Henry Mayhew

Henry Mayhew, from London Labour and the London Poor (1861)

Henry Mayhew (25 November 1812 – 25 July 1887) was an English social researcher, journalist, playwright and advocate of reform. He was one of the co-founders of the satirical and humorous magazine Punch in 1841, and was the magazine's joint-editor, with Mark Lemon, in its early days. He is also known for his work as a social researcher, publishing an extensive series of newspaper articles in the Morning Chronicle that was later compiled into the book series London Labour and the London Poor (1851), a groundbreaking and influential survey of the city's poor.

Biography

Early life

He was born in London, one of seventeen children of Joshua Mayhew. He was educated at Westminster School before running away from his studies to sea.^[1] He then served with the East India Company as a midshipman on a ship bound for Calcutta. He returned after several years, in 1829, becoming a trainee lawyer in Wales.^[2] He left this and became a freelance journalist. He contributed to The Thief, a readers' digest, followed quickly by editing a weekly journal – Figaro in London. Along with continuing to develop his writing, Mayhew briefly managed the Queen's Theatre.^[3] Mayhew reputedly fled his creditors and holed up at The Erwood Inn, a small public house in the village of Erwood, south of Builth Wells in Wales.

Paris and writing

In 1835 Mayhew found himself in a state of debt and, along with a fellow writer, escaped to Paris to avoid his creditors.^[2] He spent his time writing and in the company of other writers including William Thackeray and Douglas Jerrold. Mayhew spent over ten years in Paris returning to England in the 1850s whereby he was involved in several literary adventures, mostly the writing of plays. Two of his plays – But, However and the Wandering Minstrel were successful, whilst his early work Figaro in London was less successful.^[4]

Punch magazine

Punch magazine was co founded by Mayhew in 1841.

On 17 July 1841 Mayhew cofounded Punch magazine. At its founding the magazine was jointly edited by Mayhew and Mark Lemon. Initially it was subtitled The London Charivari, this being a reference to a satirical humour magazine published in France under the title Le Charivari (a work read often whilst Mayhew was in Paris). Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet Mr. Punch. Punch was an unexpected success, yet, a year later, Mayhew resigned as joint editor.^[4] He continued at the magazine as "suggestor in chief" until he severed his connection in 1845. His brother Horace stayed on the board of Punch until his own death. The Punch years gave Mayhew the opportunity to meet talented illustrators who he later employed to work from daguerreotypes on London Labour and the London Poor.^[4]

Formative work

In 1842 Mayhew contributed to the pioneering Illustrated London News. By this time Mayhew had become reasonably secure financially, had settled his debts and married Jane Jerrold, the daughter of his friend Douglas Jerrold.^[5] She lived until 1880.

London Labour and the London Poor

The articles comprising London Labour and the London Poor were initially collected into three volumes in 1851; the 1861 edition included a fourth volume, co-written with Bracebridge Hemyng, John Binny and Andrew Halliday, on the lives of prostitutes, thieves and beggars. This Extra Volume took a more general and statistical approach to its subject than Volumes 1 to 3.

Mayhew wrote in volume one: "I shall consider the whole of the metropolitan poor under three separate phases, according as they will work, they can't work, and they won't work".^[6] He interviewed everyone—beggars, street-entertainers (such as Punch and Judy men), market traders, prostitutes, labourers, sweatshop workers, even down to the "mudlarks" who searched the stinking mud on the banks of the River Thames for wood, metal, rope and coal from passing ships, and the "pure-finders" who gathered dog faeces to sell to tanners. He described their clothes, how and where they lived, their entertainments and customs, and made detailed estimates of the numbers and incomes of those practicing each trade. The books show how marginal and precarious many people's lives were, in what, at that time, was the richest city in the world.^{[citation needed]}

Mayhew's richly detailed descriptions give an impression of what the street markets of his day were like. An example from Volume 1:

'The pavement and the road are crowded with purchasers and street-sellers. The housewife in her thick shawl, with the market-basket on her arm, walks slowly on, stopping now to look at the stall of caps, and now to cheapen a bunch of greens. Little boys, holding three or four onions in their hand, creep between the people, wriggling their way through every interstice, and asking for custom in whining tones, as if seeking charity. Then the tumult of the thousand different cries of the eager dealers, all shouting at the top of their voices, at one and the same time, is almost bewildering. “So-old again,” roars one. “Chestnuts all‘ot, a penny a score,” bawls another. “An ‘aypenny a skin, blacking,” squeaks a boy. “Buy, buy, buy, buy, buy-- bu-u-uy!” cries the butcher. “Half-quire of paper for a penny,” bellows the street stationer. “An ‘aypenny a lot ing-uns.” “Twopence a pound grapes.” “Three a penny Yarmouth bloaters.” “Who‘ll buy a bonnet for fourpence?” “Pick ‘em out cheap here! three pair for a halfpenny, bootlaces.” “Now‘s your time! beautiful whelks, a penny a lot.” “Here‘s ha‘p‘orths,” shouts the perambulating confectioner. “Come and look at ‘em! here‘s toasters!” bellows one with a Yarmouth bloater stuck on a toasting-fork. “Penny a lot, fine russets,” calls the apple woman: and so the Babel goes on.'^[7]

Family

Mayhew was the grandfather of Audrey Mayhew Allen (b. 1870), an author of a number of children's stories published in various periodicals, and of Gladys in Grammarland, an imitation of Lewis Carroll's Wonderland books.^{[citation needed]}

Influence

Mayhew's work was embraced by and was an influence on the Christian Socialists, such as Thomas Hughes, Charles Kingsley, and F. D. Maurice. Radicals also published sizeable excerpts from the reports in the Northern Star, the Red Republican, and other newspapers. The often sympathetic investigations, with their immediacy and unswerving eye for detail, offered unprecedented insights into the condition of the Victorian poor. Alongside the earlier work of Edwin Chadwick, they are also regarded as a decisive influence on the thinking of Charles Dickens.

Mayhew's work inspired the script of director Christine Edzard's 1990 film The Fool. Mayhew has appeared as a character in television and radio histories of Victorian London ; he was played by Timothy West in the documentary London (2004), and David Haig in the Afternoon Play A Chaos of Wealth and Want (2010). In the 2012 novel Dodger by Terry Pratchett, Mayhew and his wife appear as fictionalised versions of themselves, and he is mentioned in the dedication.

Notes

References

• Mayhew, Henry, edited by Robert Douglas-Fairhurst (2010). London Labour and the London Poor. OUP. 
• Taithe, Bertrand (1996). The Essential Mayhew: Representing and Communicating the Poor. Rivers Oram Press. ISBN 1-85489-046-8. 
• Vlock, Deborah (2004). "Mayhew, Henry (1812–1887)". Oxford Dictionary of National Biography. London: OUP. 
• Yates, Edmund (1884). His Recollections and Experiences. London: Richard Bentley and Son. 

External links

• London Labour and the London Poor, Mayhew, Henry, Published in London, 1861-2. Retrieved July 7, 2010
• , Punch Magazine History and FAQs

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