Manthia Diawara

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Manthia Diawara
Born December 19, 1953
Bamako, Mali
Occupation Writer, filmmaker, theorist, professor, producer
Nationality Mali/U.S.A.
Genres Film, history, literature, theory, art history
Subjects Africana Studies, Film Studies, Comparative Literature, Art History

Manthia Diawara is a Malian writer, filmmaker, cultural theorist, scholar, and art historian. Diawara holds the title of University Professor at New York University, where he is Director of the Institute of Afro-American Affairs.

Biography

Diawara was born in Bamako, Mali and received his early education in France.[1] He later received a Ph.D. from Indiana University in 1985. Prior to teaching at NYU, Diawara taught at the University of Pennsylvania and the University of California at Santa Barbara.

Much of his research has been in the field of black cultural studies, though his work has differed from the traditional approach to such study formulated in Britain in the early 1980s. Along with other notable recent scholars, Diawara has sought to incorporate consideration of the material conditions of African-Americans to provide a broader context for the study of African diasopric culture. An aspect of this formulation has been the privileging of "Blackness" in all its possible forms rather than as relevant to a single, perhaps monolithic definition of black culture.[2]

Diawara has contributed significantly to the study of black film. In 1992, Indiana University Press published his African Cinema: Politics & Culture and in 1993, Routledge published a volume he edited titled Black-American Cinema. A filmmaker himself, Diawara has written and directed a number of films.[3]

His 1998 book In Search of Africa is an account of his return to his childhood home of Guinea and was published by Harvard University Press.[4]

Diawara is the editor-in-chief of Renaissance Noire, a journal of arts, culture, and politics dedicated to work that engages contemporary Black concerns. He serves on the advisory board of October, and is also on the editorial collective of Public Culture.[5]

In 2003, Diawara released We Won't Budge: A Malaria Memoir, the title a tribute to Salif Keita's anthemic protest song Nou Pas Bouger.[6]

Diawara serves on the board of TransAfrica Forum, alongside Harry Belafonte, Danny Glover, and Walter Mosely, which supported Barack Obama's successful candidacy for President in 2008.[7]

Fellowships and honors

Jury Member, The National Black Programming Consortium, Inc., Columbus, OH, 1992, 1989; Jury Member, The Paul Robeson Award, The Pan-African Film Festival of Ouagadougou, 1987; NAACP Top of the Mountain Award, 1998.[8]

Works

Selected bibliography

Books (author)
  • Diawara, Manthia (1992). African Cinema: Politics and Culture (First ed.). Bloomington, IN: Indiana University Press. ISBN 0-253-20707-X. 
  • Diawara, Manthia (1998). In Search of Africa (First ed.). Cambridge, MA: Harvard University Press. ISBN 0-674-00408-6. 
  • Levinthal, David; Diawara, Manthia (1999). Blackface (First ed.). Santa Fe, NM: Arena. ISBN 1-892041-06-5. 
  • Diawara, Manthia (2003). We Won't Budge: An Exile in the World (First ed.). New York: Basic Civitas Books. ISBN 0-465-01709-6. 
  • Diawara, Manthia; Knape, Gunilla; Magnin, Andre (2004). Malick Sidibe: Photographs (First ed.). Germany: Steidl/Hasselblad Center. ISBN 3-88243-973-4. 
Books (editor)
  • Diawara, Manthia (1993). Black American Cinema (AFI Film Readers) (First ed.). London: Routledge. ISBN 0-415-90397-1. 
  • Baker, Houston; Diawara, Manthia; Lindeborg, Ruth H. (1996). Black British Cultural Studies: A Reader (Black Literature and Culture Series) (First ed.). Chicago, IL: University Of Chicago Press. ISBN 0-226-14482-8. 
  • Mosely, Walter; Diawara, Manthia; Taylor, Clyde; Austin, Regina (1999). Black Genius: African American Solutions to African American Problems (First ed.). New York: W.W. Norton & Co. ISBN 0-393-31978-4. 
Articles

Filmography

  • Sembene: the Making of African Cinema, 1994.
  • Rouch in Reverse, 1995.
  • In Search of Africa, 1997.
  • Conakry Kas, 2003.
  • Bamako Siki Kan, 2003.
  • Who’s Afraid of Ngugi?, 2006.
  • Masion Tropicale, 2008.

References

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