christian, Suzan Etkin, Peter Fend, Gloria Friedmann, Erik Levine, Andrew Lord, Vik Muniz, Holt Quentel, Sal Scarpitta, Nancy Shaver, Not Vital, Meg Webster, Michael Zwack.

26. Pre-Pop Post-Appropriation. Curated by Collins & Milazzo, Stux Gallery, in cooperation with Leo Castelli, New York, February 3 - March 4, 1989. Catalogue with text by Tricia Collins and Richard Milazzo. Artists: Doug Anderson, Ross Bleckner, Lawrence Carroll, David Carrino, Suzan Etkin, Robert Gober, Jasper Johns, Annette Lemieux, Holt Quentel, Robert Rauschenberg, Sal Scarpitta, Nancy Shaver, Mike and Doug Starn, Meg Webster.

27. Buena Vista. Curated by Collins & Milazzo, John Gibson Gallery, New York, October 14 - November 11, 1989. Catalogue with text by Tricia Collins and Richard Milazzo. Artists: William Anastasi, Ford Beckman, Bernd and Hilla Becher, Sophie Calle, Suzan Etkin, Peter Halley, Peter Hopkins, Allan McCollum, Vik Muniz, Wolfgang Robbe, Sal Scarpitta, Nancy Shaver, Tyler Turkle, Meg Webster.

28. The Last Laugh: Irony, Humor, Self-Mockery and Derision. Curated by Collins & Milazzo, Massimo Audiello Gallery, New York, January 6 - February 17, 1990. Text by Tricia Collins and Richard Milazzo. Artists: Donald Baechler, John Baldessari, Saint Clair Cemin, Billy Copley, Deborah Kass, Jeff Koons, Cary Leibowitz, Roy Lichtenstein, Vik Muniz, Richard Prince, Ad Reinhardt, Allen Ruppersberg, Tyler Turkle, Julie Wachtel, Andy Warhol.

29. A Curatorial Project: Ford Beckham (One-Person Exhibition) and Meg Webster (Projects Room). Curated by Collins & Milazzo, Scott Hanson Gallery, New York, January 1990. Catalogues with texts by Tricia Collins and Richard Milazzo.

30. A Curatorial Project: Sal Scarpitta (One-Person Exhibition), Robert Rauschenberg (Projects Room) and Change Inc. Benefit. Curated by Collins & Milazzo, Scott Hanson Gallery, New York, February 1990. Catalogues with texts by Tricia Collins and Richard Milazzo.

31. A Curatorial Project: Token Gestures (A Painting Show) and Charles Clough (Projects Room). Curated by Collins & Milazzo, Scott Hanson Gallery, New York, March 1990. Catalogues with texts by Tricia Collins and Richard Milazzo. Artists: Ross Bleckner, Charles Clough, Stephen Ellis, Nicholas Howey, Richard Kalina, Jonathan Lasker, Sigmar Polke, Lucio Pozzi, Robert Rauschenberg, David Reed, Gerhard Richter, Julian Schnabel, Frank Stella, Gary Stephan, Taro Suzuki, Cy Twombly, Jeffrey Wasserman.

32. The Last Decade: American Artists of the ’80s. Curated by Collins & Milazzo, Tony Shafrazi Gallery, New York, September 15 - October 27, 1990. Color catalogue with texts by Tricia Collins and Richard Milazzo, and Robert Pincus-Witten, with photographic portraits of the artists by Timothy Greenfield-Sanders. Artists: Donald Baechler, Jean-Michel Basquiat, Ashley Bickerton, Mike Bidlo, Ross Bleckner, James Brown, Saint Clair Cemin, George Condo, Carroll Dunham, Eric Fischl, Jedd Garet, Robert Gober, Peter Halley, Keith Haring, Mark Innerst, Jeff Koons, Barbara Kruger, Jonathan Lasker, Annette Lemieux, Sherrie Levine, Robert Mapplethorpe, Allan McCollum, Richard Prince, David Salle, Kenny Scharf, Julian Schnabel, Doug and Mike Starn, Haim Steinbach, Gary Stephan, Philip Taaffe, Mark Tansey, Meyer Vaisman, Meg Webster, Terry Winters, David Wojnarowicz.

