John Wayne filmography
A complete filmography of John Wayne from 1926 to 1976, which also includes those films that Wayne only produced, and results pertaining to his long-running box office popularity between 1949 and 1973, during the height of his career after a decade of starring in a succession of low-budget B-movies.
1 Overview |
2 Filmography |
|
|
|
|
|
|
3 As producer only |
4 Box office popularity |
5 See also |
6 Footnotes |
7 Notes |
8 References |
Overview
He moved over to Columbia Pictures, where he ran afoul of studio boss Harry Cohn. As a result, Wayne was dropped from leading man to supporting player to bit player and finally down to being an extra again.
After the Columbia debacle, Wayne solidified his stardom – albeit as a minor star – in a string of low-budget action films (mostly Westerns) at Warner Bros. and Universal and the "Poverty Row" studios Mascot, Monogram, and Republic.
Fortunately, Wayne kept on friendly terms with John Ford who, as a result, gave Wayne a career boost with Stagecoach (1939). By 1940 John Wayne was firmly established as a major motion picture star.
Other popular Wayne films include the seafaring adventures Reap the Wild Wind and Wake of the Red Witch and influential war movies such as Flying Tigers, The Fighting Seabees, and Sands of Iwo Jima, for which he was nominated for an Academy Award for Best Actor.
The 1950s would see Wayne continue as a major star although the artistic quality of his work varied greatly. Wayne also continued his producing activities during this period as well, notably with the formation of his own production company, Batjac.
In 1960, Wayne appeared in his most personal production, portraying Davy Crockett in The Alamo, which he also produced and directed.
During the 1960s and 1970s, John Wayne ranked as an American icon and one of the top box office attractions in the cinema. Wayne's output of films consisted largely of Westerns but he also ventured into other genres as well, including several films dealing with the Second World War (notably The Longest Day and In Harm's Way).
Wayne made some of his most prominent films during this period, including John Ford's The Man Who Shot Liberty Valance (1962) with James Stewart.
Wayne's political views came under harsh attack from film critics with the release of The Green Berets (1968), which Wayne produced, directed and starred in. The following year, however, he would be praised by critics for his performance in True Grit, which would earn him an Academy Award for Best Actor.
John Wayne made his last picture, The Shootist, in 1976, bringing an end to a remarkable career spanning more than 50 years, 169 feature length films,[1] and various other television appearances or voice-overs.[2]
Filmography
- Key to studio abbreviations
20th | 20th Century-Fox | AFI | American Film Institute | AK | Alaska Pictures |
---|---|---|---|---|---|
Arg | Argosy Pictures | Arm | Armada Productions | Batjac | Batjac |
Col | Columbia | CVW | C.V. Whitney | DDL | Dino De Laurentiis |
Fen | Fenady Associates | FN | First National | Fox | Fox Films |
L-G | Levy-Gardner | Mas | Mascot | MGM | Metro-Goldwyn-Mayer |
Mono | Monogram ("Lone Star") | Mop | Monterey Productions | NG | National General |
Par | Paramount | Rep | Republic | RKO | RKO Radio |
Rom | Romina Productions | SB | Samuel Bronston | Sho | Showman's Pictures |
Sig | Sigma | Tif | Tiffany Pictures | UA | United Artists |
Uni | Universal | WB | Warner Bros. | W-F | Wayne-Fellows Productions |
1926
No. | Title | Studio | Role | Director | Notes | Refs. |
---|---|---|---|---|---|---|
1 | Brown of Harvard | MGM | Yale Football Player | Jack Conway | Wayne was an unbilled football player in game sequences of this sports drama, with William Haines, Mary Brian, and Jack Pickford. | [3] |
2 | Bardelys the Magnificent | MGM | Guard | King Vidor | Wayne unbilled in this swashbuckler with John Gilbert and Eleanor Boardman. | [4] |
3 | The Great K & A Train Robbery | Fox | extra | Lewis Seiler | A Tom Mix Western. Wayne unbilled. | [5] |
1927
No. | Title | Studio | Role | Director | Notes | Refs. |
---|---|---|---|---|---|---|
4 | Annie Laurie | MGM | extra | John S. Robertson | With Lillian Gish and Norman Kerry. Wayne unbilled. | [6] |
5 |
|
FN | extra | Millard Webb | A football drama with Richard Barthelmess. Wayne once again unbilled as a football player in game footage. | [7] |
1928
No. | Title | Studio | Role | Director | Notes | Refs. |
---|---|---|---|---|---|---|
6 | Mother Machree | Fox | extra | John Ford | An Irish drama with Victor McLaglen. Wayne unbilled in his first film with Ford. Sources disagree whether Wayne actually appeared on film, as he was a prop man. | [8] |
7 | Four Sons | Fox | extra | John Ford | An Irish drama with Victor McLaglen. Wayne unbilled. Sources disagree whether Wayne actually appeared on film in this picture, as well. | [9] |
8 | Hangman's House | Fox | Horse Race Spectator / Condemned Man | John Ford | An Irish drama with Victor McLaglen. Wayne unbilled but noticeable as a spectator in a horse racing scene. | [10] |
9 | Noah's Ark | WB | Flood extra | Michael Curtiz | A Biblical drama with Dolores Costello, George O'Brien, Noah Beery, and Myrna Loy. Wayne and Andy Devine unbilled as extras in the flood sequence. | [11] |
1929
No. | Title | Studio | Role | Director | Notes | Refs. |
---|---|---|---|---|---|---|
10 | Speakeasy | Fox | extra | Benjamin Stoloff | A sports drama with Lola Lane and Paul Page. Wayne unbilled. | [12] |
11 | The Black Watch | Fox | extra | John Ford | Drama of the British army in India during the First World War, with Victor McLaglen and Myrna Loy. Wayne and Randolph Scott unbilled. | [13] |
12 | Words and Music | Fox | Pete Donahue | James Tinling | Wayne billed under his real name, Duke Morrison. An early talkie musical. Now apparently a lost film. | [14] |
13 | Salute | Fox | Bill, Midshipman | John Ford | A football drama with George O'Brien and Helen Chandler. Wayne and Ward Bond unbilled. | [15] |
14 | The Forward Pass | Fox | extra | Eddie Cline | A football drama with Douglas Fairbanks, Jr. and Loretta Young. Wayne unbilled. A lost film. | [16] |
1930
No. | Title | Studio | Role | Director | Notes | Refs. |
---|---|---|---|---|---|---|
15 | Men Without Women | Fox | Radioman on surface | John Ford | A submarine drama. Wayne unbilled. | [17] |
16 | Born Reckless | Fox | Soldier | John Ford Andrew Bennison |
A crime melodrama with Edmund Lowe, Lee Tracy, and Marguerite Churchill. Wayne, Randolph Scott, and Ward Bond unbilled. | [18] |
17 | Rough Romance | Fox | Lumberjack | A.F. Erickson | A logging adventure with George O'Brien and Antonio Moreno. Wayne unbilled. | [19] |
18 | Cheer Up and Smile | Fox | bit part | Sidney Lansfield | A musical with Arthur Lake, Dixie Lee, Olga Baclanova, and "Whispering" Jack Smith. Wayne and J. Carrol Naish unbilled. | [20] |
19 | The Big Trail | Fox | Breck Coleman | Raoul Walsh | With Tyrone Power, Sr., Ian Keith, Ward Bond. An epic Western shot simultaneously in standard 35 mm and 70 mm "Grandeur" wide-screen. Wayne's first starring role. | [21][22] |
1931
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
20 | Girls Demand Excitement | Fox | Peter Brooks | Virginia Cherrill Marguerite Churchill |
Seymour Felix | A college romantic comedy. | [23] |
21 | Three Girls Lost | Fox | Gordon Wales | Loretta Young | Sidney Lansfield | [24] | |
22 |
|
Col | Lt. Bob Denton | Laura La Plante June Clyde |
George B. Seitz | Based on the play by Augustus Thomas. Previously filmed in 1919 with Douglas Fairbanks in the Wayne role. | [25][lower-alpha 2] |
23 | The Deceiver | Col | Reginald Thorpe's corpse | Louis King | Wayne's most ignominious part. He played the corpse of the character played (alive) by Ian Keith. | [26] | |
24 | Range Feud | Col | Clint Turner | Susan Fleming | D. Ross Letterman | A B-Western starring Buck Jones. Wayne in a supporting role. | [27][28] |
25 | Maker of Men | Col | Dusty Rhodes | Edward Sedgwick | A football drama with Jack Holt and Richard Cromwell. Wayne in a supporting role. | [29] |
1932
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
26 | The Voice of Hollywood: No. 13 | Tif | Himself | Thelma Todd | Mark D'Agostino | A short subject. | [30] |
27 | Running Hollywood | Uni | Himself | Charles Lamont | A two-reel short. | ||
28 | The Shadow of the Eagle | Mas | Craig McCoy | Dorothy Gulliver | Ford Beebe | A 12-chapter serial. | [31] |
29 | Texas Cyclone | Col | Steve Pickett | Shirley Grey | D. Ross Lederman | A B-Western starring Tim McCoy. Wayne in a supporting part. | [32] |
30 | Two-Fisted Law | Col | Duke | Alice Day | D. Ross Lederman | Another B-Western starring Tim McCoy. Wayne in a supporting part. | [33][34] |
