Monty Adkins

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Monty Adkins (born 29 March 1972) is a composer, performer and lecturer in electroacoustic music.

Adkins was born in Leamington, UK, and is currently living in Huddersfield, UK. He read music at Pembroke College (Cambridge, UK) and then, in 1993, became a member of the BEAST (Birmingham ElectroAcoustic Sound Theatre).[1] He studied electronic music with Jonty Harrison and then Simon Waters. It was at the age of 22 that he first came to international attention with the electroacoustic works Melt and Clothed in the Soft Horizon. Between them these works were awarded the Stockholm Electronic Arts Award (Sweden), the Résidence Prize (Bourges, France) and the Grand Prix of Musica Nova (Prague, Czech Republic). He has since won more than a dozen international prizes for his work, which has been performed and broadcast throughout Europe, USA, Canada, Australasia, China, and Asia. He has worked in a number of prestigious European studios, including EMS (Stockholm, Sweden), Ina-GRM[2] and IRCAM (Paris, France), Césare (Reims, France), and Heinrich Strobel Studio (Freiburg, Germany).

In the early 1990s, Adkins concentrated predominantly on acousmatic concert music, electronic works for contemporary dance, multimedia works, and electroacoustic music. What he was particularly drawn to in writing such works is the collaborative process that evolves between the composer and artist/performers. The most notable of these have been Neurotransmission (1998), an hour-long acousmatic dance score written for Wayne McGregor and Random Dance in 1998, Still Time (2001) for the flutist Alejandro Escuer, Symbiont (2002) a multimedia collaboration with Miles Chalcraft, and nights bright daies (2003) for the Ictus piano and percussion quartet; the latter premiered in June 2004 at the Festival Agora No 7 at IRCAM (Paris, France).

Following a brief period in New Zealand in 2006 his work changed significantly. Becoming more influenced by minimal electronica, oceanic glitch and microscound his work became less overtly gestural, introverted and personal. His work also began to explore extended timeframes. Although split into sections, Five Panels (2008, 46 mins) and fragile.flicker.fragment (2011, 53 mins) and Four Shibusa (2012, 43 mins) are essentially multipart works rather than albums with separate tracks.

Albums

  • Four Shibusa (Audiobulb, 2011)
  • fragile.flicker.fragment (Audiobulb, 2011)
  • Five Panels (Signature, Radio France, 2009)
  • [60]Project (empreintes DIGITALes, IMED 0898, 2008)
  • Mondes inconnus (empreintes DIGITALes, IMED 0679, 2006)

List of works

  • 60 Project (2008)
  • Aerial (2002)
  • between lines (2008), cello and electronics
  • Breaking (1999)
  • Clothed in the Soft Horizon (1994)
  • Cortex (2004–05)
  • Deepfield (2000-1)
  • Five Panels (2008)
  • Four Shibusa (2012)
  • Fragile.Flicker.Fragment (2011)
  • Liquid Neon (1999)
  • Mapping (1995–97)
  • Melt (1994)
  • Neurotransmission (1998)
  • Nights Bright Daies (2003), 2 pianos, 2 percussions, and electronics
  • Noumena (2000), cello and electronics
  • Pagan Circus (1996–97)
  • Silent Red (2006), 2 dancers, 3 video projections, and tape
  • Silk to Steel (2005)
  • Still Time (2001), flute, and electronics
  • Symbiont (2002)

Remixes

  • auva (2013), remix of Autistic and Justin Varis
  • For Kenneth Kirschner (2013), remix of Kirschner's 10 July 2012

References

  1. ↑ "Dr Monty Adkins: Biography". University of Huddersfield. Retrieved 22 May 2011. 
  2. ↑ "INTERVIEW: MONTY ADKINS Composing Layers". The Milk Factory. April 2011. Retrieved 22 May 2011. 

External links

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