Mati Shemoelof

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Mati Shemoelof (Hebrew: מתי שמואלוף‎, born July 11, 1972), Israeli poet, editor, journalist and activist.

Biography

Shemoelof was born and raised in Haifa, Israel. He now lives in Berlin. He taught at Kedma High School in Jerusalem. He also taught creative writing at Ron Vardi Center for Gifted Children,^[1] and was a lecturer of Israeli culture at Minshar College in Tel Aviv.^[2] Shemoelof received his BA from the Department of Theater at Tel Aviv University and an MA in History from the University of Haifa. His MA thesis was entitled, "The cultural and mythical meanings of the appearance of the character of Malcolm X in Spike Lee movie (1992)".^[3] For this work, he received the Dean’s Prize of Excellence.^[4]

He was pursuing a PhD in Literature at the Hebrew University in Jerusalem and currently he is on a two-year break, which he took in order to focus on his writing.^[5] His dissertation topic is “A Monograph of Yakov Rabinovitch as a Cultural Critic (1910–1948)”.^[6] He is a fellow at the Van Leer Jerusalem Institute,^[7] a Jerusalem-based think tank that addressing issues of identity and class. Shemoelof participated in a workshop for promising PhD students, and also in Kedmata forum at the Ben Zvi Institute in Jerusalem.^[8]

Literary work

Shemoelof writing is diverse and includes poetry, plays, and prose. His works have won significant recognition and prizes, including “Best debut poetry book of the year” (national art trust of the national lottery 2001); Selected appearance of “What has become of the independence day” play in the Small-Bama festival of the University of Tel Aviv; Best poetry book of the year (Haifa Cultural Foundation 2006); Honorable mention at “Haaretz” Annual short story contest (2011);^[9] Winner of the Acum prize for advocating literature in Israel (2013) and more.

Shemoelof has published four poetry books, "The Scar Minimizer" (2001)^[10] and "Poetry Between Hazaz and Shemoelof" (2006)^[11] "Why Don’t I write Israeli Love Songs" (2010).^[12] His last book "Appetite for Hunger" (2013)^[13]

His writing is diverse and includes poetry, plays, and prose. His works have won significant recognition and prizes, including “Best debut poetry book of the year” (national art trust of the national lottery 2001); Selected appearance of “What has become of the independence day” play in the Small-Bama festival of the University of Tel Aviv; Best poetry book of the year (Haifa Cultural Foundation 2006); Honorable mention at “Haaretz” Annual short story contest (2011); Winner of the Acum prize for advocating literature in Israel (2013) and more.

His next book will be published by Kinneret Zmora-Bitan Dvir, the leading publishing company in Israel, where he recently signed a publishing contract for a short stories book to be edited by Prof. Yigal Schwartz.

His works have been translated to six languages, including a German translation done by the Literaturwerkstatt, which also invited him to Berlin to record my poets on audio (Lyrikline 2012), and a recent translation to Arab, which was published in leading literature papers.

In addition to having his poetry and articles published in a number of leading Hebrew-language magazines and journals. He co-edited two poetry anthologies, Adoma (Red) (2007)^[14] and Tehudot Zehut (Echoing Identities) (2007)^[15] La-Tzet! [To Get Out]! (2009)^[16] Al Tagido BaGat (The influence of the Palestinian Nacba on the Hebrew Poetry) (2010).^[17] From 2006 – 2008, he was an editor at the literary journal, HaCivon Mizrah (Eastward) and more.

He publish regularly on Israel's leading media channels, including: Israel HaYom (Israel Today) (Israel’s most popular daily newspaper), were he contribute a weekly opinion column and literature reviews. He publish a weekly column on Mako as well (The Internet news site of Keshet – Israel’s the most popular TV channel).^[18] Previously, He published on Ynet, Israel’s leading news website.^[19] (Israel’s most popular news site), NRG -(Israel’s #3 news site) Ma’ariv.,^[20] and Walla (Israel’s most popular portal). He also took part in many TV appearances, including guest and panel member on Popolitika (public channel TV); Owls (culture channel TV); Channel 10 News, and others.

He wrote an autobiographic story titled “The Icebergs of the Memory”, which was included in the anthology “Echoing Identities”, published by Am Oved Publisher House in 2007.