31 | Lady and Gent | Par | Buzz Kinney | Stephen Roberts | A boxing drama with George Bancroft and Wynne Gibson. Wayne in a supporting role. Remade as Unmarried (1939) with Buster Crabbe in Wayne's role. | [35] | |
32 | The Hurricane Express | Mas | Larry Baker | Shirley Gray | Armand Schaefer J.P. McGowan |
A 12-chapter serial. | [36] |
33 | The Hollywood Handicap | Uni | Himself | Charles Lamont | A two-reel short. | [37] | |
34 |
|
WB | John Drury | Ruth Hall | Fred Allen[lower-alpha 3] | Wayne's first starring role in a B-Western, the first of six that he would make for Warner Bros. Remake of The Unknown Cavalier (1926) with Ken Maynard. | [38][39] |
35 | That's My Boy | Col | Football Player | Roy William Neill | With Richard Cromwell and Dorothy Jordan. Another football drama with Wayne in a supporting role. | [40] | |
36 | The Big Stampede | WB | John Steele | Mae Madison | Tenny Wright | Remake of Land Beyond the Law (1927) with Ken Maynard. Remade under original title in 1936 with Dick Foran. | [41][42] |
37 | Haunted Gold | WB | John Mason | Sheila Terry | Mack V. Wright | Remake of The Phantom City (1928) with Ken Maynard. | [43][44] |
1933
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
38 | The Telegraph Trail | WB | John Trent | Marceline Day | Tenny Wright | Wayne's first film with Yakima Canutt. A clip of this film was used in Footlight Parade (1933). Semi-remake of The Red Raiders (1927) with Ken Maynard. | [45][46] |
39 | The Three Musketeers | Mas | Tom Wayne | Ruth Hall | Armand Schaefer Colbert Clark |
With Creighton Chaney. A 12-chapter serial set in the Arabian desert. Very loosely adapted from the Dumas novel. Later re-edited into a 1946 feature entitled Desert Command. | [47] |
40 | Central Airport | WB | Co-pilot in wreck | William Wellman | An aviation drama with Richard Barthelmess, Sally Eilers, and Tom Brown. Wayne in an unbilled bit, and his first on-screen death. | [48] | |
41 | Somewhere in Sonora | WB | John Bishop | Shirley Palmer | Mack V. Wright | Remake of the 1927 film of the same title with Ken Maynard. | [49][50] |
42 | His Private Secretary | WB | Dick Wallace | Evelyn Knapp | Philip H. Whitman | Romantic comedy made by the independent company Showman's Pictures. | [51] |
43 |
|
WB | Smith | Archie Mayo | Boxing melodrama with Douglas Fairbanks, Jr. and Loretta Young. Wayne in small supporting role as a frightened boxer. Remade as They Made Me a Criminal (1939) with John Garfield, and Louis Jean Heydt in Wayne's role. | [52] | |
44 | Baby Face | WB | Jimmy McCoy | Barbara Stanwyck | Alfred E. Green | Wayne in a supporting part. This was the only time he appeared in a film with Stanwyck. | [53] |
45 | The Man from Monterey | WB | Capt. John Holmes | Ruth Hall | Mack V. Wright | Wayne's last B-Western for Warner Bros. | [54][55] |
46 | Riders of Destiny | Mono | Sandy Saunders ("Singing Sandy") | Cecilia Parker | R.N. Bradbury | Wayne's first B-Western for Monogram, released as a "Lone Star Western", and the first to present him as a singing cowboy (with a dubbed singing voice). Also his first teaming with George "Gabby" Hayes. | [56][57] |
47 | The Sweetheart of Sigma Chi | WB | Bit part | Edwin L. Marin | A college romantic comedy with Mary Carlisle, Buster Crabbe, Charles Starrett, and Betty Grable. Wayne wore a moustache in his bit part, which was cut from the final print. | [58] | |
48 |
|
WB | Student | William Wellman | Wayne's last bit part. Aside from cameos, he would play the lead – or one of the leads – in all of his subsequent pictures. | [59] | |
49 |
|
Mono | John Brant | Nancy Shubert | Armand Schaefer | With Yakima Canutt. | [60][61] |
1934
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
50 | The Lucky Texan | Mono | Jerry Mason | Barbara Sheldon | R.N. Bradbury | With George Hayes, Yakima Canutt, Earl Dwire. | [62][63] |
51 | West of the Divide | Mono | Ted Hayden | Virginia Browne Faire | R.N. Bradbury | With George Hayes, Yakima Canutt, Lafe McKee, Earl Dwire. | [64][65] |
52 | Blue Steel | Mono | John Carruthers | Eleanor Hunt | R.N. Bradbury | With George Hayes, Yakima Canutt, Lafe McKee, Earl Dwire. Filmed on location in Lone Pine, California. | [66][67] |
53 | The Man from Utah | Mono | John Westen | Polly Ann Young[lower-alpha 4] | R.N. Bradbury | With George Hayes, Yakima Canutt, Lafe McKee. | [68][69] |
54 | Randy Rides Alone | Mono | Randy Bowers | Alberta Vaughn | Harry L. Fraser | With George Hayes, Yakima Canutt, Earl Dwire. Another "singing cowboy" role for Wayne. | [70][71] |
55 | The Star Packer | Mono | John Travers | Verna Hillie | R.N. Bradbury | With George Hayes, Yakima Canutt, Earl Dwire. | [72][73] |
56 | The Trail Beyond | Mono | Rod Drew | Verna Hillie | R.N. Bradbury | With Noah Beery, Sr., Noah Beery, Jr., Earl Dwire. Based on the novel The Wolf Hunters by James Oliver Curwood. Also filmed under the novel's title in 1926 and 1949. | [74][75] |
57 | The Lawless Frontier | Mono | John Tobin | Sheila Terry | R.N. Bradbury | With George Hayes, Yakima Canutt, Earl Dwire. | [76][77] |
58 | 'Neath the Arizona Skies | Mono | Chris Morrell | Sheila Terry | Harry Fraser | With Shirley Jean Rickert, George Hayes, Yakima Canutt, Earl Dwire. | [78][79] |
1935
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
59 | Texas Terror | Mono | John Higgins | Lucile Browne | R.N. Bradbury | With George Hayes. | [80][81] |
60 | Rainbow Valley | Mono | John Martin | Lucile Browne | R.N. Bradbury | With George Hayes. | [82][83] |
61 | The Desert Trail | Mono | John Scott | Mary Kornman | Cullen Lewis | With Paul Fix. | [84][85] |
62 | The Dawn Rider | Mono | John Mason | Marion Burns | R.N. Bradbury | With Yakima Canutt. | [86][87] |
63 | Paradise Canyon | Mono | John Wyatt | Marion Burns | Carl Pierson | With Earle Hodgins and Yakima Canutt. Wayne's last "Lone Star" Western for Monogram. | [88][89] |
64 | Westward Ho | Rep | John Wyatt | Sheila Mannors[lower-alpha 5] | R.N. Bradbury | With Yakima Canutt. Shot on location in Lone Pine. Wayne's first film for Republic Pictures. | [90][91] |
65 | The New Frontier | Rep | John Dawson | Muriel Evans | Carl Pierson | Not to be confused with the 1939 film Wayne made entitled New Frontier (no "the"). | [92] |
66 | Lawless Range | Rep | John Middleton | Sheila Mannors | R.N. Bradbury | With Yakima Canutt. | [93][94] |
1936
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
67 | The Oregon Trail | Rep | Capt. John Delmont | Ann Rutherford | Scott Pembroke | With Yakima Canutt. Shot on location in Lone Pine. A lost film. 40 stills were discovered in 2013. | [95][96][97] |
68 | The Lawless Nineties | Rep | John Tipton | Ann Rutherford | Joseph Kane | [98][77] | |
69 | King of the Pecos | Rep | John Clayborn | Muriel Evans | Joseph Kane | With Yakima Canutt. Shot on location in Lone Pine. | [99][100] |
70 | The Lonely Trail | Rep | Captain John Ashley | Ann Rutherford | Joseph Kane | With Yakima Canutt. A post-American Civil War yarn about carpetbaggers. | [101][102] |
71 | Winds of the Wasteland | Rep | John Blair | Phyllis Fraser | Mack V. Wright | Hulu sometimes presents a colorized version entitled Stagecoach Run. | [103][104] |
72 | Sea Spoilers | Uni | Bob Randall | Nan Grey | Frank Strayer | The first of six non-Westerns that Wayne did for Universal. | [105] |
73 | Conflict | Uni | Pat Glendon | Jean Rogers | David Howard | Based on the novel The Abysmal Brute by Jack London. | [106] |
1937
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
74 | California Straight Ahead! | Uni | Biff Smith | Louise Latimer | Arthur Lubin | Wayne as a school bus driver who becomes a trucking industry leader. | [107] |
75 | I Cover the War | Uni | Bob Adams | Gwen Gaze | Arthur Lubin | Shot on location in Lone Pine. | [108] |
76 | Idol of the Crowds | Uni | Johnny Hanson | Sheila Bromley | Arthur Lubin | Sports drama with Wayne as a professional ice hockey player. | [109] |
77 | Adventure's End | Uni | Duke Slade | Diana Gibson | Arthur Lubin | The last of Wayne's non-Western "B" pictures for Universal. | [110] |
78 |
|
Par | Dare Rudd | Marsha Hunt | Charles Barton | With Johnny Mack Brown. Based on the novel of the same name by Zane Grey. Previously filmed in 1926 with Jack Holt in the Wayne role. | [111][112] |
1938
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
79 | Pals of the Saddle | Rep | Stoney Brooke | Doreen McKay | George Sherman | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). The first of eight films Wayne did in Republic's "Three Mesquiteers" series. | [113][114] |
80 | Overland Stage Raiders | Rep | Stoney Brooke | Louise Brooks | George Sherman | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). Brooks' final film appearance. | [115] |