33. Sal Scarpitta: Race Car on Idaho Potato Track (An Installation). Curated by Collins & Milazzo, Greenberg/Wilson Gallery, in cooperation with Leo Castelli, New York, September 9 - October 20, 1990. Broadside with text by Tricia Collins and Richard Milazzo.

34. All Quiet on the Western Front? [75 Americans in Paris]. Curated by Antoine Candau and Gerard Delsol, in collaboration with Collins & Milazzo, Espace Dieu 17, rue Dieu, Paris, France September 26 - December 31, 1990.

35. Who Framed Modern Art or the Quantitative Life of Roger Rabbit. Curated by Collins & Milazzo, Sidney Janis Gallery, New York, January 10 - February 16, 1991. Color catalogue with text by Richard Milazzo. Artists: Josef Albers, Arman, Jean Arp, Giacomo Balla, Ford Beckman, Ross Bleckner, Constantin Brâncuși, Charles Clough, Willem de Kooning, Jean Dubuffet, Marcel Duchamp, Stephen Ellis, Alberto Giacometti, Peter Halley, Eva Hesse, Hans Hofmann, Valerie Jaudon, Jasper Johns, Donald Judd, Ellsworth Kelly, Yves Klein, Jeff Koons, Joseph Kosuth, Fernand Léger, Annette Lemieux, Sherrie Levine, Roy Lichtenstein, Sol Lewitt, Kasimir Malevich, Piet Mondrian, Peter Nagy, Louise Nevelson, Georgia O'Keeffe, Pablo Picasso, Jackson Pollock, Fiona Rae, Robert Rauschenberg, Man Ray, Ad Reinhardt, Kurt Schwitters, George Segal, Mike and Doug Starn, Frank Stella, Philip Taaffe, Andy Warhol, Tom Wesselmann.

36. Outside America: Going into the 90’s. Curated by Collins & Milazzo, Fay Gold Gallery, Atlanta, Georgia, March - April 1991. Catalogue with text by Tricia Collins and Richard Milazzo. Artists: Ford Beckman, David Carrino, Charles Clough, Billy Copley, Lydia Dona, Stephen Ellis, Suzan Etkin, James Hill, Nancy M. Hoffman, George Horner, Nicholas Howey, Cary S. Leibowitz, Richard Kalina, Dean McNeil, Curtis Mitchell, Vik Muniz, Joseph Nechvatal, Thomas Nozkowski, Dennis Oppenheim, Richard Pettibone, Holt Quentel, Robert Rauschenberg, Hunter Reynolds, Nicholas Rule, Allen Ruppersberg, Frank Schroder, Lorna Simpson, Cary Smith, Buzz Spector, Jessica Stockholder, Taro Suzuki, Tyler Turkle, Jeffrey Wasserman, Robin Winters.

37. A New Low. Curated by Collins & Milazzo, Claudio Botello Gallery, Turin, Italy, May 9 - June 15, 1991. Color catalogue with text by Tricia Collins and Richard Milazzo. Artists: Renato Alpegiani, Luigi Antinucci, Billy Copley, Fischli & Weiss, Renato Ghiazza, James Hill, George Horner, Nicholas Howey, Cary S. Leibowitz, Vik Muniz, GianCarlo Pagliasso, Kay Rosen, Tyler Turkle.

38. New Era Space. Curated by Collins & Milazzo, New Era Building, sponsored by Leo Castelli, New York, October 3–28, 1991. For text, see Tricia Collins and Richard Milazzo, M/E/A/N/I/N/G, No. 11 (May 1992: 28-37). Artists: James Hill, Harland Miller, Donna Moylan, Jeffrey Plate, Adam Rolston

39. New Era Space. Curated by Collins & Milazzo, New Era Building, sponsored by Leo Castelli, New York, November 1–23, 1991. For text, see Tricia Collins and Richard Milazzo, M/E/A/N/I/N/G, No. 11 (May 1992: 28-37). Artists: Robert Beck and Jeff Litchfield, Billy Copley, Joo Chung, Nancy M. Hoffman, Nicholas Howey.

