Rapatronic camera

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Nuclear explosion photographed by rapatronic camera less than 1 millisecond after detonation. From the Tumbler-Snapper test series in Nevada, 1952. The fireball is about 20 meters in diameter in this shot. The spikes at the bottom of the fireball are known as the rope trick effect.

The rapatronic camera (a contraction of rapid action electronic) is a high-speed camera capable of recording a still image with an exposure time as brief as 10 nanoseconds (100 million frames per second).

The camera was developed by Harold Edgerton in the 1940s and was first used to photograph the rapidly changing matter in nuclear explosions within milliseconds of ignition.[1] To overcome the speed limitation of a conventional camera's mechanical shutter, the rapatronic camera uses two polarizing filters and a Faraday cell (or in some variants a Kerr cell). The two filters are mounted with their polarization angles at 90° to each other, to block all incoming light. The Faraday cell sits between the filters, which changes the polarization plane of light passing through it depending on the level of magnetic field applied, acts as a shutter when it is energized at the right time for a very short amount of time, allowing the film to be properly exposed.

In magneto-optical shutters, the active material of the Faraday cell (e.g. dense flint glass, which reacts well to strong magnetic field[2]) is located inside an electromagnet coil, formed by few loops of thick wire. The coil is powered through a pulse forming network, by a discharge of a high-voltage capacitor (e.g. 2 microfarads at 1000 volts), switched into the coil by a trigatron or a thyratron. In electro-optical shutters, the active material is a liquid, typically nitrobenzene, located in a cell between two electrodes. A brief impulse of high voltage is applied to rotate the polarization of the passing light.

For a film-like sequence of high-speed photographs, as used in the photography of nuclear and thermonuclear tests, arrays of up to 12 cameras were deployed, with each camera carefully timed to record a different time frame. Each camera was capable of recording only one exposure on a single sheet of film. Therefore, in order to create time-lapse sequences, banks of four to ten cameras were set up to take photos in rapid succession. The average exposure time used was three microseconds.

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