Psalm 51

Psalm 51 (Greek numbering: Psalm 50), traditionally referred to as the Miserere, its Latin incipit, is one of the Penitential Psalms. It begins: Have mercy on me, O God.

The psalm's opening words in Latin, Miserere mei, Deus, have led to its being called the Miserere Mei or even just Miserere. It is often known by this name in musical settings.

Text

Koine Greek (Septuagint) translation

Version found in the Septuagint, late 2nd Century BC.

Text from Psalm 50: Greek Wikisource

Latin translation

Traditional Latin translation, 1592 AD, translated from the Septuagint Greek:

English translation

This version is from the 1662 Book of Common Prayer, whose psalter is that of the Great Bible, which follows the Vulgate Latin text.

Commentary

Introduction

Many psalms include introductory text ("superscription") in the manuscript attributing it to a particular author and sometimes to an occasion. The New King James Version of the Bible introduces it: "To the choirmaster. A Psalm of David, when Nathan the prophet came to him, after he had gone in to Bathsheba." The Hebrew linguist and scholar Robert Alter translates it less literally, making explicit what is only implicit in the words used: "...a David psalm, upon Nathan the prophet's coming to him when he had come to bed with Bathsheba." He comments: "The Hebrew verb used for both Nathan and David is 'to come to' [or 'into']', but in the former instance it refers to the prophet's entering the king's chambers, whereas the latter instance reflects its sexual sense."^[1]:180

The superscription in the Septuagint reads: "For the End: A Psalm of David, When Nathan the Prophet Came unto Him, When He Went in unto Bersabee (Batheshba) the Wife of Urias."^[2]

Verse 11

Robert Alter has "Do not fling me from Your presence", commenting: "as elsewhere, this Hebrew verb has a connotation of violent action for which the conventional translation of it as 'cast' is too tame."^[1]:182

Liturgical use

The psalm is frequently used in various liturgical traditions because of its spirit of humility and repentance.

Judaism

In Judaism, several verses from this psalm are given prominence:

• The entire psalm is recited in the Arizal's rite of the bedtime Shema on weekdays, and is also part of the regular Tikkun Hatzot prayers.
• Verse 13 (11 in the KJV), "Cast me not away from thy presence...", forms a central part of the Selihot services
• Verse 17 (15 in the KJV), "O Lord, open thou my lips...", is recited as a preface to the Amida, the central prayer in Jewish services.
• Verse 20 (18 in the KJV), "Do good in thy will unto Zion...", is recited in the ashkenazic liturgy as the Tora is removed from the Ark before being read on Sabbath and festivals.^[3]
• The psalm is recited along with Parashat Para, the Tora portion describing the ritual of the "red heifer" that is read in preparation for Passover.^[4]

Christianity

As a penitential psalm, Psalm 50 (using the Septuagint numbering) is one of the most frequently used psalms in the Eastern Orthodox Church and those Eastern Catholic Churches which follow the Byzantine Rite. It is typically included during the Mystery of Repentance (corresponding to the sacrament of confession), in personal daily prayers, and many of the liturgical services. The various services of the Daily Office may be combined into three aggregates (evening, morning and noonday), and are so arranged that Psalm 50 is read during each aggregate.

In the Agpeya, Coptic Church's book of hours, it is recited at every office throughout the day as a prayer of confession and repentance.

In Western Christianity, Psalm 51 (using the Masoretic numbering) is also used liturgically.

In the Roman Catholic Church this psalm may be assigned by a priest to a penitent as a penance after Confession. Verse 7 of the psalm is traditionally sung as the priest sprinkles holy water over the congregation before Mass, in a rite known as the Asperges me, the first two words of the verse in Latin. It also is prayed during Lauds (Morning Prayer) every Friday in the Liturgy of the Hours.

Psalm 51 was recited by Lady Jane Grey before her beheading at the Tower of London in 1554.

A section of verse 17 is often used as the invitatory antiphon the Liturgy of the Hours.

Psalm 51 is associated with Ash Wednesday as a scripture reading in both the Revised Common Lectionary and the Roman Catholic Lectionary.