81 | Santa Fe Stampede | Rep | Stoney Brooke | June Martel | George Sherman | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). | [116] |
82 | Red River Range | Rep | Stoney Brooke | Lorna Gray[lower-alpha 6] | George Sherman | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). | [117] |
1939
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
83 | Stagecoach | UA[lower-alpha 7] | Henry ("The Ringo Kid") | Claire Trevor | John Ford | With John Carradine, Andy Devine, George Bancroft, Louise Platt, Tim Holt, Tom Tyler. Filmed on location in Monument Valley. This is the film that boosted Wayne into major stardom. | [118][119] |
84 | The Night Riders | Rep | Stoney Brooke | Doreen McKay | George Sherman | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin), Tom Tyler.[lower-alpha 8] The story of this film was loosely based on the incidents in the life of James Reavis.[lower-alpha 9] | [120] |
85 |
|
Rep | Stoney Brooke | Carole Landis | George Sherman | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). | [121][122] |
86 | Wyoming Outlaw | Rep | Stoney Brooke | Adele Pearce | George Sherman | With Ray Corrigan (Tucson Smith) and Raymond Hatton (Rusty Joslin). | [123] |
87 |
|
Rep | Stoney Brooke | Phyllis Isley | George Sherman | With Ray Corrigan (Tucson Smith) and Raymond Hatton (Rusty Joslin). Film debut of Phyllis Isley, later known as Jennifer Jones.[lower-alpha 11] Wayne's last film in the "Three Mesquiteers" series and his last B-Western. | [124] |
88 |
|
RKO | Jim Smith | Claire Trevor | William A. Seiter | Wayne has second billing under Trevor. | [125][126] |
1940
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
89 | Dark Command | Rep | Bob Seton | Claire Trevor | Raoul Walsh | With Claire Trevor, Walter Pidgeon, Roy Rogers, and George Hayes. A fictionalized account of the infamous William Quantrill. | [127][128] |
90 | Screen Snapshots Series 19, No. 8: Cowboy Jubilee | Rep | Himself | Ralph Staub | A one-reel short also featuring Gene Autry and Roy Rogers. | ||
91 | Three Faces West | Rep | John Phillips | Sigrid Gurie | Bernard Vorhaus | With Charles Coburn. | [129] |
92 | The Long Voyage Home | UA | Ole Olson | Mildred Natwick | John Ford | With Thomas Mitchell, Barry Fitzgerald, Ward Bond. Based on four one-act plays by Eugene O'Neill.[lower-alpha 12] | [130] |
93 |
|
Uni | Lt. Dan Brent | Marlene Dietrich[lower-alpha 13] | Tay Garnett | Wayne's first of three teamings with Dietrich. | [131] |
Filmographies sometimes list him as doubling for Gene Autry for the trolley car crash stunt in Melody Ranch (1940).[132] This seems highly unlikely considering that Wayne had become a major star at this point in his career.
1941
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
94 |
|
Rep | Lynn Hollister | Frances Dee | John H. Auer | With Ward Bond | [133] |
95 | Lady from Louisiana | Rep | John Reynolds | Ona Munson | Bernard Vorhaus | With Ray Middleton, Henry Stephenson. | [134] |
96 | The Shepherd of the Hills | Par | Matt Matthews | Betty Field | Henry Hathaway | With Harry Carey. Wayne's first film in color (Technicolor). | [135][136] |
97 | Meet the Stars: Past and Present | Rep | Himself | Harriet Parsons | A promotional short. |
1942
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
98 | Lady for a Night | Rep | Jack Morgan | Joan Blondell | Leigh Jason | Wayne is billed second. | [137] |
99 | Reap the Wild Wind | Par | Capt. Jack Stuart | Paulette Goddard | Cecil B. DeMille | With Ray Milland, Raymond Massey, Robert Preston, Susan Hayward. Filmed in Technicolor. Wayne is billed second in this seafaring epic.[lower-alpha 14] His only film with DeMille. | [138] |
100 | The Spoilers | Uni | Roy Glennister | Marlene Dietrich Margaret Lindsay |
Ray Enright | With Randolph Scott, Harry Carey, Richard Barthelmess. Sprawling version of the Rex Beach novel, climaxing with an epic saloon fight between Wayne and Scott (in a rare villainous role). Wayne is billed third. | [139][140][lower-alpha 15] |
101 | In Old California | Rep | Tom Craig | Binnie Barnes | William McGann | Wayne plays a pharmacist in this film, which was the occupation of his real-life father. | [141][142] |
102 | Flying Tigers | Rep | Jim Gordon | Anna Lee | David Miller | Wayne's first war movie. | [143] |
103 |
|
MGM | Pat Talbot | Joan Crawford | Jules Dassin | With Philip Dorn. | [144] |
104 | Pittsburgh | Uni | Charles "Pittsburgh" Markham | Marlene Dietrich Louise Albritton |
Lewis Seiler | With Randolph Scott, Shemp Howard. An unrelated follow-up to the The Spoilers with the same three leads. Wayne is billed third. | [145] |
1943
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
105 | A Lady Takes a Chance | RKO | Duke Hudkins | Jean Arthur | William A. Seiter | Wayne billed second. Produced by Frank Ross, Jean Arthur's husband). | [146][147] |
106 |
|
Rep | Dan Somers | Martha Scott | Al Rogell | With Albert Dekker, George Hayes, Dale Evans. | [148][149] |
1944
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
107 | The Fighting Seabees | Rep | Wedge Donovan | Susan Hayward | Edward Ludwig | Another war movie, this one dealing with the U.S. Navy's famed construction battalion. | [150] |
108 | Tall in the Saddle | RKO | Rocklin | Ella Raines | Edwin L. Marin | With Ward Bond, George Hayes | [151][152] |
109 | Flame of Barbary Coast | Rep | Duke Fergus | Ann Dvorak | Joseph Kane | With Joseph Schildkraut, William Frawley. | [153][154] |
1945
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
110 | Back to Bataan | RKO | Col. Joseph Madden | Edward Dmytryk | With Anthony Quinn, Beulah Bondi. | [155] | |
111 | They Were Expendable | MGM | Lt. Rusty Ryan | Donna Reed | John Ford | With Robert Montgomery, Jack Holt, Ward Bond. Wayne gets second billing to Montgomery in this film about naval PT boats. | [156] |
112 | Dakota | Rep | John Devlin | Vera Hruba Ralston | Joseph Kane | With Walter Brennan, Ward Bond. | [157][158] |
1946
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
113 | Without Reservations | RKO | Rusty Thomas | Claudette Colbert | Mervyn LeRoy | With Don DeFore. Wayne has second billing under Colbert. From this point on Wayne would always have top billing (except for appearances in "all-star" films or guest appearances). | [159] |
1947
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
114 | Angel and the Badman | Rep | Quirt Evans | Gail Russell | James Edward Grant | With Bruce Cabot, Harry Carey. Wayne's first film as producer as well as star. | [160][161] |
115 | Tycoon | RKO | Johnny Munroe | Laraine Day | Richard Wallace | With Sir Cedric Hardwicke, Anthony Quinn, Judith Anderson, James Gleason. Location shooting at Lone Pine. Filmed in Technicolor. | [162] |
1948
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
116 | Red River | Mop UA |
Thomas Dunson | Joanne Dru Coleen Gray |
Howard Hawks | With Montgomery Clift,[lower-alpha 16] Walter Brennan, John Ireland, Harry Carey, Harry Carey, Jr., Noah Beery, Jr., Hank Worden. Generally regarded as one of Wayne's finest films and finest performances. His first film with director Hawks. | [163][164] |
117 | Fort Apache | Arg RKO |
Capt. Kirby York | Shirley Temple | John Ford | With Henry Fonda, John Agar, Victor McLaglen, Ward Bond, George O'Brien. The first of Ford's "cavalry trilogy." Filmed on location in Monument Valley. | [165][166] |
118 | 3 Godfathers | Arg MGM |
Robert Marmaduke Hightower | Mildred Natwick | John Ford | Filmed in Technicolor on location in Death Valley, California. | [167][168][lower-alpha 17] |
119 | Wake of the Red Witch | Rep | Capt. Ralls | Gail Russell | Edward Ludwig | With Gig Young, Adele Mara, Luther Adler. | [169] |
1949
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
120 | The Fighting Kentuckian | Rep | John Breen | Vera Hruba Ralston | George Waggner | With Philip Dorn, Oliver Hardy,[lower-alpha 18] Marie Windsor. Wayne produced this film. | [170][171] |
121 | She Wore a Yellow Ribbon | Arg RKO |
Capt. Nathan Brittles | Joanne Dru | John Ford | With John Agar, Victor McLaglen, Harry Carey, Jr., Mildred Natwick, George O'Brien. The second film in Ford's "cavalry trilogy." Filmed in Technicolor on location in Monument Valley. | [172][173] |
122 | Screen Snapshots: Hollywood Rodeo | Col | Himself | Ralph Staub | A documentary short. | ||
123 | Sands of Iwo Jima | Rep | Sgt. John M. Stryker | Adele Mara Julie Bishop |
Allan Dwan | With John Agar, Forrest Tucker. Wayne received his first Academy Award nomination for this film. | [174] |
After filming Sands of Iwo Jima Wayne made Jet Pilot. However, it was not released theatrically until 1957. Therefore, it appears under that year of release.
