John Wayne filmography

From Wikipedia, the free encyclopedia

A complete filmography of John Wayne from 1926 to 1976, which also includes those films that Wayne only produced, and results pertaining to his long-running box office popularity between 1949 and 1973, during the height of his career after a decade of starring in a succession of low-budget B-movies.

Contents
1 Overview
2 Filmography
  •        1926
  • 1927
  • 1928
  • 1929
  •        1930
  • 1931
  • 1932
  • 1933
  • 1934
  • 1935
  • 1936
  • 1937
  • 1938
  • 1939
  •        1940
  • 1941
  • 1942
  • 1943
  • 1944
  • 1945
  • 1946
  • 1947
  • 1948
  • 1949
  •        1950
  • 1951
  • 1952
  • 1953
  • 1954
  • 1955
  • 1956
  • 1957
  • 1958
  • 1959
  •        1960
  • 1961
  • 1962
  • 1963
  • 1964
  • 1965
  • 1966
  • 1967
  • 1968
  • 1969
  •        1970
  • 1971
  • 1972
  • 1973
  • 1974
  • 1975
  • 1976
  • Posthumous
3 As producer only
4 Box office popularity
5 See also
6 Footnotes
7 Notes
8 References

Overview

Ride Him, Cowboy (1932)
John Wayne began working in films in 1926 as an extra, prop man, and stuntman, mainly for the Fox Film Corporation. He frequently worked in minor roles with director John Ford and when Raoul Walsh suggested him for the lead in The Big Trail (1930), an epic Western shot in an early widescreen process called Fox Grandeur, Ford vouched for him.[lower-alpha 1] Wayne's early period as a star would be brief, as Fox dropped him after only three leads.

He moved over to Columbia Pictures, where he ran afoul of studio boss Harry Cohn. As a result, Wayne was dropped from leading man to supporting player to bit player and finally down to being an extra again.

After the Columbia debacle, Wayne solidified his stardom – albeit as a minor star – in a string of low-budget action films (mostly Westerns) at Warner Bros. and Universal and the "Poverty Row" studios Mascot, Monogram, and Republic.

Fortunately, Wayne kept on friendly terms with John Ford who, as a result, gave Wayne a career boost with Stagecoach (1939). By 1940 John Wayne was firmly established as a major motion picture star.

Wake of the Red Witch (1948)
John Wayne had achieved stardom in motion pictures by 1941 and, by the end of the decade, was one of the cinema's top ten box office attractions. During the latter half of the 1940s Wayne starred in what many film fans and critics regard as being among his finest work, notably the "cavalry trilogy" (Fort Apache, She Wore a Yellow Ribbon, and Rio Grande) for director John Ford, 3 Godfathers, also for Ford, and Red River for Howard Hawks. Wayne also began producing some of his own films during this period. The most discussed of Wayne's films during the following decade remains Ford's dark Western meditation on racism, The Searchers.

Other popular Wayne films include the seafaring adventures Reap the Wild Wind and Wake of the Red Witch and influential war movies such as Flying Tigers, The Fighting Seabees, and Sands of Iwo Jima, for which he was nominated for an Academy Award for Best Actor.

The 1950s would see Wayne continue as a major star although the artistic quality of his work varied greatly. Wayne also continued his producing activities during this period as well, notably with the formation of his own production company, Batjac.

In 1960, Wayne appeared in his most personal production, portraying Davy Crockett in The Alamo, which he also produced and directed.

During the 1960s and 1970s, John Wayne ranked as an American icon and one of the top box office attractions in the cinema. Wayne's output of films consisted largely of Westerns but he also ventured into other genres as well, including several films dealing with the Second World War (notably The Longest Day and In Harm's Way).

Wayne made some of his most prominent films during this period, including John Ford's The Man Who Shot Liberty Valance (1962) with James Stewart.

Wayne's political views came under harsh attack from film critics with the release of The Green Berets (1968), which Wayne produced, directed and starred in. The following year, however, he would be praised by critics for his performance in True Grit, which would earn him an Academy Award for Best Actor.

John Wayne made his last picture, The Shootist, in 1976, bringing an end to a remarkable career spanning more than 50 years, 169 feature length films,[1] and various other television appearances or voice-overs.[2]

Filmography

Key to studio abbreviations
20th 20th Century-Fox AFI American Film Institute AK Alaska Pictures
Arg Argosy Pictures Arm Armada Productions Batjac Batjac
Col Columbia CVW C.V. Whitney DDL Dino De Laurentiis
Fen Fenady Associates FN First National Fox Fox Films
L-G Levy-Gardner Mas Mascot MGM Metro-Goldwyn-Mayer
Mono Monogram ("Lone Star") Mop Monterey Productions NG National General
Par Paramount Rep Republic RKO RKO Radio
Rom Romina Productions SB Samuel Bronston Sho Showman's Pictures
Sig Sigma Tif Tiffany Pictures UA United Artists
Uni Universal WB Warner Bros. W-F Wayne-Fellows Productions

1926

No. Title Studio Role Director Notes Refs.
1 Brown of Harvard MGM Yale Football Player Jack Conway Wayne was an unbilled football player in game sequences of this sports drama, with William Haines, Mary Brian, and Jack Pickford. [3]
2 Bardelys the Magnificent MGM Guard King Vidor Wayne unbilled in this swashbuckler with John Gilbert and Eleanor Boardman. [4]
3 The Great K & A Train Robbery Fox extra Lewis Seiler A Tom Mix Western. Wayne unbilled. [5]

1927

No. Title Studio Role Director Notes Refs.
4 Annie Laurie MGM extra John S. Robertson With Lillian Gish and Norman Kerry. Wayne unbilled. [6]
5
FN extra Millard Webb A football drama with Richard Barthelmess. Wayne once again unbilled as a football player in game footage. [7]

1928

No. Title Studio Role Director Notes Refs.
6 Mother Machree Fox extra John Ford An Irish drama with Victor McLaglen. Wayne unbilled in his first film with Ford. Sources disagree whether Wayne actually appeared on film, as he was a prop man. [8]
7 Four Sons Fox extra John Ford An Irish drama with Victor McLaglen. Wayne unbilled. Sources disagree whether Wayne actually appeared on film in this picture, as well. [9]
8 Hangman's House Fox Horse Race Spectator / Condemned Man John Ford An Irish drama with Victor McLaglen. Wayne unbilled but noticeable as a spectator in a horse racing scene. [10]
9 Noah's Ark WB Flood extra Michael Curtiz A Biblical drama with Dolores Costello, George O'Brien, Noah Beery, and Myrna Loy. Wayne and Andy Devine unbilled as extras in the flood sequence. [11]

1929

No. Title Studio Role Director Notes Refs.
10 Speakeasy Fox extra Benjamin Stoloff A sports drama with Lola Lane and Paul Page. Wayne unbilled. [12]
11 The Black Watch Fox extra John Ford Drama of the British army in India during the First World War, with Victor McLaglen and Myrna Loy. Wayne and Randolph Scott unbilled. [13]
12 Words and Music Fox Pete Donahue James Tinling Wayne billed under his real name, Duke Morrison. An early talkie musical. Now apparently a lost film. [14]
13 Salute Fox Bill, Midshipman John Ford A football drama with George O'Brien and Helen Chandler. Wayne and Ward Bond unbilled. [15]
14 The Forward Pass Fox extra Eddie Cline A football drama with Douglas Fairbanks, Jr. and Loretta Young. Wayne unbilled. A lost film. [16]

1930

No. Title Studio Role Director Notes Refs.
15 Men Without Women Fox Radioman on surface John Ford A submarine drama. Wayne unbilled. [17]
16 Born Reckless Fox Soldier John Ford
Andrew Bennison
A crime melodrama with Edmund Lowe, Lee Tracy, and Marguerite Churchill. Wayne, Randolph Scott, and Ward Bond unbilled. [18]
17 Rough Romance Fox Lumberjack A.F. Erickson A logging adventure with George O'Brien and Antonio Moreno. Wayne unbilled. [19]
18 Cheer Up and Smile Fox bit part Sidney Lansfield A musical with Arthur Lake, Dixie Lee, Olga Baclanova, and "Whispering" Jack Smith. Wayne and J. Carrol Naish unbilled. [20]
19 The Big Trail Fox Breck Coleman Raoul Walsh With Tyrone Power, Sr., Ian Keith, Ward Bond. An epic Western shot simultaneously in standard 35 mm and 70 mm "Grandeur" wide-screen. Wayne's first starring role. [21][22]

