Oblivion (2013 film)

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Oblivion
A man, wearing a white jacket with a gun on his back, walks through a destroyed bridge. The tagline "Earth is a memory worth fighting for" appears on the top while Tom Cruise's name, the title of the film, the rating and the rest of the credits appears on the bottom.

Theatrical release poster
Directed by Joseph Kosinski
Produced by
  • Joseph Kosinski
  • Peter Chernin
  • Dylan Clark
  • Barry Levine
  • Duncan Henderson
Screenplay by
Based on Oblivion 
by Joseph Kosinski
Starring
Music by M83
Cinematography Claudio Miranda
Editing by Richard Francis-Bruce
Studio Relativity Media
Chernin Entertainment
Monolith Pictures
Radical Studios
Distributed by Universal Pictures
Release dates
  • April 10, 2013 (2013-04-10) (France[1])
Running time 124 minutes[2]
Country United States
Language English
Budget $120 million[3]
Box office $286,168,572[4]

Oblivion is a 2013 American post-apocalyptic science fiction film based on Joseph Kosinski's Radical Comics-edited unpublished graphic novel of the same name. The film was co-written, produced and directed by Kosinski.[5][6][7] It stars Tom Cruise and Olga Kurylenko.[8][9] The film was released in the U.S. on April 19, 2013.[10] According to Kosinski, Oblivion pays homage to science fiction films of the 1970s.[11]

The film received mixed reviews. The acting and visual effects were praised, while critiques of the story were mixed. The film underperformed at the American box office, grossing only $89 million, but performed well overseas. It is Cruise's twentieth film to gross more than $200 million worldwide.

Plot

In the year 2077, Tech 49 Jack Harper (Tom Cruise) is one of the last drone repairmen stationed on Earth. The planet was nearly destroyed sixty years prior, during a war against the alien Scavengers ("Scavs"). The Scavs destroyed the moon, resulting in massive earthquakes and tsunamis, before being defeated by nuclear weapons, which left most of Earth uninhabitable. Surviving humans migrated to the "Tet", a massive orbiting space station, and to Saturn's moon Titan. From Tower 49, a base standing above the remains of the northeastern United States, Jack and his partner and lover, Victoria "Vika" Olsen (Andrea Riseborough), maintain the autonomous drones that defend giant ocean-borne power stations - that generate fusion power from seawater - from the remnants of the Scav army. They receive their orders from Sally (Melissa Leo), their mission commander, who is stationed on the Tet, and expect to leave Earth and join the other survivors on the Tet in two weeks. Although Jack and Vika had their memories wiped five years earlier for security reasons, Jack has recurring dreams about meeting a mysterious woman at the Empire State Building before the war, before he was born. Jack keeps a secret retreat in a lake house in a forested area that he sometimes visits.

A Scav signal beacon transmitting coordinates off Earth is followed shortly by the crash of a pre-invasion spacecraft. Drones arrive at the crash site and kill most of the hibernating crew, but Jack rescues a woman, Julia (Olga Kurylenko), recognizing her as the woman from his dreams. To add to this mystery, when Julia is first roused from her "delta sleep," she seems to recognize Jack, groggily calling him by name. Later, when she has fully awakened and can eat, Julia says her ship—the Odyssey—was a NASA mission, the objective of which she refuses to reveal, and she and Jack retrieve the ship's flight recorder. They are captured by Scavs, actually humans living in the Raven Rock Mountain Complex. Their leader, Malcolm Beech (Morgan Freeman), claims that the alien invasion was a lie and wants Jack to reprogram a captured drone to destroy the Tet by delivering a nuclear weapon powered by the Odyssey's core reactor, the reason they de-orbited the Odyssey. When Jack refuses, Malcolm releases the captives but urges them to seek the truth in the so-called "radiation zone" that Jack is forbidden to enter.

Jack takes Julia to the ruins of the Empire State Building. She reveals that she was his wife before the war; his dreams were flashbacks to the day he proposed to her on the observation deck. A jealous Vika watches by video, and when they return to the Tower she refuses them entry. When she informs Sally that she and Jack are no longer an "effective team", Sally activates a drone that kills Vika. Sally requests that Jack return to the Tet with Julia, but they flee in his ship instead, pursued by more drones. They crash in the radiation zone where Jack meets Tech 52, an exact copy of himself. He defeats the clone who, after seeing Julia, also begins experiencing flashbacks. Jack sees that Julia has been seriously wounded by a stray bullet. He impersonates Tech 52, activating his vehicle and going to Tower 52, where he encounters a clone of Vika, and steals a med kit to help Julia.

