Kentwell Hall

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Kentwell Hall

South façade of Kentwell Hall
General information
Architectural style English perpendicular
Location Long Melford, Suffolk, United Kingdom
Coordinates 52°05′54″N 0°43′07″E / 52.098306°N 0.718516°E / 52.098306; 0.718516
Construction started 15th century

Kentwell Hall is a stately home in Long Melford, Suffolk, England. It includes the hall, outbuildings, and a rare breeds farm and gardens. Most of the current building facade dates from the mid 16th century, but the origins of Kentwell are much earlier, with references in the Domesday Book of 1086.

Kentwell has been the background location for numerous film and television productions, and, since 1979, has annually been the scene of Tudor period historical re-enactments. It also hosts Scaresville - an annual Hallowe'en event which won the Best Seasonal or Hallowe'en Event in 2009 at the UK's annual Screamie Awards.

History

Early history

The earliest recorded reference to Kentwell is in the Domesday Book of 1086, which states that the manor of Kentwell (along with six others) formed part of the property of Frodo, brother of Abbot Baldwin, of the Abbey of St. Edmund's.[1]

At that time, the manor was called by its old English name of Kanewella. The record in the Domesday Book survey, translated from the original Latin, reads:

"In the time of King Edward the Confessor, Algar held Kanewella under Seward, a freeman of Meldon, as a manor containing two carucates of land with Soke. There were thereon at that time 7 villeins, and afterwards, and now 4 velleins. There was then, and subsequently, 1 bordar; now there are 3. There were always 2 ploughs belonging to the demesne. There were then and afterwards 2 ploughs belonging to the Homagers of the manor; there now remains 1. There are 8 acres of mowing meadow. There has always been 1 horse at the Manor house. There were then 5 working oxen; there are now 8. At that time there were 30 swine; there are now 40. Then 80 sheep, now there are 50. At that time and subsequently, this manor was worth 40 shillings; it is now worth £4."

Frodo is known to have left at least two sons, Alan and Gilbert, but the documented history of Kentwell is somewhat sparse for the next 300 years. An interpretation of papal tithe records suggests that Kentwell was owned by a person called Galleus from 1145 to 1148;[1] and there are references in Church papers to a "De Kentewell" family, including one Sir Gilbert de Kentewell, in the 13th century.

Between the years 1252 and 1272, Kentwell Manor appears to have been granted by King Henry III to Sir William de Valence, who was killed in battle in France in 1296. Kentwell passed to his niece, who married David Strabolgie, Earl of Athol; in 1333 he in turn conveyed the manor to Sir Robert Gower and his heirs. Kentwell passed to Sir Robert Gower's daughter and afterwards, in 1368, to John Gower, poet, a personal friend of Geoffrey Chaucer.[2]

In 1373 Kentwell was acquired by Sir John Cobham and soon afterwards passed to the ownership of the Mylde family.

Clopton family period

Successive generations of Cloptons occupied Kentwell Hall from c1375 when Sir Thomas Clopton married Katherine Mylde, daughter of William Mylde of Clare, Suffolk, then the owner of the estate.[3] The estate, then named Lutons, is included in the will of this Sir Thomas Clopton, dated 8 March 1382. Clopton died the following year. The Cloptons were a respected local family with some family members becoming distinguished nationally in the 15th and 16th centuries. The family is named in the Domesday Book of 1086 as feudatories of the Honor of Clare and various members of the "de Clopton" family appear in church and Abbey records over the following 200 years. The Clopton family transformed the manor into its current recognisable form. Successive members of the family remained at Kentwell until 1661, when the last resident Clopton died there.

Constant mention is made of "the Hall" or "the Place of Lutons" in wills and documents of successive Cloptons until 1563, at which point the first references are made to "the new mansion-house of Kentwell Hall". From the evidence of historical records, and from present day evidence, there is a presumption that the Lutons Manor House was located in woodland known as the Pond Plantation, about a quarter mile north west of the current site. There are references in contemporary records to "Lutons House, near to the Ponds in the Park, where there was a little chapel of Saint Anne".[4] The Chapel of Saint Anne is depicted in maps of the Pond Plantation as late as the 19th century.

