Jean Gabin
Jean Gabin | |
---|---|
Born |
Jean-Alexis Moncorgé 17 May 1904 Paris, France |
Died |
15 November 1976 72) Neuilly-sur-Seine | (aged
Years active | 1928–1976 |
Spouse(s) |
Gaby Basset (1925–1930) Suzanne Marguerite Jeanne Mauchain (1933–1939) Dominique Fournier (1949–1976) |
Jean Gabin (17 May 1904 – 15 November 1976) was a French actor and sometime singer. Considered a key figure in French cinema, he starred in several classic films including Pépé le Moko (1937), La Grande illusion (1937), Le Quai des brumes (1938), La Bête humaine (1938), Le Jour se lève (1939), and Le Plaisir (1952).
Early life
Gabin was born Jean-Alexis Moncorgé in Paris, the son of Madeleine Petit and Ferdinand Moncorgé, a cafe entertainer whose stage name was Gabin.[1][2] He grew up in the village of Mériel in the Seine-et-Oise (now Val-d'Oise) département, about 22 mi (35 km) north of Paris. The son of cabaret entertainers, he attended the Lycée Janson de Sailly. Leaving school early, he worked as a laborer until the age of 19 when he entered show business with a bit part in a Folies Bergères production. He continued performing in a variety of minor roles before going into the military.
Career
After completing his military service, Gabin returned to the entertainment business, working under the stage name of Jean Gabin at whatever was offered in the Parisian music halls and operettas, imitating the singing style of Maurice Chevalier, which was the rage at the time. He was part of a troupe that toured South America, and upon returning to France found work at the Moulin Rouge. His performances started getting noticed, and better stage roles came along that led to parts in two silent films in 1928.
Two years later, he easily made the transition to talkies in a 1930 Pathé Frères production titled Chacun sa Chance. Playing secondary roles, Gabin made more than a dozen films over the next four years, including films directed by Maurice and Jacques Tourneur. However, he only gained real recognition for his performance in Maria Chapdelaine, a 1934 production directed by Julien Duvivier. Cast as a romantic hero in a 1936 war drama titled La Bandera, this second Duvivier-directed film established Gabin as a major star. The following year, he teamed up with Duvivier again, this time in the highly successful Pépé le Moko; its popularity brought Gabin international recognition. That same year, he starred in the Jean Renoir film La Grande Illusion, an anti-war film that ran at a New York City theatre for an unprecedented six months. This was followed by another one of Renoir's major works: La Bête Humaine (The Human Beast), a film noir tragedy based on the novel by Émile Zola and starring Gabin and Simone Simon, as well as Le Quai Des Brumes (Port of Shadows), one of director Marcel Carné's classics of poetic realism.
Flooded with offers from Hollywood, for a time Gabin turned them all down until the outbreak of World War II. Following the German occupation of France, he joined Jean Renoir and Julien Duvivier in the United States. Divorced from his second wife in 1939, during his time in Hollywood, Gabin began a torrid romance with actress Marlene Dietrich. However, his films in America - Moontide (1942) and The Impostor (1944), the later reuniting him with Duvivier - were not successful.
A difficult personality, he did serious damage to his Hollywood career while working for RKO Pictures. Scheduled to star in an RKO film, at the last minute he demanded Dietrich be given the co-starring role. The studio refused. After Gabin remained steadfast in his demand, he was fired, and the film project was shelved.
Undaunted, Jean Gabin joined General Charles de Gaulle's Free French Forces and earned the Médaille militaire and a Croix de guerre for his wartime valor fighting with the Allies in North Africa. Following D-Day, Gabin was part of the military contingent that entered a liberated Paris.
In 1946, Gabin was hired by Marcel Carné to star in the film, Les Portes de la Nuit, but his conduct got him fired again. He then found a French producer and director willing to cast him and Marlene Dietrich together, but their film Martin Roumagnac was not a success and their personal relationship soon ended. Following another box office failure in 1947, Gabin returned to the stage, but there too, the production was another financial disaster. Nevertheless, he was cast in the lead role of the 1949 René Clément film Au-Delà Des Grilles that won the Academy Award for Best Foreign Language Film. Despite this recognition, the film did not do well at the French box office, and the next five years brought little more than repeated box office failures.