Jack and Julia return to Beech, who tells them the truth: The Tet is an alien artificial intelligence that attacked Earth to exploit the planet's resources, and Jack and Victoria are two of many thousands of clones created as soldiers to carry out the invasion. The Tet now uses the clones to maintain the drones, and thereby its dominance. Surviving humans use old technology (thus looking like "Scavs") to hide from drones. Jack agrees to reprogram the stolen drone to destroy the Tet. But three other drones attack the human base and wreak havoc inside, severely damaging the reprogrammed drone and wounding Beech. The humans destroy the three drones, but need another way to deliver the bomb. Jack proposes delivering it himself. Julia suggests that she accompany Jack, since Sally had requested him to bring her to the Tet.

During the flight, Jack listens to the Odyssey's flight recorder, which reveals that he and Victoria were originally pilots on the Odyssey research mission to Titan, which was reassigned by NASA when the Tet was discovered. Sally was originally their flight director at NASA's mission control, with other personnel, including Julia, on board in cryogenic sleep capsules. Upon approach, the Tet drew them in. Recognizing that capture was imminent, Jack jettisoned the sleeping crew members, who orbited for sixty years in suspended animation until Beech sent the signal to recall their craft.

Jack enters the Tet, where he is met by a sentient tetrahedral structure that had adopted the persona of Sally. Jack opens the sleep capsule to reveal Beech; Julia simultaneously emerges from another sleeping capsule at Jack's lake house. The two men trigger the nuclear bomb and destroy the Tet and themselves. The destruction of the Tet also deactivates the remaining drones as they were about to attack the survivors at their base.

Three years later, Julia is seen living with her young daughter in the lake house on the recovering Earth. A group of survivors arrive there, and Tech 52 emerges from the group. A voice-over by Tech 52 reveals that his previous encounter had re-awakened memories of Julia, and he had searched for her since the Tet's destruction. Having the same latent memories as Tech 49, he reunites with "his" family, just as the scene cuts to black.

Main cast

  • Tom Cruise as Commander Jack Harper, a repairman who fixes anti-alien drones
  • Morgan Freeman as Malcolm Beech, a resistance leader on Earth
  • Olga Kurylenko as Julia Rusakova, an astronaut Jack rescues from a killer drone and nurses back to health
  • Andrea Riseborough as Victoria "Vika" Olsen, Jack's communications officer and lover
  • Nikolaj Coster-Waldau as Sykes, a battle-hardened and athletic military weapons expert in Earth's human resistance
  • Melissa Leo as Sally, Jack and Victoria's supervisor, speaking from the Tet
  • Zoë Bell as Kara

Production

Development

Shot of the Bubble Ship from the 2013 movie Oblivion.
The Bubble Ship seen in the film (above) was inspired by the Bell 47 helicopter (below).
Shot of a Bell 47 helicopter

Kosinski wanted to film a cinematic adaptation of the graphic novel Oblivion, which he started to co-write with Arvid Nelson for Radical Comics. The novel however was never finished, as Koskinski now admits that it "It was just a stage in the project [of film development]". He explained in an interview with Empire that "partnership with Radical Comics allowed me to continue working on the story by developing a series of images and continuing to refine the story more over a period of years. Then I basically used all that development as a pitch kit to the studio. So even though we really never released it as an illustrated novel the story is being told as a film, which was always the intention.” [12][13] Disney, which produced Kosinski's previous direction Tron: Legacy, acquired the film adaptation rights to Oblivion in August 2010 after a heated auction.[14] Disney subsequently released the rights after realizing the PG-rated film they envisioned, in line with their family-oriented reputation, would require too many story changes. Universal Pictures, which had also bid for the original rights, then bought them from Kosinski and Radical Comics and authorized a PG-13 film version.[3]

The script for the film was originally written by Kosinski and William Monahan and underwent a first rewrite by Karl Gajdusek.[15] When the film passed into Universal's hands, a final rewrite was done by Michael Arndt.[16] Universal was particularly appreciative of the script, saying "It's one of the most beautiful scripts we’ve ever come across."[17]