Mati Shemoelof co-edited La-Tzet [To Get Out]! an anthology of works against the war in Gaza, which was the result of the cooperation of a number of literary projects, Cultural Guerilla among them. The anthology of art and poetry came out on the third day of the war and sold an edition within one month. La-Tzet! Can be seen as a continuation of the spirit of unification and revolt in front of the political situation through cultural cooperation seen in projects such as Red: An Anthology of Class Poetry (2007) that has sold three editions. La-Tzet was translated into Arabic and published both in English. His poems were translated in few English journals: Zeek,^[21]Arspolitica,^[22] Fusion,^[23] Egypt,.^[24] His poems have been translated to differents languages:Lebanon,^[25] Japan.^[26] Italia.^[27] and Germany.^[28]

With the election of U.S. president Barack Obama, Shemoelof was part of the publication of the Manifesto, which called “New Spirit: An open letter from Israeli Descendants of the Countries of Islam”: “We, the Israeli sons and daughters of parents originating in the Islamic and Arab countries, show our support of the new spirit exemplified by President Obama in his speech in Cairo – a spirit of pacification, sensible vision, and the pursuit of justice and respect. Respect to the different religions, cultures, and humans.”^[29]

Activism

Shemoelof take part in social activities: He was a founding member of the Haifa branch of the political info-shop, Salon Mazal.^[30]

He volunteered in Keshet, The Democratic Rainbow Organization,^[31] as a researcher and spokesman for five years.

He co-founded the multi-ethnical annual workshops in Tel Aviv for Ashkenazi and Mizrahi cultural movements at Beit Livik^[32] House for Yiddish writers;^[33] he contributed critical texts to several plastic art shows at the Museum of Tel Aviv for Arts,^[34] Bezalel Academy of Arts ^[35]

Between 2006–2008, Shemoelof has been part of MiMizrach Shemesh, an organization devoted to the Jewish tradition of social responsibility.

He is the co-founder of the Israel Poets Union, poets union.^[36] He wrote different articles regarding on poets rights ^[37] He is also the co-founder of Guerrilla Tarbut, an Israeli movement which propagates poetry as an accessible art form, and promotes political causes by means of art performed in public. Although the usually exclusive nature of poetry and poetry reading, this movement has achieved significant success in high profile cases regarding contemporary economical and social events, reaching front headlines in Israel, and a few mentions abroad (including one at the New York times ^[38] ).

Bibliography

Poetry

Scar Minimizer (Tel-Aviv: Gwanim Publishers, 2001).
Poetry Between Hazaz and Shemoelof (Tel-Aviv: Yaron Golan, 2006).
Why I Do Not Write Israeli Love Songs (Tel-Aviv: Nahar-Sfarim, 2010).^[39]
Apetite for Hunger (Tel-Aviv: Nahar-Sfarim, 2013).^[39]

Editorial

Adoma (Red), ed. Mati Shmoeloff, Roy Arad, Yaara Shehori, Asma Agabaria, Joshua Simon, and Nir Nader, (Tel-Aviv: “Ha’Civon Mizrah (Eastward: A Literary Journal)”, “Maayan Magazine” and “Etgar Magazine”, 2007).
Tehudot Zehut (Echoing Identities), ed. Mati Shmoeloff, Naftali Shem-Tov, and Nir Baraam (972 Series, Tel Aviv: Am-Oved Publishers, 2007).^[40]
“Ha’Civon Mizrah (Eastward: A Literary Journal)”, No. 12, ed. Mati Shmoeloff, Bat Shachar Gurfinkel (Summer 2006). Dedicated to the Work of Poet Erez Bitton.
"Ha’Civon Mizrah (Eastward: A Literary Journal)”, No. 13, ed. Mati Shmoeloff, Bat Shachar Gurfinkel (Winter 2007). The Mizrahi Gallery Takes Back the Right to Speak: A Critical Discussion of Football.
"Ha’Civon Mizrah (Eastward: A Literary Journal)”, No. 14, ed. Mati Shmoeloff, Bat Shachar Gurfinkel, and Omri Herzog (Summer 2007). A Discussion of Hybrid Identity.
"Ha’Civon Mizrah (Eastward: A Literary Journal)”, No. 15, ed. Mati Shmoeloff, Bat Shachar Gurfinkel. (Winter 2008). A Wall without a Painting: Social and Political Comics.
La-Tzet [To Get Out]! (“Guerrilla Culture”, “Maarav”, “Maayan Magazine”, “Etgar Magazine”, “Daka Magazine”, 2009; Second Edition). http://zochrot.org/en/content/latset-out-now
Al Tagido Bagat (The Influence of the Palestinian Nacba on the Hebrew Poetry) (“Sedek Magazine”, Vol. 5, Zocrot, Parhesia and Pardes, 2010; Second Edition).^[41]
The Best Poems of Guerrilla-Culture (“Daka Magazine”, 2010).
We Will Not Leave: Photography and Poetry from Sheikh Jarrah, (Activestills, 2010).^[42]
The Tent Poetry (“Guerrilla Culture”, “Maayan Magazine”, “Erev-rav”, “Etgar Magazine“, 2011).
Larochav Magazine (Co Editor with Almog Behar, Naama Gershy and Tamer Massalcha, Guerrilla Culture Press, 2012 – Hebrew and Arabic).^[43]
Avodat Giloy: Art of Worker Rights (Guerrilla Culture, volume 1, summer 2012; Second Edition).^[44]

