Jonathan Coe

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Jonathan Coe

At Humber Mouth Festival on 19 June 2006
Born (1961-08-19) 19 August 1961
Bromsgrove, England, UK
Occupation Novelist
Nationality British
Period 1987–present
Genres Satire

Jonathan Coe (born 19 August 1961) is an English novelist and writer. His work has an underlying preoccupation with political issues, although this serious engagement is often expressed comically in the form of satire. For example, What a Carve Up! reworks the plot of an old 1960s spoof horror film of the same name. It is set within the "carve up" of the UK's resources which was carried out by Margaret Thatcher's right wing Conservative governments of the 1980s.

Early life and education

Coe was born in Bromsgrove, Worcestershire. He was born on 19 August 1961 to Roger and Janet (née Kay) Coe.[1] He studied at King Edward's School, Birmingham and Trinity College, Cambridge.[1] He taught at the University of Warwick, where he completed an MA and PhD in English Literature.[1]

Career

Coe has long been interested in both music and literature. In the mid-1980s he played with a band (The Peer Group) and tried to get a recording of his music. He also wrote songs and played keyboards for a short-lived feminist cabaret group, Wanda and the Willy Warmers.[2]

He published his first novel, The Accidental Woman, in 1987. In 1994 his fourth novel What a Carve Up! won the John Llewellyn Rhys Prize, and the Prix du Meilleur Livre Étranger in France. It was followed by The House of Sleep which won the Writers' Guild of Great Britain Best Novel award and, in France, the Prix Médicis. As of 2010, Coe has published nine novels.

Besides novels, Coe has written a biography of the experimental British novelist BS Johnson, Like a Fiery Elephant, which won the Samuel Johnson Prize in 2005. Also in 2005 Penguin published his "collected shorter prose", a volume consisting of only 55 pages, under the title 9th & 13th. The same collection was published in France in 2012 under the title Désaccords imparfaits.

He has written a short children's adaptation of Gulliver's Travels by Jonathan Swift, and a children's story called The Broken Mirror. Both titles are published in Italy only, as La storia di Gulliver (2011) and Lo specchio dei desideri (2012).

A handwritten manuscript page from The Rotters' Club was displayed as part of the Writing Britain: Wastelands to Wonderlands exhibition, running at the British Library from 11 May-25 September 2012.

Coe was a judge for the Man Booker Prize in 1996, and has been a jury member at the Venice Film Festival (in 1999, under the chairmanship of Emir Kusturica) and the Edinburgh Film Festival in 2007.

In 2012 Coe was invited by Javier Marías to become a duke of the kingdom of Redonda. He chose as his title "Duke of Prunes", after a favourite piece of music by Frank Zappa.

Coe read an excerpt of The Terrible Privacy of Maxwell Sim to crowds at the Latitude Festival in July 2009. The central character was to be "a product of the social media boom," and "the sort of person with hundreds of Facebook friends but no one to talk to when his marriage breaks up.".[3]

Film and TV adaptations

Both What a Carve Up! (1994) and The Rotters' Club (2001) have been adapted as drama serials for BBC Radio 4. What a Carve Up! was adapted by David Nobbs. The Rotters' Club was adapted for television by Dick Clement and Ian La Frenais and broadcast on BBC Two in January–February 2005. The Dwarves of Death (1990) was filmed as Five Seconds to Spare in 1999, for which Coe himself co-wrote the screenplay.

Jeremy Dyson, author of The League of Gentlemen, was reported to be adapting What a Carve Up! for Channel 4. This TV project was in development with Big Talk (Black Books, Free Agents) but has yet to be formally commissioned.

Musical collaborations

Music is a constant thread in Coe's oeuvre. He played music for years and tried to find a record label as a performer before becoming a published novelist. He had to wait until 2001 to make his first appearance on a record with 9th & 13th (Tricatel, 2001), a collection of readings of his work, set to music by jazz pianist/double bass player Danny Manners and indiepop artist Louis Philippe.