1950
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
124 | Rio Grande[lower-alpha 19] | Arg Rep |
Lt. Col. Kirby Yorke[lower-alpha 20] | Maureen O'Hara | John Ford | With Ben Johnson, Claude Jarman, Jr., Harry Carey, Jr., and Victor McLaglen. The last of Ford's "cavalry trilogy" and Wayne's first of five teamings with O'Hara. Filmed on location in Monument Valley. | [175][176] |
1951
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
125 | Screen Snapshots: Reno's Silver Spur Awards | Col | Himself | Ralph Staub | A documentary short. | ||
126 | Operation Pacific | WB | "Duke" Gifford | Patricia Neal | George Waggner | With Ward Bond. | [177] |
127 | The Screen Director | WB | Himself | A promotional short featuring a scene on the set of Operation Pacific with John Ford directing Wayne. (Actually, George Waggner was the director of that film, so this scene was obviously staged.) | |||
128 | Screen Snapshots: Hollywood Awards | Col | Himself | Ralph Staub | A documentary short. | ||
129 | Flying Leathernecks | RKO | Major Dan Kirby | Nicholas Ray | With Robert Ryan. Produced by Howard Hughes. | [178] |
1952
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
130 | Miracle in Motion | Rep | Narrator | Wayne narrates this fund-raiser for the benefit of the United Cerebral Palsy Foundation. | |||
131 | The Quiet Man | Arg Rep |
Sean Thornton | Maureen O'Hara | John Ford | Filmed in Technicolor on location in Ireland. One of Wayne's most beloved films. His children Michael, Patrick, Melinda, and Antonia have small roles in the film. | [179] |
132 | Big Jim McLain | W-F WB |
Big Jim McLain | Nancy Olsen | Edward Ludwig | With James Arness, Alan Napier. An anti-communist action film. Produced by Wayne. | [180] |
1953
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
133 | Trouble Along the Way | WB | Steve Aloysius Williams | Donna Reed | Michael Curtiz | With Charles Coburn, Sherry Jackson. | [181] |
134 | Island in the Sky | W-F WB |
Capt. Dooley | William A. Wellman | With Lloyd Nolan, Walter Abel, James Arness. Wayne also produced. | [182] | |
135 | Hondo | W-F WB |
Hondo Lane | Geraldine Page | John Farrow | With Ward Bond, Michael Pate, James Arness. Based on a story by Louis L'Amour. Filmed in 3D and WarnerColor. Wayne also produced. | [183][184] |
1954
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
136 | The High and the Mighty | WB W-F Batjac Par |
Dan Roman | Claire Trevor Laraine Day Jan Sterling |
William A. Wellman | With Robert Stack, Phil Harris, Robert Newton, Paul Kelly. Wayne also produced this aviation drama. A big hit in its day, filmed in CinemaScope and WarnerColor. This was Wayne's first wide-screen film since The Big Trail (1930). | [185] |
1955
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
137 | The Sea Chase | WB | Capt. Karl Ehrlich | Lana Turner | John Farrow | With David Farrar, Tab Hunter, James Arness. Filmed in CinemaScope and WarnerColor on location in Hawaii. Wayne took an unusual role as a World War II German naval officer. | [186] |
138 | Screen Snapshots: The Great Al Jolson | Col | Himself | Ralph Staub | A documentary short salute Jolson. Wayne is one of the celebrities shown in the film. | ||
139 | Blood Alley | WB | Captain Tom Wilder | Lauren Bacall | William A. Wellman | Filmed in CinemaScope and WarnerColor. Wayne produced this film and replaced Robert Mitchum after firing him. | [187] |
1956
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
140 | The Conqueror | RKO | Temüjin (Genghis Khan) | Susan Hayward | Dick Powell | With Pedro Armendáriz, Agnes Moorehead. Filmed in CinemaScope and Technicolor. Produced by Howard Hughes. Generally regarded as one of the worst movies ever made. | [188] |
141 | The Searchers | CVW WB |
Ethan Edwards | Vera Miles Natalie Wood Dorothy Jordan |
John Ford | With Jeffrey Hunter, Ward Bond, Henry Brandon, Olive Carey, John Qualen, Hank Worden, Patrick Wayne, Harry Carey, Jr. . Filmed in VistaVision and Technicolor. Generally regarded as one of the greatest movies ever made. | [189][190] |
1957
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
142 | The Wings of Eagles | MGM | Frank "Spig" Wead | Maureen O'Hara | John Ford | With Dan Dailey, Ward Bond,[lower-alpha 21] Ken Curtis, Edmund Lowe. Filmed in Metrocolor. | [191] |
143 | Jet Pilot | RKO Uni |
Colonel Jim Shannon | Janet Leigh | Josef von Sternberg | Filmed in Technicolor and released in RKO-Scope. Shot in 1949–50 but not released until 1957. Produced by Howard Hughes. Generally regarded as one of Wayne's worst films. | [192] |
144 | Legend of the Lost | Batjac UA |
Joe January | Sophia Loren | Henry Hathaway | With Rossano Brazzi. Filmed in Technirama and Technicolor on location in the Libyan desert. | [193] |
1958
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
145 | I Married a Woman | RKO Uni |
Himself | Angie Dickinson | Hal Kanter | Wayne has an unbilled cameo in this minor comedy starring George Gobel and Diana Dors. Filmed in RKO-Scope and black and white except for one of Wayne's two scenes, which was shot in Technicolor. | [194] |
146 | The Barbarian and the Geisha | 20th | Townsend Harris | Eiko Ando | John Huston | With Sam Jaffe. Inspired by a true story. Filmed in CinemaScope and Eastmancolor. | [195] |
1959
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
147 | Rio Bravo | Arm WB |
John T. Chance | Angie Dickinson | Howard Hawks | With Dean Martin, Ricky Nelson, Walter Brennan, Ward Bond, John Russell, Claude Akins. Generally regarded as one of Wayne's best, provided the template and format for many of his later films. | [196][197] |
148 | The Horse Soldiers | UA | Col. John Marlowe | Constance Towers | John Ford | With William Holden, Hoot Gibson. Filmed in Deluxe color. | [198][199] |
1960
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
149 | The Alamo | Batjac UA |
Col. David Crockett | Linda Cristal | John Wayne | With Richard Widmark, Laurence Harvey, Richard Boone, Chill Wills, Frankie Avalon, Patrick Wayne. Wayne fulfilled a longtime dream by producing, directing, and starring in this epic telling of the battle for Texas independence. Filmed in Todd-AO and Technicolor. | [200][201] |
150 | North to Alaska | 20th | Sam McCord | Capucine | Henry Hathaway | With Stewart Granger, Ernie Kovacs, Fabian. Filmed in CinemaScope and Deluxe color. | [202][203] |
1961
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
151 | The Challenge of Ideas | Himself | An anti-communist propaganda short. With Jack Webb, Helen Hayes, Chet Huntley. | [lower-alpha 22] | |||
152 | The Comancheros | 20th | Jake Cutter | Ina Balin | Michael Curtiz | With Stuart Whitman, Lee Marvin, Bruce Cabot, Patrick Wayne. Filmed in CinemaScope and Deluxe color. The last film directed by Curtiz.[lower-alpha 23] | [204][205] |
1962
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
153 | The Man Who Shot Liberty Valance | Par | Tom Doniphon | Vera Miles | John Ford | With James Stewart,[lower-alpha 24] Lee Marvin, Woody Strode, Andy Devine. | [206][207] |