1931

No. Title Studio Role Leading lady Director Notes Refs.
20 Girls Demand Excitement Fox Peter Brooks Virginia Cherrill
Marguerite Churchill
Seymour Felix A college romantic comedy. [23]
21 Three Girls Lost Fox Gordon Wales Loretta Young Sidney Lansfield [24]
22
  • Arizona (US title)
  • The Virtuous Wife (UK title)
Col Lt. Bob Denton Laura La Plante
June Clyde
George B. Seitz Based on the play by Augustus Thomas. Previously filmed in 1919 with Douglas Fairbanks in the Wayne role. [25][lower-alpha 2]
23 The Deceiver Col Reginald Thorpe's corpse Louis King Wayne's most ignominious part. He played the corpse of the character played (alive) by Ian Keith. [26]
24 Range Feud Col Clint Turner Susan Fleming D. Ross Letterman A B-Western starring Buck Jones. Wayne in a supporting role. [27][28]
25 Maker of Men Col Dusty Rhodes Edward Sedgwick A football drama with Jack Holt and Richard Cromwell. Wayne in a supporting role. [29]

1932

No. Title Studio Role Leading lady Director Notes Refs.
26 The Voice of Hollywood: No. 13 Tif Himself Thelma Todd Mark D'Agostino A short subject. [30]
27 Running Hollywood Uni Himself Charles Lamont A two-reel short.
28 The Shadow of the Eagle Mas Craig McCoy Dorothy Gulliver Ford Beebe A 12-chapter serial. [31]
29 Texas Cyclone Col Steve Pickett Shirley Grey D. Ross Lederman A B-Western starring Tim McCoy. Wayne in a supporting part. [32]
30 Two-Fisted Law Col Duke Alice Day D. Ross Lederman Another B-Western starring Tim McCoy. Wayne in a supporting part. [33][34]
31 Lady and Gent Par Buzz Kinney Stephen Roberts A boxing drama with George Bancroft and Wynne Gibson. Wayne in a supporting role. Remade as Unmarried (1939) with Buster Crabbe in Wayne's role. [35]
32 The Hurricane Express Mas Larry Baker Shirley Gray Armand Schaefer
J.P. McGowan
A 12-chapter serial. [36]
33 The Hollywood Handicap Uni Himself Charles Lamont A two-reel short. [37]
34
WB John Drury Ruth Hall Fred Allen[lower-alpha 3] Wayne's first starring role in a B-Western, the first of six that he would make for Warner Bros. Remake of The Unknown Cavalier (1926) with Ken Maynard. [38][39]
35 That's My Boy Col Football Player Roy William Neill With Richard Cromwell and Dorothy Jordan. Another football drama with Wayne in a supporting role. [40]
36 The Big Stampede WB John Steele Mae Madison Tenny Wright Remake of Land Beyond the Law (1927) with Ken Maynard. Remade under original title in 1936 with Dick Foran. [41][42]
37 Haunted Gold WB John Mason Sheila Terry Mack V. Wright Remake of The Phantom City (1928) with Ken Maynard. [43][44]

1933

No. Title Studio Role Leading lady Director Notes Refs.
38 The Telegraph Trail WB John Trent Marceline Day Tenny Wright Wayne's first film with Yakima Canutt. A clip of this film was used in Footlight Parade (1933). Semi-remake of The Red Raiders (1927) with Ken Maynard. [45][46]
39 The Three Musketeers Mas Tom Wayne Ruth Hall Armand Schaefer
Colbert Clark
With Creighton Chaney. A 12-chapter serial set in the Arabian desert. Very loosely adapted from the Dumas novel. Later re-edited into a 1946 feature entitled Desert Command. [47]
40 Central Airport WB Co-pilot in wreck William Wellman An aviation drama with Richard Barthelmess, Sally Eilers, and Tom Brown. Wayne in an unbilled bit, and his first on-screen death. [48]
41 Somewhere in Sonora WB John Bishop Shirley Palmer Mack V. Wright Remake of the 1927 film of the same title with Ken Maynard. [49][50]
42 His Private Secretary WB Dick Wallace Evelyn Knapp Philip H. Whitman Romantic comedy made by the independent company Showman's Pictures. [51]
43
WB Smith Archie Mayo Boxing melodrama with Douglas Fairbanks, Jr. and Loretta Young. Wayne in small supporting role as a frightened boxer. Remade as They Made Me a Criminal (1939) with John Garfield, and Louis Jean Heydt in Wayne's role. [52]
44 Baby Face WB Jimmy McCoy Barbara Stanwyck Alfred E. Green Wayne in a supporting part. This was the only time he appeared in a film with Stanwyck. [53]
45 The Man from Monterey WB Capt. John Holmes Ruth Hall Mack V. Wright Wayne's last B-Western for Warner Bros. [54][55]
46 Riders of Destiny Mono Sandy Saunders ("Singing Sandy") Cecilia Parker R.N. Bradbury Wayne's first B-Western for Monogram, released as a "Lone Star Western", and the first to present him as a singing cowboy (with a dubbed singing voice). Also his first teaming with George "Gabby" Hayes. [56][57]
47 The Sweetheart of Sigma Chi WB Bit part Edwin L. Marin A college romantic comedy with Mary Carlisle, Buster Crabbe, Charles Starrett, and Betty Grable. Wayne wore a moustache in his bit part, which was cut from the final print. [58]
48
WB Student William Wellman Wayne's last bit part. Aside from cameos, he would play the lead – or one of the leads – in all of his subsequent pictures. [59]
49
Mono John Brant Nancy Shubert Armand Schaefer With Yakima Canutt. [60][61]

1934

No. Title Studio Role Leading lady Director Notes Refs.
50 The Lucky Texan Mono Jerry Mason Barbara Sheldon R.N. Bradbury With George Hayes, Yakima Canutt, Earl Dwire. [62][63]
51 West of the Divide Mono Ted Hayden Virginia Browne Faire R.N. Bradbury With George Hayes, Yakima Canutt, Lafe McKee, Earl Dwire. [64][65]
52 Blue Steel Mono John Carruthers Eleanor Hunt R.N. Bradbury With George Hayes, Yakima Canutt, Lafe McKee, Earl Dwire. Filmed on location in Lone Pine, California. [66][67]
53 The Man from Utah Mono John Westen Polly Ann Young[lower-alpha 4] R.N. Bradbury With George Hayes, Yakima Canutt, Lafe McKee. [68][69]
54 Randy Rides Alone Mono Randy Bowers Alberta Vaughn Harry L. Fraser With George Hayes, Yakima Canutt, Earl Dwire. Another "singing cowboy" role for Wayne. [70][71]
55 The Star Packer Mono John Travers Verna Hillie R.N. Bradbury With George Hayes, Yakima Canutt, Earl Dwire. [72][73]
56 The Trail Beyond Mono Rod Drew Verna Hillie R.N. Bradbury With Noah Beery, Sr., Noah Beery, Jr., Earl Dwire. Based on the novel The Wolf Hunters by James Oliver Curwood. Also filmed under the novel's title in 1926 and 1949. [74][75]
57 The Lawless Frontier Mono John Tobin Sheila Terry R.N. Bradbury With George Hayes, Yakima Canutt, Earl Dwire. [76][77]
58 'Neath the Arizona Skies Mono Chris Morrell Sheila Terry Harry Fraser With Shirley Jean Rickert, George Hayes, Yakima Canutt, Earl Dwire. [78][79]

