Lorenzo Pasinelli
Lorenzo Pasinelli (September 4, 1629 – March 4, 1700) was an Italian painter from Bologna of the Baroque period, who trained in the studio of Simone Cantarini.
Despite that training, his works have an air of Mannerism. He collaborated after 1648 with Flaminio Torre. He is known to have painted a Miracle of St. Anthony for the church of San Francesco (now found in San Petronio) He painted for the local Senatore Francesco Ghisilieri a Love disarmed by the nymphs of Diana, now found in the Pinacoteca BPER of Modena. Attributed to Pasinelli, in the same collection is an atypical, almost genre-like allegory of a Young Girl with an Open Cage. He painted a Holy Family and a Resurrection of the dead for the church of San Francesco in Bologna. He also painted Christ's Entry into Jerusalem for the former Certosa in Bologna.[1]
His pupils included Gian Antonio Burrini, Gioseffo dal Sole, Giovanni Pietro Zanotti, Giuseppe Maria Mazza, Antonio Lorenzini, and Donato Creti.
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Libyan Sibyl -
Erythraean Sibyl -
Sibyl -
St Cecilia (1665) -
Roman Charity (1670) -
Sophonisba (1649) -
Sibyl inspired by Putto (Budrioli Family Sibyl) -
Lute Player -
Mary Magdalen -
Diana and Nymphs -
Christ enters Jerusalem -
Resurrected Christ and Fathers of Church visit his Mother Mary -
Adoration by Shepherds -
St Anthony of Padua performs a Resurrection (San Petronio, Bologna) -
Divorce of Julia, wife of Pompey (1672-1676) -
Hercules at Crossroads (1690)
References
- Wittkower, Rudolf (1993). Pelican History of Art, ed. Art and Architecture Italy, 1600-1750. 1980. Penguin Books. pp. p343.
- Artnet biography from Grove encyclopedia of Art.
- Farquhar, Maria (1855). Ralph Nicholson Wornum, ed. Biographical catalogue of the principal Italian painters. Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on Jun 27, 2006. pp. 120–121.
- Artcyclopedia entry
Notes
- ↑ Lanzi, Luigi (1847). History of Painting in Italy. From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (Volume III). London: Henry G. Bohn. pp. 144–145.
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