154 | Hatari! | Par | Sean Mercer | Elsa Martinelli | Howard Hawks | With Red Buttons, Hardy Kruger, Bruce Cabot. Filmed in Technicolor on location in Tanganyika. | [208] |
155 | The Longest Day | 20th | Lt.Col. Benjamin Vandervoort | Ken Annakin Andrew Marton Bernard Wicki Darryl F. Zanuck Gerd Oswald |
Wayne was part of an all-star cast in this epic retelling of the D-Day invasion of June 6, 1944. Filmed in black and white and CinemaScope. | [209] | |
156 | How the West Was Won | MGM | Gen. William Tecumseh Sherman | John Ford Henry Hathaway George Marshall |
An all-star epic. Wayne appeared in the American Civil War sequence directed by Ford.[lower-alpha 25] Also appearing in this sequence were George Peppard, Russ Tamblyn, and Harry Morgan (as Ulysses S. Grant). Filmed in Technicolor and Cinerama. | [210][211][lower-alpha 26] |
1963
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
157 | Donovan's Reef | Par | Michael Patrick Donovan | Elizabeth Allen | John Ford | With Lee Marvin, Jack Warden, Cesar Romero. Filmed in Technicolor on location in Kauai, Hawaii. Wayne's last film with director John Ford.[lower-alpha 27] | [212] |
158 | McLintock! | Batjac UA |
George Washington McLintock | Maureen O'Hara | Andrew V. McLaglen | With Patrick Wayne, Stefanie Powers, Bruce Cabot, Yvonne de Carlo. A big favorite with Wayne fans. His first film with director McLaglen. Filmed in Panavision and Technicolor. | [213][214] |
1964
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
159 |
|
SB UA |
Matt Masters | Claudia Cardinale Rita Hayworth |
Henry Hathaway | With Lloyd Nolan, Richard Conte, John Smith. Filmed in 70 mm Super Technirama and Technicolor. Originally presented in Cinerama. | [215] |
1965
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
160 | The Greatest Story Ever Told | UA | The Centurion (Longinus) | George Stevens | Director Stevens' large-scale telling of the life of Jesus Christ (played by Max von Sydow) with an all-star supporting cast. Wayne has a cameo as the Roman centurion who leads Christ to his crucifixion. | [216] | |
161 | In Harm's Way | Sig Par |
Capt. Rockwell Torrey | Patricia Neal | Otto Preminger | With Kirk Douglas, Tom Tryon, Paula Prentiss, Burgess Meredith, Brandon deWilde, Henry Fonda. Filmed in Panavision. Wayne's last film in black and white. | [217] |
162 | The Sons of Katie Elder | Par | John Elder | Martha Hyer | Henry Hathaway | With Dean Martin, Earl Holliman. Filmed in Panavision and Technicolor on location near Durango, Mexico. | [218][219] |
1966
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
163 | Cast a Giant Shadow | Batjac UA |
Gen. Mike Randolph | Melville Shavelson | With Kirk Douglas, Senta Berger. Wayne, Yul Brynner, and Frank Sinatra did guest star appearances in the biopic of Col. David "Mickey" Marcus (Douglas). Filmed in Technicolor. | [220] | |
164 | El Dorado | Par | Cole Thornton | Charlene Holt Michele Carey |
Howard Hawks | With Robert Mitchum, James Caan, Arthur Hunnicutt, Edward Asner. Filmed in Technicolor on location in Arizona. Filmed before, but released after, The War Wagon. | [221][222] |
1967
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
165 | A Nation Builds Under Fire | Himself | Harry Middleton | A documentary short dealing with Vietnam. | [lower-alpha 28] | ||
166 | The War Wagon | Batjac Uni |
Taw Jackson | Burt Kennedy | With Kirk Douglas, Howard Keel, Robert Walker, Jr.,[lower-alpha 29] Bruce Cabot. Filmed in Panavision and Technicolor on location in Durango. | [223][224] |
1968
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
167 | The Green Berets | Batjac WB |
Col. Mike Kirby | John Wayne Ray Kellogg |
With David Janssen, Jim Hutton, Aldo Ray, Bruce Cabot, George Takei. Wayne's controversial take on the Vietnam War. Filmed in Panavision and Technicolor on location at Fort Benning, Georgia. Co-directed by an uncredited Mervyn LeRoy, but credit given instead to Ray Kellogg. | [225][lower-alpha 30] | |
168 | Hellfighters | Uni | Chance Buckman | Katharine Ross Vera Miles |
Andrew V. McLaglen | With Jim Hutton, Bruce Cabot, Jay C. Flippen. Wayne's character was based on real-life "hellfighter" Red Adair. Filmed in Panavision and Technicolor. | [226] |
1969
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
169 | True Grit | Par | U.S. Marshal Reuben J. "Rooster" Cogburn | Kim Darby | Henry Hathaway | With Glen Campbell, Jeremy Slate, Robert Duvall, Strother Martin, Jeff Corey. Wayne's Academy Award winning performance and his last film with Hathaway. Filmed in Technicolor. | [227][228] |
170 | The Undefeated | 20th | Col. John Henry Thomas | Andrew V. McLaglen | With Rock Hudson, Roman Gabriel, Lee Meriwether. Filmed in Panavision and Deluxe color. | [229][230] |
1970
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
171 | No Substitute for Victory | AK | Narrator | Robert F. Slatzer | A short in support of America's involvement in the Vietnam War. With General Mark Clark, Martha Raye, Sam Yorty, General William Westmoreland, and Lowell Thomas. | ||
172 | Chisum | Batjac WB |
John Chisum | Pamela McMyler | Andrew V. McLaglen | With Forrest Tucker, Christopher George, Bruce Cabot, Patric Knowles, Geoffrey Deuel (as Billy the Kid), Glenn Corbett (as Pat Garrett). Filmed in Panavision and Technicolor. | [231][232] |
173 | Rio Lobo | Par | Cord McNally | Jennifer O'Neill | Howard Hawks | With Jorge Rivero, Jack Elam, Chris Mitchum, Sherry Lansing, George Plimpton.[lower-alpha 31] Wayne's last film with Hawks. Filmed in Technicolor. | [233][234] |
1971
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
174 | Big Jake | Batjac Par |
Jacob McCandles | Maureen O'Hara | George Sherman | With Richard Boone, Patrick Wayne, Chris Mitchum, Bruce Cabot. Filmed in Panavision and Technicolor. | [235][236] |
175 | Directed by John Ford | AFI | Himself | Peter Bogdanovich | A documentary, narrated by Orson Welles. |
1972
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
176 | The Cowboys | WB | Wil Andersen | Sarah Cunningham | Mark Rydell | With Roscoe Lee Browne, Bruce Dern, Colleen Dewhurst. Filmed in Panavision 70 and Technicolor. Later a TV series. | [237][238] |
177 | Cancel My Reservation | WB | Himself | Paul Bogart | Wayne, Bing Crosby, Johnny Carson, and Flip Wilson made brief, unbilled cameo appearances in this Bob Hope comedy. Filmed in Technicolor. |
1973
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
178 | The Train Robbers | Batjac WB |
Lane | Ann-Margret | Burt Kennedy | With Rod Taylor, Ben Johnson, Christopher George, Ricardo Montalbán. Filmed in Panavision and Technicolor. | [239][240] |
179 |
|
Batjac WB |
J.D. Cahill | Marie Windsor | Andrew V. McLaglen | With George Kennedy, Gary Grimes, Neville Brand, Clay O'Brien. Filmed in Panavision and Technicolor. | [241][242] |
1974
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
180 | McQ | Batjac L-G WB |
Det. Lt. Lon McQ | Diana Muldaur Colleen Dewhurst Julie Adams |
John Sturges | With Eddie Albert, Clu Gulager. Filmed in Panavision and Technicolor.