The Bubble Ship operated by Cruise's main character, Jack 49, was inspired by the Bell 47 helicopter (often colloquially referred to as a "bubble cockpit" helicopter), a utilitarian 1947 vehicle with a transparent round canopy that Kosinski saw in the lobby of the Museum of Modern Art in Manhattan, and which he likened to a dragonfly. Daniel Simon, who previously worked with Kosinski as the lead vehicle designer on Tron: Legacy, was tasked with creating the Bubble Ship from this basis, incorporating elements evocative of an advanced fighter jet with the Bell 47 to create a light, functional vehicle that was both practical and aesthetically pleasing, much as he observed with the ships in 2001: A Space Odyssey. "When Kubrick made 2001, rather than going to the hotshot concept designers of the day, he hired NASA engineers," said Simon. "I believe in form follows function. I'm not a fan of excessive decoration, of putting fins on something because it looks cool." Rather than employ digital models, Wild Factory, a Camarillo concept car company, built the Bubble Ship as a 25-foot-long (7.6 meters), 4,000–5,000 lb. (1800-2300 kg), mostly aluminum prop. Elements of the cockpit, such as the placement of the joystick and pedals, were customized for Cruise, who is a pilot in real life, and who had some input into the design. The craft was also made to be easy to disassemble and assemble, in order to facilitate transport to the Iceland shooting locations, where it would be mounted on a gimbal for shots of it flying. The unmanned aerial drones that figure prominently in the plot were created to appear to be in the same design family as the Bubble Ship.[18]

Casting

Tom Cruise had expressed interest in the film for a considerable period of time, and officially committed to it on May 20, 2011.[19]

For casting the lead role of Julia opposite Cruise, the producers considered five actresses: Jessica Chastain, Olivia Wilde, Brit Marling, Noomi Rapace and Olga Kurylenko, and all five auditioned on August 27, 2011.[20] It was subsequently announced that Chastain would play one of the film's two female leads. In January 2012 Chastain entered into talks for a part in the Kathryn Bigelow film Zero Dark Thirty and subsequently dropped out of Oblivion contention. It was later announced that the role had been given to Kurylenko.[21] In preparation for the role, Kurylenko watched astronaut training videos as well as classic science fiction and romance films (such as Solaris, Notorious, and Casablanca).[22] "What's funny is I actually watched [Solaris]; Joseph never brought it up," said Kurylenko. "I come from Tarkovsky-land, and at that point I hadn't watched it for many years. I watched the new one as well, with George Clooney and Natascha McElhone. The story – both in Solaris and Oblivion – deals with space and memory."[23]

For the other leading role, Victoria, the producers initially considered Hayley Atwell, Diane Kruger and Kate Beckinsale. The three actresses traveled to Pittsburgh to screen-test with Cruise, who was filming Jack Reacher.[24] The role finally went to Andrea Riseborough. Melissa Leo was cast at a later date as Sally.[25]

Filming

Production began on March 12, 2012, and concluded on July 14, 2012. Filming locations included Baton Rouge and New Orleans, Louisiana.[26][27][28] Much of the film was shot in Iceland in June 2012, when the daylight lasts for nearly 24 hours a day. As well as showcasing Iceland's volcanic landscapes, the film's director Joseph Kosinski sought to take advantage of the round-the-clock light, in particular the 6pm to 1am waning light known as "magic hour", to "bring sci-fi out into the daylight", in contrast to films such as Alien, which spent their time in dark hulls or benighted planets.[18][29] The single most difficult scene to film in the entire movie was when Harper takes a break to admire the view and waters a flower; it was filmed by having Cruise sit next to an 800-foot (250 meters) drop at the top of Iceland's Jarlhettur on the root of Langjökull, a peak that the crew nicknamed Earl's Peak, which is only accessible by helicopter.[30] The scenes set at Harper's idyllic forest retreat were filmed at Black's Pond in June Lake, California.[31]

Oblivion was filmed with Sony's CineAlta F65 camera, which was shipped in January 2012.[32] A Red Epic was also used for scenes that required going handheld or when body mount rigging was applied.[33] The film was shot in 4K resolution in Sony's proprietary raw image format, but for cost reasons (and over Kosinski's protests), both the digital intermediate and final version were done at 2K resolution.[34]