40. New Era Space. Curated by Collins & Milazzo, New Era Building, sponsored by Leo Castelli, New York, Nov. 26 - December 21, 1991. For text, see Tricia Collins and Richard Milazzo, M/E/A/N/I/N/G, No. 11 (May 1992: 28-37). Artists: Robert Burke, Tony Feher, Fabian Marcaccio, Joan Snitzer, Tyler Turkle.

41. Sal Scarpitta: New Works. Curated by Collins & Milazzo, Annina Nosei Gallery, in cooperation with Leo Castelli, New York, February 7 - March 7, 1991. Color catalogue with texts by Tricia Collins and Richard Milazzo, and Thomas McEvilley and Giorgio Franchetti.

42. Theoretically Yours. Curated by Collins & Milazzo, Regione Autonoma della Valle d’Aosta, Chiesa di San Lorenzo, Aosta, Italy, May 29 - June 28, 1992. Color catalogue with portraits of the artists and texts by Tricia Collins and Richard Milazzo. Artists: Renato Alpegiani, Luigi Antinucci, John Armleder, Donald Baechler, Marco Bagnoli, Ford Beckman, Ross Bleckner, Saint Clair Cemin, Suzan Etkin, Renato Ghiazza, Peter Halley, Nicholas Howey, Jeff Koons, Jonathan Lasker, Cary S. Leibowitz, Annette Lemieux, Sherrie Levine, Fabian Marcaccio, Allan McCollum, Donna Moylan, Vik Muniz, GianCarlo Pagliasso, Maurizio Pellegrin, Stefano Peroli, Michaelangelo Pistoletto, Richard Prince, Pruitt-Early, Holt Quentel, Adam Rolston, Haim Steinbach, Philip Taaffe, Meg Webster

43. Who’s Afraid of Duchamp, Minimalism, and Passport Photography? Curated by Collins & Milazzo, Annina Nosei Gallery, New York, October 1992. Catalogue with text by Tricia Collins and Richard Milazzo. Artists: Ford Beckham, Lawrence Carroll, Stephen Ellis, Suzan Etkin, Peter Halley, Nicholas Howey, James Hyde, Jonathan Lasker, Annette Lemieux, Fabian Marcaccio, Donna Moylan, Philip Taaffe.

44. Needlepoint, Embroidery, Macrame, and Crochet. Curated by Collins & Milazzo, Postmasters Gallery, New York, February 13 - March 13, 1993. Color catalogue with texts by Tricia Collins & Richard Milazzo. Artists: Renato Alpegiani, Devon Dikeou, Sylvie Fleury, Fabian Marcaccio, Donna Moylan, GianCarlo Pagliasso, Marianna Uutinen.

45. Donna Moylan: Paintings. Curated by Collins & Milazzo, Grand Salon, New York, March 13 - April 17, 1993.

46. Meg Webster: Sculptures. Curated by Collins & Milazzo, Grand Salon, New York, April 20 - May 15, 1993.

47. Charles Clough: Paintings and Barry Bridgwood: Paintings (Projects Room). Curated by Collins & Milazzo, Grand Salon, New York, May 20 - June 19, 1993. Catalogue with text by Mary Haus.

48. Elvis Has Left the Building (A Painting Show). Curated by Collins & Milazzo, 521 West 23rd Street, sponsored by Sandro Chia, New York, May 26 - June 26, 1993. Catalogue with text by Tricia Collins and Richard Milazzo and a two-minute screenplay by Sandro Chia. Artists: Sergio Bazan, Barry Bridgwood, Robert Burke, Lawrence Carroll, Fabian Cereijido, Joo Chung, Charles Clough, Tomás Clusellas, Julia Condon, Lino Fiorito, Nicholas Howey, James Hyde, Marc Maz, Donna Moylan, Vik Muniz, Gian Carlo Pagliasso, Robin Tewes, Julian Trigo, Alessandro Twombly, Marianna Uutinen.