The Moat House at Kentwell Hall

The current Hall was constructed by several generations of the Clopton family. The oldest structure is the Moat House, which is estimated to have been built in the early 15th century. It comprises three levels. The ground floor is divided into three rooms that have been used as a dairy, bakery and brewery. The first floor is divided into a further three rooms; and there are two rooms in the attic space. The available evidence indicates that the Moat House was used during its lifetime as a service wing to the main Hall. However, historians suggest that the Moat House was originally built as a main residence, replacing the earlier house in the Pond Plantation. The construction of the room used as a brewery, in particular, indicates an open hall room, three levels high, with blackened timbers in the pitch of the gables providing evidence of a central hearth with no chimney.

The individual who commissioned the building of the Moat House is unknown; but the preferred candidate of many historians is Sir William Clopton, son of Sir Thomas Clopton and Katherine Mylde. He fought at the Battle of Agincourt in 1415 and died in 1446; he is buried in the Kentwell aisle in the nearby Holy Trinity Church where his effigy, in full armour, is displayed.[5]

The main house at Kentwell was built in three phases: the main block, initially of two levels; the wings; and finally a third level. The main block was constructed by John Clopton (son of Sir William Clopton) in the late 15th century. The wings were added by his grandson, the third William Clopton, in the 1540s; finally the extra level, including a new long gallery, was added by his son Francis Clopton in the 1560s.[6]

The Cloptons also rebuilt the Holy Trinity Church in Long Melford and added numerous stained glass windows portraying the family with brasses to their deceased. They also built the integral Clopton Chapel for private family worship.[7]

17th century

By the early 17th century, the Clopton family was in decline, and Kentwell Hall passed into the stewardship of the Waldegrave and later the Darcy families. Many of the surviving Cloptons joined the Puritan exodus to the North American colonies; one of them, Thomasine Clopton, married John Winthrop, one of the founders of the American city of Boston and the first Governor of the Massachusetts Bay Colony.

In 1676 the Manor of Kentwell, along with the accompanying Manor of Monks, Melford, were sold by Sir Thomas Darcy to Thomas Robinson. The recorded price was a total of £242 for 260 acres (1.1 km2) of land available to the new owner; and a further £518.10s.0d for 1,018 acres (4.12 km2) of land let to tenants. There is no record of the purchase price for the house.

The new owner was a lawyer who was made a baronet by Charles II in 1681. He was responsible for planting the mile-long avenue of lime trees that borders the driveway to the house and which still exists today. Robinson also undertook a number of alterations to the interior, most notably the construction of the open well staircase in the east wing.

Robinson lost his life in 1683 jumping from a window in his chambers in the Temple district of London whilst trying to escape a fire. Kentwell passed to his son, Sir Lumley Robinson, but he died the following year. The third baronet, Sir Thomas Robinson, sold Kentwell in 1685 to pay off gambling debts. The new owners were the heirs of Sir John Moore, formerly the Lord Mayor of London in 1681.

Late 17th century to early 19th century

This period is the least well documented in the recent history of the Kentwell estate.[8] During this period, Kentwell was owned by the heirs of the Moore family, but few details are known.

Kentwell Hall in 1818 by landscape engraver Thomas Higham, during Richard Moore's occupancy

From 1782 to 1823, the owner was Richard Moore and there is evidence of work carried out by him to the interior. There are Georgian features such as dentil cornices, fireplaces and doorways introduced during this period; and the mantlepiece in the Moat Bedroom, in the west wing, is decorated with the coat of arms of the Moore family. Some historians also believe that the Library and the Billiard Room, in the east wing, were created at the same time.[9]

Victorian period

In 1823, Kentwell Hall was purchased by Robert Hart Logan, a Canadian of Scots descent who had made his fortune in the timber trade.

Engraving of Kentwell Hall in 1823, three years before the fire that destroyed much of the central part of the house

Three years later, in 1826, a fire broke out which destroyed much of the central interior, including the dining room and rooms on the garden side of the house.[10] This prompted Logan to commission major structural changes to the interior of the central part of the house. He engaged Thomas Hopper, the noted Victorian architect, to design the changes. Hopper had recently been engaged by Sir William Parker to undertake work at neighbouring Melford Hall.

