Norman Leyden
Norman Fowler Leyden (born October 17, 1917) is an American, conductor, composer, arranger, and clarinetist. He has worked in film and television and is perhaps best known as the conductor of the Oregon Symphony Pops orchestra. He co-wrote with Glenn Miller the theme "I Sustain the Wings" in 1943, which was used to introduce the World War II radio series.
Early years
Norman Leyden was born in Springfield, Massachusetts to James A. and Constance Leyden. He graduated from Yale University in 1938, attended Pierre Monteux's Domaine Musicale in Hancock, Maine in 1961, and earned a master's (1965) and doctoral degree (1968) from Columbia University (where he also taught for several years). He married in 1942 in Duval County, Florida to Alice Curry Wells. [citation needed]
Music career
He began his professional music career playing bass clarinet for the New Haven Symphony Orchestra while attending Yale. Leyden joined the United States National Guard in 1940 for a planned year of volunteer work and enlisted as an infantry sergeant on February 24, 1941, in New Haven, Connecticut. His enlistment papers gives his height as six foot two and his weight as 165 and gives his specialty as a musician or band leader. During World War II he served in the Army Air Force for five years.
While Leyden was serving as a master sergeant in Atlantic City and rehearsing music, Glenn Miller heard Leyden perform. Miller said to him "For a Yale man, you don't play bad tenor".[1] Miller called on Leyden in September 1943 to conduct the Moss Hart Army Air Force spectacular "Winged Victory". This was a big musical play in Broadway's Shubert Theatre with an all service band. The show started in November 1943. Leyden next requested the opportunity to arrange for Glenn Miller, and was accepted and served as one of three arrangers for Miller's Air Force Band. His first arrangement for the band was "Now I Know". Sometimes, Leyden would write more complexity into the score than was desirable. Miller told him once "Hey Norm, it was a nice try. But remember it ain't what you write, it's what you don't write".[2] In 1943, Leyden composed the theme music for the wartime radio series "I Sustain the Wings" with Glenn Miller, Chummy MacGregor, and Bill Meyers. The radio program ran from 1943 to 1944. Leyden also arranged for the reorganized Glenn Miller Orchestra of Tex Beneke. In August 2000, he led the Air Force Falconaires of the Air Force Band of the Rockies in a PBS television special, "Glenn Miller's Last Flight".
Between 1956 and 1959, he was musical director for Arthur Godfrey's radio program. He also worked as musical director on The $64,000 Question (including writing the theme music), and as the musical director of The Jackie Gleason Show, originally called You're in the Picture (1961). He also organized the Westchester Youth Symphony in White Plains, New York, in 1957 (an organization he led until 1968). As a staff arranger at RCA Victor he composed and arranged music for Disney and other musicals including Cinderella, Alice in Wonderland, 20,000 Leagues Under the Sea, Winnie the Pooh, Peter Pan, and Pinocchio. Leyden also conducted and arranged for many well-known artists including Tony Bennett, Don Cornell, Johnny Desmond, Gordon MacRae, Mitch Miller, Ezio Pinza, Frank Sinatra, and Sarah Vaughan.
Leyden moved to Portland, Oregon, in 1968 to take over the Portland Youth Philharmonic (then the Portland Junior Symphony) while long-time conductor Jacob Avshalomov went on sabbatical. He also joined the music department at Portland State University. He began his longstanding relationship with the Oregon Symphony in 1970 as associate conductor. This lasted for 29 seasons plus 34 seasons as conductor of the Oregon Symphony Pops. Over one million people attended his Oregon Symphony Pops concerts.[citation needed] In May 2004, he retired and was honored with the lifetime title laureate associate conductor. Leyden also served as the music director of the Seattle Symphony Pops for eighteen seasons, and as conductor of the Indianapolis Symphony Orchestra's Prairie Pops for eight seasons. He also conducted the Chappaqua Orchestra as its second music director before moving to the West Coast. He worked with Portland-based band Pink Martini and can be heard performing a clarinet solo on the title track of the band's second album, Hang On Little Tomato.[citation needed]
Leyden's personal music score library, housed in an airy basement studio, includes over 1,200 symphonic arrangements and 300 big band works. Leyden continues to practice the clarinet every day. On Wednesday October 17, 2007, he conducted a 90th birthday concert with the 17-piece Norman Leyden Big Band at Portland's Arlene Schnitzer Concert Hall, titled Norman's Big Band Birthday Concert.[3] On July 19, 2013, he debuted at the Hollywood Bowl, again with Pink Martini.[citation needed]
Awards
- Oregon Governor's Arts Award, 1991[4]
Notes
- ↑ "Big Band Library Glenn Miller"
- ↑ Big Band Library Glenn Miller
- ↑ Darroch, Lynn (October 18, 2007). "Norman Leyden's Big Band Birthday". The Oregonian via OregonLive.com. Retrieved June 10, 2013.
- ↑ "Governor's Arts Awards". Oregon Arts Commission. Retrieved June 10, 2013.
References
- "Air Force Band Brings Back Swing Sound of Glenn Miller", Regulatory Intelligence Data, September 29, 1999
- Baker's Dictionary of Music and Musicians (2001)
- Darroch, Lynn. "For Norman Leyden, 90, it's still all about music", The Oregonian, October 20, 2007.
- Duval County Marriage Records 1942, certificate number 8657
- Fifteenth Census of the United States: 1930 Population Schedule, New York State, Westchester County (gives parents and siblings names; also listed in Fourteenth Census of the United States 1920 Population Schedule, East Orange Ward 5, Essex, New Jersey)
- Glenn Miller at Big Band Library.Com
- Leyden, Norman Fowler. A Study and Analysis of the Conducting Patterns of Arturo Toscanini as Demonstrated in Kinescope Films. Columbia University dissertation, 1968.
- Salzman, Eric "Music: Six Conductors", New York Times, August 22, 1961, page 21.
- Stabler, David "Farewell to that Pops Magic" The Oregonian, December 14, 2003, page F1.
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