49. Fabian Cereijido: Paintings. Curated by Collins & Milazzo, Grand Salon, New York, June 24 - July 22, 1993.

50. Julian Trigo: Paintings. Curated by Collins & Milazzo, Grand Salon, New York, September 11 - October 9, 1993. Catalogue with text by Tricia Collins and Richard Milazzo.

51. Vik Muniz: Photographs and Sculptures. Curated by Collins & Milazzo, Grand Salon, New York, October 14 - November 13, 1993. Catalogue with text by Tricia Collins and Richard Milazzo.

52. Claudia Zemborain: Paintings. Curated by Collins & Milazzo, Grand Salon, New York, November 20 - December 18, 1993. Catalogue with text by Tricia Collins and Richard Milazzo.

53. Sandro Chia: Small Bronze Sculptures. Curated by Collins & Milazzo, Grand Salon, New York, January 8 - February 1994. Catalogue with text by Tricia Collins and Richard Milazzo.

54. Tomás Clusellas: Paintings. Curated by Collins & Milazzo, Grand Salon, New York, February 10 - March 5, 1994. Catalogue with texts by Pierre Restany and Fabian Cereijido.

55. Alessandro Twombly: Paintings. Curated by Collins & Milazzo, Grand Salon, New York, March 10 - April 9, 1994. Catalogue with text by Tricia Collins and Richard Milazzo.

56. Lawrence Carroll: Paintings and David Carrino: Photographs (Projects Room). Curated by Collins & Milazzo, Grand Salon, New York, April 14 - May 14, 1994. Catalogue with text by Charles Riley.

57. Peter Halley: Mono-Reliefs. Curated by Collins & Milazzo, Grand Salon, New York, May 19- June 18, 1994. Catalogue with text by Peter Halley.

58. A Fistful of Flowers. Curated by Collins & Milazzo, Grand Salon, New York, June 23 - July 1994. Artists: Barry Bridgwood, Robert Burke, Fabian Cereijido, Charles Clough, Suzan Etkin, Rosario Guerrero, Pansy Merriweather, Donna Moylan, Vik Muniz, Mark Turgeon, Alessandro Twombly, Marianna Uutinen.

59. Across the River and into the Trees (A Sculpture Show). Curated by Collins & Milazzo, The Rushmore Festival, Woodbury, New York, June 25 - July 10, 1994. Catalogue with text by Tricia Collins and Richard Milazzo. Artists: Willard Boepple, Saint Clair Cemin, John Clement, Charles Clough, James Croak, Paul Dickerson, Devon Dikeou, Suzan Etkin, Joel Fisher, James Hyde, Alain Kirili, Charles Long, Vik Muniz, Dennis Oppenheim, Jeffrey Plate, Sal Scarpitta, Taro Suzuki, Not Vital, Meg Webster.

60. Peter Halley: New Paintings. Curated by Richard Milazzo, 11, rue Larrey at Sidney Janis Gallery, New York, November 1 - December 9, 1995. Color catalogue with text by Peter Halley.

61. Bill Rice: New Paintings. Curated by Richard Milazzo, 11, rue Larrey at Sidney Janis Gallery, New York, December 14, 1995 - January 27, 1996. Color catalogue with texts by Richard Milazzo and Edward Burns.

62. Elliot Schwartz: Selected Photographs 1980-1996. Curated by Richard Milazzo, 11, rue Larrey at Sidney Janis Gallery, New York, February 3 - March 6, 1996. Color catalogue with texts by Richard Milazzo and Elliot Schwartz.

63. Michel Frère: New Paintings. Curated by Richard Milazzo, 11, rue Larrey at Sidney Janis Gallery, New York, March 9 - April 6, 1996. Color catalogue with a text by Richard Milazzo and Michel Frère.

64. Sandro Chia: New Paintings. Curated by Richard Milazzo, Sidney Janis Gallery, New York, May 4 - June 21, 1996. Color catalogue with texts by Richard Milazzo and Sandro Chia.

