Hogan's Heroes (band)

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Hogan's Heroes

Hogan's Heroes performing in USA 1990
Background information
Origin USA
Genres Hardcore punk,[1] metalcore,[2] skate punk,[3] crossover thrash,[4][5] metallic hardcore.[6]
Years active 1984–1993
Labels New Red Archives
Past members George Barberio
John Cuccinello
Skip Hoefling
Tony Scandiffio

Hogan's Heroes[7] was an American hardcore punk band[8] formed in New Jersey in 1984. During their time they recorded three full lengths for California label New Red Archives. They have been considered as classic hardcore[9] and seminal[10] in guitar orientated styles[11] such as skate punk[3][12] and metal.[2][13] They were also a part of the original crossover thrash scene.[5] The band broke up in 1993.

History

Early years (1984–1986)

Hogan's Heroes was formed in the shore area of South Central, New Jersey in 1984 by George Barberio (lead guitar), John Cuccinello (bass), Matt Gunvordahl (drums), and Scott Cassidy (vocals). After a short stint as Impossible Task, the band disbanded and re-grouped with new member Cuccinello whose Idea it was to call the band Hogan's Heroes. In 1985 the band released their first demo[14] Hogan's Heroes, which was co produced with local N.J. producer Merlin.[15] In August[16] 1985 Cuccinello (bass) left the group for California. Hogan's Heroes continued to play gigs and recorded a new demo[17] with bass player Gerry Daseking in December 1985, Bomb Guy Demo,[18] which was again co produced with local N.J. producer Merlin. The underground tape trading wave of the early 1980s led to extensive distribution of the demos, bringing the band[19][20] some wide attention, and they were called "best thrash band in south (new) Jersey".[4]

In 1986[21] they[22] were included on both, Adrenalin O.D. HumongousFungousAmoungus and Thrash metal band Nuclear Assault's Game Over album thanks lists. Cuccinello (bass) had rejoined and Gunvodahl and Cassidy had left the group.[23] In November 1986 Cuccinello and Barberio made a new 13 song[24] recording with new members Tony Scandiffio (drums) and Skip Hoefling (vocals). This was recorded at Merlin Studios and Produced by Hogan's Heroes and Merlin. Through some extensive trading the band found its way on the thanks list of 7 Seconds 1987 release Live! One Plus One.

Built To Last (1987–1988)

Hogan's Heroes continued to play[25] club gigs, writing songs and refining their stage show. In 1987, the band recorded songs for Built To Last at Waterfront Studios (Lenny Kravitz, B.B. King, Madonna, Slash)[26] with Ray as engineer and band as producer. The album mixes hardcore with elements of hard rock, thrash, and metal.[2] The album[27] became a seminal[10] release in metal[2] and skate punk influenced hardcore music.

After rumors of another label never materialized Straight-On records released Hogan's Heroes' debut album, Built To Last, in 1988.[28] The album [29] sold well and secured the band distribution through Caroline. Straight-On records had suggested about making a two song single and by the end of 1988, the band returned to the studio. At Wildsound Studios[30] and produced by Hogan's Heroes (Barberio, Scandiffio), "Soulsight" "Kick it In" were recorded and mixed but never released after Hogan's Heroes signed to New Red Archives.

Hogan's Heroes (1989–1990)

Early 1989 was started by switching record labels. The success of Built To Last on Straight-On led to a record deal with New Red Archives (UK Subs, Kraut, Reagan Youth), who immediately reissued the bands debut album, Built To Last,[31][32] on multiple formats[33] in 1989.[34] Prior to reissue, the New Red Archives version of Built To Last was mastered at Trutone (James Brown, Luciano Pavarotti)[35] Mastering.

After New Red Archives Records acquired the band from Straight-On in 1989, they signed Hogan's Heroes[36] to a two-record deal and released[37][38] the eponymously titled second studio album,[39] Hogan's Heroes,[27][40][41] on multiple formats[42] in 1990. Hogan's Heroes (Barberio, Scandiffio, Hoefling) produced the Import/Caroline/Rough Trade[43] distributed release with Ryk Oakley (Kraut, UK Subs),[44] where it was recorded, in 1989, at top world agency[45] Saatchi & Saatchi in New York City and then mastered at Trutone (Bob Dylan, The B-52s, Whitney Houston)[35] Mastering Labs. The album[46][47][48] showcased the band's[49] use of mixing hardcore with elements of punk, thrash, reggae,[50] metal,[51] and utilizing full-band backing vocals, which gave the album a varied feel. The album became a seminal[10] release in metal[2] and skate punk influenced hardcore music.

3 Fists and a Mouthful (1991–1992)

Hogan's Heroes continued to play club gigs, writing songs and refining their stage show. In 1991, the band signed a new contract with New Red Archives Records and in mid-1991[52] recorded songs for 3 Fists and a Mouthful.[27][53][54] Produced by George Barberio, and recorded at Ocean Gate Studios (Nelson, Alice Cooper)[55] the album[56][57] showcased the band's[58] explosive hardcore, full-band backing vocals, and hard rock, with elements of punk, thrash and metal. The album became a seminal[10] release in metal[2] and skate punk influenced hardcore music.

