Pulphouse Publishing
Pulphouse Publishing was an American small press publisher based in Eugene, Oregon and specializing in science fiction and fantasy. It was founded by Dean Wesley Smith and Kristine Kathryn Rusch in 1988. The press was active until 1996. Over that period, Pulphouse published 244 different titles.[1]
Pulphouse: The Hardback Magazine
From 1988 through 1993, Pulphouse published a quarterly magazine in hardback form edited by Rusch. In addition to twelve issues, each of them themed, they published an "issue 0" which was a hardcover filled with blank pages to use as a sample to show prospective buyers. Pulphouse included stories by notable science fiction and fantasy authors including Charles de Lint, Michael Bishop, Michael Swanwick, and Harlan Ellison. In addition, each issue included essays on a variety of subjects. In 1989, Smith and Rusch won the World Fantasy Award in the Special Award: Non Professional category for their work on Pulphouse. From 1992 through 1994, Pulphouse: The Hardback Magazine was nominated for the Hugo Award for Best Semiprozine.
The Best of Pulphouse: The Hardback Magazine was by published by Tor Books in 1991 and collected stories which had already appeared in the magazine as well as stories which were slated for later publication.
Pulphouse Weekly
In 1991, Pulphouse announced plans to publish a weekly fiction magazine, also called Pulphouse. Although they published 19 issues between 1991 and 1995, the magazine never achieved weekly status and after the fifth issue the subtitle was changed from A Weekly Magazine to A Fiction Magazine. Pulphouse Weekly was initially edited by Smith and later by Jonathan Bond. Over the course of its run, the magazine published stories by George Alec Effinger, Mike Resnick, Lawrence Watt-Evans, Andre Norton, O'Neil De Noux and Jeff VanderMeer. In addition to short stories, Pulphouse included serials by Spider & Jeanne Robinson and Robert Sheckley.
Starting with issue zero March 1, 1991 and running through issue 19. Issue 9 started giving a month, instead of a date, and Issues 15 through 19 were undated.
Author's Choice Monthly
Smith edited a series of twenty-nine monthly chapbooks for Pulphouse under the collective title "Author's Choice Monthly" from 1989 through 1992. Each of these books were published in a limited edition and included stories by a single author. Authors in the series included Karl Edward Wagner (#2 Unthreatened by the Morning Light), Damon Knight (#21: God's Nose), and Esther Friesner (#23: It's Been Fun).
Short Story Paperback/Hardback
Short Story Paperback ($1.95) (Short Story Hardback [SSH]; 40 titles)
- Loser’s Night by Poul Anderson (SSH #1)
- A Case of Painter’s Ear by John Brunner (SSH #2)
- Xolotl by Robert Sheckley (SSH #3)
- All the Clocks Are Melting by Bruce Boston
- Blossoms by Kim Antieau
- Ecce Hominid by Esther M. Friesner
- A Case of Mistaken Identity by L. Timmel Duchamp
- The Cutter' by Edward Bryant (SSH #4)
- The Girl Who Fell into the Sky by Kate Wilhelm (SSH #5)
- Yours Truly, Jack the Ripper by Robert Bloch (SSH #6)
- The Steel Valentine by Joe R. Lansdale (SSH #7)
- The Quickening by Bishop, Michael
- The Doors of His Face, the Lamps of His Mouth by Roger Zelazny (SSH #8)
- More Than the Sum of His Parts by Joe W. Haldeman (SSH #9)
- No Way Street by Bruce Clemence
- The Spider Glass by Chelsea Quinn Yarbro (SSH #10)
- Uncle Dobbin’s Parrot Fair by Charles de Lint (SSH #11)
- Dinosaurs by Walter Jon Williams (SSH #12)
- Listening to Brahms by Suzy McKee Charnas
- Black Air by Kim Stanley Robinson
- The Dark Country by Dennis Etchison (SSH #13)
- Journey to the Goat Star by Brian W. Aldiss
- Piecework by David Brin (SSH #15)
- I Remember, I Remember... by Mary Caraker
- Sedalia by David J. Schow (SSH #16)
- Slumming in Voodooland by Brian M. Stableford
- The Sword & the Stone by Jane Yolen (SSH #14)
- The War of the Roses by Karen Joy Fowler (SSH #18)
- The Cat With the Tulip Face by A. R. Morlan
- Twilight Time by Lewis Shiner (SSH #17)
- Where the Summer Ends by Karl Edward Wagner (SSH #19)
- Into Gold by Tanith Lee