65. Realism After Seven A.M.: Realist Painting After Edward Hopper — An Exhibition of 25 Artists in Honor of the 25th Anniversary of the Hopper House. Curated by Richard Milazzo, The Hopper House, Nyack, New York, October 27 - December 1, 1996. Catalogue with an essay by Richard Milazzo. Artists: Lennart Anderson, John Beerman, John Bowman, Barry Bridgwood, Jim Butler, Rackstraw Downes, Richard Estes, Eric Fischl, Paul Georges, Duncan Hannah, Mark Innerst, Alex Katz, Stephen Lack, John Moore, Malcolm Morley, Philip Pearlstein, Hank Pitcher, Fairfield Porter, Marjorie Portnow, Bill Rice, Ed Ruscha, Eric Sparre, Mark Tansey, Robert Terry, Robin Tewes.

66. Malcolm Morley: Recent Paintings. Curated by Richard Milazzo, with Carroll Janis and David Janis, 11, rue Larrey at Sidney Janis Gallery, New York, May 4 - June 8, 1996.

67. Alessandro Twombly: New Sculpture. Curated by Richard Milazzo, 11, rue Larrey at Sidney Janis Gallery, New York, January 31 - February 28, 1997. Color catalogue with text by Richard Milazzo.

68. The Evergreen Review Art Auction and Exhibition. Curated by Richard Milazzo, 644 Broadway, New York, May 7–22, 1998. Artists: William Anastasi, Donald Baechler, Ross Bleckner, Saint Clair Cemin, Sandro Chia, Abraham David Christian, Michel Frère, Robert Gober, Peter Halley, Mark Innerst, Jeff Koons, Jonathan Lasker, Annette Lemieux, Robert Longo, Allan McCollum, Malcolm Morley, Donna Moylan, Vik Muniz, Peter Nadin, Bill Rice, Sal Scarpitta, Elliot Schwartz, Gary Stephan, Philip Taaffe, Julian Trigo, Alessandro Twombly, Not Vital,Meg Webster, James Welling.

69. Malcolm Morley: Paintings, Watercolors, Drawings, Sculptures. Curated by Richard Milazzo, Emilio Mazzoli Gallery, Modena, Italy, September - December 1998. Color catalogue with an essay by Richard Milazzo and a text by Achille Bonito Oliva.

70. Barney & Joan: Barney Rosset’s Photographs of Joan Mitchell. Curated by Richard Milazzo, James Danziger Gallery, New York, October 23 - November 28, 1998. Catalogue with text by Richard Milazzo.

71. La Salle des Pieds Perdus: The Sculptures and Drawings of Abraham David Christian. Curated by Richard Milazzo, Annina Nosei Gallery, New York, April 23 - May 1999. Book with text by Richard Milazzo.

72. One Painting, Two Sculptures, Three-Hundred Photographs: Michel Frère, Abraham David Christian, and Elliot Schwartz. Curated by Richard Milazzo, UU (Universums Universitet), 610 Smith Street, Brooklyn, N.Y., June 5, 1999. Text by Richard Milazzo

73. Saint Clair Cemin: Bronzes. Curated by Richard Milazzo, Gallery Velge & Noirhomme, Brussels, Belgium, September 23 - November 6, 1999. Color catalogue with text by Richard Milazzo

74. Ross Bleckner: Paintings 1997-1999. Curated by Richard Milazzo, Emilio Mazzoli Gallery, Modena, Italy, October 2 - December 1999. Color catalogue with an essay by Richard Milazzo and a text by Achille Bonito Oliva.

75. Sandro Chia: New Paintings. Curated by Richard Milazzo, Gallery Velge & Noirhomme, Brussels, Belgium, February 24 - April 29, 2000. Color catalogue with text by Richard Milazzo.

76. Robert Longo: 1980-2000. Curated by Richard Milazzo, Emilio Mazzoli Gallery, Modena, Italy, November 11 - December 2000. Book by Richard Milazzo, with a text by Achille Bonito Oliva.

77. Saint Clair Cemin, Abraham David Christian, Elliot Schwartz. Curated by Richard Milazzo, 22, rue Cauchy at Annina Nosei Gallery, New York, December 16, 2000 - January 17, 2001. Text by Richard Milazzo.

