Pierre Bismuth

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Pierre Bismuth

Pierre Bismuth
Born (1963-06-06) June 6, 1963
Nationality French
Field Contemporary Art
Training École nationale supérieure des arts décoratifs, Paris
Movement Appropriation art, Installation art

Pierre Bismuth is a French contemporary artist. He lives and works in Brussels.

Life

Pierre Bismuth was originally a visual communication student at les Arts Décoratifs. He met François Miehe there, one of his teachers, with whom he subsequently collaborated on several projects.[1]

In the 1980's Pierre Bismuth moved to Berlin where he attended Georg Baselitz's class of the Hochschule der Kunst. When he returned to France, he settled in Paris where he shared a studio with Xavier Veilhan and Pierre Huyghe.[1]

At the beginning of the 1990's, he settled in Brussels where he gave the opening show of Jan Mot's new gallery on the rue Dansaert.[2] In 2000, he moved to London, prompted by the Lisson Gallery, where he has had several exhibitions since then.[1]

In 2005, after having settled in Brussels again, he was awarded an Academy Award. He won the best original screenplay at the 77th Academy Awards along with Michel Gondry and Charlie Kaufman for the movie Eternal Sunshine of the Spotless Mind.

Since then, his work has continued to be shown all over Europe and America.

Work

Through efficient and often humorous gestures, Bismuth interrupts pre-established codes of reading the images and objects that pervade daily life, from headline stories in newspapers to magazine clippings from gentlemen's magazines, to even the color of the walls. In his series From Red to Nothing and From Green to Something Else, Bismuth reproduces a painted wall in each exhibition, subtly altering the color by the addition of a small amount of white or colored paint to the original color. Another series Something less, Something More (2002–2006) consists of thin partitions out of which Bismuth removes circles until as little material as possible remained, while the circles removed from the partitions accumulate on the floor. Replaced by the Same (2003), Bismuth plays on the idea of substituting one thing by its double: for each photograph in this series, elements taken from duplicates are glued on exactly the same place as they were on the originals.[3]

Collaborations

A striking aspect of Bimuth's artistic practice consists in his collaborations with other artists from the most various fields. He notably collaborated with Michel Gondry, Jerome Bel, Jonathan Monk, Dessislava Dimova, Diego Perone, Barbara Visser, Angus Fairhurst, Cory Arcangel, Cyprien Gaillard, Mathias Faldbakken or Joe Strummer[4] · .[5]

Exhibitions (selection)

Galleries

Pierre Bismuth is represented by the following galleries:

  • Galerie Jan Mot, Bruxelles
  • Galerie Bugada & Cargnel, Paris
  • Christine König Galerie, Vienne
  • Team Gallery, New-York

He has among others also exhibited at the Galerie Yvon Lambert in Paris, at the Lisson Gallery in London, at Sonia Rosso in Turin, at Roger Pailhas in Marseille or also at Mary Boone in New-York.

Notes and references

  1. ↑ 1.0 1.1 1.2 http://thenewcontemporary.com/2013/09/21/the-idea-of-vienna-being-boring-probably-makes-it-more-interesting-pierre-bismuth/
  2. ↑ http://www.janmot.com/previous_exhibitions/index.php
  3. ↑ Bismuth bio at MACBA's website
  4. ↑ http://www.bugadacargnel.com/fr/pages/expositions.php?name=33
  5. ↑ Pierre Bismuth, Flammarion, Paris, 2005, pp.82-85

External links

Academy Award for Best Writing (Original Screenplay) (2001–2020)
  • Complete list
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  • (1961–1980)
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  • (2001–2020)
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