Francis Ford Coppola

Francis Ford Coppola
Coppola at the 2011 San Diego Comic-Con International.
Born	(1939-04-07) April 7, 1939 Detroit, Michigan, United States
Residence	Napa Valley, California, U.S.
Nationality	American
Education	Great Neck North High School
Alma mater	Hofstra University and UCLA
Occupation	Film director, producer, screenwriter
Years active	1962–present
Home town	Woodside, Queens, New York, U.S.
Spouse(s)	Eleanor Jessie Neil (1963–present)
Children	Gian-Carlo Coppola (deceased) Roman Coppola Sofia Coppola
Parents	Carmine Coppola Italia Coppola
Family	Talia Shire (sister) August Coppola (brother) Nicolas Cage (nephew) Jason Schwartzman (nephew) Anton Coppola (uncle) Gia Coppola (granddaughter from Gian-Carlo)

Francis Ford Coppola (/ˈkoʊpələ/; born April 7, 1939^[1]) is an American film director, producer and screenwriter.

In 1970, he won the Academy Award for Best Original Screenplay as co-writer, with Edmund H. North, of Patton (1970). His directorial prominence was cemented with the release in 1972 of The Godfather, a film which revolutionized movie-making in the gangster genre,^[2] earning praise from both critics and the public before winning three Academy Awards—including his second Oscar (Best Adapted Screenplay, with Mario Puzo), Best Picture, and his first nomination for Best Director.

He followed with The Godfather Part II in 1974, which became the first sequel to win the Academy Award for Best Picture. Highly regarded by critics, it brought him three more Academy Awards: Best Adapted Screenplay, Best Director and Best Picture, and made him the second director, after Billy Wilder, to be honored three times for the same film.^[3]

The Conversation, which he directed, produced and wrote, was released that same year, winning the Palme d'Or at the 1974 Cannes Film Festival. He next directed 1979's Apocalypse Now. Notorious for its over-long and strenuous production, the film was nonetheless critically acclaimed for its vivid and stark depiction of the Vietnam War, winning the Palme d'Or at the 1979 Cannes Film Festival. Coppola is one of only eight filmmakers to win two Palme d'Or awards.

While a number of Coppola's ventures in the 1980s and 1990s were critically lauded, he has never quite achieved the same commercial success with films as in the 1970s.^[4][5][6]

Early life

Coppola was born in Detroit, Michigan, to father Carmine Coppola, a flautist with the Detroit Symphony Orchestra, and mother Italia (née Pennino). Coppola is the second of three children: his older brother was August Coppola, his younger sister is actress Talia Shire. Born into a family of Italian immigrant ancestry, his paternal grandparents came to the United States from Bernalda, Basilicata.^[7] Coppola received his middle name in honor of Henry Ford, not only because he was born in the Henry Ford Hospital but because of his musician-father's association with the automobile manufacturer. At the time of Coppola's birth, his father was a flautist as well as arranger and assistant orchestra director for The Ford Sunday Evening Hour, an hour-long concert music radio series sponsored by the Ford Motor Company.^[8][9][10] Two years after Coppola's birth, his father was named principal flautist for the NBC Symphony Orchestra and the family moved to New York, settling in Woodside, Queens, where Coppola spent the remainder of his childhood.

Contracting polio as a boy, Coppola was bedridden for large periods of his childhood, allowing him to indulge his imagination with homemade puppet theater productions. Reading A Streetcar Named Desire at age 15 was instrumental in developing his interest in theater.^[11] Eager to be involved in film-craft, he created 8mm features edited from home movies with such titles as The Rich Millionaire and The Lost Wallet.^[12] As a child, Coppola was a mediocre student, but he was so much interested in technology and engineering that his friends nicknamed him "Science".^[13] Trained initially for a career in music, he became proficient on the tuba and won a music scholarship to the New York Military Academy.^[12] Overall, Coppola attended 23 other schools^[14] before he eventually graduated from the Great Neck North High School.^[15] He entered Hofstra University in 1955 with a major in theater arts. There he was awarded a scholarship in playwriting. This furthered his interest in directing theater despite the disapproval of his father, who wanted him to study engineering.^[16] Coppola was profoundly impressed after seeing Sergei Eisenstein's October: Ten Days That Shook the World, especially with the movie's quality of editing. It was at this time Coppola decided he would go into cinema rather than theater.^[16] Coppola says he was tremendously influenced to become a writer early on by his brother, August,^[14] in whose footsteps he would also follow by attending both of his brother's alma maters: Hofstra and UCLA. Coppola also gives credit to the work of Elia Kazan and for its influence on him as a director.^[14] Amongst Coppola's classmates at Hofstra were James Caan, Lainie Kazan and radio artist Joe Frank.^[15][17] He later cast Caan in The Rain People and The Godfather.

While pursuing his bachelor's degree, Coppola was elected president of The Green Wig (the university's drama group) and the Kaleidoscopians (its musical comedy club). He then merged the two into The Spectrum Players and under his leadership, they staged a new production each week. Coppola also founded the cinema workshop at Hofstra and contributed prolifically to the campus literary magazine.^[12] He won three D. H. Lawrence Awards for theatrical production and direction and received a Beckerman Award for his outstanding contributions to the school's theater arts division.^[18] While a graduate student, one of his teachers was Dorothy Arzner, whose encouragement Coppola later acknowledged as pivotal to his film career.^[11]

Coppola graduated from Hofstra university in 1959 with a bachelor's degree in Theatre Arts.^[12][19]

Career

1960s

Coppola enrolled in UCLA Film School for graduate work in film.^[12] There he directed a short horror film called The Two Christophers inspired by Edgar Allan Poe's William Wilson, and Ayamonn the Terrible, a film about a sculptor's nightmares coming to life,^[13] before directing the experimental softcore comedy, Tonight for Sure, in 1962.^[15] They failed to attract any attention.^{[citation needed]}

At UCLA, Coppola met Jim Morrison. He later used Morrison's song "The End" in Apocalypse Now.^[20]

The company that hired him for Tonight for Sure brought him back to re-cut a German film titled Mit Eva fing die Sünde an directed by Fritz Umgelter. He added some new 3-D color footage and earned a writer's and director's credit for The Bellboy and the Playgirls, also a box-office failure. Coppola was hired as an assistant by Roger Corman^[21] and his first job for Corman was to dub and re-edit a Russian science fiction film Nebo zovyot, which he turned into a sex-and-violence monster movie entitled Battle Beyond the Sun, released in 1962.^[15][22] Impressed by Coppola's perseverance and dedication, Corman hired him as dialogue director on Tower of London (1962), sound man for The Young Racers (1963) and associate producer of The Terror (1963).^[18]

While on location in Ireland for The Young Racers in 1963, Corman, ever alert for an opportunity to produce a decent movie on a shoestring budget, persuaded Coppola to make a low-budget horror movie with funds left over from the movie.^[18] Coppola wrote a brief draft story idea in one night, incorporating elements from Hitchcock's Psycho^[23] and the result impressed Corman enough to give him the go-ahead. On a budget of $40,000 ($20,000 from Corman and $20,000 from another producer who wanted to buy the movie's English rights),^[23] Coppola directed in a period of nine days Dementia 13, his first feature from his own screenplay. The film recouped its expenses and later became a cult film among horror buffs. It was on the sets of Dementia 13 that he met his future wife Eleanor Jessie Neil.

In 1965, Coppola won the annual Samuel Goldwyn Award for the best screenplay (Pilma, Pilma) written by a UCLA student.^[12] This secured him a job as a scriptwriter with Seven Arts. In between, he co-wrote the scripts for This Property Is Condemned (1966) and Is Paris Burning? (1966). However, with fame still eluding him and partly out of desperation, Coppola bought the rights to the David Benedictus novel You're a Big Boy Now and fused it with a story idea of his own, resulting in You're a Big Boy Now (1966). This was his UCLA thesis project that also received a theatrical release via Warner Bros.^[15] This movie brought him some critical acclaim and eventually his Master of Fine Arts Degree from UCLA School of Theater, Film and Television in 1967.^[18][19]

Following the success of You're a Big Boy Now, Coppola was offered the reins of the movie version of the Broadway musical Finian's Rainbow, starring Petula Clark in her first American film and veteran Fred Astaire. Producer Jack Warner was nonplussed by Coppola's shaggy-haired, bearded, "hippie" appearance and generally left him to his own devices. He took his cast to the Napa Valley for much of the outdoor shooting, but these scenes were in sharp contrast to those obviously filmed on a Hollywood soundstage, resulting in a disjointed look to the film. Dealing with outdated material at a time when the popularity of film musicals was already on the downslide, Coppola's result was only semi-successful, but his work with Clark no doubt contributed to her Golden Globe Best Actress nomination. The film introduced George Lucas to him, who became his lifelong friend as well as production assistant in his next film The Rain People in 1969. It was written, directed and initially produced by Coppola himself, though as the movie advanced, he exceeded his budget and the studio had to underwrite the remainder of the movie.^[15] The film won the Golden Shell at the 1969 San Sebastian Film Festival.

