Heinz Rühmann
Heinz Rühmann | |
---|---|
Heinz Rühmann in 1937 | |
Born |
Heinrich Wilhelm Rühmann March 7, 1902 Essen, Germany |
Died |
October 3, 1994 92) Berg, Germany | (aged
Occupation | Actor, Director |
Heinrich Wilhelm "Heinz" Rühmann (March 7, 1902 – October 3, 1994) was a German film actor. He is one of the most popular and famous German actors of the 20th Century. He starred in famous films like Die Feuerzangenbowle (1944), Der Hauptmann von Köpenick (1956) and It Happened in Broad Daylight (1958).
Biography
Rühmann was born in Essen. His role in the 1930 movie Die Drei von der Tankstelle (Those Three from the Gas Station) led him to film stardom. He remained highly popular as a comedic actor (and sometime singer) throughout the 1930s and early 1940s. He remained in Germany and continued to work during the Nazi period, as did his friend and colleague, Hans Albers.
Career during the Third Reich
After the Nazis seized power in 1933, Rühmann did not speak openly about German politics, but instead kept himself as neutral as possible. In 1938, he divorced his Jewish wife, who married a Swedish actor, and before World War II broke out, traveled to Stockholm and as a result, survived the Holocaust.[1] The divorce caused Rühmann to be accused of wanting to secure his career; however, the marriage had probably already fallen apart. His second wife, whom he married shortly after, had a Jewish grandfather, a fact that caused Rühmann problems with the Nazi cultural authorities. Rühmann retained his reputation as an apolitical star during the entire Nazi era.
During the war years, Rühmann increasingly let himself be co-opted by the Third Reich. During the Nazi era, he acted in 37 films and directed four. His role as lead actor in the comedy Quax, der Bruchpilot was supposed to distract the populace from the war. In 1941, under the direction of Reichsfilmkammer president Carl Froelich, Rühmann played the title role in Der Gasmann, about a gas meter reader who is suspected of foreign espionage. In 1944, the premiere of Die Feuerzangenbowle'' was forbidden by the Nazi film censor for "disrespect for authority". Through his good relationships with the regime, however, Rühmann was able to screen the film in public. He brought the film to the Führerhauptquartier Wolfsschanze for a private screening for Hermann Göring and others. Afterward, Göring was able to get the ban on the film lifted by Adolf Hitler. A nostalgic comedy of mistaken identities, the film was probably the most popular film of his career and later became a cult hit among college students. As a "state actor", the highest title for an actor during the Nazi era, Rühmann was not drafted into the Wehrmacht. He did have to take the basic training to become a military pilot, but for the Third Reich, Rühmann was more valuable as an actor and he was spared having to take part in the war effort. In August 1944, Joseph Goebbels put Rühmann on the Gottbegnadeten list of indispensable actors.[2]
Postwar career
Rühmann had a difficult time resuming his career after the war, but by the mid-1950s, the former comedian had established himself again as a star, only this time as Germany's leading character actor. [citation needed] In 1956, Rühmann starred in the title role of the internationally acclaimed picture Der Hauptmann von Köpenick (The Captain of Köpenick), the true story of a Prussian cobbler, Wilhelm Voigt, who dressed up as an army officer and took over the town hall in Köpenick. In the days of the German Empire, the army had an exalted status and Voigt embarrassed the army officers and civil servants who obeyed him without question. Rühmann was also the leading man in the 1960 film version of The Adventures of the Good Soldier Schweik, after the novel by Czech author Jaroslav Hašek. In 1965, Rühmann was brought to Hollywood by producer Stanley Kramer for a supporting role in his all-star movie Ship of Fools.
Rühmann was a favorite actor of Holocaust diarist, Anne Frank, who pasted his picture on the wall of her room in her family's hiding place during the war, where it can still be seen today. The enormous range of Rühmann's popularity during the Nazi era is illustrated by the fact that he was also a favorite actor of Adolf Hitler and his propaganda minister Joseph Goebbels.
Rühmann died in 1994 and was buried in Berg-Aufkirchen, Bavaria.