Gabin's career seemed headed for oblivion. However, he made a comeback in the 1954 film, Touchez pas au grisbi (Don't Touch the Loot). Directed by Jacques Becker, his performance earned him critical acclaim, and the film was a very profitable international success. Later, he worked once again with Jean Renoir in French Cancan, with María Félix and Françoise Arnoul. Over the next twenty years, Gabin made close to 50 more films, most of them very successful commercially and critically, including many for Gafer Films, his production partnership with fellow actor Fernandel.
His co-stars included leading figures of post-war cinema such as Brigitte Bardot (En cas de malheur), Alain Delon (Le Clan des Siciliens, Mélodie en sous-sol and Deux hommes dans la ville), Jean-Paul Belmondo (Un singe en hiver) and Louis de Funès (Le Tatoué).
Death and legacy
Gabin died of leukaemia at the American Hospital of Paris, in the Parisian suburb of Neuilly-sur-Seine. His body was cremated and with full military honours, his ashes were dispersed into the sea from a military ship.
Considered one of the great stars of French cinema, he was made a member of the Légion d'honneur. The Musée Jean Gabin in his native town, Mériel, contains his story and features, his war and film memorabilia.
Selected Filmography
Year | Title | Role | Director | Notes |
---|---|---|---|---|
1932 | Fun in the Barracks | Fricot | Maurice Tourneur | |
1934 | Maria Chapdelaine[3] | François Paradis | Julien Duvivier | NBR Award 1935 |
1934 | Zouzou | Jean, an orphan | Julien Duvivier | Featuring Josephine Baker |
1935 | La Bandera | Pierre Gilleth | Julien Duvivier | Adaptation of Pierre Mac Orlan's novel La Bandera. |
1936 | Les Bas-fonds | Wasska Pepel | Jean Renoir | Louis Delluc Prize 1937. Adaptation of Maxim Gorky's The Lower Depths. |
La belle équipe | Jeannot | Julien Duvivier | With Charles Vanel and Viviane Romance. | |
1937 | Pépé le Moko | Pépé | Julien Duvivier | Remade twice: Algiers (1938) and Casbah (1948). |
La Grande illusion (The Grand Illusion) | Lieutenant Maréchal | Jean Renoir | NBR Award 1938 | |
Gueule d'amour (Lady Killer) | Lucien Bourrache | Jean Grémillon | Adaptation of a novel by André Beucler. | |
1938 | Le Récif de corail | Trott Lennart | Maurice Gleize | With Michèle Morgan. Adaptation of a novel by Jean Martet. |
Le Quai des brumes (Port of Shadows) | Jean | Marcel Carné | With Michèle Morgan and Claude Brasseur. Louis Delluc Prize 1939 | |
La Bête humaine (The Human Beast) | Jacques Lantier | Jean Renoir | Adaption of Émile Zola's novel La Bête humaine. | |
1939 | Le Jour se lève (Daybreak) | François | Marcel Carné | Remade as The Long Night, starring Henry Fonda. |
1941 | Remorques | Captain André Laurent | Jean Grémillon | With Madeleine Renaud. Adaptation of a novel by Roger Vercel. |
1942 | Moontide | Bobo | Archie Mayo | With Ida Lupino. Adaptation of a novel by Willard Robertson. |
1944 | The Impostor | Clement | Julien Duvivier | |
1946 | Martin Roumagnac (The Room Upstairs) | Martin Roumagnac | Georges Lacombe | With Marlene Dietrich. Adaptation of a novel by Pierre-René Wolf. |
1949 | Au-delà des grilles (The Walls of Malapaga) | Pierre Arrignon | René Clément | Academy Award for Best Foreign Language Film 1949 |
1951 | È più facile che un cammello... (His Last Twelve Hours) | Carlo Bacchi | Luigi Zampa | French title: Pour l'amour du ciel |