1935

No. Title Studio Role Leading lady Director Notes Refs.
59 Texas Terror Mono John Higgins Lucile Browne R.N. Bradbury With George Hayes. [80][81]
60 Rainbow Valley Mono John Martin Lucile Browne R.N. Bradbury With George Hayes. [82][83]
61 The Desert Trail Mono John Scott Mary Kornman Cullen Lewis With Paul Fix. [84][85]
62 The Dawn Rider Mono John Mason Marion Burns R.N. Bradbury With Yakima Canutt. [86][87]
63 Paradise Canyon Mono John Wyatt Marion Burns Carl Pierson With Earle Hodgins and Yakima Canutt. Wayne's last "Lone Star" Western for Monogram. [88][89]
64 Westward Ho Rep John Wyatt Sheila Mannors[lower-alpha 5] R.N. Bradbury With Yakima Canutt. Shot on location in Lone Pine. Wayne's first film for Republic Pictures. [90][91]
65 The New Frontier Rep John Dawson Muriel Evans Carl Pierson Not to be confused with the 1939 film Wayne made entitled New Frontier (no "the"). [92]
66 Lawless Range Rep John Middleton Sheila Mannors R.N. Bradbury With Yakima Canutt. [93][94]

1936

No. Title Studio Role Leading lady Director Notes Refs.
67 The Oregon Trail Rep Capt. John Delmont Ann Rutherford Scott Pembroke With Yakima Canutt. Shot on location in Lone Pine. A lost film. 40 stills were discovered in 2013. [95][96][97]
68 The Lawless Nineties Rep John Tipton Ann Rutherford Joseph Kane [98][77]
69 King of the Pecos Rep John Clayborn Muriel Evans Joseph Kane With Yakima Canutt. Shot on location in Lone Pine. [99][100]
70 The Lonely Trail Rep Captain John Ashley Ann Rutherford Joseph Kane With Yakima Canutt. A post-American Civil War yarn about carpetbaggers. [101][102]
71 Winds of the Wasteland Rep John Blair Phyllis Fraser Mack V. Wright Hulu sometimes presents a colorized version entitled Stagecoach Run. [103][104]
72 Sea Spoilers Uni Bob Randall Nan Grey Frank Strayer The first of six non-Westerns that Wayne did for Universal. [105]
73 Conflict Uni Pat Glendon Jean Rogers David Howard Based on the novel The Abysmal Brute by Jack London. [106]

1937

No. Title Studio Role Leading lady Director Notes Refs.
74 California Straight Ahead! Uni Biff Smith Louise Latimer Arthur Lubin Wayne as a school bus driver who becomes a trucking industry leader. [107]
75 I Cover the War Uni Bob Adams Gwen Gaze Arthur Lubin Shot on location in Lone Pine. [108]
76 Idol of the Crowds Uni Johnny Hanson Sheila Bromley Arthur Lubin Sports drama with Wayne as a professional ice hockey player. [109]
77 Adventure's End Uni Duke Slade Diana Gibson Arthur Lubin The last of Wayne's non-Western "B" pictures for Universal. [110]
78
Par Dare Rudd Marsha Hunt Charles Barton With Johnny Mack Brown. Based on the novel of the same name by Zane Grey. Previously filmed in 1926 with Jack Holt in the Wayne role. [111][112]

1938

No. Title Studio Role Leading lady Director Notes Refs.
79 Pals of the Saddle Rep Stoney Brooke Doreen McKay George Sherman With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). The first of eight films Wayne did in Republic's "Three Mesquiteers" series. [113][114]
80 Overland Stage Raiders Rep Stoney Brooke Louise Brooks George Sherman With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). Brooks' final film appearance. [115]
81 Santa Fe Stampede Rep Stoney Brooke June Martel George Sherman With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). [116]
82 Red River Range Rep Stoney Brooke Lorna Gray[lower-alpha 6] George Sherman With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). [117]

1939

No. Title Studio Role Leading lady Director Notes Refs.
83 Stagecoach UA[lower-alpha 7] Henry ("The Ringo Kid") Claire Trevor John Ford With John Carradine, Andy Devine, George Bancroft, Louise Platt, Tim Holt, Tom Tyler. Filmed on location in Monument Valley. This is the film that boosted Wayne into major stardom. [118][119]
84 The Night Riders Rep Stoney Brooke Doreen McKay George Sherman With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin), Tom Tyler.[lower-alpha 8] The story of this film was loosely based on the incidents in the life of James Reavis.[lower-alpha 9] [120]
85
Rep Stoney Brooke Carole Landis George Sherman With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). [121][122]
86 Wyoming Outlaw Rep Stoney Brooke Adele Pearce George Sherman With Ray Corrigan (Tucson Smith) and Raymond Hatton (Rusty Joslin). [123]
87
Rep Stoney Brooke Phyllis Isley George Sherman With Ray Corrigan (Tucson Smith) and Raymond Hatton (Rusty Joslin). Film debut of Phyllis Isley, later known as Jennifer Jones.[lower-alpha 11] Wayne's last film in the "Three Mesquiteers" series and his last B-Western. [124]
88
RKO Jim Smith Claire Trevor William A. Seiter Wayne has second billing under Trevor. [125][126]

1940

No. Title Studio Role Leading lady Director Notes Refs.
89 Dark Command Rep Bob Seton Claire Trevor Raoul Walsh With Claire Trevor, Walter Pidgeon, Roy Rogers, and George Hayes. A fictionalized account of the infamous William Quantrill. [127][128]
90 Screen Snapshots Series 19, No. 8: Cowboy Jubilee Rep Himself Ralph Staub A one-reel short also featuring Gene Autry and Roy Rogers.
91 Three Faces West Rep John Phillips Sigrid Gurie Bernard Vorhaus With Charles Coburn. [129]
92 The Long Voyage Home UA Ole Olson Mildred Natwick John Ford With Thomas Mitchell, Barry Fitzgerald, Ward Bond. Based on four one-act plays by Eugene O'Neill.[lower-alpha 12] [130]
93
  • Seven Sinners (original title)
  • Cafe of the Seven Sinners (UK re-issue title)
Uni Lt. Dan Brent Marlene Dietrich[lower-alpha 13] Tay Garnett Wayne's first of three teamings with Dietrich. [131]

Filmographies sometimes list him as doubling for Gene Autry for the trolley car crash stunt in Melody Ranch (1940).[132] This seems highly unlikely considering that Wayne had become a major star at this point in his career.

1941

No. Title Studio Role Leading lady Director Notes Refs.
94
  • A Man Betrayed (US title)
  • Citadel of Crime (UK title)
  • Wheel of Fortune (TV title)
Rep Lynn Hollister Frances Dee John H. Auer With Ward Bond [133]
95 Lady from Louisiana Rep John Reynolds Ona Munson Bernard Vorhaus With Ray Middleton, Henry Stephenson. [134]
96 The Shepherd of the Hills Par Matt Matthews Betty Field Henry Hathaway With Harry Carey. Wayne's first film in color (Technicolor). [135][136]
97 Meet the Stars: Past and Present Rep Himself Harriet Parsons A promotional short.

