Jules Chéret

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Jules Chéret
Birth name Jules Chéret
Born (1836-05-31)31 May 1836
Paris, France
Died 23 September 1932(1932-09-23) (aged 96)
Nationality French
Field Lithography, Poster art
Training École Nationale de Dessin
Movement Art Nouveau
Awards Légion d'honneur

Jules Chéret (May 31, 1836 – September 23, 1932) was a French painter and lithographer who became a master of Belle Époque poster art. He has been called the father of the modern poster. [1]

Biography

L'Etendard Français, Jules Chéret's 1891 poster for the bicycle shop on the Quai d'Orsay.
Jules Chéret showing his work to Henri de Toulouse-Lautrec.
Vin Mariani, Jules Chéret's 1894 poster for the digestif and tonic wine fortified by coca.

Born in Paris to a poor but creative family of artisans, Jules Chéret had a very limited education. At age thirteen, he began a three-year apprenticeship with a lithographer and then his interest in painting led him to take an art course at the École Nationale de Dessin. Like most other fledgling artists, Chéret studied the techniques of various artists, past and present, by visiting Paris museums.

From 1859 to 1866, he was trained in lithography in London, England, where he was strongly influenced by the British approach to poster design and printing. On returning to France, Chéret created vivid poster ads for the cabarets, music halls, and theaters such as the Eldorado, the Olympia, the Folies Bergères, Théâtre de l'Opéra, the Alcazar d'Été and the Moulin Rouge. He created posters and illustrations for the satirical weekly Le Courrier français.

His works were influenced by the scenes of frivolity depicted in the works of Rococo artists such as Jean-Honoré Fragonard and Antoine Watteau. So much in demand was he, that he expanded his business to providing advertisements for the plays of touring troupes, municipal festivals, and then for beverages and liquors, perfumes, soaps, cosmetics and pharmaceutical products. Eventually he became a major advertising force, adding the railroad companies and a number of manufacturing businesses to his client list.

As his work became more popular and his large posters displaying modestly free-spirited females found a larger audience, pundits began calling him the "father of the women's liberation." Females had previously been depicted in art as prostitutes or puritans. The women of Chéret's posters, joyous, elegant and lively—'Cherettes', as they were popularly called—were neither. It was freeing for the women of Paris, and heralded a noticeably more open atmosphere in Paris where women were able to engage in formerly taboo activities, such as wearing low-cut bodices and smoking in public. These 'Cherettes' were widely seen and recognised, and a writer of the time said "It is difficult to conceive of Paris without its 'Cheréts' (sic)."[2]

In 1895, Chéret created the Maîtres de l'Affiche collection, a significant art publication of smaller sized reproductions featuring the best works of ninety-seven Parisian artists. His success inspired an industry that saw the emergence of a new generation of poster designers and painters such as Charles Gesmar and Henri de Toulouse-Lautrec. One of his students was Georges de Feure.

In his old age Jules Chéret retired to the pleasant climate of the French Riviera at Nice. He died in 1932 at the age of ninety-six and was interred in the Cimetière Saint-Vincent in the Montmartre Quarter of Paris.

He was awarded the Légion d'honneur by the French Government in 1890 for his outstanding contributions to the graphic arts. Although his paintings earned him a certain respect, it was his work creating advertising posters, taken on just to pay his bills but eventually his dedication, for which he is remembered today.

In 1933 he was honored with a posthumous exhibition of his work at the prestigious Salon d'Automne in Paris. Over the years, Chéret's posters became much sought after by collectors from around the world.

Selected works

  • Hippodrome,
    Leona Dare, 1883

  • Casino de Paris,
    Camille Stéfani, 1891

  • Quinquina Dubonnet,
    1895

  • Moulin Rouge,
    Paris, Cancan, 1890

  • Arlette Dorgère,
    ca. 1890

  • Aperitif Mugnier, Dijon
    1894

  • Bagnères de Luchon,
    Fêtes des Fleurs, 1890

  • Alcazar d'Éte,
    Lidia, 1893

  • Cacao Lhara,
    ca. 1890

  • Saxoléine,
    Pétrole de sureté

  • Folies Bergères,
    Fleur de Lotus, 1893

  • Le Punch de Grassot, ca. 1890

  • Saxoléine,
    Pétrole de sureté

  • Palais des Glaces

  • Taverne Olympia, Restaurant

  • Pippermint,
    Get Frères

  • Pan,
    a Journal of Satire

  • Théâtre de l'Opéra,
    Carnaval 1894

  • Hippodrome de la Porte Maillot, Paris Courses

  • Théâtre de l'Opéra,
    Carnaval 1896,
    Grand Veglione de Gala

  • Exposition Universelle 1889, Le Pays des Feés

  • L´Aureole du Midi,
    Pétrole de sureté

  • Folies Bergères,
    Emilienne d'Alençon

  • Folies Bergères,
    La Loïe Fuller

  • L'Amant des Danseuses Roman Moderniste
    par Félicien Champsaur

  • Concert des Ambassadeurs,
    Champs-Élysées

  • Casino d'Enghien

  • Recoloration des Cheveux par l'Eau des Sirènes

  • Jardin de Paris,
    Fête de Nuit Bal

Figure studies

  • "Dance," 1899

  • "Woman with fan," 1896

  • "Summer Concert," 1896

  • "Music," 1898

  • "Happiness," 1900

See also

References

  1. ↑ "Biography at Cheret.info". Retrieved 2007-03-03. 
  2. ↑ History and Development of Advertising 1929, page 496

External links

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