- Daisy, in the Sun by Connie Willis (SSH #20)
- Inuit by M. Shayne Bell
- The Shade of Lo Man Gong by William F. Wu
- Buckets by F. Paul Wilson
- The Pear-Shaped Man by George R. R. Martin (SSH #24)
- The Evening & the Morning & the Night by Octavia E. Butler (SSH #23)
- The Peacemaker by Gardner R. Dozois (SSH #21)
- The Hero as Werewolf by Gene Wolfe (SSH #22)
- The Bingo Man by Joyce Carol Oates
- Schrödinger’s Kitten by George Alec Effinger (SSH #25)
- Sisters by Greg Bear (SSH #26)
- The Ghosts of Tivoli by Nancy Holder
- Dr. Pak’s Preschool by David Brin (SSH #27)
- Tight Little Stitches in a Dead Man’s Back by Joe R. Lansdale (SSH #28)
- Fiddling for Waterbuffaloes by S. P. Somtow
- Rachel in Love by Pat Murphy
- Unaccompanied Sonata by Orson Scott Card (SSH #29)
- Nine Lives by Ursula K. LeGuin (SSH #30)
- The Skull of the Marquis de Sade by Robert Bloch (SSH #31)
- Merlin Dreams in the Mondream Wood by Charles de Lint (SSH #32)
- The Price of Oranges by Nancy Kress (SSH #33)
- If This Is Winnetka, You Must Be Judy by F. M. Busby (SSH #34)
- My Brother’s Keeper by Pat Cadigan (SSH #35)
- The Thermals of August by Edward Bryant (SSH #36)
- Paper Dragons by James P. Blaylock (SSH #37)
- Kirinyaga by Mike Resnick (SSH #38)
- Candles on the Pond by Sue Ellen Sloca (SSH #39)
- Shaunessy Fong by William F. Wu (SSH #40)
Axolotl Press
In 1989, Pulphouse Publishing acquired Axolotl Press (founded by John Pelan in 1986) and began using it as an imprint. From 1989 through 1994, 26 titles were published using some form of the Axolotl name.
- 11. "Solip:System" by Walter Jon Williams
- 18. "Beggars in Spain" by Nancy Kress
- ??. "Unmasking" by Nina Kiriki Hoffman
- ??. "Ghostwood" by Charles de Lint
- ??. "Wall, Stone, Craft" by Walter Jon Williams
- ??. "Night Moves" by Tim Powers
- ??. "Ascian in Rose" by Charles de Lint
- ??. "Fat Face" by Michael Shea
- ??. "The Shadow on the Doorstep/Trilobyte" by James P. Blaylock & Edward Bryant
- ??. "I Wake From a Dream of a Drowned Star City" by S.P. Somtow
Other imprints
In addition to Axolotl, Pulphouse introduced Mystery Scene Press, which published a handful of mysteries in 1993, including the first two volumes in an Author's Choice series focused on mysteries. Pulphouse also used Writer's Notebook Press from 1990 through 1994 for four titles which focused on non-fictional aspects of the science fiction writing business.
Mystery Scene Press Author's Choice Monthly
(Single Author Collections) (Trade Paperback $5.95 Limited Cloth $25.00)
- Deceptions by Marcia Muller
- Stacked Deck by Bill Prozini
- Opening Shots by Stuart M. Kaminsky
- Mostly Murder by Joe Gores
- Dark Whispers and Other Stories by Ed Gorman
- Suspended Sentences by Brian Garfield
Mystery Scene Press Short Story Paperback
($1.95)
- The People of the Peacock by Edward D. Hoch
- Eight Mile and Dequindre by Loren D. Estleman
- Lieutenant Harald and the Treasure Island Treasure & My Mother, My Daughter, Me by Margaret Maron
- Cat's-Paw plus Incident in a Neighborhood Tavern by Bill Pronzini
- Ride the Lightning by John Lutz
- Afraid all the Time by Nancy Pickard
- The Perfect Crime by Max Allen Collins
- The Reason Why by Ed Gorman
- Outlaw Blues by Teri White
- My Heart Cries for You! by Bill Crider
Legacy
Pulphouse collapsed after wildly over-expanding the number of titles published every year, including several commercially unviable lines (such as the Short Story Paperback/Hardback line), leaving at least one title (Harlan Ellison's Ellison Under Glass) paid for but undelivered.[3]
In the Fall of 1996, Jerry Oltion published an anthology entitled Buried Treasure, subtitled "An Anthology of Unpublished Pulphouse Stories," which, with the approval of Rusch and Smith, was designed to look like an issue of Pulphouse Hardback.
Many of the authors who got their start publishing in Pulphouse publications or working for Rusch and Smith have gone on to have successful careers as science fiction and fantasy authors. Some authors who debuted in Pulphouse magazines include Adam-Troy Castro and Marina Fitch. Oltion and Nina Kiriki Hoffman were also closely connected to Pulphouse