1952 | La Vérité sur Bébé Donge (The Truth About Bebe Donge) | François Donge | Henri Decoin | With Danielle Darrieux. Adaptation of a novel by Georges Simenon. |
Le Plaisir (House of Pleasure) | Joseph Rivet | Max Ophüls | An anthology film based on three stories by Guy de Maupassant. | |
La Minute de vérité (La Minute de vérité) | Pierre Richard | Jean Delannoy | French-Italian-Austrian coproduction | |
1954 | Touchez pas au grisbi (Don't Touch the Loot) | Max | Jacques Becker | With Jeanne Moreau and Lino Ventura. Adaptation of a novel by Albert Simonin. |
Razzia sur la chnouf (Raid on the Drug Ring) | Henri Ferré | Henri Decoin | Based on a novel by Auguste Le Breton. | |
1955 | Napoléon | Jean Lannes | Sacha Guitry | Cameo appearance |
French Cancan | Henri Danglard | Jean Renoir | Musical film | |
1956 | Voici le temps des assassins (Deadlier Than the Male) | André Chatelin | Julien Duvivier | Produced by Raymond Borderie (and others). |
La Traversée de Paris (The Trip Across Paris) | Grandgil | Claude Autant-Lara | With Louis de Funès and Bourvil | |
1958 | Maigret tend un piège (Maigret Sets a Trap) | Jules Maigret | Jean Delannoy | With Annie Girardot. Adaptation of an original Maigret story by Georges Simenon. |
Les Misérables | Jean Valjean | Jean-Paul Le Chanois | Franco-Italian-German adaption of Victor Hugo's novel. | |
1959 | Archimède le clochard (The Magnificent Tramp) | Archimède | Gilles Grangier | Silver Bear for Best Actor at the 9th Berlin International Film Festival[4] |
1961 | Le Président | Émile Beaufort | Henri Verneuil | Adaption of a novel by Georges Simenon. |
1962 | Le Gentleman d'Epsom (The Gentleman from Epsom) | Richard Briand-Charmery | Gilles Grangier | Raymond Oliver as himself. |
Mélodie en sous-sol (Any Number Can Win) | Mister Charles | Henri Verneuil | With Alain Delon. Adaption of Zekial Marko's novel "The Big Grab". | |
Un singe en hiver (A Monkey in Winter) | Albert Quentin | Henri Verneuil | With Jean-Paul Belmondo. Adaption of Antoine Blondin's novel of the same name. | |
1965 | Le Tonnerre de Dieu (God's Thunder) | Léandre Brassac | Denys de La Patellière | With Michèle Mercier and Robert Hossein. |
1968 | Le tatoué | Comte Enguerand | Denys de La Patellière | Co-starring Louis de Funès |
1969 | Le Clan des Siciliens (The Sicilian Clan) | Vittorio Manalese | Henri Verneuil | With Alain Delon and Lino Ventura. Score by Ennio Morricone. |
1971 | Le Chat | Julien Bouin | Pierre Granier-Deferre | Silver Bear for Best Actor at the 21st Berlin International Film Festival[5] |
1973 | Deux hommes dans la ville (Two Against the Law) | Germain Cazeneuve | José Giovanni | With Alain Delon, Mimsy Farmer and Gérard Depardieu. |
1974 | Verdict | Judge Leguen | André Cayatte | With Sophia Loren. Produced by Carlo Ponti. |
1976 | L'année sainte (Holy Year) | Max Lambert | Jean Girault | His last film, with Jean-Claude Brialy, Henri Virlojeux, and Danielle Darrieux |
References
- ↑
- ↑ http://www.filmreference.com/Actors-and-Actresses-El-Ga/Gabin-Jean.html
- ↑ "Maria Chapdelaine". Retrieved 2012-12-09.
- ↑ "Berlinale 1959: Prize Winners". berlinale.de. Retrieved 2010-01-05.
- ↑ "Berlinale 1971: Prize Winners". berlinale.de. Retrieved 2010-03-14.
External links
Wikimedia Commons has media related to Jean Gabin. |
- Jean Gabin at the Internet Movie Database
- Jean Gabin at AllRovi
- The Jean Gabin Museum of Mériel
- website in italian language
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