1942

No. Title Studio Role Leading lady Director Notes Refs.
98 Lady for a Night Rep Jack Morgan Joan Blondell Leigh Jason Wayne is billed second. [137]
99 Reap the Wild Wind Par Capt. Jack Stuart Paulette Goddard Cecil B. DeMille With Ray Milland, Raymond Massey, Robert Preston, Susan Hayward. Filmed in Technicolor. Wayne is billed second in this seafaring epic.[lower-alpha 14] His only film with DeMille. [138]
100 The Spoilers Uni Roy Glennister Marlene Dietrich
Margaret Lindsay
Ray Enright With Randolph Scott, Harry Carey, Richard Barthelmess. Sprawling version of the Rex Beach novel, climaxing with an epic saloon fight between Wayne and Scott (in a rare villainous role). Wayne is billed third. [139][140][lower-alpha 15]
101 In Old California Rep Tom Craig Binnie Barnes William McGann Wayne plays a pharmacist in this film, which was the occupation of his real-life father. [141][142]
102 Flying Tigers Rep Jim Gordon Anna Lee David Miller Wayne's first war movie. [143]
103
MGM Pat Talbot Joan Crawford Jules Dassin With Philip Dorn. [144]
104 Pittsburgh Uni Charles "Pittsburgh" Markham Marlene Dietrich
Louise Albritton
Lewis Seiler With Randolph Scott, Shemp Howard. An unrelated follow-up to the The Spoilers with the same three leads. Wayne is billed third. [145]

1943

No. Title Studio Role Leading lady Director Notes Refs.
105 A Lady Takes a Chance RKO Duke Hudkins Jean Arthur William A. Seiter Wayne billed second. Produced by Frank Ross, Jean Arthur's husband). [146][147]
106
Rep Dan Somers Martha Scott Al Rogell With Albert Dekker, George Hayes, Dale Evans. [148][149]

1944

No. Title Studio Role Leading lady Director Notes Refs.
107 The Fighting Seabees Rep Wedge Donovan Susan Hayward Edward Ludwig Another war movie, this one dealing with the U.S. Navy's famed construction battalion. [150]
108 Tall in the Saddle RKO Rocklin Ella Raines Edwin L. Marin With Ward Bond, George Hayes [151][152]
109 Flame of Barbary Coast Rep Duke Fergus Ann Dvorak Joseph Kane With Joseph Schildkraut, William Frawley. [153][154]

1945

No. Title Studio Role Leading lady Director Notes Refs.
110 Back to Bataan RKO Col. Joseph Madden Edward Dmytryk With Anthony Quinn, Beulah Bondi. [155]
111 They Were Expendable MGM Lt. Rusty Ryan Donna Reed John Ford With Robert Montgomery, Jack Holt, Ward Bond. Wayne gets second billing to Montgomery in this film about naval PT boats. [156]
112 Dakota Rep John Devlin Vera Hruba Ralston Joseph Kane With Walter Brennan, Ward Bond. [157][158]

1946

No. Title Studio Role Leading lady Director Notes Refs.
113 Without Reservations RKO Rusty Thomas Claudette Colbert Mervyn LeRoy With Don DeFore. Wayne has second billing under Colbert. From this point on Wayne would always have top billing (except for appearances in "all-star" films or guest appearances). [159]

1947

No. Title Studio Role Leading lady Director Notes Refs.
114 Angel and the Badman Rep Quirt Evans Gail Russell James Edward Grant With Bruce Cabot, Harry Carey. Wayne's first film as producer as well as star. [160][161]
115 Tycoon RKO Johnny Munroe Laraine Day Richard Wallace With Sir Cedric Hardwicke, Anthony Quinn, Judith Anderson, James Gleason. Location shooting at Lone Pine. Filmed in Technicolor. [162]

1948

No. Title Studio Role Leading lady Director Notes Refs.
116 Red River Mop
UA
Thomas Dunson Joanne Dru
Coleen Gray
Howard Hawks With Montgomery Clift,[lower-alpha 16] Walter Brennan, John Ireland, Harry Carey, Harry Carey, Jr., Noah Beery, Jr., Hank Worden. Generally regarded as one of Wayne's finest films and finest performances. His first film with director Hawks. [163][164]
117 Fort Apache Arg
RKO
Capt. Kirby York Shirley Temple John Ford With Henry Fonda, John Agar, Victor McLaglen, Ward Bond, George O'Brien. The first of Ford's "cavalry trilogy." Filmed on location in Monument Valley. [165][166]
118 3 Godfathers Arg
MGM
Robert Marmaduke Hightower Mildred Natwick John Ford Filmed in Technicolor on location in Death Valley, California. [167][168][lower-alpha 17]
119 Wake of the Red Witch Rep Capt. Ralls Gail Russell Edward Ludwig With Gig Young, Adele Mara, Luther Adler. [169]

1949

No. Title Studio Role Leading lady Director Notes Refs.
120 The Fighting Kentuckian Rep John Breen Vera Hruba Ralston George Waggner With Philip Dorn, Oliver Hardy,[lower-alpha 18] Marie Windsor. Wayne produced this film. [170][171]
121 She Wore a Yellow Ribbon Arg
RKO
Capt. Nathan Brittles Joanne Dru John Ford With John Agar, Victor McLaglen, Harry Carey, Jr., Mildred Natwick, George O'Brien. The second film in Ford's "cavalry trilogy." Filmed in Technicolor on location in Monument Valley. [172][173]
122 Screen Snapshots: Hollywood Rodeo Col Himself Ralph Staub A documentary short.
123 Sands of Iwo Jima Rep Sgt. John M. Stryker Adele Mara
Julie Bishop
Allan Dwan With John Agar, Forrest Tucker. Wayne received his first Academy Award nomination for this film. [174]

After filming Sands of Iwo Jima Wayne made Jet Pilot. However, it was not released theatrically until 1957. Therefore, it appears under that year of release.

1950

No. Title Studio Role Leading lady Director Notes Refs.
124 Rio Grande[lower-alpha 19] Arg
Rep
Lt. Col. Kirby Yorke[lower-alpha 20] Maureen O'Hara John Ford With Ben Johnson, Claude Jarman, Jr., Harry Carey, Jr., and Victor McLaglen. The last of Ford's "cavalry trilogy" and Wayne's first of five teamings with O'Hara. Filmed on location in Monument Valley. [175][176]

1951

No. Title Studio Role Leading lady Director Notes Refs.
125 Screen Snapshots: Reno's Silver Spur Awards Col Himself Ralph Staub A documentary short.
126 Operation Pacific WB "Duke" Gifford Patricia Neal George Waggner With Ward Bond. [177]
127 The Screen Director WB Himself A promotional short featuring a scene on the set of Operation Pacific with John Ford directing Wayne. (Actually, George Waggner was the director of that film, so this scene was obviously staged.)
128 Screen Snapshots: Hollywood Awards Col Himself Ralph Staub A documentary short.
129 Flying Leathernecks RKO Major Dan Kirby Nicholas Ray With Robert Ryan. Produced by Howard Hughes. [178]

1952

No. Title Studio Role Leading lady Director Notes Refs.
130 Miracle in Motion Rep Narrator Wayne narrates this fund-raiser for the benefit of the United Cerebral Palsy Foundation.
131 The Quiet Man Arg
Rep
Sean Thornton Maureen O'Hara John Ford Filmed in Technicolor on location in Ireland. One of Wayne's most beloved films. His children Michael, Patrick, Melinda, and Antonia have small roles in the film. [179]
132 Big Jim McLain W-F
WB
Big Jim McLain Nancy Olsen Edward Ludwig With James Arness, Alan Napier. An anti-communist action film. Produced by Wayne. [180]

1953

No. Title Studio Role Leading lady Director Notes Refs.
133 Trouble Along the Way WB Steve Aloysius Williams Donna Reed Michael Curtiz With Charles Coburn, Sherry Jackson. [181]
134 Island in the Sky W-F
WB
Capt. Dooley William A. Wellman With Lloyd Nolan, Walter Abel, James Arness. Wayne also produced. [182]
135 Hondo W-F
WB
Hondo Lane Geraldine Page John Farrow With Ward Bond, Michael Pate, James Arness. Based on a story by Louis L'Amour. Filmed in 3D and WarnerColor. Wayne also produced. [183][184]

1954

No. Title Studio Role Leading lady Director Notes Refs.
136 The High and the Mighty WB
W-F
Batjac
Par
Dan Roman Claire Trevor
Laraine Day
Jan Sterling
William A. Wellman With Robert Stack, Phil Harris, Robert Newton, Paul Kelly. Wayne also produced this aviation drama. A big hit in its day, filmed in CinemaScope and WarnerColor. This was Wayne's first wide-screen film since The Big Trail (1930). [185]