78. Alex Katz: New Paintings 2001-2002. Curated by Richard Milazzo, Emilio Mazzoli Gallery, Modena, Italy, January 25 - February 2003. Color catalogue with an essay by Richard Milazzo and a text by Achille Bonito Oliva.

79. Alessandro Twombly: New Paintings. Curated by Richard Milazzo, Gallery Alain Noirhomme, Brussels, Belgium, September 18 - October 31, 2003. Color catalogue with text by Richard Milazzo.

80. David Salle: New Paintings 1999-2003. Curated by Richard Milazzo, Emilio Mazzoli Gallery, Modena, Italy, October 25 - December 2003. Color catalogue an essay by texts by Richard Milazzo and a text by Achille Bonito Oliva.

81. Robert Longo: Fire, Water, Rock 2003-2005. Curated by Richard Milazzo, Emilio Mazzoli Gallery, Modena, Italy, June 11 - Summer 2005. Color catalogue with an essay by Richard Milazzo and a text by Achille Bonito Oliva.

82. Mark Innerst: Paintings of New York 2005-2006. Curated by Richard Milazzo, Emilio Mazzoli Gallery, Modena, Italy, October 20 - December 2007. Book by Richard Milazzo.

83. William Anastasi: Paintings, Small Works, Drawings. Curated by Richard Milazzo, Emilio Mazzoli Gallery, Modena, Italy, May, 30 - September 2009. Book by Richard Milazzo.

84. The Flower Paintings of Ross Bleckner. Curated by Richard Milazzo, Emilio Mazzoli Gallery, Modena, Italy, October 9 – December 4, 2010. Book by Richard Milazzo.

85. Peter Nagy: Entertainment Erases History – Works 1982-1990. Curated by Richard Milazzo, EISBox Projects. 55 Washington St., Suite 440, DUMBO – Brooklyn, N.Y., April 27 - May 16, 2011. Book by Richard Milazzo.

Edited (Books / Anthologies / Magazines)

Italian Post-Modernist Writing. Co-edited by Richard Milazzo. Shantih, Vol. 4, No. 1 (Summer-Fall 1978). Contributors: Nanni Balestrini, Corrado Costa, Tomaso Kemeny, Giulia Niccolai, Gastone Novelli, Martino Oberto, Giovanna Sandri, Gianni-Emilio Simonetti, Adriano Spatola, Gian Pio Torricelli.

The Waters of Casablanca: Analogic and Ablative Poiesis Towards Ontologic Writing in Italy. Associate editor: Richard Milazzo. Chelsea, No. 37 (December 1978). Contributors: Nanni Cagnone, Mario Diacono, Rubina Giorgi, Alfredo Di Legge, Martino Oberto, Raffaele Perrotta, Emilio Villa.

Giuseppe Risso, Cospaia: The Practice of Essence. “Ana-tomia: A Portfolio (from the Writings and Atmospheric Drawings of Leonardo da Vinci).” Co-edited by Richard Milazzo. New York and Milan: Out of London Press, May 1979.

The Invisible Philosophy: French and Italian Writing. Co-published and co-edited by Richard Milazzo. Gizeh, No. 1 (Fall 1980). Contributors: Luigi Ballerini, Nanni Cagnone, Jacques Garelli, Pierre Lartigue, Angelo Lumelli, Richard Milazzo, Eugene Nicole, Claudio Olivieri, Raffaele Perrotta, Lionel Ray.

The Syntactic Revolution: Collected Works of Abraham Lincoln Gillespie. Co-published and edited, with an introduction and textual notes, by Richard Milazzo. New York and Milan: Out of London Press, September 1980.

La rosa disabitata: poesia transcendentale americana 1960-1980. Co-edited by Richard Milazzo. Materiali 56 / Testi 3. Milan: Feltrinelli Editore, May 1981.

Pontormo’s Diary. A facsimile edition with a transcription by Emilio Cecchi and a translation of the dairy, with a portfolio of works, by Rosemary Mayer. Co-published and co-edited by Richard Milazzo. New York and Milan: Out of London Press, October 1982.