Proze

"Father" (“Moznayem Magazine”, 81(1), 24, 2007).
"My own Bagdad" (“Mitaan Magazine”, 17, 44–47, 2010)
"Urban story about recognition" (“Moznayem Magazine”, 85(4): 14–17, 2011).
"On the apocalyptic reality" (“Moznayem Magazine”, 86 (2): 18–20, 2012).
“A Jew Abandoned in Baghdad” (“The Levant notebook”, 2012 ^[45]).
Gutland (Kinneret Zmora-Bitan Dvir) Publishers, 2014, forthcoming. Editor: Prof. Yigal Schwarz (יגאל שוורץ ).

Plays

Ma Nolad Me Tekes Yom Ha’Ziicaron: What has Come of Memorial Day Service (Small-Bama) Festival,2, The Tel Aviv University, 2003.
Good Energy (Birobizan Theatre, Tel Aviv 2011; Under the Mountain Festival, 2012).

Radio

Galey Zahal Radio – “Life of others” with Eran Sebag – focusing on Black culture, 2010–2012
All for peace Radio – “The people voice” with Roy Arad – focusing on poetry readings, 2011

Articles

"The subversive Subject" (“77newsletter”, 296-7, 11, 2004).
"Without no political conscious" (“77newsletter”, 7:306, 2005).
"A Review on Pardes Book" (“77Newsletter”, 304:8–9, 2005).
"The place of Mizrahi in the Israeli Cinema" (“Hakeshet Magazine”, 15:2, 2005).
"Roni Somec Poetry" (“Hakeshet Magazine”, 1:15, 2005).
"In between a Mizrahi sphere on Shimon Adaf first novel" (“Moznayem Magazine“, 19:4–5; 72–73, 2005).
"New thoughts on Mizrahi Music" (“Tav+ Magazine“, 7:44–53, 2006).
"The young sister of the Mizrahi writing" (“Moznayem Magazine“, 80(1):20–22, 2006).
"The Mizrahi Republic" (“77Newsletter“, 316:12, 2006).
"Immigration, Yesterday and today: on the Prose of Mois Ben Harosh" (“Apirion Magazine“, 99:21, 2006).
"The Third Powerful Generation: Intertexual view on the writing of Nir Baraam" (“Tav+ Magazine“, 8:60–65, 2006).
"The poor get poorer in New-Orleans" (“Other Journey” – "Masa Acher", 181:58, 2006).
"Time of Love: on the writing of Shimon Adaf" (“Hakeshet Magazine“, 3: 15, 2006).
"The cinema as Young Mizrahi Sphere" ("Ha’Civon Mizrah”, No. 12, ed. Mati Shmoeloff, Bat Shachar Gurfinkel, summer, 77–81, 2006).
"The new vision in the movie of Mietal Abebksis" ("Ha’Civon Mizrah”, No. 12, ed. Mati Shmoeloff, Bat Shachar Gurfinkel, summer 2006).
"The House of the Rising Sun: On the art of Yoram Bluemenkrantz" ("Ha’Civon Mizrah”, No. 14, ed. Mati Shmoeloff, Bat Shachar Gurfinkel, and Omri Herzog, Summer, 91–95, 2007).
"An Art without no planning" ("Ha’Civon Mizrah”, No. 14, ed. Mati Shmoeloff, Bat Shachar Gurfinkel, and Omri Herzog, summer, 5-3, 2007).
"The Mizrahi Manhood in the three movies" (“Mitaan Journal“, 11:13–15, 2007).
"Archaeology without Archaeology" (“Etgar Magazine“, 22:22–23, 2007).
"Poetry Wars" (“77Newsletter“, 319:8–9, 2007).
