Jephtas Gelübde
Giacomo Meyerbeer |
---|
Operas
|
Composition history
Meyerbeer wrote Jephtas Gelübde while he was studying with Abt Vogler, (and while he was still known as Jakob, rather than the first name Giacomo which he was to adopt after his studies in Italy). He completed the score in Würzburg in April 1812, writing the overture last of all. During his revision of the score in June and July, Meyerbeer had already begun writing his second opera, Wirth und Gast. The score reflects Vogler's interest in colourful orchestration.
Rehearsals began for the opera in November 1812, with which Meyerbeer was not satisfied. 'Deliberate and accidental hindrances of every sort intruded, and even on 20 December I was not certain whether the opera would be given in the 23rd. Anxiety, annoyance and vexation of every sort bothered me in these six weeks'.[1] In the event there were three performances, and the opera was fairly successful with many numbers applauded, although the composer though that Lanius, as Jephta, 'played very mediocrely'.
Roles
Role | Voice type | Premiere Cast, 1812 (Conductor: - ) |
---|---|---|
Jephta | Christian Lanius | |
Sulima, (Jephta's daughter) | soprano | Helena Harlas |
Asmaweth (Sulima's lover) | tenor | Georg Weixelbaum |
Tirza (Sulima's servant) | Josephine Flerx | |
Abdon | Georg Mittermayr | |
High Priest | Herr Schwadke | |
Choruses of Levites, of prisoners and of warriors | ||
References
Notes
- ↑ Meyerbeer (1999), p. 295
Sources
- Heidlberger, F., Jepthas Gelübde, in 'Meyerbeer und das europäische Musiktheater', ed. Döhring and Jacobshagen, Laaber, 1998 ISBN 3-89007-410-3
- Meyerbeer, G., (trans. and ed. Robert Letellier), Diaries, Volume 1, Associated University Presses, 1999. ISBN 0-8386-3789-2
- Zimmermann, R., Meyerbeer, Berlin 1998 ISBN 3-932529-23-5