Pietro Bettelini
Pietro Bettelini (Caslano, 1763-Rome, 1828) was a Swiss engraver.
He applied at an early age to the study of the art. He received instructions from Gandolfi and Bartolozzi; but in his subsequent works he inclined more to the style of Raphael Morghen. He died at Rome in 1828. He is particularly happy in his transcripts of light and elegant forms, and enters with much taste and spirit into the subject he copies. He does not aim at producing brilliant effects, but exercises his graver with care and delicacy, corresponding with the style of the original picture. In those of a sombre or forcible character he is not equally successful. He was held in high estimation by Thorwaldsen, who employed him to engrave some of his finest works, both figures and bassi-rilievi. His engraving of the 'Entombment,' by Andrea del Sarto, in the Florence Gallery, exhibits all the beauties of the original, and may be quoted, not only as his masterpiece, but also among the finest examples of art. The following are a portion of his justly esteemed productions:
- Entombment; after Andrea del Sarto.
- Madonna col devoto; after the painting by Correggio, in the possession of the King of Bavaria.
- Ecce Homo; after Correggio.
- St. John; after Domenichino.
- Sibylla Persica; after Guercino.
- Ascension of the Virgin; after Guido.
- Madonna and sleeping Infant; after Raphael.
- Judgment of Solomon; after the same.
- Magdalene; after Schidone.
- Maria div. Sapientiae; after Titian.
- The Virgin Mary reading a book; after the same.
- Portrait of Galileo.
- Portrait of Machiavelli.
- Portrait of Poliziano.
References
This article incorporates text from the article "BETTELINI, Pietro" in Bryan's Dictionary of Painters and Engravers by Michael Bryan, edited by Robert Edmund Graves and Sir Walter Armstrong, an 1886–1889 publication now in the public domain.
|