In 1969, Coppola took it upon himself to subvert the studio system which he felt had stifled his visions, intending to produce mainstream pictures to finance off-beat projects and give first-time directors their chance to direct. He decided he would name his future studio "Zoetrope" after receiving a gift of zoetropes from Mogens Scot-Hansen, founder of a studio called Lanterna Film and owner of a famous collection of early motion picture making equipment. While touring Europe, Coppola was introduced to alternative filmmaking equipment and inspired by the bohemian spirit of Lanterna Film, he decided he would build a deviant studio that would conceive and implement creative, unconventional approaches to filmmaking. Upon his return home, Coppola and George Lucas searched for a mansion in Marin County to house the studio. However in 1969, with equipment flowing in and no mansion found yet, the first home for Zoetrope Studio became a warehouse in San Francisco on Folsom Street.^[24] The studio went on to become an early adopter of digital filmmaking, including some of the earliest uses of HDTV. In his book The American Cinema, Andrew Sarris wrote, "[Coppola] is probably the first reasonably talented and sensibly adaptable directorial talent to emerge from a university curriculum in film-making... [He] may be heard from more decisively in the future."^[25]

1970s

Coppola epitomized a group of filmmakers known as the "New Hollywood" that emerged in the early 1970s with ideas that challenged conventional film-making. The group included Steven Spielberg, Martin Scorsese, Brian De Palma, Terrence Malick, Robert Altman, Woody Allen, William Friedkin, Philip Kaufman and George Lucas.^[15][26]

Patton (1970)

Coppola co-wrote the script for Patton in 1970 along with Edmund H. North. This earned him his first Academy Award for Best Original Screenplay. However, it was not easy for Coppola to convince Franklin J. Schaffner that the opening scene would work. Coppola later revealed in an interview:^[27]

I wrote the script of Patton. And the script was very controversial when I wrote it, because they thought it was so stylized. It was supposed to be like, sort of, you know, The Longest Day. And my script of Patton was—I was sort of interested in the reincarnation. And I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I wasn't fired, but I was fired, meaning that when the script was done, they said, "Okay, thank you very much," and they went and hired another writer and that script was forgotten. And I remember very vividly this long, kind of being raked over the coals for this opening scene.

Even after the director was persuaded to keep the scene intact, George C. Scott refused to do it, as he believed it would overshadow the rest of his performance. The director lied and assured him that it would be shown at the end. The movie opens with Scott's rendering of Patton's famous military "Pep Talk" to members of the Third Army, set against a huge American flag. Coppola and North had to tone down Patton's actual language to avoid an R rating; in the opening monologue, the word "fornicating" replaced "fucking" when criticizing the The Saturday Evening Post. Over the years, this opening monologue has become an iconic scene and has spawned parodies in numerous films, political cartoons and television shows.

The Godfather (1972)

The release of The Godfather in 1972 was a milestone in cinema. The near 3-hour-long epic, which chronicled the saga of the Corleone family, received overwhelmingly positive reviews from critics and fetched Coppola the Academy Award for Best Adapted Screenplay, which he shared with Mario Puzo and two Golden Globe Awards: for Best Director and Best Screenplay. However, Coppola had to face a lot of difficulties while filming The Godfather. He was not Paramount's first choice to direct the movie; Italian director Sergio Leone was initially offered the job, but declined in order to direct his own gangster opus, Once Upon a Time in America.^[28] Peter Bogdanovich was then approached but he also declined the offer and made What's Up, Doc? instead; Bogdanovich has often said that he would have cast Edward G. Robinson in the lead had he accepted the film. According to Robert Evans, head of Paramount Pictures at the time, Coppola also did not initially want to direct the film because he feared it would glorify the Mafia and violence and thus reflect poorly on his Sicilian and Italian heritage; on the other hand, Evans specifically wanted an Italian-American to direct the film because his research had shown that previous films about the Mafia that were directed by non-Italians had fared dismally at the box office and he wanted to, in his own words, "smell the spaghetti". When Coppola hit upon the idea of making it a metaphor for American capitalism, however, he eagerly agreed to take the helm.^[29]

There was disagreement between Paramount and Coppola on the issue of casting; Coppola stuck to his plan of casting Marlon Brando as Vito Corleone, though Paramount wanted either Ernest Borgnine or Danny Thomas. At one point, Coppola was told by the then-president of Paramount that "Marlon Brando will never appear in this motion picture". After pleading with the executives, Coppola was allowed to cast Brando only if he appeared in the film for much less salary than his previous films, perform a screen-test and put up a bond saying that he would not cause a delay in the production (as he had done on previous film sets).^[30] Coppola chose Brando over Ernest Borgnine on the basis of Brando's screen test, which also won over the Paramount leadership. Brando later won an Academy Award for his portrayal, which he refused to accept. Coppola would later recollect:^[23]

The Godfather was a very unappreciated movie when we were making it. They were very unhappy with it. They didn't like the cast. They didn't like the way I was shooting it. I was always on the verge of getting fired. So it was an extremely nightmarish experience. I had two little kids, and the third one was born during that. We lived in a little apartment, and I was basically frightened that they didn't like it. They had as much as said that, so when it was all over I wasn't at all confident that it was going to be successful, and that I'd ever get another job.

After it was released, the film received widespread praise. It went on to win multiple awards, including Academy Award for Best Adapted Screenplay for Coppola. The film routinely features at the top in various polls for the greatest movies ever. It has been selected for preservation in the United States National Film Registry. In addition, it was ranked third, behind Citizen Kane, and Casablanca on the initial AFI's 100 Years…100 Movies list by the American Film Institute. It was moved up to second when the list was published again, in 2008.^[31] Director Stanley Kubrick believed that The Godfather was possibly the greatest movie ever made and had without question the best cast.^[32]

The Conversation (1974)

Coppola's next film, The Conversation, further cemented his position as one of the most talented auteurs of Hollywood.^[33] The movie was partly influenced by Michelangelo Antonioni’s Blowup (1966)^[34] and generated a lot of speculation and interest when news leaked that the film utilized the very same surveillance and wire-tapping equipment that members of the Nixon administration used to spy on political opponents prior to the Watergate scandal. Coppola insisted that this was purely coincidental. The script for The Conversation, was completed in the mid-1960s (before the election of Richard Nixon); the spying equipment used in the film was developed through research and use of technical advisers. Not, as many believed^{[citation needed]}, by revelatory newspaper stories about the Watergate break-in. However, the audience interpreted the film to be a reaction to both the Watergate scandal and its fall-out. The movie was a critical success and Coppola won his first Palme d'Or at the 1974 Cannes Film Festival.

The Great Gatsby (1974)

During the filming of The Conversation, Coppola wrote the screenplay for The Great Gatsby.^[21] However, in the commentary track to the DVD of The Godfather Coppola states, "I don't think that script was [actually] made."^[35]

The Godfather Part II (1974)

Coppola shot The Godfather Part II parallel to The Conversation and it was the last major American motion picture to be filmed in Technicolor. George Lucas commented on the film after its five-hour-long preview, telling Coppola: "You have two films. Take one away, it doesn't work", referring to the movie's portrayal of two parallel storylines; one of a young Vito Corleone and the other of his son Michael. In the director's commentary on the DVD edition of the film (released in 2002), Coppola states that this film was the first major motion picture to use "Part II" in its title. Paramount was initially opposed to his decision to name the movie The Godfather Part II. According to Coppola, the studio's objection stemmed from the belief that audiences would be reluctant to see a film with such a title, as the audience would supposedly believe that, having already seen The Godfather, there was little reason to see an addition to the original story. However, the success of The Godfather Part II began the Hollywood tradition of numbered sequels. The movie was released in 1974 and went on to receive tremendous critical acclaim, with many deeming it superior to its predecessor.^[36] It was nominated for 11 Academy Awards and received 6 Oscars, including 3 for Coppola: Best Picture, Best Adapted Screenplay and Best Director.

The Godfather Part II is ranked as the #1 greatest movie of all time in TV Guide's "50 Best Movies of All Time"^[37] and is ranked at #7 on Entertainment Weekly's list of the "100 Greatest Movies of All Time".^[38] The film is also featured on movie critic Leonard Maltin's list of the "100 Must-See Films of the 20th Century",^[39] as well as Roger Ebert's "Great Movies" list.^[40] It was also featured on Sight & Sound's list of the ten greatest films of all time in 2002, ranking at #4.^[41]

Coppola was the third director to have two nominations for Best Picture in the same year. Victor Fleming was the first in 1939 with Gone With the Wind and The Wizard of Oz; Alfred Hitchcock repeated the feat the next year with Foreign Correspondent and Rebecca. Since Coppola, two other directors have done the same: Herbert Ross in 1977 with The Goodbye Girl and The Turning Point, and Steven Soderbergh in 2000 with Erin Brockovich and Traffic. Coppola, however, is the only one to have produced the pictures.

