John Pule

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John Puhiatau Pule, ONZM, (born 1962) is a Niuean artist, novelist and poet.[1][2][3] Pule was born in Liku, Niue and has lived in Auckland, New Zealand since the age of 3. The Queensland Art Gallery describes him as "one of the Pacific's most significant artists".[2]

Literature

Describing the beginning of his literary career, Pule explained:

“I just wanted to write about growing up in New Zealand, and about being the youngest of 17 kids and about migration—but I wasn’t sure how to organize ideas, so I just started writing.”[4]

He also described his writing as a means of "decolonizing his mind".[4] His work expresses his experience as a Niuean in New Zealand:

“My heart and my thoughts were always on Niue. But here I was living in Aotearoa on someone else’s land. Writing helped change me, painting helped change me. I went back to Niue as often as I could, and I’d weed and clear the graves for my family and friends’ families. It’s a way of saying I’m back. [...] We go back home [to Niue] with our Nikes and our jeans and we think we know things. But the local people just think we’re stupid. They know where all the trees are and the pathways and where the mythologies and the stories live.”[4]

Pule's first novel, The Shark that Ate the Sun (Ko E Mago Ne Kai E La),[5] was published in 1992. Burn My Head in Heaven[6] (Tugi e ulu haaku he langi) followed in 2000, and Restless people (Tagata kapakiloi) in 2004.

His published poetry includes Sonnets to Van Gogh and Providence (1982), Flowers after the Sun (1984) and Bond of Time (1985).[3]

In 2000 Pule was the University of Auckland Literary Fellow and in 2002 took up a distinguished visiting writer’s residency in the department of English at the University of Hawaii. In 2005 he was awarded an art residency at Roemerapotheke, Basel, Switzerland and in 2004 he was honoured with the prestigious Laureate Award from the Arts Foundation of New Zealand.[citation needed]. He was awarded the Ursula Bethell Residency in Creative Writing at the University of Canterbury in 2013.

Artwork

Pule's artwork includes painting, drawing, printmaking, film-making and performance. The topics of his work include Niuean cosmology and Christianity, as well as perspectives on migration and colonialism.[2]

His work comprises both painting on canvas and bark cloth painting, a traditional Polynesian artform.[4]

He was a guest professor of creative writing at the University of Hawai‘i in the spring of 2002.[4]

In 2005, he co-wrote Hiapo: Past and present in Niuean barkcloth, a study of a traditional Niuean artform, with Australian writer and anthropologist Nicholas Thomas.[1]

Since 1991 John Pule has exhibited extensively throughout New Zealand, Australia, Europe, the USA, the Pacific and Asia. From 1996 to present he has held solo exhibitions in New Zealand, and in Melbourne Australia at the Karen Woodbury Gallery. In 2005 he exhibited at the Galerie Romerapotheke in Zurich.[citation needed]

John Pule’s work has been represented in three Asia-Pacific Triennials at the Queensland Art Gallery, Brisbane (2006, 2002, 1996), and his painting Tukulagi tukumuitea (Forever and ever) (2005) was illustrated on the front cover of the 2006 exhibition catalogue. Other selected group exhibitions include Amanakiaga, Karen Woodbury Gallery, Melbourne (2007); Turbulence, the 3rd Auckland Triennial, Auckland Art Gallery Toi o Tamaki (2007); Paradise Now!, Asia Society Museum, New York (2004); South Pacific Arts Festival, Belau (2004), New Caledonia (2000), and Samoa (1996); Iki and thanks for all the Ika, Contemporary Arts Centre, Vilnius, Lithuania (2003); People Get Ready, Auckland Art Gallery Toi o Tamaki, (2000); Wake Naima, Creating Together, Tjibaou Cultural Centre, Nouméa (1998); Kwangju Biennale, Korea (1995); Johannesburg Biennale, South Africa (1995); and Bottled Ocean, New Zealand touring exhibition (1994) in addition to being shown in over fifty group exhibitions.[citation needed]

Hauaga (Arrivals) is a show of Pule's art organised by City Gallery Wellington in 2010, and currently touring other galleries around New Zealand, including Gow Langsford Gallery in Auckland.[7][8]

Pule’s work is held in numerous public and private collections including the Queensland Art Gallery, Brisbane; National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne; Auckland Art Gallery Toi o Tamaki, Auckland; Museum of New Zealand Te Papa Tongarewa, Wellington; Chartwell Trust Collection, Auckland; Wellington High Court, Wellington; and the National Museum of Scotland, Scotland.[citation needed]

Images

External links

References

  1. ↑ 1.0 1.1 University of Otago
  2. ↑ 2.0 2.1 2.2 Description of John Pule's painting Kulukakina (after experiencing something miraculous, withdraw), 2004 on the Queensland Art Gallery's website
  3. ↑ 3.0 3.1 John Pule in The Oxford Companion to New Zealand Literature
  4. ↑ 4.0 4.1 4.2 4.3 4.4 "The Bifocal World of John Pule: This Niuean Writer and Painter Is Still Searching For A Place To Call Home", Scott Whitney, Pacific Magazine, July 1, 2002
  5. ↑ ISBN 0-14-017204-1
  6. ↑ ISBN 0-14-027374-3
  7. ↑ "The Arts Foundation : John Pule - Biography". Retrieved 31 December 2011. 
  8. ↑ "John Pule: Hauaga (Arrivals)". Auckland Art Gallery. Retrieved 31 December 2011. 
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