Richard Holden (dancer)

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Richard Holden (born Braintree, Massachusetts) is a dancer, choreographer, choreologist, teacher, musician and writer.

Holden discovered an interest in dance at age 14 and began Russian folk dance lessons in Boston with Senia Russakoff. At 16, he went to New York with scholarships to study with George Chaffee. the Metropolitan Opera Ballet School and at the American Ballet Theatre school. After dancing for several years in Summer Stock and operating a dance school in Elmira, New York, he went to England to study the Royal Ballet repertory. In England he danced for a year with Ballets Minerva, a touring ballet company. Russian speaking, he then went to the former USSR to study[1] Igor Moiseyev style Slavic folk dance, Vaganova ballet technique and Soviet repertory.

After graduating from the London Institute of Choreology in 1966 with an Associate degree in Benesh movement notation,[2] Dame Alicia Markova offered him a contract with the Metropolitan Opera Ballet where she was Director. He danced during the first season of the new Met at Lincoln Center, becoming a soloist. The following year he became the Met's resident choreologist.[3][4] He later joined the Harkness Ballet, Joffrey Ballet and American Ballet Theatre as the first American Choreologist and certified Labanotator.

With leaves of absence from the New York companies, he founded the Tucson Civic Ballet[5] as director and choreographer (1967–1972), which subsequently, through a series of directors, became Ballet Arizona. He appeared in several Hollywood motion pictures in specialized dancing roles. He has choreographed and staged dance works and productions for companies all over the USA and in Mexico,[6] including his Firebird, Upstairs Downstairs, Two Pigeons,[7] Khatchaturiana, The Humpbacked Horse,[8] Chakra and his award winning Alice.[9][10] Settling in Tucson, he became resident choreographer for the Arizona Opera[11] and formed a Russian dance ensemble[12] to perform with the Arizona Balalaika Orchestra which has toured all over Arizona, into Mexico and the Soviet Union. His writing has appeared in various magazines including Dance Magazine and Opera News as well as the Christian Science Monitor and other newspapers.

References

  1. ↑ Pravda(newspaper) Moscow, Russia March 13, 1995: "The Firebird of Richard Holden"
  2. ↑ Dance Magazine Sept., 1967: "Writing Ballet in Benesh" Richard Holden describes Benesh dance notation
  3. ↑ Dance Magazine October, 1967: "Choreologist at the Met" Richard Holden's work at the Metropolitan Opera
  4. ↑ Opera News April, 1969: "Choreology" About Richard Holden's work at the Metropolitan Opera
  5. ↑ Tucson Daily Citizen, April 21, 1968: "Top Ballet Possible Here, Says Holden"
  6. ↑ Revista (Mexican arts magazine) November 1976: "Puntas, Curvas y Guiones de Ballets Mexicano" About Richard Holden at Universidad de Mexico, Mexico City
  7. ↑ New York Times June 9, 1985: Jennifer Dunning - "The Dance: Balletfore" - reviews Holden's "Two Pigeons" production in New York City. Retrieved Dec. 7, 2008.
  8. ↑ New York Times Oct. 18, 1986: Jennifer Dunning - "Ballet: New York Theater" - reviews Holden's staging of "The Humpbacked Horse" in New York City. Retrieved Dec. 7, 2008.
  9. ↑ Arizona Daily Star April 27, 1968: "'Alice' provides colorful Whimsym"
  10. ↑ Broadcast Media Award April 17, 1969: A live performance of Holden's "Alice" was the first color broadcast on public TV station KUAT, University of Arizona, Tucson
  11. ↑ Arizona Daily Star March 18, 1997: "Arizona Opera Stages a Delightful 'Traviata'" Article includes a review of Holden's choreography
  12. ↑ Kalinka Dancers, Tucson, AZ

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