Awards
- 1938: Venice Film Festival: Medaille (Schauspielerische Leistung) für Der Mustergatte
- 1940: Ernennung zum Staatsschauspieler
- 1940: Ehrenmitgliedschaft des dänischen Fliegerclubs
- 1949: Venice Film Festival: Sonderpreis (Geistvolle Darstellung der deutschen Nachkriegsverhältnisse) für Berliner Ballade
- 1957: Golden Gate Award (Best Actor) für Der Hauptmann von Köpenick
- 1957: Kunstpreis der Stadt Berlin
- 1957: Filmband in Gold (Bester Hauptdarsteller) für Der Hauptmann von Köpenick
- 1959: Ernst-Lubitsch-Preis
- 1961: Preis der deutschen Filmkritik
- 1961: Filmband in Gold (Bester Hauptdarsteller) für Das schwarze Schaf
- 1962: Bambi
- 1963: Bambi
- 1964: Bambi
- 1965: Großes Verdienstkreuz des Verdienstordens der Bundesrepublik Deutschland
- 1965: Bambi
- 1966: Silberner Bildschirm der Zeitschrift TV-Hören und Sehen
- 1967: Goldener Bildschirm
- 1967: Bambi
- 1968: Goldener Bildschirm
- 1968: Bambi
- 1969: Bambi
- 1971: Bambi
- 1972: Großes Verdienstkreuz des Verdienstordens der Bundesrepublik Deutschland mit Stern
- 1972: Filmband in Gold für langjähriges und hervorragendes Wirken im deutschen Film
- 1972: Goldene Leinwand (Sonderpreis) für besondere Verdienste
- 1972: Ehrenmedaille der Spitzenorganisation der Filmwirtschaft (SPIO) für das Lebenswerk
- 1972: Bambi
- 1973: Bambi
- 1977: Großes Verdienstkreuz des Verdienstordens der Bundesrepublik Deutschland mit Stern und Schulterband
- 1977: Kultureller Ehrenpreis der Landeshauptstadt München
- 1978: Bambi
- 1981: Bayerischer Maximiliansorden für Wissenschaft und Kunst
- 1982: Silberner Chaplin-Stock des Verbandes Deutscher Filmkritiker
- 1982: Goldene Ehrenmünze der Landeshauptstadt München
- 1984: Bambi
- 1986: Bayerischer Filmpreis: Ehrenpreis
- 1989: Ernennung zum Professor honoris causa für Kunst und Wissenschaft des Landes Nordrhein-Westfalen
- 1990: Goldene Berolina
- 1992: Magdeburger Otto für das Gesamtwerk
- 1995: Goldene Kamera in der Kategorie Größter deutscher Schauspieler des Jahrhunderts (postum)
- 2006: Platz 1 in der ZDF-Reihe „Unsere Besten“ in der Sendung „Lieblingsschauspieler“
Filmography
- The Heart of a German Mother (1926) with Margarethe Kupfer
- Das Mädchen mit den fünf Nullen, 1927, with Adele Sandrock
- Einbrecher, 1930, with Ralph Arthur Roberts, Lilian Harvey, Willy Fritsch, Oskar Sima
- The Three from the Filling Station, 1930, with Lilian Harvey, Willy Fritsch, Oskar Karlweis and the Comedian Harmonists
- Bomben auf Monte Carlo, 1931, with Hans Albers
- Meine Frau, die Hochstaplerin, 1931, with Käthe von Nagy, Fritz Grünbaum, Theo Lingen, Fritz Alberti
- The Virtuous Sinner (1931), Director: Fritz Kortner
- The Man in Search of His Murderer (1931)
- No Money Needed (1932), with Hans Moser, Hedy Lamarr
- The Pride of Company Three, 1932, with Rudolf Platte
- Es wird schon wieder besser, 1932, with Fritz Grünbaum
- Lachende Erben, 1933, Director: Max Ophüls, with Max Adalbert
- Heimkehr ins Glück, 1933, with Paul Hörbiger
- Die Finanzen des Großherzogs, 1934, with Fritz Alberti, Theo Lingen
- So ein Flegel, 1934, with Inge Konradi
- Frasquita, 1934, with Hans Moser
- Ein Walzer für dich, 1934, with Adele Sandrock, Theo Lingen
- Heinz im Mond, 1934, with Annemarie Sörensen, Rudolf Platte, Oskar Sima, Inge Konradi
