Julian Rosefeldt

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Julian Rosefeldt (born 1965 in Munich) is a German artist.

Life and work

Julian Rosefeldt studied architecture in Munich and Barcelona. After receiving his diploma in 1994, he began working in collaboration with fellow Munich graduate Piero Steinle. Since 1999 he has worked independently.

Rosefeldt’s work consists primarily of elaborate, visually opulent film and video installations. In most cases, these installations are shown as panoramic multi-channel projections. They range in style from documentary to theatrical narrative.[1] In Lonely Planet (2006), for example, the artist portrays a hippie-ish Western backpacker on a trip through India; as he moves through a series of clichéd sequences, including a frenetic Bollywood-inspired dance number, the camera periodically pulls back to reveal spotlights, dressing rooms and other filmmaking necessities.[2] Rosefeldt primarily uses 16-mm and 35-mm film and has often worked in close cooperation with the cinematographer Christoph Krauss. He also works in the medium of photography.

Rosefeldt has lived and worked in Berlin since 1999, when he relocated as Artist in Residence at the Sammlung Hoffmann. In addition to his art production, Rosefeldt also works with the Schaubühne am Lehniner Platz, often collaborating with its head and creative director Thomas Ostermeier. In 2009, Rosefeldt was invited as a guest professor by the Media Art and Media Design faculty at the Bauhaus-Universität Weimar. Since 2010, Rosefeldt has been a member of the Bayerischen Akademie der Schönen Künste in the division of Film and Media Art. Since 2011 he has been professor at the Akademie der Bildenden Künste in Munich.

Rosefeldt is represented by Galerie ARNDT (Berlin), Max Wigram Gallery (London) and Barbara Gross Galerie (Munich).

Exhibitions

Rosefeldt has exhibited internationally since 1997 at the Bienal de São Paulo (2004), Athens Biennal (2007), the P.S.1, New York (1998), Kunst-Werke Berlin e.V. – Institute for Contemporary Art (2004), the Royal Academy of Arts, London (2008), and the Kunstmuseum Bonn (2009), amongst others. Rosefeldt’s first solo show in the United States was presented in 2009 by his ARNDT Berlin, in the space of Phillips de Pury & Company.[3]

Collections

Julian Rosefeldt’s works are represented in the following permanent collections, amongst others: Museum of Modern Art New York,[4] Saatchi Gallery London,[5] Goetz Collection, Munich, Kunstmuseum Bonn, Burger Collection Hong Kong, Cisneros Fontanals Art Foundation Miami,[6] Museo de Arte Contemporaneo de Castilla y Leon,[7] Sammlung Hoffmann Berlin,[8] Thyssen-Bornemisza Art Contemporary Wien,[9] CAC Malaga,[10] Ellipse Foundation – Contemporary Art Collection, Cascais, Maison Européenne de la Photographie, Paris, Museum Franz Gertsch, Burgdorf

Awards

2010

  • Vattenfall Contemporary

2007

  • 1st Price of the Filmstiftung NRW within the international competition on kunstFilmBIENNALE Cologne

Trivia

Tom Tykwer’s 2009 film The International (starring Clive Owen, Naomi Watts and Armin Mueller-Stahl in leading roles) featured a detailed life-size replica of the Solomon R. Guggenheim Museum's interior space, designed by architect Frank Lloyd Wright. In the replica of the exhibition rooms was presented a retrospective of Julian Rosefeldt, primarily consisting of film installations. The famous climax of Tykwer's film is a dramatic shootout within the museum where many of Rosefeldt's installations are riddled with bullets.

Selected exhibitions

2010

  • Julian Rosefeldt – Making Of: Film Installations and Photo Works 2004–2010, DA2 – Domus Artium, Salamanca
  • Julian Rosefeldt – American Night, British Film Institute, London
  • fast forward 2. The Power of Motion, ZKM Karlsruhe
  • Living in Oblivion / Vattenfall Contemporary 2010, Berlinische Galerie, Berlin

2009 - 2010

  • Julian Rosefeldt – American Night. Filminstallations 2004-2009, EX3 – Centro per l'Arte Contemporanea, Florence; Kunstmuseum Bonn