Beauty and Critique: Hypothetic Structurations of Cotenability Toward a Theory of Modal Criticism in Art. Edited by Richard Milazzo. New York: TSL, 1982. Contributors: Ericka Beckman, Jack Goldstein, Barbara Kruger, Allan McCollum, Robert Longo; Charles Bernstein and Susan B. Laufer, Deniz Firincioglu, Semih Firincioglu, Karsten Harries, Charles Riley, Valentine Tatransky; Maureen Connor and Meg Shore, Donna Dennis, Harmony Hammond, Carla Liss, Rosemary Mayer, Linda Mussmann; Alexander Alland, Michèle Cone, Angus Fletcher, Sophie Hawkes, Jun Maeda, Raffaele Perrotta, Ann Wilson.

Pictures for Unrequited Images. Edited by Richard Milazzo. Partial Texts: Essays and Fictions, in Wedge, Nos. 3/4/5 (1983). Contributors: Ericka Beckman, Troy Brauntuch, Sarah Charlesworth, Mark Innerst, Richard Prince, James Welling.

Effects: Magazine in New Art Theory. Co-published and edited by Collins & Milazzo. No. 1 (“Semblance and Mediation”), New York, 1983: Ericka Beckman, Gretchen Bender, Ross Bleckner, Troy Bruantuch, Tricia Collins and Richard Milazzo, Jack Goldstein, Mark Innerst, Barbara Kruger, Louise Lawler, Robert Longo, Allan McCollum, Peter Nagy, Steven Parrino, Richard Prince, David Salle, Tyler Turkle,.

Pictures for Unrequited Images I: James Welling: Folio (1977-1982). Co-edited by Richard Milazzo. Il Cobold Magazine, No. 11 (April–June 1984).

Effects: Magazine for New Art Theory. Edited by Collins & Milazzo. No. 2 (“Concept and the New Content”), New York, 1984. Contributors: Ericka Beckman, Gretchen Bender, Ross Bleckner, Don Bonham, Peter Carravetta, Sarah Charlesworth, Barbara Kruger, Stephen Lack, Louise Lawler, Robert Longo, Peter McCaffrey, Allan McCollum, Jan Mohlman, Peter Nagy, Joel Otterson, Steven Parrino, Richard Prince, Eric Sparre, Gaetano Testa, Joan Wallace and Geralyn Donohue, James Welling, Michael Zwack.

Collaboration: Constructs for the New Scrutiny. Co-edited by Collins & Milazzo. New Observations, No. 20 (1984). Contributors: Sherrie Levine and Laurie Simmons, Eric Bogosian and Michael Zwack, Tricia Collins and Richard Milazzo, Carole Ann Klonarides and Aura Rosenberg, Alan Belcher and Peter Nagy, Louise Lawler and Allan McCollum, Ross Bleckner and Barbara Kruger, Gretchen Bender and Robert Chapman, Alice Albert and Steven Parrino, Ericka Beckman and Mike Kelley, Grazie Terribile and Sohei Hashimoto, The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters, ABC No Rio, Sarah Charlesworth and Robin Winters, Peggy Cyphers and Susan Springfield, General Idea, Cynthia Carlson and Rosemary Mayer, Kiki Smith and David Wojnarowicz, Phil Mariani and Brian Wallis, Judy Geib and Mark Innerst, Mike Glier and Jenny Holzer, Joan Wallace and Geralyn Donohue.

Pictures for Unrequited Images II: Michael Zwack: The History of the World. Co-edited by Richard Milazzo. Il Cobold Magazine, No. 12-14 (March 1985).