- Himmel auf Erden, 1935, with Adele Sandrock, Hermann Thimig, Hans Moser, Rudolf Carl, Theo Lingen, Lizzi Holzschuh
- Eva, 1935, with Hans Moser, Adele Sandrock, Magda Schneider
- Allotria, 1936, Director: Willi Forst
- Ungeküsst soll man nicht schlafen gehn, 1936, with Liane Haid, Theo Lingen, Hans Moser
- Lumpacivagabundus, 1936, with Hans Holt, Paul Hörbiger, Fritz Imhoff
- Der Mann, von dem man spricht, 1937, with Hans Moser, Theo Lingen, Gusti Huber
- Der Mann, der Sherlock Holmes war, 1937, with Hans Albers
- Der Mustergatte, 1937, with Leny Marenbach
- 5 Millionen suchen einen Erben, 1938, with Leny Marenbach, Vera von Langen, Oskar Sima
- Nanu, Sie kennen Korff noch nicht?, 1938, with Victor Janson
- 13 Stühle, 1938, with Hans Moser
- Kleider machen Leute, 1940, Director: Helmut Käutner, Book: Helmut Käutner nach einer Novelle von Gottfried Keller, with Hertha Feiler, Erich Ponto
- Quax, der Bruchpilot, 1941
- Hauptsache glücklich!, 1941, Director: Theo Lingen
- Die Feuerzangenbowle, 1944, with Karin Himboldt (Eva Knauer), Hilde Sessak (Marion), Erich Ponto (Professor Crey, Schnauz), Paul Henckels (Professor Bömmel), Hans Leibelt (Direktor Knauer, Zeus)
- Quax in Afrika, 1945/53 Director: Helmut Weiss, Book: Hermann Grote, with Bruni Löbel, Beppo Brem
- Sag' die Wahrheit, 1946, with Georg Thomalla, Susanne von Almassy
- Der Herr vom anderen Stern, 1948, Director: Heinz Hilpert, with Anneliese Römer, Hans Cossy
- Das kann jedem passieren, 1952, Director: Paul Verhoeven, with Gisela Schmidting, Liesl Karlstadt
- Schäm' dich, Brigitte!, 1952, with Hans Moser, Margarete Slezak, Theo Lingen, Nadja Tiller, Hilde Berndt
- Keine Angst vor großen Tieren, 1953
- Briefträger Müller, 1953, Director: Heinz Rühmann, with Heli Finkenzeller
- Auf der Reeperbahn nachts um halb eins, 1954, with Hans Albers
- Zwischenlandung in Paris (Escale à Orly), 1955, with Claus Biederstaedt
- Wenn der Vater mit dem Sohne, 1955, with Oliver Grimm, Waltraut Haas
- Charleys Tante, 1956, with Hertha Feiler, Claus Biederstaedt, Walter Giller
- Das Sonntagskind, 1956, Director: Kurt Meisel, with Walter Giller, Siegfried Lowitz (Kriminalinspektor)
- Der Hauptmann von Köpenick, 1956
- Vater sein dagegen sehr, 1957, Director: Kurt Meisel, with Marianne Koch
- Es geschah am hellichten Tag, 1958, with Sigfrit Steiner, Siegfried Lowitz (Inspektor Henzi), Gert Fröbe, Ewald Balser
- Eiserne Gustav., 1958, Director: Georg Hurdalek, with Lucie Mannheim, Ernst Schröder, Karin Baal, Ingrid van Bergen
- Der Pauker, 1958, Director: Axel von Ambesser, with Wera Frydtberg, Gert Fröbe, Klaus Löwitsch, Peter Kraus
- Menschen im Hotel, 1959, with O. W. Fischer, Gert Fröbe
- Ein Mann geht durch die Wand, 1959
- Mein Schulfreund, 1960, with Loni von Friedl, Ernst Schröder, Mario Adorf
- Der brave Soldat Schwejk, 1960, Director: Axel von Ambesser, with Ernst Stankovski, Franz Muxeneder, Ursula von Borsody, Senta Berger, Jane Tilden, Fritz Eckhardt, Fritz Muliar
- Das schwarze Schaf, 1960, with Karl Schönböck, Maria Sebaldt, Siegfried Lowitz (Pater-Brown-Film)
- Er kanns nicht lassen, 1962, Director: Axel von Ambesser, with Rudolf Forster, Grit Böttcher, Ruth Maria Kubitschek, Horst Tappert (Pater-Brown-Film)
- Max, der Taschendieb, 1962, with Elfie Pertramer, Hans Clarin und Ruth Stephan