For the Sky Tower set (built on a soundstage in Baton Rouge), Kosinski and cinematographer Claudio Miranda worked closely with visual special-effects house Pixomondo to establish both environment and lighting by the use of 21 front-screen projectors aimed at a huge wraparound backdrop to form one continuous image, rather than blue screen backdrops.[35] The backdrop consisted of a single seamless piece of painted white muslin, 500 feet by 42 feet (150 by 13 meters), which was wrapped around the set for 270 degree coverage.[34] This enabled the full environment to be captured in camera, and assisted in lighting up to 90 percent of the set.[33] If they had used blue screen on a "glass house" set like the Sky Tower, the glass would literally have disappeared into the blue lighting, and the VFX people would have been forced to reconstruct most of the set in post-production.[34] Naturally, "the actors loved being in it" since unlike blue screen, they could look outside and actually see a sunrise or sunset.[34] This new technique allowed them to cut down on both the effects shots, which ended up at around 800 in total, and the expenses. Even the "control table" which Victoria operates was filmed then displayed on a large screen.[36]

To obtain the necessary footage to create the illusion that the Sky Tower set was sitting high above the clouds, Pixomondo sent a crew to film the view from the peak of Haleakalā in Hawaii for four days with three Red Epic cameras mounted side-by-side on a single rig.[35] Pixomondo's Stuttgart office then stitched together the data from the three cameras to form a single gigantic video stream (with each still image consisting of 26 megapixels), and produced a variety of different time-of-day clips to be projected on the set.[35]

Music

On June 28, 2012, it was announced that French electronic band M83 would compose the soundtrack for Oblivion.[37] On why he chose M83 to score the film, director Joseph Kosinski said, "I went back and I found my first treatment for Oblivion from 2005 and it had listed in the treatment a soundtrack of M83. Obviously the Tron: Legacy collaboration with Daft Punk worked out as good as I would have ever hoped, [so] I wanted to do something similar in that I’m pulling an artist from outside the movie business to create an original sound for this film." Kosinski continued, "Daft Punk’s music wouldn’t make sense for this movie. It had to be an artist whose music fit the themes and story I was trying to tell. And M83’s music I felt was fresh and original, and big and epic, but at the same time emotional and this is a very emotional film and it felt like a good fit."[38]

To guide Anthony Gonzalez of M83 through the scoring process, director Kosinski brought in Joseph Trapanese, who co-wrote the score alongside Gonzalez. Kosinski states, "Together they have created the score that I have dreamed about since I first put this story down on paper eight years ago."[39] Trapanese first came to Kosinski's attention when he collaborated with Daft Punk on Tron: Legacy as arranger and orchestrator.[40]

In an interview with Rolling Stone, M83 frontman Anthony Gonzalez said, "I started to write the soundtrack just reading the script, and then when you get the picture in, it's different, and you kind of switch to another vibe and change stuff and start experimenting a lot with the music." Gonzalez added, "I worked with Joseph a lot, and he's very particular about the music in his movies, so we spent a lot of time talking about music and working the arrangements together."[41]

Oblivion: Original Motion Picture Soundtrack
Soundtrack album by M83
Released April 9, 2013 (2013-04-09)[42]
Recorded 2013
Genre Soundtrack, Electronic
Length 69:06
113:36 (deluxe edition)
Label Back Lot Music
Producer Anthony Gonzalez
Joseph Trapanese
Bryan Lawson
M83 chronology

Hurry Up, We're Dreaming
(2011)		 Oblivion
(2013)
Professional ratings
Review scores
Source Rating
Allmusic [43]
Consequence of Sound [44]
Pitchfork (4.5/10)[45]

The soundtrack album was released on April 9, 2013 by Back Lot Music.[42] A deluxe edition of the soundtrack was released the same day exclusively through iTunes. It features an additional 13 tracks.[46]

Track listing

No. Title Length
1. "Jack's Dream"   1:22
2. "Waking Up"   4:09
3. "Tech 49"   5:58
4. "StarWaves"   3:41
5. "Odyssey Rescue"   4:08
6. "Earth 2077"   2:22
7. "Losing Control"   3:56
8. "Canyon Battle"   5:57
9. "Radiation Zone"   4:11
10. "You Can't Save Her"   4:56
11. "Raven Rock"   4:33
12. "I'm Sending You Away"   5:38
13. "Ashes of Our Fathers"   3:30
14. "Temple of Our Gods"   3:14
15. "Fearful Odds"   3:09
16. "Undimmed by Time, Unbound by Death"   2:26
17. "Oblivion" (featuring Susanne Sundfør) 5:56
Total length:
 69:06

