Hisako Terasaki

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Hisako Terasaki (born in Los Angeles, California in 1928), is a Japanese American etcher.

Early years

Terasaki's parents were economic migrants from Japan to the United States at the turn of the 20th century. Her father, Suichi Sumioka receive a degree in Engineering from Stanford University, but after encountering discrimination in his attempts to obtain a job, he eventually came to own a flower shop in East Los Angeles. In 1942 in the midst of her parents' struggle to establish themselves, Hisako and her family, all United States citizens, were removed to Poston War Relocation Center in Arizona as part of Executive Order 9066 in response to the Japanese bombing of Pearl Harbor. After World War II the Sumioka family had to split up for a few years as each member worked to get the family back on its feet. Hisako working as a live-in house keeper while attending high school; her mother died when she was 18.

Middle Years

Terasaki went on to study Art at Los Angeles City College, but under pressure from her family to pursue a more practical career, she obtained her B.A. degree in Education from Los Angeles State College in 1954. During this year, she also married Paul Ichiro Terasaki after meeting at their local Methodist church. They both were Nisei generation, their parents having emigrated from Japan, and they had in common internment during World War II, and a relatively impoverished upbringing in East Los Angeles. After teaching elementary school for one year, Terasaki had three sons and a daughter between 1954 and 1962. While raising a family and supporting what would become her husband's distinguished and busy academic career in Transplantation at UCLA, Terasaki pursued her activities in printmaking, exhibiting mainly in the Los Angeles area. The subject matter of her work reflected her extensive travels accompanying her husband around the world and her constant care of four children. In fact, her most prolific period artistically was during the busy years of the 1970s and 1980s.

Later years

Once their children were grown, Terasaki and her husband became more involved in the Los Angeles community. They supported cultural, academic and church related activities, reflecting their lifelong interests. Later in their lives, Paul and Hisako would be able to offer significant philanthropic support to the Japanese American community.

Further Information

Exhibitions

  • 1978 The Framecompany, Los Gatos, California
  • 1979 Second Annual Bay Area Women's Graphic Arts Competition, California
  • 1979 Los Angeles Art Association Gallery, California
  • 1980 Los Angeles Art Association Gallery, California
  • 1980 Garendo Gallery, Studio City, California
  • 1980 Montalvo Art Center, Saratoga, California
  • 1981 San Jose Center for the Performing Arts, California
  • 1981 Fourth Annual Print show, Westwood Center of the Arts, Los Angeles, California
  • 1982 LAPS Membership Print Exhibition at the Multicultural Arts Institute, San Diego, California
  • 1983 Ninth International Miniature Print Exhibition, Pratt Graphics Center Gallery, New York

Books

Philanthropic support

  • UCLA Paul I and Hisako Terasaki Center for Japanese Studies,
  • Japanese American National Museum, Los Angeles,
  • The Pavilion, Los Angeles County Museum of Art
  • National Japanese American Memorial Foundation Washington DC
  • First United Methodist Church, Los Angeles
  • UCLA Terasaki Life Sciences Building

Web site with prints

http://www.terasaki.us/concord/prints/index.html

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