1955

No. Title Studio Role Leading lady Director Notes Refs.
137 The Sea Chase WB Capt. Karl Ehrlich Lana Turner John Farrow With David Farrar, Tab Hunter, James Arness. Filmed in CinemaScope and WarnerColor on location in Hawaii. Wayne took an unusual role as a World War II German naval officer. [186]
138 Screen Snapshots: The Great Al Jolson Col Himself Ralph Staub A documentary short salute Jolson. Wayne is one of the celebrities shown in the film.
139 Blood Alley WB Captain Tom Wilder Lauren Bacall William A. Wellman Filmed in CinemaScope and WarnerColor. Wayne produced this film and replaced Robert Mitchum after firing him. [187]

1956

No. Title Studio Role Leading lady Director Notes Refs.
140 The Conqueror RKO Temüjin (Genghis Khan) Susan Hayward Dick Powell With Pedro Armendáriz, Agnes Moorehead. Filmed in CinemaScope and Technicolor. Produced by Howard Hughes. Generally regarded as one of the worst movies ever made. [188]
141 The Searchers CVW
WB
Ethan Edwards Vera Miles
Natalie Wood
Dorothy Jordan
John Ford With Jeffrey Hunter, Ward Bond, Henry Brandon, Olive Carey, John Qualen, Hank Worden, Patrick Wayne, Harry Carey, Jr. . Filmed in VistaVision and Technicolor. Generally regarded as one of the greatest movies ever made. [189][190]

1957

No. Title Studio Role Leading lady Director Notes Refs.
142 The Wings of Eagles MGM Frank "Spig" Wead Maureen O'Hara John Ford With Dan Dailey, Ward Bond,[lower-alpha 21] Ken Curtis, Edmund Lowe. Filmed in Metrocolor. [191]
143 Jet Pilot RKO
Uni
Colonel Jim Shannon Janet Leigh Josef von Sternberg Filmed in Technicolor and released in RKO-Scope. Shot in 1949–50 but not released until 1957. Produced by Howard Hughes. Generally regarded as one of Wayne's worst films. [192]
144 Legend of the Lost Batjac
UA
Joe January Sophia Loren Henry Hathaway With Rossano Brazzi. Filmed in Technirama and Technicolor on location in the Libyan desert. [193]

1958

No. Title Studio Role Leading lady Director Notes Refs.
145 I Married a Woman RKO
Uni
Himself Angie Dickinson Hal Kanter Wayne has an unbilled cameo in this minor comedy starring George Gobel and Diana Dors. Filmed in RKO-Scope and black and white except for one of Wayne's two scenes, which was shot in Technicolor. [194]
146 The Barbarian and the Geisha 20th Townsend Harris Eiko Ando John Huston With Sam Jaffe. Inspired by a true story. Filmed in CinemaScope and Eastmancolor. [195]

1959

No. Title Studio Role Leading lady Director Notes Refs.
147 Rio Bravo Arm
WB
John T. Chance Angie Dickinson Howard Hawks With Dean Martin, Ricky Nelson, Walter Brennan, Ward Bond, John Russell, Claude Akins. Generally regarded as one of Wayne's best, provided the template and format for many of his later films. [196][197]
148 The Horse Soldiers UA Col. John Marlowe Constance Towers John Ford With William Holden, Hoot Gibson. Filmed in Deluxe color. [198][199]

1960

No. Title Studio Role Leading lady Director Notes Refs.
149 The Alamo Batjac
UA
Col. David Crockett Linda Cristal John Wayne With Richard Widmark, Laurence Harvey, Richard Boone, Chill Wills, Frankie Avalon, Patrick Wayne. Wayne fulfilled a longtime dream by producing, directing, and starring in this epic telling of the battle for Texas independence. Filmed in Todd-AO and Technicolor. [200][201]
150 North to Alaska 20th Sam McCord Capucine Henry Hathaway With Stewart Granger, Ernie Kovacs, Fabian. Filmed in CinemaScope and Deluxe color. [202][203]

1961

No. Title Studio Role Leading lady Director Notes Refs.
151 The Challenge of Ideas Himself An anti-communist propaganda short. With Jack Webb, Helen Hayes, Chet Huntley. [lower-alpha 22]
152 The Comancheros 20th Jake Cutter Ina Balin Michael Curtiz With Stuart Whitman, Lee Marvin, Bruce Cabot, Patrick Wayne. Filmed in CinemaScope and Deluxe color. The last film directed by Curtiz.[lower-alpha 23] [204][205]

1962

No. Title Studio Role Leading lady Director Notes Refs.
153 The Man Who Shot Liberty Valance Par Tom Doniphon Vera Miles John Ford With James Stewart,[lower-alpha 24] Lee Marvin, Woody Strode, Andy Devine. [206][207]
154 Hatari! Par Sean Mercer Elsa Martinelli Howard Hawks With Red Buttons, Hardy Kruger, Bruce Cabot. Filmed in Technicolor on location in Tanganyika. [208]
155 The Longest Day 20th Lt.Col. Benjamin Vandervoort Ken Annakin
Andrew Marton
Bernard Wicki
Darryl F. Zanuck
Gerd Oswald
Wayne was part of an all-star cast in this epic retelling of the D-Day invasion of June 6, 1944. Filmed in black and white and CinemaScope. [209]
156 How the West Was Won MGM Gen. William Tecumseh Sherman John Ford
Henry Hathaway
George Marshall
An all-star epic. Wayne appeared in the American Civil War sequence directed by Ford.[lower-alpha 25] Also appearing in this sequence were George Peppard, Russ Tamblyn, and Harry Morgan (as Ulysses S. Grant). Filmed in Technicolor and Cinerama. [210][211][lower-alpha 26]

1963

No. Title Studio Role Leading lady Director Notes Refs.
157 Donovan's Reef Par Michael Patrick Donovan Elizabeth Allen John Ford With Lee Marvin, Jack Warden, Cesar Romero. Filmed in Technicolor on location in Kauai, Hawaii. Wayne's last film with director John Ford.[lower-alpha 27] [212]
158 McLintock! Batjac
UA
George Washington McLintock Maureen O'Hara Andrew V. McLaglen With Patrick Wayne, Stefanie Powers, Bruce Cabot, Yvonne de Carlo. A big favorite with Wayne fans. His first film with director McLaglen. Filmed in Panavision and Technicolor. [213][214]

1964

No. Title Studio Role Leading lady Director Notes Refs.
159
SB
UA
Matt Masters Claudia Cardinale
Rita Hayworth
Henry Hathaway With Lloyd Nolan, Richard Conte, John Smith. Filmed in 70 mm Super Technirama and Technicolor. Originally presented in Cinerama. [215]

1965

No. Title Studio Role Leading lady Director Notes Refs.
160 The Greatest Story Ever Told UA The Centurion (Longinus) George Stevens Director Stevens' large-scale telling of the life of Jesus Christ (played by Max von Sydow) with an all-star supporting cast. Wayne has a cameo as the Roman centurion who leads Christ to his crucifixion. [216]
161 In Harm's Way Sig
Par
Capt. Rockwell Torrey Patricia Neal Otto Preminger With Kirk Douglas, Tom Tryon, Paula Prentiss, Burgess Meredith, Brandon deWilde, Henry Fonda. Filmed in Panavision. Wayne's last film in black and white. [217]
162 The Sons of Katie Elder Par John Elder Martha Hyer Henry Hathaway With Dean Martin, Earl Holliman. Filmed in Panavision and Technicolor on location near Durango, Mexico. [218][219]

1966

No. Title Studio Role Leading lady Director Notes Refs.
163 Cast a Giant Shadow Batjac
UA
Gen. Mike Randolph Melville Shavelson With Kirk Douglas, Senta Berger. Wayne, Yul Brynner, and Frank Sinatra did guest star appearances in the biopic of Col. David "Mickey" Marcus (Douglas). Filmed in Technicolor. [220]
164 El Dorado Par Cole Thornton Charlene Holt
Michele Carey
Howard Hawks With Robert Mitchum, James Caan, Arthur Hunnicutt, Edward Asner. Filmed in Technicolor on location in Arizona. Filmed before, but released after, The War Wagon. [221][222]

