Jaromír Funke

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Jaromír Funke (1896–1945) was a Modernist photographer from Czech. Funke was a leading figure in Czech photography during the 1920s and 30s.

Early life

Funke was born in Skuteč to a wealthy family.[1] He studied medicine, law, and philosophy at the Charles University in Prague and the University of Bratislava but did not graduate and instead turned to photography.[2]

Style

Funke was recognized for his play of “photographic games” with mirrors, lights, and insignificant objects, such as plates, bottles, or glasses, to create unique works.[1] His still life’s created abstract forms and played with shadows looking similar to photograms.[3] His work was thought to be logical, original and expressive in nature.[2] A typical feature of Funke’s work would be the “dynamic diagonal." [2]

Career

Early career

By the 1920s, Funke had become an amateur photographer and began to experiment with constructivism, surrealism, poeticism, and expressionism.[1] He created unconventional works as a form of “pure” photography instead of the traditional reminiscing of other mediums such as painting or sculpture.[2]

Later career

During his photography profession, Funke published editorials and critiques about photography. By 1922, Funke had become a skilled freelance photographer and two years later he, Josef Sudek and Adolf Schneeberger created the Czech Photographic Society.[2] From 1931-1935, Funke headed the photography department at the School of Arts and Crafts in Bratislava. Soon after, Funke taught at the School of Graphic Art in Prague until 1944.[2] Alongside Ladislav Sutha, the director of the previous school, Funke published Fotografie vidí povrch in 1935.[2] While travelling, Funke became interested in politically engaged photography. Bad living was created during the time period of 1930-1931 and was a photographic series that dealt with the issues of poverty.[4] Funke later became an editor of the journal Fotografický obzor (Photographic Horizons) for several years. He published a number of works including Od fotogrameuk emoci which is understood to be his manifesto.[2]

Death

As travelling was limited during World War 2 in 1939, Funke photographed close to home in Louny, Prague and sometimes Kolin.[4] On March 22, 1945 in Kolin, Funke required an immediate operation for intestine damage but the procedure could not be executed as it was during an air raid alarm and he passed away.[4]

References

  1. ↑ 1.0 1.1 1.2 Dufek, Antonín (2003). ed. Jaromír Funke (1st ed. ed.). Prague: Torst. p. 152. ISBN 80-7215-211-4. 
  2. ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 "Funke, Jaromír". Oxford Art Online. Oxford University Press. Retrieved March 31, 2013. 
  3. ↑ "Jaromír Funke". The AMICA Library: Art Museum Images from Cartography Associates. Cartography Associates. Retrieved March 31, 2013. 
  4. ↑ 4.0 4.1 4.2 Chlumsky, Milan. "Czech". Dating- AU: Technology, Photography and Architecture 19th - 20th. Retrieved March 31, 2013. 

Bibliography

  • Dufek Antonín: Jaromír Funke. Průkopník fotografické avantgardy, 1997, Brno, ISBN 80-7027-061-6
  • Ludvík Souček: Jaromír Funke - Fotografie, 1970, Odeon, Prague
  • Československý biografický slovník, Encyklopedický institut ČSAV, Academia, Praha, 1992
  • Pastor Suzanne E., Dufek Antonín: Jaromír Funke - fotografie 1919-1943 - věci skleněné a obyčejné, Pražský dům fotografie, Praha, 1995
  • Birgus V. a kol.: Česká fotografická avantgarda 1918-1948, Kant, Praha, 1999
  • Philippe Grand: Vues d' architectures - photographies des XIXe et XXe siecles, 2002, Réunion des Musées Nationaux, Paris, France
  • Moucha Josef: A flash of avant-garde, or Jaromír Funke, Imago, n. 18, Summer 2004
  • Dufek Antonín: Jaromír Funke, fotografická publikace, Torst, 2004

External links

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