"To include binary categories" (“77Newsletter“, 322:12, 2007).
"To negate the past" (“77Newsletter“, 313:12, 2007).
"On the books of Yossi Sucari" (“Tav+ Magazine“, 9:43-31, 2007).
"On the new biography of Yehonatan Geffen" (“77Newsletter“, 306:3–9, 2007).
"'Ho!' vs. 'HaCivon Mizrah'" (“Tav+ Magazine“, 9:88–91, 2007).
"Stutter Academy" (“Moznayem Magazine“, 82:3–4, 98–99, 2008).
"The Mizrahi Cinema" (Under the nose: 25 years to Mitachat Laaf, N.B Books, 2008).
"Holocaust story" (“Moznayem Magazine“, 82(1)53–54, 2008).
"The visit without visitors" (“Moznayem Magazine“, 82(1)58–59, 2008).
"Abstract without context" (“77Newsletter“, 8, 327:10–11, 2008).
"Space, Ethnicity and Mysticism in Moshe Ocayon poem" (“Tav+ Magazine“, 11: 60–68, 2008).
"About "Ha’Civon Mizrah” and 'Ho! Magazines – Inside the Israeli Culture and outside (Almog Behar talks with Dori Manor and me, “History and Criticism”, 35: 264–279, 2009).
"Resistance in Poetry" (“Tav+ Magazine“, 13: 72–75, 2009).
"The desperation and Dream" (“Moznayem Magazine“, 83(1): 57–60, 2009).
"How to write novella" (“77Newsletter“, 336: 16, 2009).
"The art of Eskar Eldan Cohen" (Mikrei-kodesh, Bar-Ilan University, 2009).
"RE-Watching THE "Endless Freedom" in Yaacov Bitton Poetry" (“Tav+ Magazine“, 12: 100–107, 2008/2009).
"The Dialectical Father in Ronit Matalon Literature" (“Apirion Magazine“, 110: 9–13, 2009).
"I am a terrorist – you are a terrorist" (“History and Theory”, 11, 2009).
"Krokodal Dandi" (“Maarvon Magazine”, 6, 16–28, 2010).
"Shimon Ballas literature Biography" (Co writing with Yuval Ivry. “77Newsletter”, 345: 26–27, 2010).
Pomes (Amos Leviathan writes regarding my poetry book, “77Newsletter”, 350: 31–32, 2010).
Different poems (Haviva Pedia, “Time and Space: signs in the inter-generational Mizrahi writing”, “Theory and Criticism”, 36: 286–301, 2010).
"Zeev Revach Movies: Deconstruction and reconstruction" (Cinema South, 107–118, 2010).
"Who is constructing who: About the writing of Almog Behar" (“Afikim Journal”, 136–137: 22–23, 2011).
"If we are together lets move out of here" (“77Newsletter“, 355–356:12, 2011).
"How to write Malcolm X in Hebrew" (“77Newsletter“, 352: 24–25, 2011).
"Rights and Poetry are going side by side" (“Moznayem Magazine“, 85(6): 26–28, 2011).
"A journey to the darkness of the parking place" (“Programme“, 4:9, 2011).
"Moses and the Yitro Daughters" (A-mitiyot: social justice, gender and Midrash, Edited by: Henrietta Dahan Caleb, Tel Aviv, 2011).
"On Mocs-Noks: The latest novel by Shimon Adaf" (“77Newsletter“, 360: 16–17, 2012).
"On the new David Fogel Book" (“77Newsletter“, 365: 15, 2013).

