Kitsch

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"The Widow", kitsch example of late 19th century popular lithograph of a humorous painting by Frederick Dielman.
Copy of the classical sculpture of Laocoon.
Cottage-shaped tea pot and milk jug.

Kitsch (/ˈkɪ/; loanword from German) is a low-brow style of mass-produced art or design using popular or cultural icons. Also referred to as "tacky",[1] the term "kitsch" is generally reserved for unsubstantial or gaudy works or decoration, or works that are calculated to have popular appeal.[2]

The concept of kitsch is applied to artwork that was a response to the 19th-century art with aesthetics that convey exaggerated sentimentality and melodrama, hence, kitsch art is closely associated with sentimental art. Kitsch is also related to the concept of camp, because of its humorous, ironic nature.

Kitsch is usually used to reference decoration; for example "the living room was decorated in cheap 1950's style monster movie kitsch."

Origin and background

As a descriptive term, kitsch originated in the art markets of Munich in the 1860s and the 1870s, describing cheap, popular, and marketable pictures and sketches.[3] In Das Buch vom Kitsch (The Book of Kitsch), Hans Reimann defines it as a professional expression “born in a painter's studio”.

Characteristics

Hermann Broch argues that the essence of kitsch is imitation: kitsch mimics its immediate predecessor with no regard to ethics—it aims to copy the beautiful, not the good.[4] According to Walter Benjamin, kitsch is, unlike art, a utilitarian object lacking all critical distance between object and observer; it "offers instantaneous emotional gratification without intellectual effort, without the requirement of distance, without sublimation".[5]

Study and background

The study of kitsch was done almost exclusively in German until the 1970s, with Walter Benjamin being an important scholar in the field.[5]

See also

References

  1. "Kitsch - Definition and More from the Free Merriam-Webster Dictionary". Merriam-webster.com. 2012-08-31. Retrieved 2013-11-03. 
  2. "Classical Guitar Dictionary K". Cgsmusic.net. 2002-11-01. Retrieved 2010-06-08. 
  3. Calinescu, Matei. Five Faces of Modernity. Kitsch, pg 234.
  4. Broch, Hermann (2002). "Evil in the Value System of Art". Geist and Zeitgeist: The Spirit in an Unspiritual Age. Six Essays by Hermann Broch. Counterpoint. pp. 13–40. ISBN 9781582431680. 
  5. 5.0 5.1 Menninghaus, Winfried (2009). "On the Vital Significance of 'Kitsch': Walter Benjamin's Politics of 'Bad Taste'". In Andrew Benjamin. Walter Benjamin and the Architecture of Modernity. Charles Rice. re.press. pp. 39–58. ISBN 9780980544091. 

Further reading

External links

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