2009

  • Conflicting Tales: Subjectivity (Quadrilogy, Part 1) Burger Collection, Berlin
  • 4th Biennial of Moving Image - Contour Mechelen Biennale, Contour Mechelen
  • Ease and Eagerness Modernism Today, Kunstmuseum Wolfsburg
  • Höhepunkte der Kölner KunstFilmBiennale in Berlin, Kunst-Werke Berlin e.V. – Institute for Contemporary Art, Berlin

2008 - 2009

  • The Prisoner's Dilemma, CIFO Miami
  • Molten States: Olaf Nicolai, René Pollesch, Julian Rosefeldt, Catherine Sullivan, Royal Academy of Arts, London

2008

  • Julian Rosefeldt, Max Wigram Gallery, London
  • The Tropics. Views from the Middle of the Globe, Martin-Gropius-Bau, Berlin
  • The Order of Things, Museum van Hedendaagse Kunst, Antwerp
  • The Cinema Effect: Part II Realisms, Hirshhorn Museum and Sculpture Garden, Washington
  • The Way Things Are…, Centre of Contemporary Art, Torun
  • The Ship Of Fools, Arndt & Partner, Berlin
  • Requiem, Galeria Helga de Alvear, Madrid
  • Emergency Biennale Chechnya / World Tour, Grozny, CCA Playspace Gallery, California College of the Arts, San Francisco; Galeria Arsenał, Białystok
  • Laughing in a Foreign Language, Hayward Gallery, London
  • The Ship of Fools, Phillips de Pury & Co, New York

2007-2008

  • Existencias, MUSAC, Leon
  • 100 TAGE=100 VIDEOS, GL Strand, Copenhagen

2007

  • Best of KunstFilmBiennale, Apeejay Media Gallery, New Delhi
  • Cine y casi cine, Museo Reina Sofía, Madrid
  • KunstFilmBiennale 2007 Köln / Bonn Kunstfilmbiennale Cologne
  • Julian Rosefeldt: The Perfectionist / KunstFilmBiennale, Baukunst Galerie, Köln
  • Destroy Athens. The 1st Athens Biennale, Athens
  • The Hurricane Projects, The Moore Space, Miami
  • Emergency Biennale Chechnya, 10th Istanbul Biennial, Kadiköy Public Education Centre, Istanbul
  • Generational Issue, CGAC, Santiago de Compostela
  • XIV. ROHKUNSTBAU „Drei Farben - Weiss“, Schloss Sacrow, Potsdam
  • Silence. Listen to the Show, Fondazione Sandretto Re Rebaudengo, Turin
  • Made in Germany, Kunstverein Hannover
  • Scheitern, Landesgalerie Linz
  • Kino wie noch nie, Akademie der Künste, Berlin
  • Manipulations: On Economies of Deceit, Centre for Contemporary Art, Warsaw
  • Unter Sternen, Museum Franz Gertsch, Burgdorf
  • Julian Rosefeldt, KORAALBERG, Antwerpen

2006 - 2007

  • Manipulacje, Laznia Centre for Contemporary Art, Danzig

2006

  • Manipulacje, Laznia Centre for Contemporary Art, Gdansk
  • 1. Bienal de Canarias Arquitectura Arte y Paisaje, Canary Islands
  • Julian Rosefeldt – Trilogie des Scheiterns, Teil III, ZKMax, Munich
  • Höhepunkte der KunstFilmBiennale Köln, Kunst-Werke Berlin e.V. – Institute for Contemporary Art, Berlin
  • Julian Rosefeldt – Clown, Max Wigram Gallery, London
  • Printemps de Septembre 2006, Toulouse
  • 100 TAGE=100 VIDEOS Kunstverein Heidelberg
  • Mathilda is calling Mathildenhöhe Darmstadt
  • Emergency Biennale Chechnya / World Tour, Grozny; Vancouver
  • Video-Installationens from the Olbricht Collection: Rodney Graham, Tony Oursler, Nam June Paik, Pipilotti Rist, Julian Rosefeldt, Skulpturenmuseum Glaskasten, Marl
  • sonambiente berlin 2006, Akademie der Künste, Berlin
  • Julian Rosefeldt – Lonely Planet, Arndt & Partner, Berlin
  • Julian Rosefeldt – Lonely Planet, Kunstverein Bonn
  • Mas de lo que los ojos pueden ver, MARCO Monterrey
  • Global Players - Zeitgenössische Künstler aus Japan und Deutschland, Ludwig Forum für Internationale Kunst, Aachen
  • Dark Places, Santa Monica Museum of Art
  • Kino wie noch nie, Generali Foundation, Vienna