Apocalypse Now (1979)

Following the success of The Godfather, The Conversation and The Godfather Part II, Coppola began filming Apocalypse Now, an adaptation of Conrad’s Heart of Darkness set in Cambodia during the Vietnam War (Coppola himself briefly appears as a TV news director). Before production of the film began, Coppola went to his mentor Roger Corman for advice about shooting in the Philippines, since Corman had filmed several pictures there. Coppola said that all the advice Corman offered was "Don't go".^[42] The production of the film was plagued by numerous problems, including typhoons, nervous breakdowns, the firing of Harvey Keitel, Martin Sheen's heart attack, extras from the Philippine military and half of the supplied helicopters leaving in the middle of scenes to go fight rebels and an unprepared Brando with a bloated appearance (which Coppola attempted to hide by shooting him in the shadows). It was delayed so often it was nicknamed Apocalypse When?^[43] The 1991 documentary film Hearts of Darkness: A Filmmaker's Apocalypse, directed by Eleanor Coppola (Francis's wife), Fax Bahr and George Hickenlooper, chronicles the difficulties the crew went through making Apocalypse Now and features behind-the-scenes footage filmed by Eleanor. After filming Apocalypse Now, Coppola famously stated:^[44] "We were in the jungle, there were too many of us, we had access to too much money, too much equipment and little by little, we went insane."

The film was overwhelmingly lauded by critics when it finally appeared in 1979 and was selected for the 1979 Cannes Film Festival, winning the Palme d'Or along with The Tin Drum, directed by Volker Schlöndorff. When the film screened at Cannes, he quipped:^[43] "My film is not about Vietnam, it is Vietnam." Apocalypse Now's reputation has grown in time and it is now regarded by many as a masterpiece of the New Hollywood era and is frequently cited as one of the greatest movies ever made.^{[15][45][46][47]} Roger Ebert considers it to be the finest film on the Vietnam war and included it on his list for the 2002 Sight & Sound poll for the greatest movie of all time.^[48][49]

In 2001, Coppola re-released Apocalypse Now as Apocalypse Now Redux, restoring several sequences lost from the original 1979 cut of the film, thereby expanding its length to 200 minutes.

1980s

One from the Heart (1982)

Apocalypse Now marked the end of the golden phase of Coppola's career.^[15] His musical fantasy One from the Heart, although pioneering the use of video-editing techniques which are standard practice in the film industry today, ended with a disastrous box-office gross of $636,796 against a US$26 million budget,^[50] far from enough to recoup the costs incurred in the production of the movie and he was forced to sell his 23-acre Zoetrope Studio in 1983.^[18] He would spend the rest of the decade working to pay off his debts. (Zoetrope Studios finally filed for Chapter 11 bankruptcy in 1990, after which its name was changed to American Zoetrope).^[15] In addition Coppola himself was forced into US bankruptcy court three times over the next 8 years.^[51]

Hammett (1982)

Following the disastrous One from the Heart, Coppola co-directed Hammett along with Wim Wenders in the same year. Although Coppola was not credited for his effort, according to one source, "by the time the final version was released in 1982, only 30 percent of Wenders' footage remained and the rest was completely reshot by Coppola, whose mere 'executive producer' credit is just a technicality."^[52]

The Outsiders (1983)

In 1983, he directed The Outsiders, a film adaptation of the novel of the same name by S. E. Hinton. Coppola credited his inspiration for making the film to a suggestion from middle school students who had read the novel. The Outsiders is notable for being the breakout film for a number of young actors who would go on to become major stars. These included major roles for Matt Dillon, Ralph Macchio and C. Thomas Howell. Also in the cast were Patrick Swayze, Rob Lowe, Emilio Estevez, Diane Lane and Tom Cruise. Matt Dillon and several others also starred in Coppola's related film, Rumble Fish, which was also based on a S. E. Hinton novel and filmed at the same time as The Outsiders on-location in Tulsa, Oklahoma. Carmine Coppola wrote and edited the musical score, including the title song "Stay Gold", which was based upon a famous Robert Frost poem and performed for the movie by Stevie Wonder. The film was a moderate box-office success, drawing a revenue of $25 million^[53] against a budget of $10 million.^[54]

Rumble Fish (1983)

Rumble Fish was based on the novel of the same name by S. E. Hinton, who also co-wrote the screenplay. Shot in black-and-white as an homage to German expressionist films, Rumble Fish centres on the relationship between a revered former gang leader (Mickey Rourke) and his younger brother, Rusty James (Matt Dillon). The film bombed at the box office, earning a meagre $2.5 million against a budget of $10 million^[55] and once again aggravated Coppola's financial troubles.

The Cotton Club (1984)

In 1984 Coppola directed the Robert Evans-produced The Cotton Club. The film was nominated for several awards, including Golden Globes for Best Director and Best Picture (Drama) and the Oscar for Best Film Editing. However the film failed miserably at the box-office, recouping only $25.9 million of the $47.9 million privately invested by brothers Fred and Ed Doumani.^[33]

Rip Van Winkle (1984)

The same year he directed an episode of Faerie Tale Theatre entitled Rip Van Winkle, where Harry Dean Stanton played the lead role.^[56]

Captain EO (1986)

In 1986, along with producer George Lucas, he was able to indulge himself by making Captain EO, a 17-minute space fantasy for Disney theme parks starring pop superstar Michael Jackson. At a cost of about one million dollars per minute of film, it was therefore, minute-for-minute, the most expensive motion picture made at the time.^[1][57]

Peggy Sue Got Married (1986)

In 1986 Coppola released the comedy Peggy Sue Got Married starring Kathleen Turner, Coppola's nephew Nicolas Cage and Jim Carrey. Much like The Outsiders and Rumble Fish, Peggy Sue Got Married centered around teenage youth. The film earned Coppola positive feedback and provided Kathleen Turner her first and only Oscar nomination. It was the first box-office success for Coppola since Apocalypse Now^[58] and the film ranked number 17 on Entertainment Weekly's list of "50 Best High School Movies".^[59]

Gardens of Stone (1987)

The following year, Coppola re-teamed with James Caan for Gardens of Stone, but the film was overshadowed by the death of Coppola's eldest son Gian-Carlo Coppola during the film's production. The movie was not a critical success and performed poorly at the box office, earning only $5.6 million against a budget of $13 million.^[60]

Tucker: The Man and His Dream (1988)

Coppola directed Tucker: The Man and His Dream the following year. A biopic based on the life of Preston Tucker and his attempt to produce and market the Tucker '48, Coppola had originally conceived the project as a musical with Marlon Brando after the release of The Godfather Part II. Ultimately it was Jeff Bridges who played the role of Preston Tucker. Budgeted at $24 million, the film received positive reviews and earned three nominations at the 62nd Academy Awards, although its $19.65 million box office was a disappointment. Two awards came its way: Martin Landau won the Golden Globe for Best Supporting Actor and Dean Tavoularis took BAFTA's honors for Best Production Design.

New York Stories (1989)

In 1989 Coppola teamed up with fellow Oscar-winning directors Martin Scorsese and Woody Allen for an anthology film called New York Stories. Coppola directed the Life Without Zoë segment, starring his sister Talia Shire and also co-wrote the film with his daughter Sofia Coppola. Life Without Zoë was mostly panned by critics and was generally considered the segment that brought the film's overall quality down.^[61][62] Hal Hinson of The Washington Post wrote a particularly scathing review, stating that "It's impossible to know what Francis Coppola's Life Without Zoë is. Co-written with his daughter Sofia, the film is a mystifying embarrassment; it's by far the director's worst work yet."^[63]

1990s

The Godfather Part III (1990)

In 1990, he released the third and final chapter of The Godfather series: The Godfather Part III. Coppola successfully managed to get Al Pacino, Diane Keaton and Talia Shire to return to the franchise, but Robert Duvall refused to reprise his role as Tom Hagen over salary disagreements.^[64] While not as critically acclaimed as the first two films,^[65][66][67] it was still a box office success, earning a revenue of $136 million against a budget of $54 million.^[68] Some reviewers criticized the casting of Coppola's daughter Sofia, who had stepped into the leading role of Mary Corleone which had been abandoned by Winona Ryder just as filming began.^[65] Despite this, The Godfather Part III went on to gather 7 Academy Award nominations, including Best Director and Best Picture. The film failed to win any of these awards, the only film in the trilogy to do so.

Bram Stoker's Dracula (1992)

In 1992, Coppola directed and produced Bram Stoker's Dracula. Adapted from Bram Stoker's novel, it was intended to be more faithful to the book than previous film adaptations.^[69] Coppola cast Gary Oldman in the film's title role, with Keanu Reeves, Winona Ryder and Anthony Hopkins in supporting roles. The movie became a box-office hit, grossing $82,522,790 domestically, making it the 15th highest-grossing film of the year.^[70] It fared much better overseas grossing $133,339,902 for a total worldwide gross of $215,862,692 against a budget of $40 million,^[71] making it the 9th highest grossing film of the year worldwide.^[72] The film won Academy Awards for Costume Design, Makeup and Sound Editing.

Jack (1996)

Coppola's next project was Jack, which was released on August 9, 1996. It starred Robin Williams as Jack Powell, a ten-year-old boy whose cells are growing at four times the normal rate, so at the age of ten he looks like a 40-year-old man. With Diane Lane, Brian Kerwin and Bill Cosby, Jack also featured Jennifer Lopez, Fran Drescher and Michael McKean in supporting roles. Although a moderate box-office success, grossing $58 million domestically on an estimated $45 million budget, it was panned by critics, many of whom disliked the film's abrupt contrast between actual comedy and tragic melodrama. It was also unfavourably compared with the 1988 film Big, in which Tom Hanks also played a child in a grown man's body. Most critics felt that the screenplay was poorly written, not funny and the dramatic material was unconvincing and unbelievable. Other critics felt that Coppola was too talented to be making this type of film. Although ridiculed for making the film, Coppola has defended it, saying he is not ashamed of the final cut of the movie. He had been friends with Robin Williams for many years and had always wanted to work with him as an actor. When Williams was offered the screenplay for Jack he said he would only agree to do it if Coppola agreed to sign on as director.