The principal alterations were to the main dining room and the Great Hall. Logan favoured a style that embodied elements of English Jacobean, Scottish Baronial and Gothic, which can still be seen today. In the Great Hall, the original screen and gallery were replaced and the ceiling was reconstructed. The design of the ceiling, copied from a similar room at Audley End in Essex, features hammer beams and wall posts that are coloured to resemble oak but are in fact entirely constructed of plaster. An 18th century fireplace was retained.[9]

The dining room design featured Tudor arches in the upper half of the room and Jacobean arches and pilasters in the lower half. A Gothic style heraldic fireplace and overmantle dominates the north side of the room, sculpted from Italian grey marble, depicting the coats of arms of the Clopton and Logan families. The design is copied from the mediaeval chimneypiece in the Bishop's Palace, Exeter, installed c.1485 by Peter Courtenay (d.1492) Bishop of Exeter, a younger son of Sir Philip Courtenay (1404–1463) of Powderham.[11] Another copy made c.1860 exists in the Dining Room of Powderham Castle, Devon.

Hopper also undertook alterations to the Library and the Billiard Room in the east wing, including raising the ceiling heights by two feet.[12]

Logan died, in debt, in 1839. Kentwell was sold to the Starkie Bence family who continued to occupy or let the house for over a century.

20th century to present day

Kentwell Hall in 1910

From 1889, although Kentwell remained in the ownership of the Starkie Bence family, it was let to a succession of tenants. These included Sir John Aird, son of the noted Victorian civil engineer of the same name; solicitor Sir John Norton; the family of racing driver, Dick Seaman; and Sir Connop Guthrie, whose wife redesigned the gardens.[13]

During World War II, the house and park were requisitioned by the military, who used it as a large transit camp. Military units that passed through the camp included British airborne troops and elements of the 50th (Northumbrian) Infantry Division prior to D-Day. The owner of Kentwell Hall, Mrs. Maithal Starkie Bence, occupied rooms in the house at the time.

The Starkie Bence family finally sold Kentwell in 1971. The manor house is now owned by Patrick and Judith Phillips, who use the house as their home. Patrick Phillips bought the house in 1971 when it was in an advanced state of disrepair. Since that time, repairs and restorations have been funded by opening the house to the public.

Events and historical re-enactments

Tudor period

Since 1979, Kentwell Hall has presented Tudor period re-enactment events,[14] portraying scenes of domestic Tudor life. The re-enactments involve up to 350 fully costumed volunteers on any given day and span a three-week period in June and July each year, with smaller events during the rest of the year.

Each year is themed around a specific year in the Tudor period, with costumes and events designed accordingly. Particularly significant Tudor years have been portrayed several times, such as 1588 (the Spanish Armada), 1535 (Dissolution of the Monasteries), 1553 (Lady Jane Grey) and 1578 (visit of Queen Elizabeth I to Suffolk).

Conversing with visitors to Kentwell, who include large parties of schoolchildren, participants use Tudor speech patterns to interpret their roles and describe to their life in the 16th century. This involves first-person rather than third-person description.

Gallery of Tudor re-enactments

World War II

In April 1995, Kentwell Hall presented a World War II re-enactment for the first time.[15] This was timed to coincide with the prelude to the national commemoration of the 50th anniversary of VE Day. The event was designed to recreate the look and feel of wartime Britain, with volunteers representing both military and civilian life. Further World War II events have been presented by Kentwell in the years since.

Victorian

Kentwell Hall has presented Victorian period re-enactment events since 2009.[16] Kentwell's Dickensian Christmas events include a prepresentation of a Victorian manor house, including costumed family and servants; readings from A Christmas Carol' featuring an actor portraying Charles Dickens with Victorian style illusions; a Victorian Music Hall; and Victorian tearooms.

Scaresville

Scaresville is an annual Hallowe'en themed event presented at Kentwell over a two-week period in October.[17] This event commenced in 2007. In 2009, Scaresville was voted the Best Seasonal or Hallowe'en Event at the UK's annual Screamie Awards.[18]

Weddings and other events

Kentwell Hall is licensed for civil wedding ceremonies. It also hosts corporate functions, open air theatre and music concerts at various times of the year.