1967

No. Title Studio Role Leading lady Director Notes Refs.
165 A Nation Builds Under Fire Himself Harry Middleton A documentary short dealing with Vietnam. [lower-alpha 28]
166 The War Wagon Batjac
Uni
Taw Jackson Burt Kennedy With Kirk Douglas, Howard Keel, Robert Walker, Jr.,[lower-alpha 29] Bruce Cabot. Filmed in Panavision and Technicolor on location in Durango. [223][224]

1968

No. Title Studio Role Leading lady Director Notes Refs.
167 The Green Berets Batjac
WB
Col. Mike Kirby John Wayne
Ray Kellogg
With David Janssen, Jim Hutton, Aldo Ray, Bruce Cabot, George Takei. Wayne's controversial take on the Vietnam War. Filmed in Panavision and Technicolor on location at Fort Benning, Georgia. Co-directed by an uncredited Mervyn LeRoy, but credit given instead to Ray Kellogg. [225][lower-alpha 30]
168 Hellfighters Uni Chance Buckman Katharine Ross
Vera Miles
Andrew V. McLaglen With Jim Hutton, Bruce Cabot, Jay C. Flippen. Wayne's character was based on real-life "hellfighter" Red Adair. Filmed in Panavision and Technicolor. [226]

1969

No. Title Studio Role Leading lady Director Notes Refs.
169 True Grit Par U.S. Marshal Reuben J. "Rooster" Cogburn Kim Darby Henry Hathaway With Glen Campbell, Jeremy Slate, Robert Duvall, Strother Martin, Jeff Corey. Wayne's Academy Award winning performance and his last film with Hathaway. Filmed in Technicolor. [227][228]
170 The Undefeated 20th Col. John Henry Thomas Andrew V. McLaglen With Rock Hudson, Roman Gabriel, Lee Meriwether. Filmed in Panavision and Deluxe color. [229][230]

1970

No. Title Studio Role Leading lady Director Notes Refs.
171 No Substitute for Victory AK Narrator Robert F. Slatzer A short in support of America's involvement in the Vietnam War. With General Mark Clark, Martha Raye, Sam Yorty, General William Westmoreland, and Lowell Thomas.
172 Chisum Batjac
WB
John Chisum Pamela McMyler Andrew V. McLaglen With Forrest Tucker, Christopher George, Bruce Cabot, Patric Knowles, Geoffrey Deuel (as Billy the Kid), Glenn Corbett (as Pat Garrett). Filmed in Panavision and Technicolor. [231][232]
173 Rio Lobo Par Cord McNally Jennifer O'Neill Howard Hawks With Jorge Rivero, Jack Elam, Chris Mitchum, Sherry Lansing, George Plimpton.[lower-alpha 31] Wayne's last film with Hawks. Filmed in Technicolor. [233][234]

1971

No. Title Studio Role Leading lady Director Notes Refs.
174 Big Jake Batjac
Par
Jacob McCandles Maureen O'Hara George Sherman With Richard Boone, Patrick Wayne, Chris Mitchum, Bruce Cabot. Filmed in Panavision and Technicolor. [235][236]
175 Directed by John Ford AFI Himself Peter Bogdanovich A documentary, narrated by Orson Welles.

1972

No. Title Studio Role Leading lady Director Notes Refs.
176 The Cowboys WB Wil Andersen Sarah Cunningham Mark Rydell With Roscoe Lee Browne, Bruce Dern, Colleen Dewhurst. Filmed in Panavision 70 and Technicolor. Later a TV series. [237][238]
177 Cancel My Reservation WB Himself Paul Bogart Wayne, Bing Crosby, Johnny Carson, and Flip Wilson made brief, unbilled cameo appearances in this Bob Hope comedy. Filmed in Technicolor.

1973

No. Title Studio Role Leading lady Director Notes Refs.
178 The Train Robbers Batjac
WB
Lane Ann-Margret Burt Kennedy With Rod Taylor, Ben Johnson, Christopher George, Ricardo Montalbán. Filmed in Panavision and Technicolor. [239][240]
179
Batjac
WB
J.D. Cahill Marie Windsor Andrew V. McLaglen With George Kennedy, Gary Grimes, Neville Brand, Clay O'Brien. Filmed in Panavision and Technicolor. [241][242]

1974

No. Title Studio Role Leading lady Director Notes Refs.
180 McQ Batjac
L-G
WB
Det. Lt. Lon McQ Diana Muldaur
Colleen Dewhurst
Julie Adams
John Sturges With Eddie Albert, Clu Gulager. Filmed in Panavision and Technicolor.

The first of Wayne's two cop films made in the wake of Clint Eastwood's success with Dirty Harry (1971).

[243]

1975

No. Title Studio Role Leading lady Director Notes Refs.
181 Brannigan UA Brannigan Judy Geeson Douglas Hickox With Richard Attenborough, Mel Ferrer. Filmed in Panavision and Deluxe colour on location in London. [244]
182 Rooster Cogburn Uni Marshal Reuben J. "Rooster" Cogburn Katharine Hepburn Stuart Millar With Anthony Zerbe, Richard Jordan, John McIntire, Strother Martin. Filmed in Panavision and Technicolor on location in Oregon. [245][246][lower-alpha 32]

1976

No. Title Studio Role Leading lady Director Notes Refs.
183 Chesty: Tribute to a Legend Himself John Ford A tribute documentary on the most decorated U.S. Marine, Gen. Lewis B. "Chesty" Puller. Completed in 1970, but not released until 1976, three years after Ford's death.
184 The Shootist DDL
PA
John Bernard Books Lauren Bacall
Sheree North
Don Siegel With Ron Howard, James Stewart, John Carradine, Hugh O'Brian, Harry Morgan, Richard Boone. Filmed in Technicolor. [247][248]

Posthumous

In 1993, Wayne appeared posthumously as George Abitbol, the central character in the French TV film La Classe américaine. The film, the story of which revolves around an investigation of Abitbol's death, consists entirely in cut-and-pasted extracts from other films, dubbed with new lines in French and transformed into a new story. Raymond Loyer, who had dubbed Wayne into French in his previous films, returned to do so one last time.

No. Title Studio Role Director Notes Refs.
185 La Classe américaine Canal+ Group George Abitbol, "the classiest man in the world" Michel Hazanavicius and Dominique Mézerette The film is an irreverent comedy, which pokes gentle fun at the genre of Wayne's previous films, and at Warner Bros. films in general.

As producer only

John Wayne produced, but did not star in, several feature films.

Title Studio Year Director Notes Refs.
The Bullfighter and the Lady Rep 1951 Budd Boetticher Robert Stack, Joy Page, Gilbert Roland
Plunder of the Sun WB 1953 John Farrow Glenn Ford, Patricia Medina
Ring of Fear WB 1954 James Edward Grant Clyde Beatty, Pat O'Brien, Mickey Spillane
Track of the Cat Batjac
WB
1956 William A. Wellman Robert Mitchum, Teresa Wright, Tab Hunter [249]
Goodbye, My Lady Batjac
WB
1956 William A. Wellman Walter Brennan, Phil Harris, Brandon deWilde, Sidney Poitier
Seven Men From Now Batjac
WB
1956 Budd Boetticher Randolph Scott, Gail Russell, Lee Marvin [250]
Gun the Man Down Batjac
UA
1956 Andrew V. McLaglen James Arness, Angie Dickinson, Harry Carey, Jr. [251]
Man in the Vault Batjac
Uni
1956 Andrew V. McLaglen William Campbell, Karen Sharpe
China Doll Rom
Batjac
UA
1958 Frank Borzage Victor Mature, Li Li Hua, Ward Bond
Escort West Rom
Batjac
UA
1959 Francis D. Lyon Victor Mature, Elaine Stewart, Faith Domergue [252]
Hondo and the Apaches Batjac
Fen
MGM
1967 Leo H. Katzin Ralph Taeger, Kathie Browne, Michael Rennie. A remake of Wayne's 1953 Hondo and a pilot for a TV series.

