Rainer Crone

Rainer Crone is University Professor emeritus of Contemporary Art and History of Film at Ludwig Maximilian University in Munich and a specialist in the art of Andy Warhol.^[1] He has previously taught at Yale University, the University of California, Berkeley, Columbia University, and New York University.^[2]

Andy Warhol

He is known for writing the first catalogue raisonné of the artist which was published in July 1970. This was based on the research for his doctorate at University of Hamburg, and was funded by a two-year doctoral grant from the German government, without commercial backing or financial support from any individuals or galleries. Crone began working with Andy Warhol in 1968, and continued working with Warhol on numerous books and projects until the artist’s death in 1987.^[2]

In January 1970 Warhol and Crone discussed which painting should be used for the cover of the raisonné of his work. The artist suggested a Red Self-Portrait, which had been recently acquired by Warhol's largest European dealer and Interview magazine co-owner Bruno Bischofberger and signed, dated and dedicated to "Bruno B." Warhol provided an Ektrachrome of this work which used for the cover of the 1970 raisonne and its 1972 revised edition, and 1976 edition which listed this Red Self Portrait as entry #169. The Andy Warhol Foundation has refused to authenticate this work as it was produced by someone else on Warhol's instructions. Warhol signed the work and authorized its inclusion in the first catalogue raisonné. Crone argues that it should be considered an authentic Warhol.^[3]

Bibliography

Academic books

• Crone, Rainer. Andy Warhol. New York: Praeger, 1970. (translated from the German by John William Gabriel) OCLC 105846. in 438 libraries according to ^[4]
• Crone, Rainer, and Wilfried Wiegand. Die revolutionäre Ästhetik Andy Warhol's. Darmstadt: Melzer, 1972. OCLC 2693966
• Crone, Rainer. Bildnerische Werk Andy Warhols. Berlin: Wasmuth, 1976 OCLC 7398701
• Crone, Rainer, and Andy Warhol. Andy Warhol: d. frühen Werke, 1942-1962. [Stuttgart]: Cantz, 1987. ISBN 9783922608783
• Crone, Rainer, and Petrus Schaesberg. Louise Bourgeois: The Secret of the Cells. Munich ; New York : Prestel, c1998 ISBN 9783791316109. In 373 libraries according to ^[5]
• Crone, Rainer, Kazimir Severinovich Malevich, and David Moos. Kazimir Malevich: The Climax of Disclosure. Chicago: University of Chicago Press, 1991. in 498 libraries according to ^[6]
  • • Review in TLS, the Times literary supplement. no. 4957, (1998): 33
    • Review by Darra Goldstein; Slavic Review, Winter, 1992, vol. 51, no. 4, p. 853-854
    • Review by John Milner; The Slavonic and East European Review, Jul., 1992, vol. 70, no. 3, p. 544-545
    • Review by John E Bowlt; Russian Review, Jul., 1993, vol. 52, no. 3, p. 424-425
    • Review by Jeremy Howard; The Burlington Magazine, Aug., 1998, vol. 140, no. 1145, p. 569-570
• Crone, Rainer. Similia/Dissimilia. New York: Rizzoli, 1988. ISBN 9780847809226
• Crone, Rainer, and Joseph Leo Koerner. Paul Klee: Legends of the Sign. New York: Columbia University Press, 1991. in 498 libraries according to ^[7]
  • Translated into Japanese as Pauru Kurē kigō o meguru densetsu ISBN 9784002601779
    • Review by Brown, Maurice, 1992. "Review of Paul Klee: Legends of the Sign". Journal of Aesthetic Education. 26, no. 3: 120-121.
• Crone, Rainer. Rodin: Eros and creativity. Munich: Prestel, 2006. isbn 379133719X
• Crone, Rainer, Nikolaus Hipp, Petrus Schaesberg, and Gabriela von Habsburg. Lyrical Worlds : the Painting of Nikolaus Hipp / Michael Foster. Regensburg: Schnell & Steiner, 1998. isbn 9783795412111

Exhibition cataloges

• Crone, Rainer, and David Moos. Objet/objectif: relecture des choses dans la sculpture contemporaine. Paris: Daniel Templon, 1989.

References

• ^[8]
• ^[9]
• ^[10]