Kentwell Hall as a film and television location

Kentwell Hall has featured as a location for a number of film and TV productions. Some of the more notable examples include:

Presenter Richard Hammond and director Mike Slee with the cast and crew of the 2005 production The Gunpowder Plot: Exploding The Legend, filmed on location at Kentwell Hall.
Year Title Comments
1968 Witchfinder General Starred Vincent Price as Witchfinder General Matthew Hopkins, along with Ian Ogilvy and Hilary Dwyer.
1982 The Woman In White BBC TV serialisation of the Wilkie Collins novel, starring Ian Richardson, Diana Quick and Jenny Seagrove.
1983 No Excuses ITV TV drama about a failing female rock star, starring Charlotte Cornwell and directed by Roy Battersby.
1994 Will's World: A Surfeit of Meate and Drynke BBC TV production, part of a season of Shakespeare commemorations. Featuried celebrity cook Prue Leith and the Kentwell Tudor cooks.
1996 The Wind in the Willows Starred Steve Coogan and various members of the Monty Python team. Kentwell featured as the outside of Toad Hall.
2003 Warrior Women: Grace O'Malley, Pirate Queen Discovery Channel production about Gráinne Ní Mháille, the Irish pirate queen. Featured Kentwell Hall as Greenwich Palace and Kentwell re-enactors in the scene where Gráinne meets Elizabeth I.
2003 Royal Deaths and Diseases Lion TV production for Channel 4. Featured Kentwell re-enactors in an episode about the phantom pregnancies of Mary I.
2004 Days That Shook the World: Affairs of the Crown BBC TV documentary about the life and death of Anne Boleyn. Featured Kentwell re-enactors.
2005 The Gunpowder Plot: Exploding The Legend ITV production, hosted by Richard Hammond, commemorating the 400th anniversary of the Gunpowder Plot. Various scenes featuring the conspirators and King James I were filmed around the Kentwell grounds.
2005 The Chronicles of Narnia: The Lion, the Witch and the Wardrobe Walden Media adaptation of the C. S. Lewis story. Kentwell Hall appeared fleetingly as the outside of the Professor's house. As the production was based in New Zealand, it was impractical to use Kentwell as a traditional location; so a special effects team scanned the house and created a 3D digital model, which was used to create a CGI image for the final film.
2013 Henry VII: Winter King Lion TV production for BBC TV. Historical docu-drama based on the book of the same name by Thomas Penn. Featured Kentwell locations and re-enactors.

Citations

  1. 1.0 1.1 Parker, William, Sir (1873), The History of Long Melford, p. 167 
  2. Parker, William, Sir (1873), The History of Long Melford, p. 170 
  3. Parker, p. 170
  4. Parker, p. 72-73
  5. Wall, Barry L., Long Melford through the Ages, p. 48, ISBN 0-900227-78-8 
  6. Wall, Barry L., Long Melford through the Ages, p. 50, ISBN 0-900227-78-8 
  7. Kentwell History
  8. Parker, William, Sir (1873), The History of Long Melford, p. 183 
  9. 9.0 9.1 Wall, Barry L., Long Melford through the Ages, p. 54, ISBN 0-900227-78-8 
  10. Parker, William, Sir (1873), The History of Long Melford, p. 186 
  11. Pevsner, N. Buildings of England: Devon
  12. Wall, Barry L., Long Melford through the Ages, p. 60, ISBN 0-900227-78-8 
  13. Kentwell.co.uk
  14. "Kentwell’s Great Annual Re-Creation of Tudor LIfe". Onthetudortrail.com. 2011-03-23. Retrieved 2013-01-18. 
  15. "WWII Events | Kentwell Hall". Kentwell.co.uk. Retrieved 2013-01-18. 
  16. "Dickensian Events | Kentwell Hall". Kentwell.co.uk. Retrieved 2013-01-18. 
  17. "Scare Attractions UK — promoting and supporting the UK scare entertainment industry since 2006". Scareattractions.co.uk. Retrieved 2013-01-18. 
  18. "The Winners of the Screamie Awards 2009". Screamieawards.co.uk. Retrieved 2013-01-18. 

External links

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