Radif (music)

Radif (Persian: ردیف, meaning order in Persian) is a collection of many old melodic figures preserved through many generations by oral tradition. It organizes the melodies in a number of different tonal spaces called Dastgah. The traditional music of Iran is based on the radif, which is a collection of old melodies that have been handed down by the masters to the students through the generations. Over time, each master's own interpretation has shaped and added new melodies to this collection, which may bear the master's name.

The preservation of these melodies greatly depended on each successive generation's memory and mastery, since the interpretive origin of this music was expressed only through the oral tradition.

To truly learn and absorb the essence of the radif, many years of repetition and practice are required. A master of the Radif must internalize the Radif so completely to be able to perform any part of it at any given time.

The Radif contains several different dastgahs which are distinguished from each other by their relationship of note intervals and the form of the movement of the melodies within them. A dastgah portrays a specific sonic space. A dastgah may contain approximately from 10 to 30 goushehs (melodies). The principal goushehs of the dastgah specify the different scales within that dastgah. The note, upon which the gousheh is based and often is the center of the gousheh, is called the shahed. The shahed moves when we modulate between principal goushehs, and this movement creates a new sonic space. Rhythm in these melodies takes three different forms: symmetric, asymmetric (lang), and free form. The rhythm is greatly influenced by the rhythm and meter of the Persian poetry. The instrumental and vocal radif are different from the rhythmical point of view; however, their melodic structures are the same.

The Radifs for Tar are one of the most famous Radifs associated, with many old melodies collected that include 20-40 goushes in each Dastgahs.

The Radif of Mirza Hossien Gholi is the oldest radif which is still in use for many students who wish to carry on learning Persian music. It is very famous as it consisted many melodies collected from Mirza Hossien Gholi's time and before. Many of the melodies where changed by Mirza Gholi and some kept same to the composer's desire, but the evidence is small to suggest melodies were changed or not, but due to Radif being passed down through oral tradition(not in notation) we cannot state whether melodies were changed as we cannot compare Notations or audios, but due to the mutations in music through oral transfer it is obvious. One of the most notable Tar players and repertoire of Mirza Hossien Gholi's Radif was Ostad Ali Akbar Shahnazi, who was the son of Mirza Hossien Gholi and was the first Tar player to record the Long Radif memorized by heart. His work is still used by many Masters and are now some directions which are followed by many Tar players. Of course Beginners-Intermediate students will not be able to follow his works on audio due to the Level which it was performed at, so not much will be understoud, but a Tar Master can expect to use it and re-focus on what was forgotten in his teachings at lesson with students. This can minimize mutations and keep the radif in line. The Radif was first published in notation by Dariush Pirniakan in the past 4 Decades and upgraded a few times due to errors. Though the radif is not popular with many young students it still is the consistute and basic of Persian music. It can be related to Classical music of western music that is not much popular, but forms the basic of Western Music.

See also

• Avaz (music)
• Tasnif

External links

• Radif
• Radif at Wayback

v t e Masterpieces of the Oral and Intangible Heritage of Humanity, Iran Inscribed in 2009 The Radif of Iranian music Novruz, Nowrouz, Nooruz, Navruz, Nauroz, Nevruz Inscribed in 2010 Traditional skills of carpet weaving in Kashan Traditional skills of carpet weaving in Fars The ritual dramatic art of Ta‘zīye Pahlevani and zoorkhaneh rituals The music of the Bakhshis of Khorasan Inscribed in 2011 Traditional skills of building and sailing Iranian Lenj boats in the Persian Gulf Naqqāli, Iranian dramatic story-telling

v t e Radif Dastgah Dastgah Dastgah-e Shur Dastgah-e Segah Dastgah-e Chahargah Dastgāh-e Māhur Dastgah-e Homayoun Dastgah-e Nava Dastgah-e Rastpanjgah Āvāz Avaz-e Dashti Avaz-e Abu'ata Avaz-e Bayat-e Tork Avaz-e Afshari Avaz-e Bayat-e Esfahan Avaz-e Bayat-e Kord Shushtar Bayat-e Kord Bayat-e Qajar Nava-e Nishapur Rahāb Gusha Jāmadarān Deylaman Delkash Dād Bīdād Darāmad-e Ḵārā Darāmad-eZang-e Šotor Ḥeǰāz Čahār-bāḡ Kerešma Bozorg Neydavood Golriz Persian scale Persian traditional music Great Book of Music Tasnif

v t e Oral and Intangible Heritage of Humanity: music Aka polyphony Albanian folk iso-polyphony Angklung Arabic maqam Ashik Ashiqs of Azerbaijan Azerbaijani performance art of the tar Baul music Bećarac Bistritsa Babi Dainichido Bugaku Beijing opera Cantonese opera Cantu a tenore Ca trù Doina Duduk Fado Fujara Gagaku Gagok Garifuna music Georgian polyphonic singing Guqin Hua'er Hudhud chants Istrian scale Kgal Laox Koodiyattam Kumi Odori Kunqu Lhamo Long song Maloya Maqam al-iraqi Meshrep Morin khuur Mugham Muqam Nanyin Nhã nhạc Ojkanje singing Pansori Pirekua Quan họ Radif Sama Samba de roda Shashmaqam Silbo Gomero language Sutartinės The Song of Sana’a The Song of the Sibyl Vedic chant Wayang kulit