The first of Wayne's two cop films made in the wake of Clint Eastwood's success with Dirty Harry (1971). |
[243] |
1975
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
181 | Brannigan | UA | Brannigan | Judy Geeson | Douglas Hickox | With Richard Attenborough, Mel Ferrer. Filmed in Panavision and Deluxe colour on location in London. | [244] |
182 | Rooster Cogburn | Uni | Marshal Reuben J. "Rooster" Cogburn | Katharine Hepburn | Stuart Millar | With Anthony Zerbe, Richard Jordan, John McIntire, Strother Martin. Filmed in Panavision and Technicolor on location in Oregon. | [245][246][lower-alpha 32] |
1976
No. | Title | Studio | Role | Leading lady | Director | Notes | Refs. |
---|---|---|---|---|---|---|---|
183 | Chesty: Tribute to a Legend | Himself | John Ford | A tribute documentary on the most decorated U.S. Marine, Gen. Lewis B. "Chesty" Puller. Completed in 1970, but not released until 1976, three years after Ford's death. | |||
184 | The Shootist | DDL PA |
John Bernard Books | Lauren Bacall Sheree North |
Don Siegel | With Ron Howard, James Stewart, John Carradine, Hugh O'Brian, Harry Morgan, Richard Boone. Filmed in Technicolor. | [247][248] |
Posthumous
In 1993, Wayne appeared posthumously as George Abitbol, the central character in the French TV film La Classe américaine. The film, the story of which revolves around an investigation of Abitbol's death, consists entirely in cut-and-pasted extracts from other films, dubbed with new lines in French and transformed into a new story. Raymond Loyer, who had dubbed Wayne into French in his previous films, returned to do so one last time.
No. | Title | Studio | Role | Director | Notes | Refs. |
---|---|---|---|---|---|---|
185 | La Classe américaine | Canal+ Group | George Abitbol, "the classiest man in the world" | Michel Hazanavicius and Dominique Mézerette | The film is an irreverent comedy, which pokes gentle fun at the genre of Wayne's previous films, and at Warner Bros. films in general. |
As producer only
John Wayne produced, but did not star in, several feature films.
Title | Studio | Year | Director | Notes | Refs. |
---|---|---|---|---|---|
The Bullfighter and the Lady | Rep | 1951 | Budd Boetticher | Robert Stack, Joy Page, Gilbert Roland | |
Plunder of the Sun | WB | 1953 | John Farrow | Glenn Ford, Patricia Medina | |
Ring of Fear | WB | 1954 | James Edward Grant | Clyde Beatty, Pat O'Brien, Mickey Spillane | |
Track of the Cat | Batjac WB |
1956 | William A. Wellman | Robert Mitchum, Teresa Wright, Tab Hunter | [249] |
Goodbye, My Lady | Batjac WB |
1956 | William A. Wellman | Walter Brennan, Phil Harris, Brandon deWilde, Sidney Poitier | |
Seven Men From Now | Batjac WB |
1956 | Budd Boetticher | Randolph Scott, Gail Russell, Lee Marvin | [250] |
Gun the Man Down | Batjac UA |
1956 | Andrew V. McLaglen | James Arness, Angie Dickinson, Harry Carey, Jr. | [251] |
Man in the Vault | Batjac Uni |
1956 | Andrew V. McLaglen | William Campbell, Karen Sharpe | |
China Doll | Rom Batjac UA |
1958 | Frank Borzage | Victor Mature, Li Li Hua, Ward Bond | |
Escort West | Rom Batjac UA |
1959 | Francis D. Lyon | Victor Mature, Elaine Stewart, Faith Domergue | [252] |
Hondo and the Apaches | Batjac Fen MGM |
1967 | Leo H. Katzin | Ralph Taeger, Kathie Browne, Michael Rennie. A remake of Wayne's 1953 Hondo and a pilot for a TV series. |
Box office popularity
Results from Quigley's Motion Picture Herald annual poll of film exhibitors would determine the year's "Top Ten Stars". With one exception (1958), John Wayne appeared on the list every time between 1949 and 1973, indicating that he was one of cinema's most durable stars.[253]
Place | 1949 | 1950 | 1951 | 1952 | 1953 |
---|---|---|---|---|---|
1 | Bob Hope | John Wayne | John Wayne | Martin & Lewis | Gary Cooper |
2 | Bing Crosby | Bob Hope | Martin & Lewis | Gary Cooper | Martin & Lewis |
3 | Abbott & Costello | Bing Crosby | Betty Grable | John Wayne | John Wayne |
4 | John Wayne | Betty Grable | Abbott & Costello | Bing Crosby | Alan Ladd |
5 | Gary Cooper | James Stewart | Bing Crosby | Bob Hope | Gary Cooper |
6 | Cary Grant | Abbott & Costello | Bob Hope | James Stewart | Marlon Brando |
7 | Betty Grable | Clifton Webb | Randolph Scott | Doris Day | Martin & Lewis |
8 | Esther Williams | Esther Williams | Gary Cooper | Gregory Peck | Humphrey Bogart |
9 | Humphrey Bogart | Spencer Tracy | Doris Day | Susan Hayward | June Allyson |
10 | Clark Gable | Randolph Scott | Spencer Tracy | Randolph Scott | Clark Gable |
Place | 1954 | 1955 | 1956 | 1957 | 1958 |
---|---|---|---|---|---|
1 | John Wayne | James Stewart | William Holden | Rock Hudson | Glenn Ford |
2 | Martin & Lewis | Grace Kelly | John Wayne | John Wayne | Elizabeth Taylor |
3 | Gary Cooper | John Wayne | James Stewart | Pat Boone | Jerry Lewis |
4 | James Stewart | William Holden | Burt Lancaster | Elvis Presley | Marlon Brando |
5 | Glenn Ford | Bing Crosby | Marilyn Monroe | Frank Sinatra | Rock Hudson |
6 | Martin & Lewis | Marilyn Monroe | Alan Ladd | Gary Cooper | William Holden |
7 | Gary Cooper | James Stewart | William Holden | William Holden | Brigitte Bardot |
8 | Marilyn Monroe | Bob Hope | Bing Crosby | James Stewart | Yul Brynner |
9 | Kim Novak | Susan Hayward | Jane Wyman | Jerry Lewis | James Stewart |
10 | Frank Sinatra | Randolph Scott | Marlon Brando | Yul Brynner | Frank Sinatra |
Place | 1959 | 1960 | 1961 | 1962 | 1963 |
---|---|---|---|---|---|
1 | Rock Hudson | Doris Day | Elizabeth Taylor | Doris Day | Doris Day |
2 | Cary Grant | Rock Hudson | Rock Hudson | Rock Hudson | John Wayne |
3 | James Stewart | Cary Grant | Doris Day | Cary Grant | Rock Hudson |
4 | Doris Day | Elizabeth Taylor | John Wayne | John Wayne | Jack Lemmon |
5 | Debbie Reynolds | Debbie Reynolds | Cary Grant | Elvis Presley | Cary Grant |
6 | Glenn Ford | Tony Curtis | Sandra Dee | Elizabeth Taylor | Elizabeth Taylor |
7 | Frank Sinatra | Sandra Dee | Jerry Lewis | Jerry Lewis | Elvis Presley |
8 | John Wayne | Frank Sinatra | William Holden | Frank Sinatra | Sandra Dee |
9 | Jerry Lewis | Jack Lemmon | Tony Curtis | Sandra Dee | Paul Newman |
10 | Susan Hayward | John Wayne | Elvis Presley | Burt Lancaster | Jerry Lewis |
Place | 1964 | 1965 | 1966 | 1967 | 1968 |
---|---|---|---|---|---|
1 | Doris Day | Sean Connery | Julie Andrews | Julie Andrews | Sidney Poitier |
2 | Jack Lemmon | John Wayne | Sean Connery | Lee Marvin | Paul Newman |
3 | Rock Hudson | Doris Day | Elizabeth Taylor | Paul Newman | Julie Andrews |
4 | John Wayne | Julie Andrews | Jack Lemmon | Dean Martin | John Wayne |
5 | Cary Grant | Jack Lemmon | Richard Burton | Sean Connery | Clint Eastwood |
6 | Elvis Presley | Elvis Presley | Cary Grant | Elizabeth Taylor | Dean Martin |
7 | Shirley MacLaine | Cary Grant | John Wayne | Sidney Poitier | Dustin Hoffman |
8 | Ann-Margret | James Stewart | Doris Day | John Wayne | Jack Lemmon |
9 | Paul Newman | Elizabeth Taylor | Paul Newman | Richard Burton | Lee Marvin |
10 | Richard Burton | Richard Burton | Elvis Presley | Steve McQueen | Elizabeth Taylor |
Place | 1969 | 1970 | 1971 | 1972 | 1973 |
---|---|---|---|---|---|
1 | Paul Newman | Paul Newman | John Wayne | Clint Eastwood | Clint Eastwood |
2 | John Wayne | Clint Eastwood | Clint Eastwood | George C. Scott | Ryan O'Neal |
3 | Steve McQueen | Steve McQueen | Paul Newman | Gene Hackman | Steve McQueen |
4 | Dustin Hoffman | John Wayne | Steve McQueen | John Wayne | Burt Reynolds |
5 | Clint Eastwood | Elliott Gould | George C. Scott | Barbra Streisand | Robert Redford |
6 | Sidney Poitier | Dustin Hoffman | Dustin Hoffman | Marlon Brando | Barbra Streisand |
7 | Lee Marvin | Lee Marvin | Walter Matthau | Paul Newman | Paul Newman |
8 | Jack Lemmon | Jack Lemmon | Ali MacGraw | Steve McQueen | Charles Bronson |
9 | Katharine Hepburn | Barbra Streisand | Sean Connery | Dustin Hoffman | John Wayne |
10 | Barbra Streisand | Walter Matthau | Lee Marvin | Goldie Hawn | Marlon Brando |
See also
Footnotes
- ↑ "The tall, commanding figure of the prop boy looked right for the part and, when John Ford vouched for Wayne's dedication to work, [Raoul] Walsh arranged a screen test."[1]
- ↑ Filmed as Arizona, the movie's makers applied to the New York State Censor Board for a new title, Men Are Like That, and the film was reviewed under that title in New York and other places.