Effects: Magazine for New Art Theory. Edited by Collins & Milazzo. No. 3 (“Netural Trends”), New York, 1986. Contributors: Craig Adcock, Vikky Alexander, Jane Bauman, Tom Brazelton, Barry Bridgwood, Sarah Charlesworth, Susan Davis, Carroll Dunham, Peter Halley, Mark Innerst, Gérard Van Der Kaap and Peter Klashorst, Kevin Larmon, Jonathan Lasker, Frank Majore, Franco Marinai, Joseph Masheck, Allan McCollum, Carlo McCormick, Richard Milani, Peter Nadin, Joseph Nechvatal, Richard Prince, David Robbins, Giuseppe Salvatori, Ettore Bonessio di Terzet, Meyer Vaisman, Julie Wachtel, Oliver Wasow, Robin Weglinski.

Pictures for Unrequited Images III: Ericka Beckman: Common Carriers (1984). Co-edited by Richard Milazzo. Il Cobold Magazine, No. 16 (December 1987).

A Curatorial Project by Collins & Milazzo: Ford Beckman; Meg Webster; Sal Scarpitta; Robert Rauschenberg; Change Inc. Benefit; Token Gestures; Charles Clough. New York: Scott Hanson Gallery, 1990.

An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns. Co-published and edited with an introduction by Collins & Milazzo. New York: White Columns, 1991. Contributors: Craig Adcock, Bill Arning, Lawrence Carroll, Charles Clough, Collins & Milazzo, Arthur C. Danto, Stephen Ellis, Susan Etkin, Peter Fend, Andy Grundberg, Peter Halley, Eleanor Heartney, Valerie Jaudon, Howard B. Johnson, Alan Jones, Richard Kallina, Alain Kirili, Jeff Koons, Jonathan Lasker, Annette Lemieux, Catherine Liu, Robert Longo, Vik Muniz, Joseph Nechvatal, Lucio Pozzi, Richard Prince, Holt Quentel, Donald Rubell, Irving Sandler, Sal Scarpitta, Barry Schwabsky, Eugene Schwartz, Nancy Shaver, Susan Sollins, Mike and Doug Starn, Haim Steinbach, Gary Stephan, Taro Suzuki, Tyler Turkle, Jeffrey Wasserman, Meg Webster, Stephen Westfall.

Fiction South / Fiction North. Co-published and edited by Collins & Milazzo. New York, and Tallahassee, Florida: Ridgefield Press, 1992. Contributors: Pamela Ball, Michael Cunningham, Owen Goodwyne, Barry Handberg, Gary Indiana, Ed Marsicano, Patrick McGrath, Eileen Miles, Bob Shacochis, Lynne Tillman, Wendy Walker, Gary Scott White.

99: Turn-of-the-Century Magazine. Co-published and edited by Collins & Milazzo. New York. Vol. 1, No. 1 (Spring 1993). Contributors: Pamela Ball, Robert Burke, Edward Burns, Marco Colapietro, Collins & Milazzo, Rubin L. Gorewitz, James Hyde, Alan Jones, Diane Lewis, Stuart Schneiderman, Jessica Stockholder.

99: Turn-of-the-Century Magazine. Co-published and edited by Richard Milazzo. New York. Vol. 1, No. 2 (Fall 1994). Contributors: ?

The Gifts: Gold, Frankincense, Myrrh. A bilingual English/Italian three-volume set in bronze, terra cotta, and paper, with literary writing, sculpture and drawings by Saint Clair Cemin, Abraham David Christian, Alessandro Twombly and Not Vital. Edited by Richard Milazzo. Edgewise Press, Inc., New York - Turin - Paris, in collaboration with Paolo Torti degli Alberti, Turin, 2000. Editions: 500 (paper), 100 (terra cotta), 7 (Bronze).

Ross Bleckner, Examined Life: Writings 1972-2007. Co-published, edited, and with an introduction, by Richard Milazzo. New York - Paris - Turin: Edgewise Press, Inc., May 2009.

Peter Halley, Selected Essays 1981-2001. Co-published, edited, and with an introduction, by Richard Milazzo. New York - Paris - Turin: Edgewise Press, Inc., January 2013.

Memoir

Streets of Gold: From Palermo to New York and New York to Palermo – A Memoir. Richard Milazzo. With an Italian translation by Paolo Torti degli Alberti. New York - Paris - Turin: Edgewise Press, Inc., 2000.

See also

External links

  • website of Edgewise Press
Authority control
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