Poems

"Hey, Hey, Hey, Poetry is gonna stay" (“Moznayem Magazine“, 86 (5): 51, 2012).
"You can't kill time" and other poems (“Gag Magazine“, 27: 62–65, 2012).
"Moshe Silman R.I.P" (“Avodat Giloy: Art of Worker Rights“, volume 1, summer 2012).
"Why I don't Israeli love poems" (Yehouda Wizan on my poetry book, “Acasav Magazine“, 82: 224–227, 2011/2012).
"Why I don't Israeli love poems" (Yehouda Wizan on my poetry book, Acasav, 82: 224–227, 2011/2012).
"Black Blues" (Resistance, Edited by: Lali Zipi Micaeli, 2011).
"Why won't I write Israeli love poems" (Yehouda Wizan writes about my poetry book, “Acsav Magazine“, 2: 40–41, 2011).
Different Poems (Third option for poetry, Edited by Kztia Alon, Hakiboz Haameoad, 2011).
"Spirit of Yaara" (“Moznayem Magazine“, 85(2): 7, 2011).
"Eternity" (“Gag Magazine“, 25:68, 2011).
"A smile without something" and other poems (“Moznayem Magazine“, 84 (5–6): 9, 2011).
Different Poems (“Shvo Magazine“, 22–23:240–242, 2010).
"Cant wait for Abraham" and other poems (“77Newsletter“, 344:40, 2010).
"Mati X" and other poems (“Mitaan Magazine“, 18: 5, 2010).
"The godfather of separations and love” and other poems (“Emda Magazine“, 23:44-19, 2010).
"New kind of friendship" and other poems (“Daka Magazine“, 6:39–42, 2010).
"In a ruined village" and other poems (“Apirion Magazine“, 114:29–32, 2010).
"Poem as a machine" (“Apirion Magazine“, 110, 13, 2009).
"When my parents will go" (“Moznayem Magazine“, 83 (1): 36, 2009).
"Nails" (“Moznayem Magazine“, 82(5–6):93, 2009).
"Lights" (“Moznayem Magazine“, 82 (5–6): 93–94, 2009).
"Gaza II" (“Maayan Magazine“, 5: 21, 2009).
"Mati please stop with your politics" (“Mashiv Haroch: Magazine for Jewish and Israeli Poetry“, 30: 22, 2009).
"When you will talk to my death" (“Moznayem Magazine“, 83(4)29, 2009).
"Why don't I write Israeli poems" (“Elat Hamstik Magazine”, 1: 6, 2009).
"While Israel loosing again" (“Apirion“, 110: 8, 2009).
"Weak Bully" (“HaCivon Mizrah“, No. 16: 25, 2008).
"Your teeth are black" (“Moznayem Magazine“, 82(1):6, 2008).
"I wish you were the field slave" (“Etgar Magazine“, 25: 38, 2008).
"In ruined village" (“Moznayem Magazine“, 82(3–4)53, 2008).
"Rotten" and other poems" (“77Newsletter“, 329:7, 2008).
"In Amman" (“Etgar Magazine“, 21:33, 2007).
"My dad father" (“Emda Magazine“, 17: 57, 2007).
"My father is a failure" (“Daka Magazine“, 2: 27–28, 2007).
"Israeli love" and other poems" (“Sedek Magazine“, 1:46–47, 2007).
"The hunt is starting" and other poems (“Apirion Magazine“, 101: 6–7, 2007).
"The blood isn't mine" (“77Newsletter“, 6, 31, 2007)
Few poems (Ktiaa Alon, Article in “Hed HaHinoch“, 82, 36–108, 2007).
"To be Britney Spears"; "To be John Lee Hocker" (“Gag Magazine“, 2007).
Few poems (Article by Almog Behar on my second book – "From the diary of poetry activist", “77newsletter“, 8–9:315, 2006).
"An Immigrant perspective in immigrants books" (“Ha’Civon Mizrah”, 12:74, 2006).
“Africa” ("Ha’Civon Mizrah”, 57: 10, 2005).
Few poems (“Moznayem Magazine, 79 (1); 58–59, 2005).
Few poems (“Apirion Magazine”, 84:33–35, 2004).

Academic articles

"From the Campus to the port: How the Israeli media covers strikes and Strikers" (With co writers: Yossi Dahan, Shlomit Binjamin, Moti Gigi, Shlomit Lir, “Israeli Sociology”, 14 (1): 29–56, 2012).^[46]
"A journey for a new Israeli Comics" (“History and Theory”, 15, 2010).^[47]
"Soon There will be confession: on the Art of Roee Rozen" (“History and Theory”, 7 2007).^[48]
"Violence while re-constructing the past" (“History and Theory”, 4, 2007).^[48]

References

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↑ A Test of Wills Over a Patch of Desert: "And on Saturday, Jewish and Arab poets from around Israel gathered for a joint reading in Al Araqib in solidarity with the villagers’ battle against the authorities." 25.8.2010 RETRIEVED: 8.4.2012
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External links

Personal Blog
Mati Shemoelof – Left Bank Journal / Hagada Hasmalit (English).
Articles by Shemoelof at nrg.co.il (Maariv online)
Mati Shemoelof on the new literature lexis icon
"Between family and postcolonial Earth", By Yitzhak Laor, Haaretz, 24.8.2007.
History & Theory, Issue No. 4 – The Ides of April, Eli Petel: Re-identity, Social Process and Inter-generational Vista.
My society, my self, Tahel Frosh, Haaretz, 29.03.2008.
As a New Black Panther Party Forms, Poetry and Music Bring Mizrahi Jews Together in Celebration 31, Mati Shemoelof
Guerrilla Culture, The Poetic Science of Resistance, 8/12/2008
Shemoelof songs in Arabic
poets, artists, activists visit embattled Beduin Village, Ben Hartman, Jerusalem Post, 22.8.2010
Mati Shemoelof on Lyrikline, 2013,

Authority control	VIAF: 76252605 ISNI: 0000 0000 7329 0660 BNF: cb16168284r

Persondata
Name	Shemoelof, Mati
Alternative names
Short description	Israeli journalist
Date of birth	1972-07-11
Place of birth
Date of death
Place of death

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