Distribution

Marketing

Details about Oblivion were kept secret, though the studio was said to have been "very excited" about the film. Promotions began April 2012, with a part of the footage being screened at the 2012 CinemaCon despite the fact that filming had begun just one month prior to the event. The footage was described as "a combination of early concept art, rough animation, and unfinished dailies," showcasing a glimpse of the film's landscapes.[17]

Theatrical release

Oblivion was first presented in Buenos Aires on March 26, 2013, Dublin on April 3, 2013 and in Hollywood on April 10 at the Dolby Theatre where Cruise himself announced before the screening that the film was actually the first feature to be mixed completely "from start to finish" in the latest state-of-the-art Dolby Atmos surround sound.[47]

Home media

The DVD and Blu-ray for Oblivion became available online for pre-order in North America on April 24, 2013, just five days after its initial release in the region.[48] One month later it was announced that the United Kingdom branch of Universal Studios would be releasing the film on home video in its region on August 6, 2013 with the on-demand version on August 18, 2013. The release is scheduled to be in both a standard and a SteelBook Limited Edition form.[49] In June 2013, it was announced that the film would be released on home video in America also on August 6, 2013. The Blu-ray releases will feature commentary with Tom Cruise and director Joseph Kosinski, deleted scenes, M83's isolated score, and a series of making-of featurettes.[50] The Blu-ray debuted at number 1 in sales for its opening week.[51]

Reception

Box office

In North America, the film earned $37.1 million during the course of its opening weekend, including $5.5 million derived of IMAX screenings from 323 theaters, making it Cruise's best North American opening outside of the Mission: Impossible film series and War of the Worlds.[52]

The film closed on June 27, 2013. Oblivion grossed $89,107,235 in the U.S. and $197,061,337 internationally, bringing the worldwide total to $286,168,572.[4]

Critical response

Oblivion received mixed to positive reviews. Review aggregation website Rotten Tomatoes gives the film a score of 53% based on 223 reviews, with the site's consensus stating "Visually striking but thinly scripted, Oblivion benefits greatly from its strong production values and an excellent performance from Tom Cruise." The film has an average score of 5.9/10.[53] Metacritic gives the film a score of 54 out of 100 based on 41 reviews, indicating "mixed or average reviews".[54]

Todd McCarthy of The Hollywood Reporter stated "Oblivion is an absolutely gorgeous film dramatically caught between its aspirations for poetic romanticism and the demands of heavy sci-fi action".[55] Justin Chang of Variety said "Insofar as Oblivion is first and foremost a visual experience, a movie to be seen rather than a puzzle to be deciphered, its chief pleasures are essentially spoiler-proof."[56] Kevin Harley of Total Film gave the film three stars and said "It isn’t a reboot or reimagining, refreshingly, but Oblivion plays like a stylised remix of superior sci-fi ground-breakers".[57]

