Paul DeMarinis
Paul DeMarinis is an American electronic music composer, sound, performance, and computer-based artist.
Education
DeMarinis received a B.A. in Music and Filmmaking Interdisciplinary from Antioch College. At the college, DeMarinis studied film with Paul Sharits, music with John Ronsheim and philosophy with Keith McGary.[1]
DeMarinis received an M.F.A. in Electronic Music and the Recording Media from Mills College. At the college, DeMarinis studied music composition with Robert Ashley, Terry Riley video with Phillip Makanna.[2]
Career
DeMarinis' performance pieces and interactive installations have been featured in exhibitions and festivals.[citation needed][3][4] He received the Golden Nica Award for Interactive Art at the Ars Electronica Festival for his installation The Messenger (2003).[5]
In the late 1970s he was a member of the San Francisco Bay Area-based experimental music collective The League of Automatic Music Composers.[6][7]
DeMarinis has investigated abandoned technologies and the history of electronic inventions and telecommunications.[8] Some of his installation works have used optics and computers and featured processed and synthesized speech.[9]
DeMarinis taught computer, video and audio art at Mills College, Wesleyan University, San Francisco State University and the New York State College of Ceramics. He is a Professor of Art at Stanford University in California.[10]
Selected works
- "Jiffy_pop" (2013)
- Pneuma (2010)
- The Probable Flight Path of AF447 (2010)
- Around the World (2010)
- Dust (2009)
- Early Media goes to the Movies (2008)
- Hypnica (2007)
- Rome to Tripoli (2006–2008)
- A Light Rain (2004) in collaboration with Rebecca Cummins
- Firebirds (2004)
- Tongues of Fire (2004)
- (Tommy Franks) Dérive Quebec (2003)
- Rebus (2003)
- Wavescape (2003)
- According to Scripture (2002)
- Moondust Memories (2001)
- Walls in the Air (2001)
- The Products of Our Industry (2000)
- Four Foxhole Radios (2000)
- The Lecture of Comrade Stalin... (1999–2002)
- RainDance / Musica Acuatica (1998)
- The Messenger (1998)
- Grind Snaxe Blind Apes (A Study for Pomeroy's Tomb) (1997)
- Living with Electricity (1997)
- Sound Waves and Scan-O-Vision (1996)
- Gray Matter (1995)
- Chaotic Jumpropes (1994)
- The Edison Effect (1989–1993)
- An Unsettling Matter (1991)
- Fireflies Alight on the Abacus of Al-Farabi (1989)
- Alien Voices (1988)
- Voice Creatures (1986)
- Music Room / Faultless Jamming (1982)
- Sound Fountain (1982) In collaboration with David Behrman
- Sounds and the Shadows of Sounds (1979)
- A Byte at the Opera (1977) performance with Jim Pomeroy
- The Pygmy Gamelan (1973)
Discography
- A Listener's Companion, Het Apollohuis Compact Disc (Holland), 1995
- Music as a Second Language, Lovely Music, Ltd. CD 3011, 1991
- Mind Power, Tellus Audio Cassette Magazine #22, 1989
- I Want You and Kokole, on "Another Coast: Electronic Music from California," Music & Arts CD 276, 1988
- Eenie Meenie Chillie Beenie and Yellow Yankee, Tellus Audio Cassette Magazine #9, 1985
- She's-a-Wild, Record Records RR 101, 1981
- If God Were Alive (& He Is) You Could Reach Him by Telephone & Forest Booties on Lovely Little Records, Lovely Music, Ltd. LP 101-6, 1980
- Great Masters of Melody on "Just for the Record," "Blue" Gene Tyranny, keyboards, Lovely Music, Ltd. LP 1062, 1979 [11]
References
- ↑ "Artist bio on SolwayJones gallery website". solwayjonesgallery.com. Retrieved 2010-07-25.
- ↑ "Artist bio on SolwayJones gallery website". solwayjonesgallery.com. Retrieved 2010-07-25.
- ↑ http://www.23five.org/archives/demarinis.html
- ↑
- ↑
- ↑
- ↑ Electronic and Experimental Music: Technology, Music and Culture by Thom Holmes. Google Books. Retrieved 2010-07-06.
- ↑ "Talking Flames and The Boy Mechanic: A Conversation with Paul DeMarinis". ambidextrousmag.com. Retrieved 2010-07-25.
- ↑
- ↑ "Paul DeMarinis". art.stanford.edu. Retrieved 2010-07-06.
- ↑ "Paul DeMarinis". lovely.com. Retrieved 2010-07-06.