Musical style

They have been classed under the genre of "hardcore punk".[1] They have also been classed under the genres of skate punk,[3] thrash,[4] metalcore,[2] crossover,[5] and metallic hardcore.[6] Their music is described by Razorcake in April 2006 as "fast'n'furious, pissed off, ...holds up consistently well, managing to get the blood pumping just as well as it did a decade and a half ago"[59] Their music is described by Rhapsody as "Pure old school Hardcore on New Red Archives. Uptight, edgy and dizzyingly fast, this band kept it simple and savage, ...quick, efficient rips of pure American Hardcore."[1][60]

Line-up

  • George Barberio - Guitar
  • John Cuccinello - Bass
  • Tony Scandiffio - Drums
  • Skip Hoefling - Vocals

Discography

Studio albums
EPs
  • Soulsight (1989)
Compilation albums

Filmography

Video
  • Soulsight (1991)

References

  1. 1.0 1.1 1.2
  2. 2.0 2.1 2.2 2.3 2.4 2.5 2.6
  3. 3.0 3.1 3.2
    • Rotsaert, Rick. Rickter Scale. Thrasher Magazine, May 1992, p. 70.
  4. 4.0 4.1 4.2
    • Decolator, Paul. New Jersey. Maximum RockNRoll, July 1986, p. 41.
  5. 5.0 5.1 5.2
  6. 6.0 6.1
    • McClard, Kent. Record Reviews. No Answers, November 1988, p. 13.
    • 1948-1999 Muze, Inc. POP Artists beginning with HOD, Phonolog, 1999, p. 1.No. 7-278B Section 207
  7. 10.0 10.1 10.2 10.3
    • McClard, Kent. Hogan's Heroes NJ. No Answers, November 1988, p. 12-15.
    • Matthews, Dave. Easy goes it. Observer, March 25, 1984, p. 1.
    • McClard, Kent. Record Reviews. No Answers, November 1988, p. 29.
    • Studios, Merlin. Merlin Studios. Aquarian, August 1985, p. 45.
    • Aquarian Arts. General section. Aquarian Arts, August 1985, p. 34.
    • Maximum RockNRoll. MRR Reviews-Blastin Out Of New Jersey. Maximum RockNRoll, February 1987, p. 52.
    • Aquarian. General section. Aquarian, April 23, 1986, p 16.
    • Aquarian. General section. Aquarian, April 30, 1986, p 16.
    • WJTB Radio. Playlist: Hogan's Heroes Number 15. WJTB Radio, September 1986.
    • Maximum RockNRoll. Reviews: Blastin' Out Of New Jersey. Maximum RockNRoll, February 1987, p. 52.
    • Khandalavala, Dorab. Hogan's Heroes. Targum Sun , August 7, 1986, p 1 cover.
    • Baggs, Harry. Hogan's Heroes. Earwax Number 7, December 1986, p. 23.
    • EC Rocker. General section. East Coast Rocker, July 29, 1987, p 19.
    • Studio, Waterfront. Waterfront Studio. East Coast Rocker, December 19, 1990, p. 53.
  8. 27.0 27.1 27.2
    • KCSB Radio.Restless Intellect- Hogan's Heroes Featured Band 2., 33., 56., 68..Kent McClard, KCSB Radio, September 18, 1988.
    • Bello, John. New York City. Maximum RockNRoll, October 1988, p. 82.
    • Village Voice. General section. The Village Voice, August 1, 1989, p 109.
  9. 35.0 35.1
    • Maximum RockNRoll. MRR Columns. Maximum RockNRoll, May 1990, p. 25.
    • Flipside Magazine. General Column. Flipside Magazine, July-Aug 1990, p. 25.
    • Makin, Robert. Ebb Tide. EC Rocker, May 9, 1990, p. 45.
    • Makin, Robert. Makin' Waves. EC Rocker, September 26, 1990, p. 44.
    • Maximum RockNRoll. Reviews. Maximum RockNRoll, July 1990, p. 115.
    • Flipside Magazine. General section. Flipside Magazine, November–December 1990, p. 102.
    • Maximum RockNRoll. General section. Maximum RockNRoll, July 1990, p. 118.
    • EC Rocker. General section. East Coast Rocker, December 19, 1990, p 24.
    • Yohannon, Tim. Record Reviews. Maximum RockNRoll, August 1990, p. 99.
    • Makin, Robert. Makin' Waves. EC Rocker, June 27, 1990, p. 44.
    • Maximum RockNRoll. General Section. Maximum RockNRoll, Number 92 January 1991, p. 107.
    • Studio, Notes. Nelsons Make Waves in NJ's Ocean. TMP's Studio Exchange, April 1992, p. 54.
    • EC Rocker. Current Vinyl. East Coast Rocker, February 12, 1992, p 25.
    • EC Rocker. General Section. East Coast Rocker, June 17, 1992, p 27.
    • Alvarado, Jimmy. Record Reviews. Razorcake , Issue #31 April/May 2006, p. 88.

Literature

  • Blush, Steven (2001). American Hardcore: A Tribal History. Feral House. ISBN 1932595899. 
  • Daily, Chris (2009). Everybody's Scene: The Story of Connecticut's Anthrax Club. Butter Goose Press. ISBN 057803817X. 

External links

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