See also

References

  1. ↑ "Oblivion – released". allocine.fr. Retrieved April 6, 2013. 
  2. ↑ "Oblivion (12A)". British Board of Film Classification. Retrieved April 3, 2013. 
  3. ↑ 3.0 3.1 Fleming, Mike (May 20, 2011). "Tom Cruise Commits To $100 Million Universal Sci-Fi Pic ‘Oblivion’ For Fall". Deadline. Retrieved March 21, 2012. 
  4. ↑ 4.0 4.1 "Oblivion - BoxOfficeMojo". BoxOfficeMojo. Retrieved August 9, 2013. 
  5. ↑ "That Oblivion "graphic novel" will probably never be published". April 1, 2013. 
  6. ↑ Steve Suno (July 22, 2010). "CCI: KOSINSKI ILLUMINATES "OBLIVION"". comicbookresources.com. Retrieved July 22, 2010. 
  7. ↑ Matt Goldberg (August 4, 2010). "Disney Locks Down OBLIVION for TRON: LEGACY Director Joseph Kosinski". Collider.com. Retrieved August 4, 2010. 
  8. ↑ Trumbore, Dave (January 19, 2012). "Olga Kurylenko and Andrea Riseborough Join Tom Cruise in Untitled Sci-Fi Pic". Collider.com. Retrieved March 21, 2012. 
  9. ↑ Chitwood, Adam (March 15, 2012). "Universal Moves Sci-Fi Film OBLIVION Starring Tom Cruise Up to April 26, 2013". Collider.com. Retrieved March 21, 2012. 
  10. ↑ Lussier, Germaine (March 15, 2012). "Joseph Kosinski’s Tom Cruise Vehicle ‘Oblivion’ Moves To April 2013". /Film. Retrieved March 21, 2012. 
  11. ↑ Lussier, Germain (April 19, 2013). "/Film Interview: ‘Oblivion’ Director Joseph Kosinski". /Film. Retrieved May 4, 2013. 
  12. ↑ Steve Sunu (July 22, 2010). "CCI: KOSINSKI ILLUMINATES "OBLIVION"". Comic Book Resources. 
  13. ↑ Rich Johnston (April 12, 2013). "Oblivion, Based On The Non-Existing Graphic Novel". Bleeding Cool. Retrieved April 12, 2013. 
  14. ↑ Fleming, Mike (August 4, 2010). "Disney Acquires Joseph Kosinski’s Graphic Novel ‘Oblivion’". Deadline. Retrieved March 25, 2012. 
  15. ↑ Kit, Borys (March 16, 2011). "Karl Gajdusek Tapped to Re-Write Disney’s Horizons (Exclusive)". The Hollywood Reporter. Retrieved March 21, 2012. 
  16. ↑ Roper, Dave (January 24, 2012). "Olga Kurylenko and Andrea Riseborough Added To Tom Cruise Sci-Fi Project". Hey U Guys. Retrieved March 21, 2012. 
  17. ↑ 17.0 17.1 Breznican, Antony (April 27, 2012). "CinemaCon 2012: Tom Cruise dives from heaven to hell in Oblivion footage". Entertainment Weekly. Retrieved May 8, 2012. 
  18. ↑ 18.0 18.1 Keegan, Rebecca. "'Oblivion' Cruise-Mobile". HeroComplex.com. Los Angeles Times. Spring 2013. pp. 8 - 9.
  19. ↑ "Tom Cruise Joins Oblivion, Joseph Kosinski's Sci-Fi Film". The Huffington Post. May 21, 2011. Retrieved May 8, 2012. 
  20. ↑ Rich, Katey (August 25, 2011). "Joe Kosinski's Oblivion Renamed Horizons Again, Five Hot Actresses Testing For Roles". Cinema Blend. Retrieved March 21, 2012. 
  21. ↑ Eisenberg, Eric (January 19, 2012). "Jessica Chastain Out, Andrea Riseborough And Olga Kurylenko In For Joseph Kosinski's Next Science Fiction Film". Cinema Blend. Retrieved March 21, 2012. 
  22. ↑ Vineyard, Jennifer (April 22, 2013). "Olga Kurylenko talks "Oblivion," "To The Wonder," and "Erased"". IFC.com. Retrieved April 25, 2013. 
  23. ↑ Schmidlin, Charlie (April 19, 2013). "Olga Kurylenko Talks Romance Behind ‘Oblivion,’ Sharing ‘Solaris’ With Joseph Kosinksi & Making ‘Empires Of The Deep’". The Playlist. Retrieved April 25, 2013. 
  24. ↑ "Cruise's Oblivion Eyes Leading Lady". IGN. Newscorp. October 26, 2011. Retrieved May 8, 2012. 
  25. ↑ Fleming, Mike (March 23, 2012). "Melissa Leo Joins Tom Cruise Pic ‘Oblivion’". Deadline. Retrieved March 29, 2012. 
  26. ↑ "Talent Search for Lead Role in Feature Film Starring Tom Cruise". Lead Casting Call. Retrieved March 21, 2012. 
  27. ↑ Plaisance, Stacey (February 3, 2012). "Tom Cruise movie headed for Louisiana". Deseret News. Retrieved March 21, 2012. 
  28. ↑ "Current Productions UPCOMING PROJECTS". Film New Orleans. Retrieved March 21, 2012. 