Box office popularity

Results from Quigley's Motion Picture Herald annual poll of film exhibitors would determine the year's "Top Ten Stars". With one exception (1958), John Wayne appeared on the list every time between 1949 and 1973, indicating that he was one of cinema's most durable stars.[253]

Place 1949 1950 1951 1952 1953
1 Bob Hope John Wayne John Wayne Martin & Lewis Gary Cooper
2 Bing Crosby Bob Hope Martin & Lewis Gary Cooper Martin & Lewis
3 Abbott & Costello Bing Crosby Betty Grable John Wayne John Wayne
4 John Wayne Betty Grable Abbott & Costello Bing Crosby Alan Ladd
5 Gary Cooper James Stewart Bing Crosby Bob Hope Gary Cooper
6 Cary Grant Abbott & Costello Bob Hope James Stewart Marlon Brando
7 Betty Grable Clifton Webb Randolph Scott Doris Day Martin & Lewis
8 Esther Williams Esther Williams Gary Cooper Gregory Peck Humphrey Bogart
9 Humphrey Bogart Spencer Tracy Doris Day Susan Hayward June Allyson
10 Clark Gable Randolph Scott Spencer Tracy Randolph Scott Clark Gable
Place 1954 1955 1956 1957 1958
1 John Wayne James Stewart William Holden Rock Hudson Glenn Ford
2 Martin & Lewis Grace Kelly John Wayne John Wayne Elizabeth Taylor
3 Gary Cooper John Wayne James Stewart Pat Boone Jerry Lewis
4 James Stewart William Holden Burt Lancaster Elvis Presley Marlon Brando
5 Glenn Ford Bing Crosby Marilyn Monroe Frank Sinatra Rock Hudson
6 Martin & Lewis Marilyn Monroe Alan Ladd Gary Cooper William Holden
7 Gary Cooper James Stewart William Holden William Holden Brigitte Bardot
8 Marilyn Monroe Bob Hope Bing Crosby James Stewart Yul Brynner
9 Kim Novak Susan Hayward Jane Wyman Jerry Lewis James Stewart
10 Frank Sinatra Randolph Scott Marlon Brando Yul Brynner Frank Sinatra
Place 1959 1960 1961 1962 1963
1 Rock Hudson Doris Day Elizabeth Taylor Doris Day Doris Day
2 Cary Grant Rock Hudson Rock Hudson Rock Hudson John Wayne
3 James Stewart Cary Grant Doris Day Cary Grant Rock Hudson
4 Doris Day Elizabeth Taylor John Wayne John Wayne Jack Lemmon
5 Debbie Reynolds Debbie Reynolds Cary Grant Elvis Presley Cary Grant
6 Glenn Ford Tony Curtis Sandra Dee Elizabeth Taylor Elizabeth Taylor
7 Frank Sinatra Sandra Dee Jerry Lewis Jerry Lewis Elvis Presley
8 John Wayne Frank Sinatra William Holden Frank Sinatra Sandra Dee
9 Jerry Lewis Jack Lemmon Tony Curtis Sandra Dee Paul Newman
10 Susan Hayward John Wayne Elvis Presley Burt Lancaster Jerry Lewis
Place 1964 1965 1966 1967 1968
1 Doris Day Sean Connery Julie Andrews Julie Andrews Sidney Poitier
2 Jack Lemmon John Wayne Sean Connery Lee Marvin Paul Newman
3 Rock Hudson Doris Day Elizabeth Taylor Paul Newman Julie Andrews
4 John Wayne Julie Andrews Jack Lemmon Dean Martin John Wayne
5 Cary Grant Jack Lemmon Richard Burton Sean Connery Clint Eastwood
6 Elvis Presley Elvis Presley Cary Grant Elizabeth Taylor Dean Martin
7 Shirley MacLaine Cary Grant John Wayne Sidney Poitier Dustin Hoffman
8 Ann-Margret James Stewart Doris Day John Wayne Jack Lemmon
9 Paul Newman Elizabeth Taylor Paul Newman Richard Burton Lee Marvin
10 Richard Burton Richard Burton Elvis Presley Steve McQueen Elizabeth Taylor
Place 1969 1970 1971 1972 1973
1 Paul Newman Paul Newman John Wayne Clint Eastwood Clint Eastwood
2 John Wayne Clint Eastwood Clint Eastwood George C. Scott Ryan O'Neal
3 Steve McQueen Steve McQueen Paul Newman Gene Hackman Steve McQueen
4 Dustin Hoffman John Wayne Steve McQueen John Wayne Burt Reynolds
5 Clint Eastwood Elliott Gould George C. Scott Barbra Streisand Robert Redford
6 Sidney Poitier Dustin Hoffman Dustin Hoffman Marlon Brando Barbra Streisand
7 Lee Marvin Lee Marvin Walter Matthau Paul Newman Paul Newman
8 Jack Lemmon Jack Lemmon Ali MacGraw Steve McQueen Charles Bronson
9 Katharine Hepburn Barbra Streisand Sean Connery Dustin Hoffman John Wayne
10 Barbra Streisand Walter Matthau Lee Marvin Goldie Hawn Marlon Brando

See also

Footnotes

  1. "The tall, commanding figure of the prop boy looked right for the part and, when John Ford vouched for Wayne's dedication to work, [Raoul] Walsh arranged a screen test."[1]
  2. Filmed as Arizona, the movie's makers applied to the New York State Censor Board for a new title, Men Are Like That, and the film was reviewed under that title in New York and other places.
  3. Not the radio comedian.
  4. Sister of Loretta Young.
  5. Later known as Sheila Bromley.
  6. Later known as Adrian Booth.
  7. A Walter Wanger production released thru United Artists.
  8. Tom Tyler played Wayne's role of Stoney Brooke in some of the later Mesquiteers series.
  9. These same incidents also formed the basis of the film The Baron of Arizona (1951), starring Vincent Price.
  10. The change in title was probably done to avoid confusion with an earlier Wayne film called The New Frontier (1936).
  11. Jennifer Jones' son, Robert Walker, Jr., appeared with Wayne in The War Wagon (1966).
  12. Namely, The Moon of the Caribees, In the Zone, Bound East For Cardiff, and The Long Voyage Home.
  13. Marlene Dietrich receives top billing over Wayne in the opening credits. Posters for the film's reissue several years later gave top billing to Wayne.
  14. When the film was re-issued in the 1950s Wayne and Susan Hayward received top billing in the advertisements.
  15. This story was also filmed in 1914, 1922, 1930 and 1955 with, respectively, William Farnum, Milton Sills, Gary Cooper, and Jeff Chandler in the Wayne role. Farnum also plays a supporting part in the Wayne version.
  16. This was Clift's first film, although the second one he made, The Search (1948), was released before Red River.
  17. Also filmed as Marked Men (1919), Hell's Heroes (1930), and Three Godfathers (1936) with, respectively, Harry Carey, Charles Bickford, and Chester Morris in the Wayne role.
  18. One of only three sound films Hardy did without comic partner Stan Laurel.
  19. The working title for Rio Grande was Rio Bravo, which was also the title used for a 1959 Wayne Western. The title Rio Grande had been used for a 1949 B-Western starring Sunset Carson.
  20. The character Wayne played here and in Fort Apache is the same character (just as it is in the short stories on which they are based), but here the character's last name has an added "e".
  21. Ward Bond plays a movie director named "John Dodge", an obvious spoof of the film's real director, John Ford.
  22. Produced by U.S. Information Agency.
  23. Reputedly, Curtiz was extremely ill during the shooting, as a result the majority of the film was directed by Wayne who refused to take credit.
  24. James Stewart received top billing over Wayne in the film's advertisements, but Wayne has top billing in the film's opening credits.
  25. Wayne had originally played Sherman in an episode of the TV series Wagon Train entitled "The Colton Craven Story." That episode was directed by John Ford.
  26. Technicolor prints were apparently used for only the Cinerama presentation while general release print used Metrocolor.
  27. Aside from the documentary film Chesty: Tribute to a Legend (1976).
  28. U.S. Department of Defense / Armed Forces Information & Education.
  29. Walker Jr's mother, actress Jennifer Jones, made her film debut opposite Wayne in New Frontier (1939).
  30. Vera Miles appeared in some scenes as Wayne's wife, but these were cut from the final print.
  31. George Plimpton made a TV documentary about the making of this film. In this documentary, entitled "Shoot-out at Rio Lobo". Wayne frequently accidentally referred to Plimpton as "Pimpleton".
  32. Warren Oates would play Rooster Cogburn in a 1978 TV film entitled True Grit: A Further Adventure.

