Nave

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Schematical illustration of a plan view of a cathedral, with the coloured area showing the nave.
Romanesque nave of the abbey church of Saint-Georges-de-Boscherville, Normandy, France has a triforium passage above the aisle vaulting.

In Romanesque and Gothic Christian abbey, cathedral basilica and church architecture, the nave is the main body of the church. It provides the central approach to the high altar. The term nave, from medieval Latin navis (ship), was probably suggested by the keel shape of its vaulting.[1] The nave of a church, whether Romanesque, Gothic or Classical, extends from the entry — which may have a separate vestibule (the narthex) — to the chancel and may be flanked by lower side-aisles[2] separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves.

History

A fresco showing Old St Peter's Basilica, built in the 4th century; the central area, illuminated by high windows, is flanked by aisles.

The earliest churches were built when builders were familiar with the form of the Roman basilica, a public building for business transactions. It had a wide central area, with aisles separated by columns, and with windows near the ceiling, later called the clerestory. Old St. Peter's Basilica in Rome, built in the 4th century on the orders of Roman emperor Constantine I and replaced in the 16th century, is an early church which had this form.[3][4]

The term nave may have arisen (apart from the shape of the church resembling a ship, as mentioned above) because the ship represented the church: the ship of St. Peter. The nave, the main body of the building, was that part of the church set apart for the laity, whereas the chancel was reserved for the clergy.[3][4]

The chancel, or choir, was a space which developed from the apse, a semicircular recess (a feature taken from the Roman basilica) containing the sanctuary in early churches. The size of the chancel increased over time. In medieval churches the nave was separated from the chancel by the rood screen; these, being elaborately decorated, were notable features in European churches from the 14th to the mid-16th century.[4][5]

Medieval naves were divided into compartments, the repetition of form giving an effect of great length; and there was often a marked verticality. In the Renaissance, in place of dramatic effects there were more balanced proportions.[3]

Record-holders

Late Gothic fan vaulting (1608, restored 1860s) over the nave at Bath Abbey, Bath, England. Suppression of the triforium offers a greater expanse of clerestory windows.

See also

References

  1. Encyclopaedia Britannica, s.v. "nave".
  2. Nave (definition from Answers.com. Accessed 2010-01.20.)
  3. 3.0 3.1 3.2 Nave Encyclopedia Britannica. Accessed Jan 2014.
  4. 4.0 4.1 4.2 Nave New Advent encyclopedia. Accessed Jan 2014.
  5. Rood screen Encyclopedia Britannica. Accessed Jan 2014.

External links

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