  29. ↑ "‘Oblivion’: Cruise, Kosinski set for Hero Complex Imax screening". Los Angeles Times. April 2, 2013. Retrieved April 14, 2013. 
  30. ↑ Ethan Sacks, "Tom Cruise’s most dangerous stunt in ‘Oblivion’? Sitting on mountain ledge for 'simple' dialogue scene inches away from 800-foot drop", New York Daily News, April 17, 2013.
  31. ↑ Helena de Bertodano, "California: moments from Tom Cruise's Oblivion", The Daily Telegraph, April 28, 2013.
  32. ↑ Giardina, Carolyn (April 15, 2012). "NAB 2012: Sony Launches $10,000 Super Slow Motion Camcorder With 4K Sensor". The Hollywood Reporter. Retrieved October 9, 2012. 
  33. ↑ 33.0 33.1 Frazer, Bryant (April 4, 2013). "Cinematographer Claudio Miranda on Oblivion and Life of Pi". Studio Daily. Retrieved April 25, 2013. 
  34. ↑ 34.0 34.1 34.2 34.3 Jon Fauer, "Claudio Miranda, ASC on “Oblivion", Jon Fauer's Film and Digital Times, March 29, 2013.
  35. ↑ 35.0 35.1 35.2 Vincent Frei, "OBLIVION: Bjørn Mayer – VFX Supervisor – Pixomondo", Art of VFX, April 16, 2013.
  36. ↑ Interview: 'Oblivion' Director Joseph Kosinski on Sci-Fi Filmmaking
  37. ↑ Jagernauth, Kevin (June 28, 2012). "Exclusive: M83 Scoring Joseph Kosinski's Sci-Fi Film 'Oblivion' Starring Tom Cruise". The Playlist. Retrieved April 24, 2013. 
  38. ↑ Weintraub, Steve (December 30, 2012). "Exclusive: Joseph Kosinski Talks OBLIVION, Working with Tom Cruise, Getting M83 to Compose the Score, the Film’s Unique Design, the IMAX Release & More". Collider.com. Retrieved April 24, 2013. 
  39. ↑ "Listen to a Track From the Oblivion Score". ComingSoon.net. March 7, 2013.
  40. ↑ Lee, Chris (December 23, 2010). "Daft Punk: We didn’t sell out for 'Tron: Legacy' soundtrack". Los Angeles Times. Retrieved May 22, 2013.
  41. ↑ Baltin, Steve (February 13, 2013). "M83 Enter 'Oblivion' With Tom Cruise: At Grammys, French group talk soundtrack debut". Rolling Stone. Retrieved April 24, 2013. 
  42. ↑ 42.0 42.1 "Oblivion - Original Motion Picture Soundtrack: M83: Amazon.co.uk: MP3 Downloads". Amazon.co.uk. Retrieved April 19, 2013. 
  43. ↑ Phares, Heather. "Oblivion [Original Motion Picture Soundtrack] – M83". Allmusic. Retrieved April 24, 2013. 
  44. ↑ "Album Review: Anthony Gonzalez and Joseph Trapanese – Oblivion: Original Motion Picture Soundtrack". Consequence of Sound. April 8, 2013. Retrieved April 19, 2013. 
  45. ↑ Howe, Brian (April 26, 2013). "M83: Oblivion OST". Pitchfork Media. Retrieved April 26, 2013. 
  46. ↑ "iTunes – Music – Oblivion (Original Motion Picture Soundtrack) [Deluxe Edition]". Apple Inc. iTunes. April 9, 2013. Retrieved April 24, 2013. 
  47. ↑ "Cruise in Dublin for movie and Irish roots". RTE. April 3, 2013. Retrieved April 20, 2013. 
  48. ↑ "Oblivion with Tom Cruise Blu-ray Pre-Order Live, No Release Date Yet". The HD Room. April 24, 2013. Retrieved April 25, 2013. 
  49. ↑ "Oblivion Available for Pre-Order". Blu-ray.com. May 24, 2013. Retrieved May 23, 2013. 
  50. ↑ "Oblivion Blu-ray". Blu-ray.com. June 4, 2013. Retrieved June 4, 2013. 
  51. ↑ 'Oblivion' Debuts at No. 1 on Blu-ray, DVD Charts
  52. ↑ McClintock, Pamela (April 21, 2013). "Box Office Report: Tom Cruise's 'Oblivion' Rockets to Solid $38.2 Million Opening". The Hollywood Reporter. Retrieved April 24, 2013. 
  53. ↑ "Oblivion (2013)". Rotten Tomatoes. Flixster. Retrieved January 30, 2014. 
  54. ↑ "Oblivion". Metacritic. CBS Interactive. Retrieved January 30, 2014. 
  55. ↑ McCarthy, Todd (April 10, 2013). "Oblivion review - The Hollywood Reporter". The Hollywood Reporter. Retrieved April 16, 2013. 
  56. ↑ Chang, Justin. "Oblivion review - Variety". Variety. Retrieved April 16, 2013. 
  57. ↑ Harley, Kevin (April 10, 2013). "Oblivion review - Total Film". Total Film. Retrieved April 16, 2013. 

External links

Films directed by Joseph Kosinski
Screenplays by Michael Arndt

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