Nick Mamatas

Nick Mamatas (Greek: Νικος Μαμμάτας) (born February 20, 1972) is an American horror, science fiction and fantasy author and editor for the Haikasoru line of translated Japanese science fiction novels for Viz Media. His fiction has been nominated for several awards, including several Bram Stoker Awards, while he has also been recognised for his editorial work with a Bram Stoker Award, as well as World Fantasy Award and Hugo Award nominations. He funded his early writing career by producing term papers for college students, which gained him some notoriety when he described this experience in an essay for Drexel University's online magazine The Smart Set.^[1]

Biography

Nick Mamatas was born on Long Island, New York and attended the State University of New York at Stony Brook and New School University. He is also a graduate of the MFA program in creative and professional writing at Western Connecticut State University, which he attended only after publishing a number of books, short stories, and articles. During his early writing career he wrote not just non-fiction, but also worked as a ghostwriter for college students needing term papers, an experience he later described in an essay called "The Term Paper Artist".^[2] His non-fiction work has appeared in Razor Magazine, The Village Voice, and various Disinformation Books and BenBella Books' Smart Pop Books anthologies.

His first published fiction book was the 2001 novella Northern Gothic (Soft Skull), which was nominated for the Bram Stoker Award for Best Long Fiction in 2002.^[3] In 2007, a signed/limited hardcover edition, illustrated and with a slipcase, was published in German by Edition Phantasia.^[4]

His first full-length novel, Move Under Ground (Night Shade Books, 2004/Prime Books, 2006), combined the Beat style of Jack Kerouac with the cosmic horror of H. P. Lovecraft's Cthulhu Mythos. This novel was nominated for both the Bram Stoker Award for Best First Novel^[5] and the International Horror Guild Award for Best First Novel in 2005, and made the Locus Magazine Recommended Reading List for books published in 2004.

In 2006, Move Under Ground was one of the first books to be published in paperback by the German publisher Edition Phantasia. In early 2007 he decided to distribute it online for free under a Creative Commons license.

His science fiction satire Under My Roof (Soft Skull, 2007) has been published in both Germany and Italy in addition to its American publication. The German edition was nominated for the Kurd-Laßwitz-Preis for science fiction originally published in a foreign language. It came in last place in the voting.

In August 2006, Mamatas was named co-fiction editor of Clarkesworld Magazine. In August 2008, he left Clarkesworld and began working for Viz Media to edit Haikasoru, the firm's line of Japanese science fiction, fantasy, and horror in translation. Clarkesworld's 2008 issues earned it a nomination for the Hugo Award for Best Semiprozine. Mamatas, along with editor Sean Wallace and publisher Neil Clarke, were named as the magazine's principals. The three were also nominated for the World Fantasy award for Clarkesworld in the nonprofessional special award category, also for the 2008 issues. Three years after leaving Clarkesworld, Mamatas was nominated for the Hugo award in the category of Best Editor, Long Form in 2010,^[6] for his work with the Haikasoru imprint of Viz Media.

Mamatas edited the posthumous collection of short fiction, Queen of the Country, by dark fantasist D. G. K. Goldberg in 2008.

A collection of short fiction, You Might Sleep..., including a new novella, was published in March 2009.

"The Dude Who Collected Lovecraft," written by Mamatas and Tim Pratt, was nominated for the Stoker award for achievement in Short Fiction in March 2009.^[7]

Mamatas co-edited the original horror anthology Haunted Legends with Ellen Datlow in 2010; the book won the Black Quill Award in the anthology category, won the 2010 Bram Stoker Award for Best Anthology,^[8] and was nominated for the Shirley Jackson Award.

His third novel, 'Sensation', was published in May 2011 by PM Press, and in July a collaboration with Brian Keene, The Damned Highway, was released. The Damned Highway is similar in vein to Move Under Ground, but instead of Jack Kerouac and his beat style, it is done with Hunter S. Thompson (here referred to as Uncle Lono, a reference to The Curse of Lono) in his famous gonzo journalism style.

Starve Better, a short how-to guide made up primarily of reprinted blog posts and essays from magazines such as The Smart Set and The Writer was published in 2011, and nominated for the Bram Stoker Award in the category of Achievement in Non-Fiction.