The Rainmaker (1997)

The last film Coppola directed in the 90s, The Rainmaker was based on the 1995 novel of the same name by John Grisham. An ensemble courtroom drama, the film was well received by critics, earning an 88% rating on Rotten Tomatoes.^[73] Roger Ebert gave The Rainmaker three stars out of four, remarking: "I have enjoyed several of the movies based on Grisham novels... but I've usually seen the storyteller's craft rather than the novelist's art being reflected. By keeping all of the little people in focus, Coppola shows the variety of a young lawyer's life, where every client is necessary and most of them need a lot more than a lawyer."^[74] James Berardinelli also gave the film three stars out of four, saying that "the intelligence and subtlety of The Rainmaker took me by surprise" and that the film "stands above any other filmed Grisham adaptation".^[75] Grisham said of the film, "To me it's the best adaptation of any of [my books]... I love the movie. It's so well done."^[76] The film grossed about $45 million domestically.^[77] This would be more than the estimated production budget of $40 million, but a disappointment compared with previous films adapted from a Grisham novel.

Pinocchio dispute with Warner Bros.

In the late 1980s, Coppola started considering concepts for a motion picture based upon the 19th century novel The Adventures of Pinocchio and in 1991, Coppola and Warner Bros. began discussing the project as well as two others: involving the life of J. Edgar Hoover and the children's novel The Secret Garden. These discussions led to negotiations for Coppola to both produce and direct the Pinocchio project for Warners, as well as The Secret Garden (which was made in 1993 and produced by American Zoetrope, but directed by Agnieszka Holland) and Hoover, which never came to fruition. (A film was eventually to be made by Clint Eastwood in 2011 as J. Edgar, which was distributed by Warners.)

But, in mid-1991, Coppola and Warners came to disagreement over the compensation to be paid to Coppola for his directing services on Pinocchio.^[78] The parties deferred this issue and finally a settlement was reached in 1998, when the jurors in the resultant court case awarded Coppola $20 million as compensation for losing the Pinocchio film project. However, they also awarded him a further $60 million in punitive damages on top, stemming from his charges that Warner Bros. sabotaged his intended version. This is the largest civil financial verdict ever against a Hollywood studio.^[51]

Contact dispute with Carl Sagan/Warner Bros.

During the filming of Contact on December 28, 1996, Coppola filed a lawsuit against Carl Sagan and Warner Bros. Sagan had died a week earlier^[79][80] and Coppola claimed that Sagan's novel Contact was based on a story the pair had developed for a television special back in 1975, titled First Contact.^[79] Under their development agreement, Coppola and Sagan were to split proceeds from the project with American Zoetrope and Children's Television Workshop Productions, as well as any novel Sagan would write. The TV program was never produced, but in 1985, Simon & Schuster published Sagan's Contact and Warner Bros. moved forward with development of a film adaptation. Coppola sought at least $250,000 in compensatory damages and an injunction against production or distribution of the film.^[79] Even though Sagan was shown to have violated some of the terms of the agreement, the case was dismissed in February 1998 because Coppola had waited too long to file suit.^[81]

2000s

Youth Without Youth (2007)

After a 10-year hiatus, Coppola returned to film direction with Youth Without Youth in 2007, based on the novella of the same name by Romanian author Mircea Eliade. The film was poorly reviewed, currently holding a 30% 'rotten' rating on Rotten Tomatoes.^[82] It was made for about $19 million and was given a limited release, only managing $2,624,759 at the box-office.^[83] As a result, Coppola announced his plans to produce his own films in order to avoid the marketing input that goes into most films and so trying to make them appeal to too wide an audience.

Tetro (2009)

In 2009, Coppola released Tetro. It was "set in Argentina, with the reunion of two brothers. The story follows the rivalries born out of creative differences passed down through generations of an artistic Italian immigrant family."^[84] The film received generally positive reviews from critics. On Metacritic, the film has an average metascore of 63% based on 19 reviews.^[85] Rotten Tomatoes reported that 68% of critics gave positive reviews based on 71 reviews with an average score of 5.6/10.^[86] Overall, the Rotten Tomatoes consensus was: "A complex meditation on family dynamics, Tetro's arresting visuals and emotional core compensate for its uneven narrative."^[86] Roger Ebert of the Chicago Sun-Times gave the film 3 stars, praising the film for being "boldly operatic, involving family drama, secrets, generations at war, melodrama, romance and violence". Ebert also praised Vincent Gallo's performance and claimed that Alden Ehrenreich is "the new Leonardo DiCaprio".^[87] Todd McCarthy of Variety gave the film a B+ judging that "when Coppola finds creative nirvana, he frequently has trouble delivering the full goods."^[88] Richard Corliss of TIME gave the film a mixed review, praising Ehrenreich's performance, but claiming Coppola "has made a movie in which plenty happens, but nothing rings true."^[89] It has made $2,636,774 worldwide,^[90] against a budget of $5,000,000.^[91]

2010s

Twixt (2011)

Twixt, starring Val Kilmer, Elle Fanning, Joanne Whalley and Bruce Dern and narrated by Tom Waits, was released to film festivals in late 2011^[92] and was released theatrically in early 2012. It has received critical acclaim in France.^[93]

Commercial ventures

American Zoetrope

In 1971, Coppola and George Lucas co-produced the latter's first film, THX 1138. Shortly after completion of production they brought the finished film to Warner Bros., along with several other scripts for potential projects at their newly founded company, American Zoetrope. However, studio executives strongly disliked all the scripts, including THX and demanded that Coppola repay the $300,000 they had loaned him for the Zoetrope studio, as well as insisting on cutting five minutes from the film. The debt nearly closed Zoetrope and forced Coppola to reluctantly focus on The Godfather.^[4]

Zoetrope Virtual Studio

His company American Zoetrope also administers the innovative Zoetrope Virtual Studio, a complete motion picture production studio for members only. Launched in June 2000, the culmination of more than four years work, it brings together departments for screenwriters, directors, producers and other filmmaker artists, plus new departments for other creative endeavours, offering powerful e-collaborative tools. Filmmaker members can workshop a wide range of film arts, including music, graphics, design and film and video.

Inglenook Winery

Coppola, with his family, expanded his business ventures to include winemaking in California's Napa Valley, when in 1975 he purchased the former home and adjoining vineyard of Gustave Niebaum in Rutherford, California using proceeds from the first movie in the Godfather trilogy.^[94] His winery produced its first vintage in 1977 with the help of his father, wife and children stomping the grapes barefoot and every year the family has a harvest party to continue the tradition.^[95]

After purchasing the property, he produced wine under the Niebaum-Coppola label. When he purchased the former Inglenook Winery chateau in 1995,^[96] he renamed the winery Rubicon Estate Winery in 2006. On 11 April 2011, Coppola acquired the iconic Inglenook trademark^[97] paying more, he said, for the trademark than he did for the entire estate^[98] and announced that the estate would once again be known by its historic original name, Inglenook. Its grapes are now entirely organically grown and its Inglenook Chablis is one of the five most-widely-selling wines in US restaurants.^[99]

Francis Ford Coppola Presents

Coppola is also the owner of Francis Ford Coppola Presents, a lifestyle brand under which he markets goods from companies he owns or controls. It includes films and videos, resorts, cafes, a literary magazine, a line of pastas and pasta sauces called Mammarella Foods and a winery.

Winery

The Francis Ford Coppola Winery near Geyserville, California,^[100] located on the former Chateau Souverain Winery,^[101] where he has opened a family-friendly facility, is influenced by the idea of the Tivoli Gardens in Copenhagen,^[102] with swimming pools, bocce courts and a restaurant. The winery displays several of Coppola's Oscars along with memorabilia from his movies, including Vito Corleone’s desk from The Godfather and a restored 1948 Tucker Sedan as used in Tucker: The Man and His Dream.

Resorts

Included in the Francis Ford Coppola Presents lifestyle brand are several hotels and resorts around the world. The Blancaneaux Lodge in Belize, which from the early 1980s was a family retreat until it was opened to the public in 1993 as a 20-room luxury resort^[103] and The Turtle Inn, in Placencia, Belize,^[104] (both of which have won several prestigious awards including "Travel + Leisure's World's Best: Best Resort in Central & South America"); La Lancha in Lago Petén Itzá, Guatemala;^[105] Jardin Escondido in Buenos Aires, Argentina^[106] and Palazzo Margherita in Bernalda, Italy.^[107]

Cafe and restaurant

In San Francisco, Coppola owns a restaurant named Cafe Zoetrope, located in the Sentinel Building where American Zoetrope is based.^[108] It serves traditional Italian cuisine and wine from his personal estate vineyard and bottling company and for 14 years he co-owned the Rubicon restaurant in San Francisco along with Robin Williams and Robert De Niro. Rubicon closed in August 2008.^[109]

Literary publications

He brought out the San Francisco-based City Magazine in the 1970s, but lost $1.5 million on this venture.^[110][111]

In 1997, Coppola founded Zoetrope: All-Story, a literary magazine devoted to short stories and design. The magazine publishes fiction by emerging writers alongside more recognizable names, such as Woody Allen, Margaret Atwood, Haruki Murakami, Alice Munro, Don DeLillo, Mary Gaitskill, and Edward Albee; as well as essays, including ones from Mario Vargas Llosa, David Mamet, Steven Spielberg, and Salman Rushdie. Each issue is designed, in its entirety, by a prominent artist, one usually working outside his / her expected field. Previous guest designers include Gus Van Sant, Tom Waits, Laurie Anderson, Marjane Satrapi, Guillermo del Toro, David Bowie, David Byrne, and Dennis Hopper. Coppola serves as founding editor and publisher of All-Story.