- ↑ Not the radio comedian.
- ↑ Sister of Loretta Young.
- ↑ Later known as Sheila Bromley.
- ↑ Later known as Adrian Booth.
- ↑ A Walter Wanger production released thru United Artists.
- ↑ Tom Tyler played Wayne's role of Stoney Brooke in some of the later Mesquiteers series.
- ↑ These same incidents also formed the basis of the film The Baron of Arizona (1951), starring Vincent Price.
- ↑ The change in title was probably done to avoid confusion with an earlier Wayne film called The New Frontier (1936).
- ↑ Jennifer Jones' son, Robert Walker, Jr., appeared with Wayne in The War Wagon (1966).
- ↑ Namely, The Moon of the Caribees, In the Zone, Bound East For Cardiff, and The Long Voyage Home.
- ↑ Marlene Dietrich receives top billing over Wayne in the opening credits. Posters for the film's reissue several years later gave top billing to Wayne.
- ↑ When the film was re-issued in the 1950s Wayne and Susan Hayward received top billing in the advertisements.
- ↑ This story was also filmed in 1914, 1922, 1930 and 1955 with, respectively, William Farnum, Milton Sills, Gary Cooper, and Jeff Chandler in the Wayne role. Farnum also plays a supporting part in the Wayne version.
- ↑ This was Clift's first film, although the second one he made, The Search (1948), was released before Red River.
- ↑ Also filmed as Marked Men (1919), Hell's Heroes (1930), and Three Godfathers (1936) with, respectively, Harry Carey, Charles Bickford, and Chester Morris in the Wayne role.
- ↑ One of only three sound films Hardy did without comic partner Stan Laurel.
- ↑ The working title for Rio Grande was Rio Bravo, which was also the title used for a 1959 Wayne Western. The title Rio Grande had been used for a 1949 B-Western starring Sunset Carson.
- ↑ The character Wayne played here and in Fort Apache is the same character (just as it is in the short stories on which they are based), but here the character's last name has an added "e".
- ↑ Ward Bond plays a movie director named "John Dodge", an obvious spoof of the film's real director, John Ford.
- ↑ Produced by U.S. Information Agency.
- ↑ Reputedly, Curtiz was extremely ill during the shooting, as a result the majority of the film was directed by Wayne who refused to take credit.
- ↑ James Stewart received top billing over Wayne in the film's advertisements, but Wayne has top billing in the film's opening credits.
- ↑ Wayne had originally played Sherman in an episode of the TV series Wagon Train entitled "The Colton Craven Story." That episode was directed by John Ford.
- ↑ Technicolor prints were apparently used for only the Cinerama presentation while general release print used Metrocolor.
- ↑ Aside from the documentary film Chesty: Tribute to a Legend (1976).
- ↑ U.S. Department of Defense / Armed Forces Information & Education.
- ↑ Walker Jr's mother, actress Jennifer Jones, made her film debut opposite Wayne in New Frontier (1939).
- ↑ Vera Miles appeared in some scenes as Wayne's wife, but these were cut from the final print.
- ↑ George Plimpton made a TV documentary about the making of this film. In this documentary, entitled "Shoot-out at Rio Lobo". Wayne frequently accidentally referred to Plimpton as "Pimpleton".
- ↑ Warren Oates would play Rooster Cogburn in a 1978 TV film entitled True Grit: A Further Adventure.
Notes
- ↑ Landesman, pp. 417–418.
- ↑ IMDb: John Wayne Filmography
- ↑ Landesman, pp. 53–55.
- ↑ Landesman, pp. 29–31.
- ↑ Landesman, pp. 124–126.
- ↑ Landesman, pp. 19–21.
- ↑ Landesman, pp. 96–98.
- ↑ Landesman, pp. 230–232.
- ↑ Landesman, pp. 121–122.
- ↑ Landesman, pp. 131–133.
- ↑ Landesman, pp. 240–242.
- ↑ Landesman, pp. 336–337.
- ↑ Landesman, pp. 40–41.
- ↑ Landesman, pp. 412–413.
- ↑ Landesman, pp. 301–303.
- ↑ Landesman, pp. 119–121.
- ↑ Landesman, pp. 228–230.
- ↑ Landesman, pp. 46–47.
- ↑ Landesman, pp. 298–299.
- ↑ Landesman, pp. 63–64.
- ↑ Landesman, pp. 37–40.
- ↑ Fagen, pp. 40–41.
- ↑ Landesman, pp. 123–124.
- ↑ Landesman, pp. 366–367.
- ↑ Landesman, pp. 226–228.
- ↑ Landesman, pp. 90–92.
- ↑ Landesman, pp. 266–268.
- ↑ Fagen, p. 336.
- ↑ Landesman, pp. 209–211.
- ↑ Landesman, p. 393.
- ↑ Landesman, pp. 321–323.
- ↑ Landesman, pp. 354–355.
- ↑ Landesman, pp. 384–385.
- ↑ Fagen, p. 451.
- ↑ Landesman, pp. 178–180.
- ↑ Landesman, pp. 154–156.
- ↑ Landesman, pp. 145–146.
- ↑ Landesman, pp. 281–283.
- ↑ Fagen, p. 350.
- ↑ Landesman, pp. 358–359.
- ↑ Landesman, pp. 35–37.
- ↑ Fagen, p. 40.
- ↑ Landesman, pp. 137–138.
- ↑ Fagen, p. 203.
- ↑ Landesman, pp. 352–353.
- ↑ Fagen, p. 422.
- ↑ Landesman, pp. 370–372.
- ↑ Landesman, pp. 61–63.
- ↑ Landesman, pp. 332–333.
- ↑ Fagen, p. 400.
- ↑ Landesman, pp. 143–145.
- ↑ Landesman, pp. 196–198.
- ↑ Landesman, pp. 21–23.
- ↑ Landesman, pp. 214–215.
- ↑ Fagen, p. 271.
- ↑ Landesman, pp. 284–286.
- ↑ Fagen, p. 352.
- ↑ Landesman, pp. 347–348.
- ↑ Landesman, pp. 70–72.
- ↑ Landesman, pp. 300–301.
- ↑ Fagen, p. 374.
- ↑ Landesman, pp. 207–209.
- ↑ Fagen, p. 264.
- ↑ Landesman, pp. 399–400.
- ↑ Fagen, p. 481.
- ↑ Landesman, pp. 44–46.
- ↑ Fagen, p. 49.
- ↑ Landesman, pp. 215–216.
- ↑ Fagen, p. 272.
- ↑ Landesman, pp. 264–265.
- ↑ Fagen, p. 335.
- ↑ Landesman, pp. 344–345.
- ↑ Fagen, p. 411.
- ↑ Landesman, pp. 375–377.
- ↑ Fagen, p. 442.
- ↑ Landesman, pp. 188–190.
- ↑ 77.0 77.1 Fagen, p. 249.