In Orthodox Christianity, Psalm 50 (as numbered in the Septuagint) is used in the Holy Services. It starts, "Gr: (Ἐλεήμων) Ἐλέησόν με, ὁ Θεός", and is specifically recited by the priest during the Divine Liturgy, when he censes the Holy Altar and the Iconostasis before the Great Entrance.

Musical settings

The Miserere was a frequently used text in Catholic liturgical music before Vatican II. Most of the settings, which are often used at Tenebrae, are in a simple falsobordone style. During the Renaissance many composers wrote settings. The earliest known polyphonic setting, probably dating from the 1480s, is by Johannes Martini, a composer working in the Este court in Ferrara.^[5] The extended polyphonic setting by Josquin des Prez, probably written in 1503/1504 in Ferrara, was likely inspired by the prison meditation Infelix ego by Girolamo Savonarola, who had been burned at the stake just five years before. Later in the 16th century Orlande de Lassus wrote an elaborate setting as part of his Penitential Psalms, and Palestrina, Andrea Gabrieli, Giovanni Gabrieli, and Carlo Gesualdo also wrote settings.^[6] Antonio Vivaldi may have written a setting or settings, but such composition(s) have been lost, with only two introductory motets remaining. Settings were also written by Costanzo Festa, Johann Sebastian Bach, Giovanni Battista Pergolesi and Saverio Selecchy.

One of the best-known settings of the Miserere is the 17th century version by Roman School composer Gregorio Allegri. According to a famous story, Wolfgang Amadeus Mozart, aged only fourteen, heard the piece performed once, on April 11, 1770, and after going back to his lodging for the night was able to write out the entire score from memory. He went back a day or two later with his draft to correct some errors.^[7] That the final chorus comprises a ten-part harmony underscores the prodigiousness of the young Mozart's musical genius. The piece is also noteworthy in having numerous high Cs in the treble solos.

Modern composers who have written notable settings of the Miserere include Michael Nyman, Arvo Pärt, and James MacMillan. The album Salvation (2003) by the group Funeral Mist included the song "In Manus Tuas" which used verses 3–16 in Latin from Psalm 51. Also, the Antestor song "Mercy Lord", from the album Martyrium (1994), also cites Psalm 51. The song "White As Snow" by Jon Foreman from his Winter EP includes lines from Psalm 51. The song "Restore To Me" by Mac Powell and Candi Pearson-Shelton from Glory Revealed (2007) includes lines from Psalm 51. In the Philippines, the Bukas Palad Music Ministry includes their own version of "Miserere" in their album "Christify" (2010).

Egyptian parallels

Parallels between the Ancient Egyptian ritual text Opening of the mouth ceremony and Psalm 51 are pointed out in "Psalm 51 and the 'Opening of the Mouth' Ceremony," by Benjamin Urrutia, Scripta Hierosolymitana: Publications of the Hebrew University of Jerusalem, volume 28, pages 222-223 (1982). The parallels include:

• Mentions of ritual washing with special herbs (Psalm 51:2,7).
• Restoration of broken bones (verse 8).
• "O Lord, open thou my lips" (verse 15).
• Sacrifices (verses 16,17, 19).

See also

Wikisource has original text related to this article: Psalm 51

Wikisource has the text of the 1913 Catholic Encyclopedia article Miserere.

• Benefit of clergy — A.K.A. the Neck Verse
• Penitential Psalms

References

• John Caldwell: "Miserere", Stanley Boorman, "Sources: MS", Stanley Sadie, "Mozart, Wolfgang Amadeus"; Grove Music Online, ed. L. Macy (Accessed November 25, 2006), (subscription required)
• Patrick Macey, Bonfire Songs: Savonarola's Musical Legacy. Oxford, Clarendon Press. 1998. ISBN 0-19-816669-9
•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press 

Notes

External links

Look up miserere in Wiktionary, the free dictionary.

• Hebrew text, translation, transliteration, recording on the Zemirot Database
• Tehillim — Psalms 51 (Judaica Press) translation with Rashi's commentary at Chabad.org

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