Other ventures

Coppola spends considerable time in Buenos Aires, Argentina, where he is establishing a subsidiary of his production company, Zoetrope.

He was the jury president at the 1996 Cannes Film Festival^[111] and he also took part as a special guest at the 46th International Thessaloniki Film Festival in Greece.^[111]

Coppola stated that The Godfather Part IV was never made as Mario Puzo died before they had a chance to write the film.^[112] Andy Garcia has since claimed the film's script was nearly produced.^[112]

Over the years, Francis Coppola has given political contributions to several candidates of the Democratic Party, including Mike Thompson and Nancy Pelosi for the U.S. House of Representatives and Barbara Boxer and Alan Cranston for the U.S. Senate.^[113]

For quite some time, he had been planning to direct an epic movie named Megalopolis, a story about the aftermath and reconstruction of New York City after a mega-disaster, but after the city was hit by the real life disaster of September 11, the project was suddenly seen as being too sensitive.^[114] In 2007 he stated that "I have abandoned that as of now. I plan to begin a process of making one personal movie after another and if something leads me back to look at that, which I'm sure it might, I'll see what makes sense to me."^[115]

Personal life

In February 1963, Coppola married Eleanor Neil, whom he met on the set of Dementia 13.^[111] They had three children: Gian-Carlo, born 1963; Roman, born 1965 and Sofia, born 1971.

Gian-Carlo Coppola, was in the early stages of a film production career when he was killed on May 26, 1986 in a speedboat accident. His daughter Gia was born to Jacqui de la Fontaine after he died in 1986 and is now an actress.

Sofia Coppola appeared in all three Godfather films, the first two movies uncredited: as the infant being baptised at the end of The Godfather; as a young child on board ship in The Godfather Part II and in a supporting role as Michael Corleone's daughter Mary in The Godfather Part III and is now an Academy Award-winning writer and nominated director. Her films include The Virgin Suicides and Lost in Translation. In 2004, she became the first American woman to be nominated for the Academy Award for Best Director for Lost in Translation.

Coppola's surviving son, Roman Coppola, is a filmmaker and music video director whose filmography includes the feature film CQ and music videos for The Strokes, as well as co-writing two Wes Anderson films, The Darjeeling Limited and Moonrise Kingdom. He was also second-unit director on Bram Stokers Dracula.^[116]

Coppola often works with family members in his films: He cast his two sons in The Godfather as extras during the street fight scene involving Sonny and Carlo Rizzi and at Vito Corleone’s funeral.

His sister, Talia Shire, played Connie Corleone in all three Godfather films.

His father Carmine, a composer and professional musician, co-wrote much of the music for The Godfather, The Godfather Part II (for which he received an Oscar for Best Music, Original Dramatic Score, shared with Nino Rota) and The Godfather Part III (for which he was nominated for another Oscar for Best Original Song) and Apocalypse Now (for which he was nominated for a BAFTA Anthony Asquith Award for Film Music). In addition, Carmine and his wife Italia appear as the couple in the elevator scene in One from the Heart. Coppola is a cousin of the Italian conductor Riccardo Muti.

Coppola's nephew, Nicolas Cage, son of his brother, the academic August Coppola, starred in Coppola's film Peggy Sue Got Married and was featured in Rumble Fish and The Cotton Club.

Other famous members of Coppola's family include nephews Jason Schwartzman and Robert Schwartzman, sons of Talia Shire. Jason Schwartzman has starred in several films, including Rushmore and Slackers. He also co-wrote (along with director Wes Anderson and cousin Roman Coppola) and starred in the 2007 film The Darjeeling Limited. Jason Schwartzman is the lead singer in the solo project "Coconut Records and was also the drummer in the band "Phantom Planet". Robert Schwartzman was the lead singer of the band Rooney. He appeared in The Princess Diaries as well as having small appearances in several films, including his cousin Sofia's The Virgin Suicides.

An interesting insight into Coppola's attitudes and feelings was given when answering the standard Marcel Proust questions at the conclusion of his interview episode of the Inside the Actors Studio TV programme (Season 7, Episode 14):

• What is your favourite word?: Hope - speranza
• What is your least favourite word?: No
• What turns you on?: Life, everything
• What turns you off?: For insurance purposes, kids can't go. I don't know the word. I hate it so much I don't even know it
• What sound or noise do you love?: The flute
• What sound or noise do you hate?: A gasoline leaf-blower
• What is your favourite curse-word?: I don't have a favourite curse word. If I curse in front of a woman, I give her $1.
• What profession, other than your own, would you like to attempt?: Architect
• What profession would you absolutely not like to do?: Executioner
• If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?: Welcome^[117]

Honors

• In the 2002 poll of the Sight and Sound publication, Coppola ranked #4 in the Directors' top ten directors of all time^[118] and #10 in the Critics' top ten directors of all time.^[119]
• He featured at #17 in MovieMaker Magazine's 25 most influential directors of all-time.^[120]
• He also ranked #9 in toptenreviews' list of top directors of all time^[121] and at #21 in Entertainment Weekly's top 50 directors of all time.^[122]
• Four of Coppola's films, The Godfather; The Godfather Part II; Apocalypse Now and Patton featured in the Writers Guild of America, West list of 101 greatest screenplays ever.^[123]
• Three of his films feature in AFI's 100 Years...100 Movies: The Godfather (at #2), Apocalypse Now (at #28) and The Godfather Part II (at #32). The Godfather also ranks at #11 in AFI's 100 Years…100 Thrills. The following Coppola films were also nominated for the list: American Graffiti (1973) - Producer; The Conversation (1974) - Director/Producer/Screenwriter; Patton (1970) - Screenwriter.
• In 1991, he was honored with the Berlinale Camera at the Berlin International Film Festival.^[124]
• In 1992, he was awarded a Golden Lion – Honorary Award at the Venice Film Festival.^[124]
• In 1998, the Directors Guild of America honored him with a Lifetime Achievement Award.^[124]
• He was honored with a special 50th anniversary award for his impressive career at the 2002 San Sebastián International Film Festival.^[124]
• The same year he received a gala tribute from Film Society of Lincoln Center.^[124]
• In 2003, he was awarded a Lifetime Achievement Award at the Denver Film Festival.^[124]
• He was given an honorary award at the 2007 Antalya Golden Orange Film Festival.^[125]
• In 2010, the Academy of Motion Picture Arts and Sciences decided to honor him with the Irving G. Thalberg Memorial Award at the 2nd Governor's Awards in November.^[126][127] The honor was bestowed on him on November 13, along with Jean-Luc Godard, Kevin Brownlow and Eli Wallach.^[128]
• In 2013, he was awarded a Praemium Imperiale in the theatre/film category.^{[129][130][131]}
• There are three generations of Oscar winners in the Coppola family: Carmine, his son Francis Ford, his granddaughter Sofia Coppola and his grandson Nicolas Cage. They are the second family to do so, the first being the Hustons - Walter Huston, John Huston and Anjelica Huston.^[132]
• Coppola serves as the "Honorary Consul H. E. Francis Ford Coppola" in San Francisco for the Central American nation of Belize.^[133]
• George Lucas said that he based the Han Solo character in Star Wars on Coppola.^[21][111]