- Meine Tochter und ich, 1963, with Gertraud Jesserer, Gustav Knuth, Agnes Windeck, Herta Staal
- The House in Montevideo, 1963, Book: Curt Goetz
- Das Narrenschiff, Ship of Fools, 1965, with Vivien Leigh, Simone Signoret, Oskar Werner, Lee Marvin
- Das Liebeskarussell, 1965, with Curd Jürgens, Nadja Tiller, Ivan Desny, Gert Fröbe, Catherine Deneuve, Friedrich von Thun, Ingeborg Wall, Johanna von Koczian, Anita Ekberg, Peter Alexander, Axel von Ambesser
- Dr. med. Hiob Prätorius, 1965, Book: Curt Goetz, with Liselotte Pulver
- Hokuspokus oder: Wie lasse ich meinen Mann verschwinden...?, 1966, Book: Curt Goetz, with Liselotte Pulver
- Geld oder Leben, La Bourse et la vie, 1966, with Fernandel
- Maigret und sein größter Fall, 1966, with Günter Strack (Kommissar Delvigne), Eddi Arent
- Die Abenteuer des Kardinal Braun, 1967 (Pater-Brown-Film)
- Der Tod des Handlungsreisenden, TV, 1968
- Die Ente klingelt um 1/2 8, 1968
- Mein Freund Harvey, 1970, TV, with Susi Nicoletti
- Der Kapitän, 1971, with Johanna Matz, Horst Tappert, Ernst Stankovski, Horst Janson, Günter Pfitzmann; Musik: James Last
- Oh Jonathan, oh Jonathan!, 1973, with Peter Fricke
- Gefundenes Fressen, 1977, with Mario Adorf, Elisabeth Volkmann, Joachim Fuchsberger
- Das Chinesische Wunder, 1977, with Senta Berger, Peter Pasetti
- Noch 'ne Oper, 1979, TV, Director: Heinz Erhardt, with Grit Böttcher, Heinz Erhardt, Gert Fröbe, Rudolf Schock, Margit Schramm, Vicco von Bülow
- Balthasar im Stau, 1979, TV, with Cornelia Froboess, Louise Martini
- Ein Zug nach Manhattan, 1981, TV, Director: Rolf von Sydow, with Ulrike Bliefert, Charles Brauer, Hans Hessling, Bruni Löbel
- Es gibt noch Haselnuß-Sträucher, 1983, TV, Director: Vojtech Jasny, with Katharina Böhm, Marion Kracht, Luitgard Im, Anneliese Uhlig, Sigmar Solbach
- In weiter Ferne, so nah!, 1993, Director: Wim Wenders, with Otto Sander, Bruno Ganz, Nastassja Kinski, Martin Olbertz, Aline Krajewski, Peter Falk
Autobiography
- Das war's. Erinnerungen. Ullstein, Berlin 1994, ISBN 3-548-20521-6
Sources
- Franz J. Görtz, Hans Sarkowicz: Heinz Rühmann 1902 - 1994. Der Schauspieler und sein Jahrhundert. Beck, Munich (2001) ISBN 3-406-48163-9
- Torsten Körner: Ein guter Freund: Heinz Rühmann. Aufbau-Verlag, Berlin (2003) ISBN 3-7466-1925-4
- Hans-Ulrich Prost: Das war Heinz Rühmann. Bastei, Bergisch Gladbach (1994) ISBN 3-404-61329-5
- Fred Sellin: Ich brech die Herzen..., das Leben des Heinz Rühmann. Rowohlt, Reinbek (2001) ISBN 3-498-06349-9
- Gregor Ball, Eberhard Spiess, Joe Hembus (Hrsg.): Heinz Rühmann und seine Filme. Goldmann, Munich (1985) ISBN 3-442-10213-8
- Hans Hellmut Kirst, Mathias Forster, et al.: Das große Heinz Rühmann Buch. Naumann & Göbel / VEMAG, Cologne o.J., ISBN 3-625-10529-2
References
- ↑ Franz Josef Görtz, Hans Sarkowicz (2001) p. 193
- ↑ Ernst Klee: Das Kulturlexikon zum Dritten Reich. Wer war was vor und nach 1945. S. Fischer, Frankfurt am Main (2007) p. 502 (German)
External links
Wikimedia Commons has media related to Heinz Rühmann. |
- Heinz Rühmann at the Internet Movie Database
- Fan site (German)
- Rühmann biographical timeline German Historical Museum (German)
- Heinz Rühmann memorial book (German)
- Heinz Rühmann brief biography and filmography (German)
- Bibliography and photographs
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