- ↑ Landesman, pp. 232–233.
- ↑ Fagen, p. 291.
- ↑ Landesman, pp. 356–357.
- ↑ Fagen, p. 428.
- ↑ Landesman, pp. 262–264.
- ↑ Fagen, p. 334.
- ↑ Landesman, pp. 92–93.
- ↑ Fagen, p. 128.
- ↑ Landesman, pp. 89–90.
- ↑ Fagen, p. 121.
- ↑ Landesman, pp. 254–256.
- ↑ Fagen, p. 314.
- ↑ Landesman, pp. 401–403.
- ↑ Fagen, p. 483.
- ↑ Landesman, pp. 233–236.
- ↑ Landesman, pp. 192–193.
- ↑ Fagen, p. 250.
- ↑ Landesman, pp. 248–250.
- ↑ "Searching for John Wayne in the Alabama Hills". BBC News. BBC. October 9, 2013. Retrieved October 10, 2013.
- ↑ Fagen, p. 302.
- ↑ Landesman, pp. 190–191.
- ↑ Landesman, pp. 176–177.
- ↑ Fagen, p. 236.
- ↑ Landesman, pp. 199–201.
- ↑ Fagen, p. 260.
- ↑ Landesman, pp. 403–405.
- ↑ Fagen, p. 493.
- ↑ Landesman, pp. 310–313.
- ↑ Landesman, pp. 75–77.
- ↑ Landesman, pp. 57–59.
- ↑ Landesman, pp. 157–159.
- ↑ Landesman, pp. 161–162.
- ↑ Landesman, pp. 7–9.
- ↑ Landesman, pp. 48–50.
- ↑ Fagen, pp. 55–56.
- ↑ Landesman, pp. 252–254.
- ↑ Fagen, p. 313.
- ↑ Landesman, pp. 250–251.
- ↑ Landesman, pp. 306–308.
- ↑ Landesman, pp. 276–278.
- ↑ Landesman, pp. 340–344.
- ↑ Fagen, pp. 407–408.
- ↑ Landesman, pp. 238–240.
- ↑ Landesman, pp. 373–375.
- ↑ Fagen, p. 434.
- ↑ Landesman, pp. 413–415.
- ↑ Landesman, pp. 236–238.
- ↑ Landesman, pp. 13–15.
- ↑ Fagen, p. 8.
- ↑ Landesman, pp. 86–88.
- ↑ Fagen, pp. 119–120.
- ↑ Landesman, pp. 363–365.
- ↑ Landesman, pp. 202–205.
- ↑ Landesman, pp. 318–321.
- ↑ Fagen, p. 281.
- ↑ Landesman, pp. 212–214.
- ↑ Landesman, pp. 183–185.
- ↑ Landesman, pp. 326–328.
- ↑ Fagen, p. 387.
- ↑ Landesman, pp. 180–183.
- ↑ Landesman, pp. 268–272.
- ↑ Landesman, pp. 338–340.
- ↑ Fagen, p. 404.
- ↑ Landesman, pp. 165–168.
- ↑ Fagen, p. 224.
- ↑ Landesman, pp. 113–116.
- ↑ Landesman, pp. 278–281.
- ↑ Landesman, pp. 256–259.
- ↑ Landesman, pp. 185–188.
- ↑ Fagen, p. 238.
- ↑ Landesman, pp. 168–171.
- ↑ Fagen, p. 225.
- ↑ Landesman, pp. 104–107.
- ↑ Landesman, pp. 348–351.
- ↑ Fagen, p. 420.
- ↑ Landesman, pp. 107–110.
- ↑ Fagen, p. 160.
- ↑ Landesman, pp. 23–26.
- ↑ Landesman, pp. 359–363.
- ↑ Landesman, pp. 82–85.
- ↑ Fagen, p. 115.
- ↑ Landesman, pp. 409–411.
- ↑ Landesman, pp. 16–19.
- ↑ Fagen, pp. 11–12.
- ↑ Landesman, pp. 387–389.
- ↑ Landesman, pp. 272–276.
- ↑ Fagen, p. 341.
- ↑ Landesman, pp. 116–119.
- ↑ Fagen, pp. 164–166.
- ↑ Landesman, pp. 367–370.
- ↑ Fagen, pp. 431–432.
- ↑ Landesman, pp. 393–396.
- ↑ Landesman, pp. 101–104.
- ↑ Fagen, p. 155.
- ↑ Landesman, pp. 323–326.
- ↑ Fagen, p. 388.
- ↑ Landesman, pp. 303–306.
- ↑ Landesman, pp. 289–292.
- ↑ Fagen, pp. 360–361.
- ↑ Landesman, pp. 246–248.
- ↑ Landesman, pp. 110–113.
- ↑ Landesman, pp. 259–262.
- ↑ Landesman, pp. 33–35.
- ↑ Landesman, pp. 379–380.
- ↑ Landesman, pp. 171–173.
- ↑ Landesman, pp. 146–148.
- ↑ Fagen, p. 214.
- ↑ Landesman, pp. 140–143.
- ↑ Landesman, pp. 308–310.
- ↑ Landesman, pp. 41–44.
- ↑ Landesman, pp. 77–80.
- ↑ Landesman, pp. 313–317.
- ↑ Fagen, pp. 378–379.
- ↑ Landesman, pp. 406–408.
- ↑ Landesman, pp. 173–176.
- ↑ Landesman, pp. 193–195.
- ↑ Landesman, pp. 159–160.
- ↑ Landesman, pp. 27–29.
- ↑ Landesman, pp. 286–289.
- ↑ Fagen, pp. 358–359.
- ↑ Landesman, pp. 149–151.
- ↑ Fagen, pp. 218–219.
- ↑ Landesman, pp. 9–13.
- ↑ Fagen, p. 6.
- ↑ Landesman, pp. 242–246.
- ↑ Fagen, p. 293.
- ↑ Landesman, pp. 72–75.
- ↑ Fagen, p. 99.
- ↑ Landesman, pp. 217–220.
- ↑ Fagen, pp. 274–275.
- ↑ Landesman, pp. 133–136.
- ↑ Landesman, pp. 205–207.
- ↑ Landesman, pp. 152–154.
- ↑ Fagen, p. 220.
- ↑ Landesman, pp. 93–96.
- ↑ Landesman, pp. 220–223.
- ↑ Fagen, p. 280.
- ↑ Landesman, pp. 68–70.
- ↑ Landesman, pp. 126–128.
- ↑ Landesman, pp. 162–165.
- ↑ Landesman, pp. 333–336.
- ↑ Fagen, pp. 402–403.
- ↑ Landesman, pp. 59–61.
- ↑ Landesman, pp. 98–101.
- ↑ Fagen, p. 142.
- ↑ Landesman, pp. 396–399.
- ↑ Fagen, p. 475.
- ↑ Landesman, pp. 129–313.
- ↑ Landesman, pp. 139–140.
- ↑ Landesman, pp. 381–385.
- ↑ Fagen, pp. 447–448.
- ↑ Landesman, pp. 390–393.
- ↑ Fagen, p. 453.
- ↑ Landesman, pp. 65–68.
- ↑ Fagen, pp. 87–89.
- ↑ Landesman, pp. 292–295.
- ↑ Fagen, p. 361.
- ↑ Landesman, pp. 31–33.
- ↑ Fagen, pp. 37–38.
- ↑ Landesman, pp. 80–82.
- ↑ Fagen, pp. 108–110.
- ↑ Landesman, pp. 377–379.
- ↑ Fagen, p. 444.
- ↑ Landesman, pp. 55–56.
- ↑ Fagen, p. 70.
- ↑ Landesman, pp. 223–226.
- ↑ Landesman, pp. 50–53.
- ↑ Landesman, pp. 295–298.
- ↑ Fagen, p. 366.
- ↑ Landesman, pp. 328–332.
- ↑ Fagen, pp. 389–390.
- ↑ Fagen, pp. 441–442.
- ↑ Fagen, p. 383.
- ↑ Fagen, pp. 198–199.
- ↑ Fagen, p. 146.
- ↑ Quigley's Annual List of Box-Office Champions, 1932–1970 Retrieved October 10, 2012.
References
- John Wayne at the Internet Movie Database
- Boswell, John; David, Jay (1979). The John Wayne Album. New York: Ballantine Books. ISBN 978-0345280886.
- Eyles, Allan (1979). John Wayne. New York: A.S. Barnes and Co. ISBN 978-0498025907.
- Fagen, Herb (2003). The Encyclopedia of Westerns. New York: Facts On File. ISBN 978-0816044566.
- Landesman, Fred (2004). The John Wayne Filmography. Jefferson, NC: McFarland. ISBN 978-0786432523.
|