Career and themes

Mamatas is most known for his horror and dark fiction, but claims broad influences.^[9] Writer Laird Barron described the short fictions in You Might Sleep... as running "the gamut of science fiction, fantasy, metafiction, horror, generic lit, to the realms of the effectively unclassifiable."^[10]

The Internet Review of Science Fiction, reviewing You Might Sleep, contends that "J.D. Salinger [is] an obvious but unacknowledged influence" and also compares the work of Mamatas to "Lewis Carroll with an ISP, Mishima hammering out his death poem on a Blackberry or Harlan Ellison hyped up on crystal meth..." while suggesting a certain immaturity to Mamatas's themes: "Despite his tremendous gifts, Mamatas dares little. One wonders how he would handle more profound materials, how his narrative sorcery might encompass (for example) bereavement, real tragedy or loss of self through enlightenment or love."^[11]

A thematic touchstone for Mamatas is H.P. Lovecraft. His novel Move Under Ground, which combines Lovecraftian and Beat themes, was declared one of the best Cthulhu Mythos stories not written by Lovecraft by Kenneth Hite in the book Cthulhu 101. Mark Halcomb of the Village Voice reviewed the book and its peculiar meshing of Lovecraft and Kerouac, writing, in part:

"In fact, Kerouac's "bebop prosody" and the Cthulhu mythos dovetail nicely, and what seems at first like literary stunt-casting actually gives Mamatas room to recast the Beats' fall from grace in fanciful terms unhindered by their tricky psychology, the strictures of reality and realism—or lingering platitudes."^[12]

Publishers Weekly reviewed Move Under Ground, discussing the novel's "credible pastiche" of Kerouac's voice and declared the book "sophisticated, progressive horror..."^[13]

A number of his short works, such as the novelette "Real People Slash" and the flash fiction "And Then And Then And Then", also explicitly combine Lovecraftian themes with the voices of non-fantastical literature. The short story "That of Which We Speak When We Speak of the Unspeakable", first published in the anthology Lovecraft Unbound is a pastiche of Lovecraft and several of the works of Raymond Carver. The Damned Highway combines a character based heavily on Hunter S. Thompson and Lovecraftian themes.

Satire is also a significant element of Mamatas's fiction. Ed Park, writing for his online The Los Angeles Times review column, described Mamatas's Under My Roof—a short novel about the formation of a microstate on Long Island—as an "accurate, fast-moving satire that transcends mere target shooting by virtue of its narrator, Daniel’s 12-year-old son Herbie."^[14] A starred review in Publishers Weekly for the same title also highlighted the satirical elements in the work, declaring: "A big-bang ending caps the fast-paced novel, and there's much fun to be had watching Mamatas...merrily skewer his targets."^[15]

Mamatas's nonfiction work includes essays on publishing, digital culture, and politics. A Village Voice piece on the Otherkin phenomenon^[16] is cited as one of the earliest national publications on the subculture.^[17] His essay about his settlement with the RIAA^[18] for file-sharing has been cited in several law reviews,^[19][20][21] as it is a relatively rare first-person account of the process of settlement with the RIAA. Essays from The Smart Set, Village Voice, and The Writer and Tim Pratt's fanzine Flytrap were compiled, along with original material, into the writing handbook Starve Better in 2011, and published by Apex Publications^[22] His essay "The Term Paper Artist" originally from The Smart Set, about his experiences as an academic ghostwriter for pay, has been discussed on National Public Radio, and reprinted in a pair of textbooks, both published by Nelson Education.^[23][24]

Major works

Novels

• Northern Gothic (2001)
• Move Under Ground (2004)
• Under My Roof (2007)
• Sensation (2011)
• The Damned Highway (2011)
• Bullettime (2012)
• Love is the Law (2013)

Short story collections

• 3000 MPH In Every Direction At Once: Stories And Essays (2003)

• You Might Sleep... (2009)

Anthologies

• The Urban Bizarre (2004)
• Spicy Slipstream Stories (with Jay Lake) (2008)
• Haunted Legends (with Ellen Datlow) (2010)
• The Future is Japanese (with Masumi Washington) (2012)

Non-Fiction

• Kwangju Diary (1999)
• Starve Better (2011)
• Insults Every Man Should Know (2011)

Poetry

• Cthulhu Senryu (2006)

Editor

• Phantom Magazine, Issue #0 (November 2005)
• Clarkesworld Magazine (August 2006-August 2008)
• Viz Media (August 2008–present)^[25]

Personal life

Mamatas is a student of Chen-style t'ai chi ch'uan.^[26] In 2012, he won a push hands competition^[27] at the 3rd Annual "Golden Gate" Chinese Martial Arts Championship in San Francisco, California.

References

External links

• Online version of Move Under Ground
• 2002 interview
• 2006 interview on the Sturgeon's Law podcast
• Clarkesworld Magazine
• Nick Mamatas at the Internet Speculative Fiction Database
• Story behind Bullettime - Online Essay by Nick Mamatas