Coe is a lifelong fan of Canterbury progressive rock. His novel The Rotters' Club is named after an album by Hatfield and the North. He has contributed to the liner notes for that band's archival release Hatwise Choice.[4] He once said: "I'd love to find a pianist to collaborate with – maybe Alex Maguire, who is now playing with the reformed line-up of Hatfield and the North". In fact this collaboration did come to fruition, at the Cheltenham Literature Festival in 2009, where Maguire performed a suite of piano pieces to accompany readings from the novel The Rain Before It Falls. Coe has also performed live with flautist Theo Travis.

Coe wrote the sleevenotes 'Reflections on The High Llamas' for the 2003 compilation of The High Llamas 'Retrospective, Rarities and Instrumentals.' He has also written lyrics for songs on the albums My Favourite Part of You and The Wonder of It All by Louis Philippe, and Earth to Ether by Theo Travis, for which the vocalist was Richard Sinclair.

In 2008 Coe wrote Say Hi to the Rivers and the Mountains, a 60-minute piece of what he calls "spoken musical theatre", with dialogue to be delivered continuously by three actors over a sequence of songs and instrumentals by The High Llamas. The work was premiered at the Analog Festival in Dublin that summer, and subsequently performed at various venues in the UK and Spain. The most recent performance was as part of the Notes and Letters Festival at Kings Place in London in September 2011, with Henry Goodman in the leading role of Bobby. The piece is inspired by the proposed demolition of Robin Hood Gardens, an East London council estate designed by Alison and Peter Smithson.

In March 2011, at the City Winery in New York, Coe took the keyboard solos on a live version of "Nigel Blows A Tune" from the Caravan album In the Land of Grey and Pink, along with the musician/novelist Wesley Stace and his band The English UK.

Personal life

Coe married Janine McKeown in 1989, and they have two daughters born in 1997 and 2000.[1]

In 2009, Coe took part in Oxfam's first annual book festival – 'Bookfest'. Along with William Sutcliffe, Coe volunteered for the Oxfam Bloomsbury Bookshop in London on Thursday 9 July.[5] Coe and Sutcliffe were each asked to choose a theme, and to find books from the stockroom to set up in the shop's window. Coe chose satire as the theme for his display. He chose books about or by Michael Moore, Bill Hicks and Steve Bell, and Tragically I Was an Only Twin: The Comedy of Peter Cook. He also unearthed a script of Terry Gilliam’s film, Brazil.

Coe donated a story to Oxfam's 'Ox-Tales' project, four collections of UK stories written by 38 authors. Coe's story was published in the Earth collection.[6]

He is a trustee of the charity Cleared Ground Demining, and in spring 2007 visited Guinea-Bissau to write an article about their operations there.[7]

In a 2001 newspaper interview, Coe described himself as an atheist.[8]

Novels

Books for children

  • La storia di Gulliver, L'espresso 2011
  • Lo specchio dei desideri, Feltrinelli 2012

Non-fiction

  • Humphrey Bogart: Take It and Like It, London: Bloomsbury, 1991
  • James Stewart: Leading Man, London: Bloomsbury, 1994
  • Like a Fiery Elephant: The Story of B. S. Johnson, London: Picador, 2004 (winner of the 2005 Samuel Johnson Prize for non-fiction)

Honours and awards

References

  1. ↑ 1.0 1.1 1.2 1.3 Debrett's People of Today 2005 (18th ed.). Debrett's. p. 329. ISBN 1-870520-10-6. 
  2. ↑ Laity, Paul (29 May 2010). "Jonathan Coe: A Life in Writing". The Guardian. , The Guardian, 29 May 2010
  3. ↑ Katie Scott, "Jonathan Coe on how to build a better e-book", Wired Blog, 28 July 2009
  4. ↑ Hatfield and the North website
  5. ↑ Oxfam books blog: Jonathan Coe and William Sutcliffe create window displays for the Oxfam Bloomsbury Bookshop
  6. ↑ Oxfam: Ox-Tales
  7. ↑ Coe, Jonathan (18 August 2007). "Deadly Legacy". The Guardian. , The Guardian, 18 August 2007
  8. ↑ Sally Vincent, "A Bit of a Rotter", The Guardian, 24 February 2001, Pg. 36.

External links

Authority control
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