Guantanamera

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"Guantanamera"
Song
Language Spanish
Composer Joseíto Fernández

"Guantanamera" (Spanish: "from Guantánamo [feminine]", thus "woman from Guantánamo") is perhaps the best known Cuban song and that country's most noted patriotic song. In 1966, a version by American vocal group The Sandpipers, based on an arrangement by Pete Seeger, became an international hit.

History

Music

The music for the song is sometimes attributed to José Fernández Diaz, known as Joseíto Fernández,[1] who claimed to have written it at various dates (consensus puts 1929 as its year of origin), and who used it regularly in one of his radio programs. Some claim that the song's structure actually came from Herminio "El Diablo" García Wilson, who could be credited as a co-composer. García's heirs took the matter to court decades later but lost the case: the Supreme Court of Cuba credited Fernández as the sole composer of the music in 1993. Regardless of either claim, Fernández can safely be claimed as being the first public promoter of the song, through his radio programs.[2]

Lyrics

Original lyrics and José Fernández

The lyrics to the song, as written by José Fernández, are about a woman from Guantánamo, with whom he had a romantic relationship, and who eventually left him. The alleged real story behind these lyrics (or at least one of many versions of the song's origin that Fernández suggested during his lifetime) is that she did not have a romantic interest in him, but merely a platonic one. If the details are to be believed, she had brought him a steak sandwich one day as a present to the radio station where he worked. He stared at some other woman (and attempted to flirt with her) while eating the sandwich, and his friend yanked it out of his hands in disgust, cursed him and left. He never saw her again. These words are rarely sung today.[citation needed]

Another history behind the chorus and its lyrics ("Guantanamera … / Guajira Guantanamera …") is similar: García claimed he was at a street corner with a group of friends and made a courteous pass (a polite pick-up line, like "your mother made you good" or "you came from a star", piropo in Spanish) to a woman (who also happened to be from Guantánamo) who walked by the group. She answered back rather harshly, offended by the pass. Stunned, he could not take his mind off her reaction while his friends made fun of him; later that day, sitting at a piano with his friends near him, he wrote the song's main refrain.[citation needed]

Adaptation from the Versos Sencillos by José Martí

The better known "official" lyrics are based on selections from the poetry collection Versos Sencillos (Simple Verses) by Cuban poet and independence hero José Martí, as adapted by Julián Orbón. Given Martí's significance to the Cuban people, the use of his poem in the song virtually elevated it to unofficial anthem status in the country. The four verses of the song were adapted from four stanzas of Versos sencillos, each from a different poem. They are presented here in the original Spanish (poem:stanza).

I:1
V:3
XXXIX:1
III:2
Yo soy un hombre sincero
De donde crece la palma,
Y antes de morirme quiero
Echar mis versos del alma.
Mi verso es de un verde claro
Y de un carmín encendido:
Mi verso es un ciervo herido
Que busca en el monte amparo.
Cultivo una rosa blanca
En junio como enero,
Para el amigo sincero
Que me da su mano franca.
Con los pobres de la tierra
Quiero yo mi suerte echar:
El arroyo de la sierra
Me complace más que el mar.

Use as social "newspaper"

Given the song's musical structure, which fits A-B-A-B (sometimes A-B-B-A) octosyllabic verses, "Guantanamera" lent itself from the beginning to impromptu verses, improvised on the spot, similar to what happens with the Mexican folk classic "La Bamba". Fernández's first use of the song was precisely this; he would comment on daily events on his radio program by adapting them to the song's melody, and then using the song as a show closer. Through this use, "Guantanamera" became a popular vehicle for romantic, patriotic, humorous, or social commentary lyrics, in Cuba and elsewhere in the Spanish speaking world.

Recorded versions

"Guantanamera"
Single by The Sandpipers
B-side What Makes You Dream, Pretty Girl?
Released 1966
Recorded 1966
Genre Pop, easy listening, Latin
Length 3:00
Label A&M
Writer(s) Héctor Angulo, José Martí, Pete Seeger
Producer(s) Tommy LiPuma
The Sandpipers singles chronology

- "Guantanamera"
(1966)
"Glass"
(1967)

Pete Seeger

The version of the song created by Martí and Orbón was used by Pete Seeger as the basis of his reworked version, which he based on a performance of the song by Héctor Angulo. Seeger combined Martí's verse with the tune, with the intention that it be used by the peace movement at the time of the Cuban missile crisis. He urged that people sing the song as a symbol of unity between the American and Cuban peoples, and called for it to be sung in Spanish to "hasten the day [that] the USA... is some sort of bilingual country." [3]

Seeger recorded the song in 1963 on his album We Shall Overcome, recorded live at Carnegie Hall. The recording is described by Stewart Mason at Allmusic as the "definitive version" of the song.[4][5]

The Sandpipers

The most commercially successful version of "Guantanamera" was recorded by easy listening vocal group The Sandpipers in 1966. Their recording was based on Pete Seeger's adaptation of the song. The recording was arranged by Mort Garson and produced by Tommy LiPuma. It reached no.9 on the Billboard Hot 100,[6] and also reached no.7 on the UK singles chart.[7]

Other recordings

Other cover version of the song are listed below:

Use as a football chant

The general tune of this song is an extremely common English football chant, such as "There's only one (insert player name)" or "You only sing when you're winning".[11] This song is also used as soundtrack of Pro Evolution Soccer 2014, a football video game developed and published by KONAMI.

References

  1. Vizcaíno, María Argelia, Aspectos de la Guantanamera, La Página de José Martí , Part 1, and Manuel, Peter (2006), “The Saga of a Song: Authorship and Ownership in the Case of ‘Guantanamera’.” Latin American Music Review 27/2, pp. 1-47
  2. Ibid, Part 2, Paragraphs 1-3.
  3. Josh Kun, Audiotopia: Music, Race, And America, University of California Press, 2005, p.6
  4. Stewart Mason, Review of Pete Seeger at Carnegie Hall, Allmusic.com. Retrieved 24 May 2013
  5. Gilliland, John (1969). "Show 34 - Revolt of the Fat Angel: American musicians respond to the British invaders. [Part 2] : UNT Digital Library" (audio). Pop Chronicles. Digital.library.unt.edu. Retrieved 2011-04-29. 
  6. Whitburn, Joel (2003). Top Pop Singles 1955-2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 618. ISBN 0-89820-155-1. 
  7. Betts, Graham (2004). Complete UK Hit Singles 1952-2004 (1st ed.). London: Collins. p. 92. ISBN 0-00-717931-6. 
  8. Paola De Simone (22 November 2012). "Zucchero - La sesion cubana - Recensione" (in Italian). Rockol.it. Retrieved 8 January 2013. 
  9. "Italian single certifications" (in Italian). Federation of the Italian Music Industry.  Select Online in the field Scegli la sezione. Select Week -- and Year ----. Click Avvia la ricerca
  10. http://stallman.org/guantanamero.html
  11. , Guardian Online Newspaper.

External links

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