Filmography

Film

Year	Title	Director	Screenwriter	Producer	Notes
1962	Tonight for Sure	Yes	Yes		First film
1962	Bellboy and the Playgirls, TheThe Bellboy and the Playgirls	Yes	Yes
1963	Dementia 13	Yes	Yes		First feature film
1963	Terror, TheThe Terror				Uncredited co-director and associate producer
1966	You're a Big Boy Now	Yes	Yes		Nominated — Palme d'Or Nominated — Golden Globe Award for Best Motion Picture – Musical or Comedy Nominated — Writers Guild of America Award for Best American Screenplay - Comedy
1966	Is Paris Burning?		Yes		Co-written with Gore Vidal
1968	Finian's Rainbow	Yes			Nominated — Golden Globe Award for Best Motion Picture – Musical or Comedy
1969	Rain People, TheThe Rain People	Yes	Yes		Golden Shell at San Sebastián International Film Festival
1970	Patton		Yes		Academy Award for Best Writing (Original Screenplay)
1971	THX 1138			Yes
1972	Godfather, TheThe Godfather	Yes	Yes		Academy Award for Best Picture Academy Award for Best Writing (Adapted Screenplay) David di Donatello for Best Foreign Film Directors Guild of America Award for Outstanding Achievement in Feature Film Golden Globe Award for Best Motion Picture – Drama Golden Globe Award for Best Director Golden Globe Award for Best Screenplay Golden Screen at Golden Screen Awards, Germany Kansas City Film Critics Circle Award for Best Director Writers Guild of America Award for Best Drama Adapted from Another Medium Nominated — Academy Award for Best Director Nominated — Best Audio Commentary at DVD Exclusive Awards
1973	American Graffiti			Yes	Kansas City Film Critics Circle Award for Best Film Nominated — Academy Award for Best Picture Golden Globe Award for Best Motion Picture – Musical or Comedy
1974	The Great Gatsby		Yes
1974	Conversation, TheThe Conversation	Yes	Yes	Yes	Palme d'Or Prize of the Ecumenical Jury- Special Mention Kansas City Film Critics Circle Award for Best Director National Board of Review Award for Best Director Nominated — Academy Award for Best Original Screenplay Nominated — BAFTA Award for Best Direction Nominated — BAFTA Award for Best Screenplay Nominated — Video Premiere Award at DVD Exclusive Awards Nominated — Directors Guild of America Award for Outstanding Achievement in Feature Film Nominated — Best Motion Picture Screenplay Nominated — Golden Globe Award for Best Motion Picture Nominated — Golden Globe Award for Best Director Nominated — Golden Globe Award for Best Screenplay Nominated — Writers Guild of America Award for Best Drama Written Directly for the Screen Nominated — Academy Award for Best Picture
1974	Godfather Part II, TheThe Godfather Part II	Yes	Yes	Yes	Academy Award for Best Picture Academy Award for Best Director Academy Award for Best Writing (Adapted Screenplay) Directors Guild of America Award for Outstanding Directorial Achievement in Feature Film Kansas City Film Critics Circle Award for Best Director National Society of Film Critics Award for Best Director Writers Guild of America Award for Best Drama Adapted from Another Medium Nominated — Golden Globe Award for Best Motion Picture – Drama Nominated — Golden Globe Award for Best Director Nominated — Golden Globe Award for Best Screenplay
1979	Apocalypse Now	Yes	Yes	Yes	Palme d'Or FIPRESCI Prize Golden Globe Award for Best Director BAFTA Award for Best Direction David di Donatello for Best Foreign Film Golden Screen at Golden Screen Awards, Germany London Film Critics Circle Award for Best Film Nominated — Academy Award for Best Picture Nominated — Academy Award for Best Director Nominated — Academy Award for Best Adapted Screenplay Nominated — BAFTA Award for Best Film Nominated — Best Foreign Language Film at Cinema Brazil Grand Prize (2002) Nominated — César Award for Best Foreign Film Nominated — Directors Guild of America Award for Outstanding Achievement in Feature Film Nominated — Golden Globe Award for Best Motion Picture Nominated — Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special Nominated — Writers Guild of America Award for Best Drama Written Directly for the Screen
1979	The Black Stallion			Yes
1980	Kagemusha			Yes	David di Donatello for Best Producer[134]
1982	One from the Heart	Yes	Yes
1983	Outsiders, TheThe Outsiders	Yes			Nominated — Golden Prize at the 13th Moscow International Film Festival[135] Nominated — Best Family Feature Motion Picture at the Young Artist Awards
1983	Koyaanisqatsi			Yes
1983	Rumble Fish	Yes	Yes	Yes	FIPRESCI Prize at San Sebastián International Film Festival OCIC Award at the San Sebastián International Film Festival
1984	Cotton Club, TheThe Cotton Club	Yes	Yes		Nominated — Golden Globe Award for Best Director Nominated — Golden Globe Award for Best Motion Picture Nominated — Japan Academy Prize for Outstanding Foreign Language Film
1986	Peggy Sue Got Married	Yes			Nominated — Golden Globe Award for Best Motion Picture – Musical or Comedy Nominated — Saturn Award for Best Science Fiction Film
1987	Gardens of Stone	Yes		Yes	Nominated — Golden Prize at the Moscow International Film Festival[136] Nominated — Political Film Society Award for Peace
1988	Tucker: The Man and His Dream	Yes
1989	New York Stories	Yes	Yes		Co-director, co-writer
1990	Godfather Part III, TheThe Godfather Part III	Yes	Yes	Yes	Best Foreign Film (Mejor Película Extranjera) at Fotogramas de Plata Nominated — Academy Award for Best Picture Nominated — Academy Award for Best Director Nominated — Directors Guild of America Award for Outstanding Achievement in Feature Film Nominated — Golden Globe Award for Best Motion Picture Nominated — Golden Globe Award for Best Director Nominated — Golden Globe Award for Best Screenplay
1992	Bram Stoker's Dracula	Yes		Yes	Saturn Award for Best Direction Saturn Award for Best Horror Film Best Foreign Film (Mejor Película Extranjera) at Fotogramas de Plata Nominated — Hugo Award for Best Dramatic Presentation
1993	Junky's Christmas, TheThe Junky's Christmas			Yes
1993	The Secret Garden			Yes	Los Angeles Film Critics Association Award for Best Music Nominated — BAFTA Award for Best Actress in a Supporting Role (Maggie Smith)
1994	Frankenstein			Yes	Nominated — Saturn Award for Best Horror Film
1995	Kidnapped			Yes
1996	Jack	Yes		Yes	Nominated — Best Family Feature - Musical or Comedy at Young Artist Awards
1997	Rainmaker, TheThe Rainmaker	Yes	Yes		Nominated — USC Scripter Award Nominated — Political Film Society Award for Democracy
1999	Virgin Suicides, TheThe Virgin Suicides			Yes
1999	Sleepy Hollow			Yes
2001	CQ			Yes
	Jeepers Creepers			Yes
2003	Jeepers Creepers 2			Yes
2006	Marie Antoinette			Yes
2007	Youth Without Youth	Yes	Yes	Yes
2009	Tetro	Yes	Yes	Yes
2010	Somewhere			Yes
2011	On the Road			Yes
2011	Twixt	Yes	Yes	Yes
2013	The Bling Ring			Yes

See also

• Coppola family tree
• List of celebrities who own wineries and vineyards
• List of wine personalities

References

Further reading

• Jeffrey Chown (May 1988). Hollywood auteur: Francis Coppola. Praeger Publishers. ISBN 978-0-275-92910-7. 

External links

Wikimedia Commons has media related to Francis Ford Coppola.

• Francis Ford Coppola at the Internet Movie Database
• Francis Ford Coppola at AllRovi
• Francis Ford Coppola: Texas Monthly Talks, YouTube video posted on November 24, 2008
• 2007 Francis Ford Coppola Video Interview with InterviewingHollywood.com
• Bibliography at the University of California Berkeley Library
• Francis Ford Coppola Presents
• "Perfecting the Rubicon: An interview with Francis Ford Coppola"
• "Back to Bernalda" by Coppola, T (International Herald Tribune Style Magazine), December 8, 2012
• Works by Francis Ford Coppola on Open Library at the Internet Archive

v t e Francis Ford Coppola Films directed Tonight for Sure (1962) The Bellboy and the Playgirls (1962) Dementia 13 (1963) You're a Big Boy Now (1966) Finian's Rainbow (1968) The Rain People (1969) The Godfather (1972) The Conversation (1974) The Godfather Part II (1974) Apocalypse Now (1979) One from the Heart (1982) The Outsiders (1983) Rumble Fish (1983) The Cotton Club (1984) Captain EO (1986) Peggy Sue Got Married (1986) Gardens of Stone (1987) Tucker: The Man and His Dream (1988) New York Stories (segment "Life Without Zoë", 1989) The Godfather Part III (1990) Bram Stoker's Dracula (1992) Jack (1996) The Rainmaker (1997) Youth Without Youth (2007) Tetro (2009) Twixt (2011) Written only Is Paris Burning? (1966) This Property Is Condemned (1966) Patton (1970) The Great Gatsby (1974) Produced only THX 1138 (1971) American Graffiti (1973) Hammett (1982) Koyaanisqatsi (1982) Mishima: A Life in Four Chapters (1985) The Junky's Christmas (1993) Mary Shelley's Frankenstein (1994) Don Juan DeMarco (1995) Lani Loa – The Passage (1998) The Florentine (1999) The Virgin Suicides (1999) Sleepy Hollow (1999) On the Road (2011) Enterprises American Zoetrope Zoetrope: All-Story Rubicon Estate Winery Francis Ford Coppola Presents