2005 - 2006

  • Indeterminate States, CIFO Miami
  • Baroque and Neobaroque: The Hell of the Beautiful, Domus Artium 2002, Salamanca

2005

  • Julian Rosefeldt – asylum, Haus der Kunst, Munich (during the Spielart Festival)
  • Julian Rosefeldt Galeria Leyendecker, Santa Cruz de Tenerife
  • Global Players: Contemporary Japanese and German Artists, Tokyo Gallery, Tokio; BankART 1929, Yokohama
  • Manipulations: On Economies of Deceit, IBCA 2005. Prague Biennale, Nationalgalerie, Prague
  • architektur mobil, Wilhelm Hack-Museum, Ludwigshafen
  • Julian Rosefeldt: The Soundmaker, Arndt & Partner Zurich
  • Julian Rosefeldt: Trilogy of Failure, Parts I+II, ZKMax, Munich
  • Emergency Biennale Chechnya / World Tour, Grozny, Palais de Tokyo, Paris; Matrix Art Project, Brussels; EURAC European Academy of Bolzano; Isola Art Center, Milan

2004

  • 26. Biennale São Paulo
  • ein-leuchten, Museum der Moderne Rupertinum, Salzburg
  • Julian Rosefeldt: Asylum, BALTIC, Gateshead
  • Sebastian Diaz Morales, Marine Hugonnier und Julian Rosefeldt, Kunst-Werke Berlin e.V. – Institute for Contemporary Art, Berlin
  • SHAKE SHAKE – Staatsaffäre / Affaire d’Etat, OK Centrum für Gegenwartskunst, Linz; VILLA ARSON, Nice

2003

  • Rituale, Akademie der Künste, Berlin
  • Julian Rosefeldt und Piero Steinle, Museum Franz Gertsch, Burgdorf

2002

  • asylum, Hamburger Bahnhof – Museum für Gegenwart, Berlin
  • Julian Rosefeldt: Global Soap, XXL Gallery, Sofia

2001

  • Tele[visions] - Kunst sieht fern, Kunsthalle Wien, Vienna
  • Julian Rosefeldt / Piero Steinle: Detonation Deutschland, Architekturzentrum, Vienna
  • Global Soap, Künstlerhaus Bethanien, Berlin
  • Julian Rosefeldt: Global Soap, Goethe-Institut, Salvador de Bahia
  • Julian Rosefeldt, Herzliya Museum of Contemporary Art, Tel Aviv

2000

  • Julian Rosefeldt/Piero Steinle: Les Cathédrales Inconnues, Goethe-Institut, Galerie Condé, Paris
  • Multiple Sensations: series, collections, obsessions, Yerba Buena Center for the Arts, San Francisco
  • Deep Distance: Die Entfernung der Fotografie, Kunsthalle Basel
  • Julian Rosefeldt/Piero Steinle, Galerie Larivière, Paris
  • Julian Rosefeldt/Piero Steinle, Galerie Six Friedrich Lisa Ungar, Munich

1999

  • Wohin kein Auge reicht: Von der Entdeckung des Unsichtbaren, Deichtorhallen, Hamburg
  • News – Julian Rosefeldt/Piero Steinle, Galerie für Zeitgenössische Kunst, Leipzig
  • News, ZKM | Center for Art and Media Karlsruhe

1998

  • Deep Storage – Collecting, Storing and Archiving in Art, Henry Art Gallery, Seattle; P.S.1, New York; Kunstmuseum Düsseldorf
  • Performing Buildings, Tate Modern, London
  • News, Kunstsammlung Nordrhein-Westfalen, Düsseldorf

1997

  • Deep Storage – Arsenale der Erinnerung, Neue Nationalgalerie/Kulturforum, Berlin; Haus der Kunst, Munich
  • Paris – Les Cathédrales Inconnues, Espace des Blancs Manteaux, Paris