Notes

  1. Landesman, pp. 417–418.
  2. IMDb: John Wayne Filmography
  3. Landesman, pp. 53–55.
  4. Landesman, pp. 29–31.
  5. Landesman, pp. 124–126.
  6. Landesman, pp. 19–21.
  7. Landesman, pp. 96–98.
  8. Landesman, pp. 230–232.
  9. Landesman, pp. 121–122.
  10. Landesman, pp. 131–133.
  11. Landesman, pp. 240–242.
  12. Landesman, pp. 336–337.
  13. Landesman, pp. 40–41.
  14. Landesman, pp. 412–413.
  15. Landesman, pp. 301–303.
  16. Landesman, pp. 119–121.
  17. Landesman, pp. 228–230.
  18. Landesman, pp. 46–47.
  19. Landesman, pp. 298–299.
  20. Landesman, pp. 63–64.
  21. Landesman, pp. 37–40.
  22. Fagen, pp. 40–41.
  23. Landesman, pp. 123–124.
  24. Landesman, pp. 366–367.
  25. Landesman, pp. 226–228.
  26. Landesman, pp. 90–92.
  27. Landesman, pp. 266–268.
  28. Fagen, p. 336.
  29. Landesman, pp. 209–211.
  30. Landesman, p. 393.
  31. Landesman, pp. 321–323.
  32. Landesman, pp. 354–355.
  33. Landesman, pp. 384–385.
  34. Fagen, p. 451.
  35. Landesman, pp. 178–180.
  36. Landesman, pp. 154–156.
  37. Landesman, pp. 145–146.
  38. Landesman, pp. 281–283.
  39. Fagen, p. 350.
  40. Landesman, pp. 358–359.
  41. Landesman, pp. 35–37.
  42. Fagen, p. 40.
  43. Landesman, pp. 137–138.
  44. Fagen, p. 203.
  45. Landesman, pp. 352–353.
  46. Fagen, p. 422.
  47. Landesman, pp. 370–372.
  48. Landesman, pp. 61–63.
  49. Landesman, pp. 332–333.
  50. Fagen, p. 400.
  51. Landesman, pp. 143–145.
  52. Landesman, pp. 196–198.
  53. Landesman, pp. 21–23.
  54. Landesman, pp. 214–215.
  55. Fagen, p. 271.
  56. Landesman, pp. 284–286.
  57. Fagen, p. 352.
  58. Landesman, pp. 347–348.
  59. Landesman, pp. 70–72.
  60. Landesman, pp. 300–301.
  61. Fagen, p. 374.
  62. Landesman, pp. 207–209.
  63. Fagen, p. 264.
  64. Landesman, pp. 399–400.
  65. Fagen, p. 481.
  66. Landesman, pp. 44–46.
  67. Fagen, p. 49.
  68. Landesman, pp. 215–216.
  69. Fagen, p. 272.
  70. Landesman, pp. 264–265.
  71. Fagen, p. 335.
  72. Landesman, pp. 344–345.
  73. Fagen, p. 411.
  74. Landesman, pp. 375–377.
  75. Fagen, p. 442.
  76. Landesman, pp. 188–190.
  77. 77.0 77.1 Fagen, p. 249.
  78. Landesman, pp. 232–233.
  79. Fagen, p. 291.
  80. Landesman, pp. 356–357.
  81. Fagen, p. 428.
  82. Landesman, pp. 262–264.
  83. Fagen, p. 334.
  84. Landesman, pp. 92–93.
  85. Fagen, p. 128.
  86. Landesman, pp. 89–90.
  87. Fagen, p. 121.
  88. Landesman, pp. 254–256.
  89. Fagen, p. 314.
  90. Landesman, pp. 401–403.
  91. Fagen, p. 483.
  92. Landesman, pp. 233–236.
  93. Landesman, pp. 192–193.
  94. Fagen, p. 250.
  95. Landesman, pp. 248–250.
  96. "Searching for John Wayne in the Alabama Hills". BBC News. BBC. October 9, 2013. Retrieved October 10, 2013. 
  97. Fagen, p. 302.
  98. Landesman, pp. 190–191.
  99. Landesman, pp. 176–177.
  100. Fagen, p. 236.
  101. Landesman, pp. 199–201.
  102. Fagen, p. 260.
  103. Landesman, pp. 403–405.
  104. Fagen, p. 493.
  105. Landesman, pp. 310–313.
  106. Landesman, pp. 75–77.
  107. Landesman, pp. 57–59.
  108. Landesman, pp. 157–159.
  109. Landesman, pp. 161–162.
  110. Landesman, pp. 7–9.
  111. Landesman, pp. 48–50.
  112. Fagen, pp. 55–56.
  113. Landesman, pp. 252–254.
  114. Fagen, p. 313.
  115. Landesman, pp. 250–251.
  116. Landesman, pp. 306–308.
  117. Landesman, pp. 276–278.
  118. Landesman, pp. 340–344.
  119. Fagen, pp. 407–408.
  120. Landesman, pp. 238–240.
  121. Landesman, pp. 373–375.
  122. Fagen, p. 434.
  123. Landesman, pp. 413–415.
  124. Landesman, pp. 236–238.
  125. Landesman, pp. 13–15.
  126. Fagen, p. 8.
  127. Landesman, pp. 86–88.
  128. Fagen, pp. 119–120.
  129. Landesman, pp. 363–365.
  130. Landesman, pp. 202–205.
  131. Landesman, pp. 318–321.
  132. Fagen, p. 281.
  133. Landesman, pp. 212–214.
  134. Landesman, pp. 183–185.
  135. Landesman, pp. 326–328.
  136. Fagen, p. 387.
  137. Landesman, pp. 180–183.
  138. Landesman, pp. 268–272.
  139. Landesman, pp. 338–340.
  140. Fagen, p. 404.
  141. Landesman, pp. 165–168.
  142. Fagen, p. 224.
  143. Landesman, pp. 113–116.
  144. Landesman, pp. 278–281.
  145. Landesman, pp. 256–259.
  146. Landesman, pp. 185–188.
  147. Fagen, p. 238.
  148. Landesman, pp. 168–171.
  149. Fagen, p. 225.
  150. Landesman, pp. 104–107.
  151. Landesman, pp. 348–351.
  152. Fagen, p. 420.
  153. Landesman, pp. 107–110.
  154. Fagen, p. 160.
  155. Landesman, pp. 23–26.
  156. Landesman, pp. 359–363.
  157. Landesman, pp. 82–85.
  158. Fagen, p. 115.
  159. Landesman, pp. 409–411.
  160. Landesman, pp. 16–19.
  161. Fagen, pp. 11–12.
  162. Landesman, pp. 387–389.
  163. Landesman, pp. 272–276.
  164. Fagen, p. 341.
  165. Landesman, pp. 116–119.
  166. Fagen, pp. 164–166.
  167. Landesman, pp. 367–370.
  168. Fagen, pp. 431–432.
  169. Landesman, pp. 393–396.
  170. Landesman, pp. 101–104.
  171. Fagen, p. 155.
  172. Landesman, pp. 323–326.
  173. Fagen, p. 388.
  174. Landesman, pp. 303–306.
  175. Landesman, pp. 289–292.
  176. Fagen, pp. 360–361.
  177. Landesman, pp. 246–248.
  178. Landesman, pp. 110–113.
  179. Landesman, pp. 259–262.
  180. Landesman, pp. 33–35.
  181. Landesman, pp. 379–380.
  182. Landesman, pp. 171–173.
  183. Landesman, pp. 146–148.
  184. Fagen, p. 214.
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References

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