1996

  • Detonation Deutschland, Orangerie, Munich

1995

  • München – Die Unbekannten Kathedralen, Orangerie, Munich

1994

  • Stadt im Verborgenen, Orangerie, Munich

Bibliography

  • Ingvild Goetz and Stephan Urbaschek, eds. fast forward 2: The Power of Motion. Exh. cat., ZKM Museum für Neue Kunst Karlsruhe, 2010. Ostfildern: Hatje Cantz, 2010, ISBN 978-3-7757-2604-7
  • Julian Rosefeldt: Living in Oblivion. Exh. cat., Berlinische Galerie, Berlin, 2010. Bielefeld: Kerber Verlag, 2010, ISBN 978-3-86678-414-7
  • Stephan Berg, et al., eds. Julian Rosefeldt: American Night. Exh. cat., EX3 Centro per l’Arte Contemporanea, 2009, and Kunstmuseum Bonn, 2010. Berlin: The Green Box Kunst Editionen, 2009, ISBN 978-3-941644-15-1
  • Stephan Berg, et al. eds. Julian Rosefeldt: Film Works. Ostfildern: Hatje Cantz, 2008, ISBN 978-3-7757-2171-4
  • Michael Rush. Video Art, revised 2. edition, London, 2007, ISBN 978-0-500-28487-2
  • Made in Germany – Aktuelle Kunst aus Deutschland. Exh. cat., Kestnergesellschaft, Kunstverein Hannover and Sprengel Museum, Hannover, 2007. Ostfildern: Hatje Cantz, 2007, ISBN 978-3-7757-1985-8
  • The Ship of Fools (Collector's Edition), Hatje Cantz, Ostfildern, 2007 [11]
  • Mark Gisbourne. Kunststation Berlin. Munich, 2006, ISBN 978-3-89660-364-7
  • BALTIC Centre for Contemporary Art, Gateshead, ed. Julian Rosefeldt: asylum. Exh. cat., Festival d’Avignon et al., 2004. Ostfildern-Ruit: Hatje Cantz, 2004, ISBN 3-7757-1512-6
  • Julian Rosefeldt, ed., Global Soap. Exh. cat., Künstlerhaus Bethanien. Berlin, 2001, ISBN 3-00-008099-6
  • Julian Rosefeldt, Piero Steinle and Iris Lauterbach, eds., Bürokratie und Kult. Das Parteizentrum der NSDAP am Königsplatz in München. Berlin / Munich: Deutscher Kunstverlag, 1995, ISBN 3-422-06164-9
  • News: Eine Videoinstallation von Julian Rosefeldt und Piero Steinle. Exh. cat., Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1998. Heidelberg: Kehrer Verlag, 1998, ISBN 3-933257-02-6 / Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1998, ISBN 3-926154-36-5
  • Julian Rosefeldt and Piero Steinle, eds. Paris – Les Cathédrales Inconnues – Espaces vides dans l’ombre de la ville. Exh. cat., Espace des Blancs Manteaux. Paris, 1997
  • Julian Rosefeldt and Piero Steinle, eds., Detonation Deutschland – Sprengbilder einer Nation. Exh. cat., Orangerie. Munich, 1996

References

  1. ↑ Stefan Berg, Hannover.de
  2. ↑ Karen Rosenberg (August 21, 2008), Now You Perceive It, Now You Think You DoNew York Times.
  3. ↑ Roberta Smith (January 26, 2008), Loud Crashes, Dignified Stereotypes and a Touch of Wagner New York Times.
  4. ↑ Museum of Modern Art New York: Rosefeldt bei MoMA
  5. ↑ Saatchi Gallery: Rosefeldt bei Saatchi Gallery
  6. ↑ cifo: Rosefeldt bei cifo
  7. ↑ MUSAC: Rosefeldt bei MUSAC
  8. ↑ Sammlung Hoffmann: Rosefeldt bei Sammlung Hoffmann
  9. ↑ Rosefeldt bei Thyssen-Bornemisza Art Contemporary
  10. ↑ Rosefeldt bei CAC Málaga
  11. ↑ Hatje Cantz: Julien Rosefeldt - The Ship of Fools (Collector's Edition)

External links

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