Awards for Francis Ford Coppola v t e Academy Award for Best Director 1927–1940 Frank Borzage (1927) Lewis Milestone (1928) Frank Lloyd (1929) Lewis Milestone (1930) Norman Taurog (1931) Frank Borzage (1932) Frank Lloyd (1933) Frank Capra (1934) John Ford (1935) Frank Capra (1936) Leo McCarey (1937) Frank Capra (1938) Victor Fleming (1939) John Ford (1940) 1941–1960 John Ford (1941) William Wyler (1942) Michael Curtiz (1943) Leo McCarey (1944) Billy Wilder (1945) William Wyler (1946) Elia Kazan (1947) John Huston (1948) Joseph L. Mankiewicz (1949) Joseph L. Mankiewicz (1950) George Stevens (1951) John Ford (1952) Fred Zinnemann (1953) Elia Kazan (1954) Delbert Mann (1955) George Stevens (1956) David Lean (1957) Vincente Minnelli (1958) William Wyler (1959) Billy Wilder (1960) 1961–1980 Jerome Robbins and Robert Wise (1961) David Lean (1962) Tony Richardson (1963) George Cukor (1964) Robert Wise (1965) Fred Zinnemann (1966) Mike Nichols (1967) Carol Reed (1968) John Schlesinger (1969) Franklin J. Schaffner (1970) William Friedkin (1971) Bob Fosse (1972) George Roy Hill (1973) Francis Ford Coppola (1974) Miloš Forman (1975) John G. Avildsen (1976) Woody Allen (1977) Michael Cimino (1978) Robert Benton (1979) Robert Redford (1980) 1981–2000 Warren Beatty (1981) Richard Attenborough (1982) James L. Brooks (1983) Miloš Forman (1984) Sydney Pollack (1985) Oliver Stone (1986) Bernardo Bertolucci (1987) Barry Levinson (1988) Oliver Stone (1989) Kevin Costner (1990) Jonathan Demme (1991) Clint Eastwood (1992) Steven Spielberg (1993) Robert Zemeckis (1994) Mel Gibson (1995) Anthony Minghella (1996) James Cameron (1997) Steven Spielberg (1998) Sam Mendes (1999) Steven Soderbergh (2000) 2001–present Ron Howard (2001) Roman Polanski (2002) Peter Jackson (2003) Clint Eastwood (2004) Ang Lee (2005) Martin Scorsese (2006) Joel and Ethan Coen (2007) Danny Boyle (2008) Kathryn Bigelow (2009) Tom Hooper (2010) Michel Hazanavicius (2011) Ang Lee (2012) v t e Academy Award for Best Writing (Original Screenplay) (1961–1980) William Inge (1961) Ennio de Concini, Pietro Germi, and Alfredo Giannetti (1962) James Webb (1963) Peter Stone and Frank Tarloff (1964) Frederic Raphael (1965) Claude Lelouch and Pierre Uytterhoeven (1966) William Rose (1967) Mel Brooks (1968) William Goldman (1969) Francis Ford Coppola and Edmund H. North (1970) Paddy Chayefsky (1971) Jeremy Larner (1972) David S. Ward (1973) Robert Towne (1974) Frank Pierson (1975) Paddy Chayefsky (1976) Woody Allen and Marshall Brickman (1977) Robert C. Jones, Waldo Salt, and Nancy Dowd (1978) Steve Tesich (1979) Bo Goldman (1980) Complete list (1940–1960) (1961–1980) (1981–2000) (2001–2020) v t e Academy Award for Best Writing (Adapted Screenplay) 1928–1940 Benjamin Glazer (1928) Hanns Kräly (1929) Joseph Farnham, Martin Flavin, Frances Marion, and Lennox Robinson (1930) Howard Estabrook (1931) Edwin J. Burke (1932) Victor Heerman and Sarah Y. Mason (1933) Robert Riskin (1934) Dudley Nichols (1935) Pierre Collings and Sheridan Gibney (1936) Heinz Herald, Geza Herczeg, and Norman Reilly Raine (1937) Ian Dalrymple, Cecil Arthur Lewis, W.P. Lipscomb, and George Bernard Shaw (1938) Sidney Howard (1939) Donald Ogden Stewart (1940) 1941–1960 Sidney Buchman and Seton I. Miller (1941) George Froeschel, James Hilton, Claudine West, and Arthur Wimperis (1942) Philip G. Epstein, Julius J. Epstein, and Howard Koch (1943) Frank Butler, and Frank Cavett (1944) Charles Brackett and Billy Wilder (1945) Robert Sherwood (1946) George Seaton (1947) John Huston (1948) Joseph L. Mankiewicz (1949) Joseph L. Mankiewicz (1950) Harry Brown and Michael Wilson (1951) Charles Schnee (1952) Daniel Taradash (1953) George Seaton (1954) Paddy Chayefsky (1955) John Farrow, S. J. Perelman, and James Poe (1956) Carl Foreman and Michael Wilson (1957) Alan Jay Lerner (1958) Neil Paterson (1959) Richard Brooks (1960) 1961–1980 Abby Mann (1961) Horton Foote (1962) John Osborne (1963) Edward Anhalt (1964) Robert Bolt (1965) Robert Bolt (1966) Stirling Silliphant (1967) James Goldman (1968) Waldo Salt (1969) Ring Lardner, Jr. (1970) Ernest Tidyman (1971) Francis Ford Coppola and Mario Puzo (1972) William Peter Blatty (1973) Francis Ford Coppola and Mario Puzo (1974) Bo Goldman and Laurence Hauben (1975) William Goldman (1976) Alvin Sargent (1977) Oliver Stone (1978) Robert Benton (1979) Alvin Sargent (1980) 1981–2000 Ernest Thompson (1981) Costa Gavras and Donald E. Stewart (1982) James L. Brooks (1983) Peter Shaffer (1984) Kurt Luedtke (1985) Ruth Prawer Jhabvala (1986) Bernardo Bertolucci and Mark Peploe (1987) Christopher Hampton (1988) Alfred Uhry (1989) Michael Blake (1990) Ted Tally (1991) Ruth Prawer Jhabvala (1992) Steven Zaillian (1993) Eric Roth (1994) Emma Thompson (1995) Billy Bob Thornton (1996) Curtis Hanson and Brian Helgeland (1997) Bill Condon (1998) John Irving (1999) Stephen Gaghan (2000) 2001–present Akiva Goldsman (2001) Ronald Harwood (2002) Philippa Boyens, Peter Jackson, and Fran Walsh (2003) Alexander Payne and Jim Taylor (2004) Larry McMurtry and Diana Ossana (2005) William Monahan (2006) Joel and Ethan Coen (2007) Simon Beaufoy (2008) Geoffrey S. Fletcher (2009) Aaron Sorkin (2010) Alexander Payne, Jim Rash, and Nat Faxon (2011) Chris Terrio (2012) v t e Academy Awards Irving G. Thalberg Memorial Award Darryl F. Zanuck (1938) Hal B. Wallis (1939) David O. Selznick (1940) Walt Disney (1942) Sidney Franklin (1943) Hal B. Wallis (1944) Darryl F. Zanuck (1945) Samuel Goldwyn (1947) Jerry Wald (1949) Darryl F. Zanuck (1951) Arthur Freed (1952) Cecil B. DeMille (1953) George Stevens (1954) Buddy Adler (1957) Jack Warner (1959) Stanley Kramer (1962) Sam Spiegel (1964) William Wyler (1966) Robert Wise (1967) Alfred Hitchcock (1968) Ingmar Bergman (1971) Lawrence Weingarten (1974) Mervyn LeRoy (1976) Pandro S. Berman (1977) Walter Mirisch (1978) Ray Stark (1980) Albert R. Broccoli (1982) Steven Spielberg (1986) Billy Wilder (1988) David Brown and Richard D. Zanuck (1991) George Lucas (1992) Clint Eastwood (1995) Saul Zaentz (1997) Norman Jewison (1999) Warren Beatty (2000) Dino De Laurentiis (2001) John Calley (2009) Francis Ford Coppola (2010) v t e BAFTA Award for Best Direction Mike Nichols (1968) John Schlesinger (1969) George Roy Hill (1970) John Schlesinger (1971) Bob Fosse (1972) François Truffaut (1973) Roman Polanski (1974) Stanley Kubrick (1975) Miloš Forman (1976) Woody Allen (1977) Alan Parker (1978) Francis Ford Coppola (1979) Akira Kurosawa (1980) Louis Malle (1981) Richard Attenborough (1982) Bill Forsyth (1983) Wim Wenders (1984) no award (1985) Woody Allen (1986) Oliver Stone (1987) Louis Malle (1988) Kenneth Branagh (1989) Martin Scorsese (1990) Alan Parker (1991) Robert Altman (1992) Steven Spielberg (1993) Mike Newell (1994) Michael Radford (1995) Joel Coen (1996) Baz Luhrmann (1997) Peter Weir (1998) Pedro Almodóvar (1999) Ang Lee (2000) Peter Jackson (2001) Roman Polanski (2002) Peter Weir (2003) Mike Leigh (2004) Ang Lee (2005) Paul Greengrass (2006) Joel and Ethan Coen (2007) Danny Boyle (2008) Kathryn Bigelow (2009) David Fincher (2010) Michel Hazanavicius (2011) Ben Affleck (2012) v t e Directors Guild of America Award for Outstanding Directing – Feature Film 1948-1959 Joseph L. Mankiewicz (1948) Robert Rossen (1949) Joseph L. Mankiewicz (1950) George Stevens (1951) John Ford (1952) Fred Zinnemann (1953) Elia Kazan (1954) Delbert Mann (1955) George Stevens (1956) David Lean (1957) Vincente Minnelli (1958) William Wyler (1959) 1960-1979 Billy Wilder (1960) Robert Wise (1961) David Lean (1962) Tony Richardson (1963) George Cukor (1964) Robert Wise (1965) Fred Zinnemann (1966) Mike Nichols (1967) Anthony Harvey (1968) John Schlesinger (1969) Franklin J. Schaffner (1970) William Friedkin (1971) Francis Ford Coppola (1972) George Roy Hill (1973) Francis Ford Coppola (1974) Miloš Forman (1975) John G. Avildsen (1976) Woody Allen (1977) Michael Cimino (1978) Robert Benton (1979) 1980-1999 Robert Redford (1980) Warren Beatty (1981) Richard Attenborough (1982) James L. Brooks (1983) Miloš Forman (1984) Steven Spielberg (1985) Oliver Stone (1986) Bernardo Bertolucci (1987) Barry Levinson (1988) Oliver Stone (1989) Kevin Costner (1990) Jonathan Demme (1991) Clint Eastwood (1992) Steven Spielberg (1993) Robert Zemeckis (1994) Ron Howard (1995) Anthony Minghella (1996) James Cameron (1997) Steven Spielberg (1998) Sam Mendes (1999) 2000-present Ang Lee (2000) Ron Howard (2001) Rob Marshall (2002) Peter Jackson (2003) Clint Eastwood (2004) Ang Lee (2005) Martin Scorsese (2006) Joel and Ethan Coen (2007) Danny Boyle (2008) Kathryn Bigelow (2009) Tom Hooper (2010) Michel Hazanavicius (2011) Ben Affleck (2012) Alfonso Cuarón (2013) v t e Golden Globe Award for Best Director Henry King (1943) Leo McCarey (1944) Billy Wilder (1945) Frank Capra (1946) Elia Kazan (1947) John Huston (1948) Robert Rossen (1949) Billy Wilder (1950) László Benedek (1951) Cecil B. DeMille (1952) Fred Zinnemann (1953) Elia Kazan (1954) Joshua Logan (1955) Elia Kazan (1956) David Lean (1957) Vincente Minnelli (1958) William Wyler (1959) Jack Cardiff (1960) Stanley Kramer (1961) David Lean (1962) Elia Kazan (1963) George Cukor (1964) David Lean (1965) Fred Zinnemann (1966) Mike Nichols (1967) Paul Newman (1968) Charles Jarrott (1969) Arthur Hiller (1970) William Friedkin (1971) Francis Ford Coppola (1972) William Friedkin (1973) Roman Polanski (1974) Miloš Forman (1975) Sidney Lumet (1976) Herbert Ross (1977) Michael Cimino (1978) Francis Ford Coppola (1979) Robert Redford (1980) Warren Beatty (1981) Richard Attenborough (1982) Barbra Streisand (1983) Miloš Forman (1984) John Huston (1985) Oliver Stone (1986) Bernardo Bertolucci (1987) Clint Eastwood (1988) Oliver Stone (1989) Kevin Costner (1990) Oliver Stone (1991) Clint Eastwood (1992) Steven Spielberg (1993) Robert Zemeckis (1994) Mel Gibson (1995) Miloš Forman (1996) James Cameron (1997) Steven Spielberg (1998) Sam Mendes (1999) Ang Lee (2000) Robert Altman (2001) Martin Scorsese (2002) Peter Jackson (2003) Clint Eastwood (2004) Ang Lee (2005) Martin Scorsese (2006) Julian Schnabel (2007) Danny Boyle (2008) James Cameron (2009) David Fincher (2010) Martin Scorsese (2011) Ben Affleck (2012) Alfonso Cuarón (2013) v t e Golden Globe Award for Best Original Score (1970–1989) Love Story - Francis Lai (1970) Shaft - Isaac Hayes (1971) The Godfather - Nino Rota (1972) Jonathan Livingston Seagull - Neil Diamond (1973) The Little Prince - Alan Jay Lerner, Frederick Loewe (1974) Jaws - John Williams (1975) A Star is Born - Kenneth Ascher, Paul Williams (1976) Star Wars - John Williams (1977) Midnight Express - Giorgio Moroder (1978) Apocalypse Now - Carmine Coppola, Francis Ford Coppola (1979) The Stunt Man - Dominic Frontiere (1980) (1981) E.T. the Extra-Terrestrial - John Williams (1982) Flashdance - Giorgio Moroder (1983) A Passage to India - Maurice Jarre (1984) Out of Africa - John Barry (1985) The Mission - Ennio Morricone (1986) The Last Emperor - David Byrne, Ryuichi Sakamoto, Cong Su (1987) Gorillas in the Mist: The Story of Dian Fossey - Maurice Jarre (1988) The Little Mermaid - Alan Menken (1989) Complete List (1947–1969) (1970–1989) (1990–2009) (2010–2029) v t e Golden Globe Award for Best Screenplay Robert Bolt (1965) Robert Bolt (1966) Stirling Silliphant (1967) Stirling Silliphant (1968) Bridget Boland, John Hale, and Richard Sokolove (1969) Erich Segal (1970) Paddy Chayefsky (1971) Francis Ford Coppola and Mario Puzo (1972) William Peter Blatty (1973) Robert Towne (1974) Bo Goldman and Lawrence Hauben (1975) Paddy Chayefsky (1976) Neil Simon (1977) Oliver Stone (1978) Robert Benton (1979) William Peter Blatty (1980) Ernest Thompson (1981) John Briley (1982) James L. Brooks (1983) Peter Shaffer (1984) Woody Allen (1985) Robert Bolt (1986) Bernardo Bertolucci, Mark Peploe and Enzon Ungari (1987) Naomi Foner (1988) Oliver Stone and Ron Kovic (1989) Michael Blake (1990) Callie Khouri (1991) Bo Goldman (1992) Steven Zaillian (1993) Quentin Tarantino (1994) Emma Thompson (1995) Scott Alexander and Larry Karaszewski (1996) Ben Affleck and Matt Damon (1997) Marc Norman and Tom Stoppard (1998) Alan Ball (1999) Stephen Gaghan (2000) Akiva Goldsman (2001) Alexander Payne and Jim Taylor (2002) Sofia Coppola (2003) Alexander Payne and Jim Taylor (2004) Larry McMurtry and Diana Ossana (2005) Peter Morgan (2006) Joel and Ethan Coen (2007) Simon Beaufoy (2008) Jason Reitman and Sheldon Turner (2009) Aaron Sorkin (2010) Woody Allen (2011) Quentin Tarantino (2012) Spike Jonze (2013) v t e Golden Orange Honorary Award Ömer Lütfi Akad (1983) Sezer Sezin (1984) Metin Erksan (1987) Helen Mirren / Taylor Hackford / Norman Jewison (2006) Shekhar Kapur / Francis Ford Coppola / Hanna Schygulla (2007) Maximilian Schell / Mickey Rourke / Kevin Spacey / Michael J. Warner (2008) v t e Film Society of Lincoln Center Gala Tribute Honorees Charlie Chaplin (1972) Fred Astaire (1973) Alfred Hitchcock (1974) Joanne Woodward and Paul Newman (1975) George Cukor (1978) Bob Hope (1979) John Huston (1980) Barbara Stanwyck (1981) Billy Wilder (1982) Laurence Olivier (1983) Claudette Colbert (1984) Federico Fellini (1985) Elizabeth Taylor (1986) Alec Guinness (1987) Yves Montand (1988) Bette Davis (1989) James Stewart (1990) Audrey Hepburn (1991) Gregory Peck (1992) Jack Lemmon (1993) Robert Altman (1994) Shirley MacLaine (1995) Clint Eastwood (1996) Sean Connery (1997) Martin Scorsese (1998) Mike Nichols (1999) Al Pacino (2000) Jane Fonda (2001) Francis Ford Coppola (2002) Susan Sarandon (2003) Michael Caine (2004) Dustin Hoffman (2005) Jessica Lange (2006) Diane Keaton (2007) Meryl Streep (2008) Tom Hanks (2009) Michael Douglas (2010) Sidney Poitier (2011) Catherine Deneuve (2012) Barbra Streisand (2013) v t e Saturn Award for Best Director Mel Brooks (1974/75) Dan Curtis (1976) George Lucas/Steven Spielberg (1977) Philip Kaufman (1978) Ridley Scott (1979) Irvin Kershner (1980) Steven Spielberg (1981) Nicholas Meyer (1982) John Badham (1983) Joe Dante (1984) Ron Howard (1985) James Cameron (1986) Paul Verhoeven (1987) Robert Zemeckis (1988) James Cameron (1989/90) James Cameron (1991) Francis Ford Coppola (1992) Steven Spielberg (1993) James Cameron (1994) Kathryn Bigelow (1995) Roland Emmerich (1996) John Woo (1997) Michael Bay (1998) Andy Wachowski and Larry Wachowski (1999) Bryan Singer (2000) Peter Jackson (2001) Steven Spielberg (2002) Peter Jackson (2003) Sam Raimi (2004) Peter Jackson (2005) Bryan Singer (2006) Zack Snyder (2007) Jon Favreau (2008) James Cameron (2009) Christopher Nolan (2010) J. J. Abrams (2011) Joss Whedon (2012)

v t e The Godfather Novels The Godfather The Sicilian The Godfather Returns The Godfather's Revenge The Family Corleone Films The Godfather The Godfather Part II The Godfather Part III Video games The Godfather The Godfather: The Game The Godfather II Corleone family Vito Corleone Michael Corleone Tom Hagen Sonny Corleone Fredo Corleone Carmela Corleone Apollonia Vitelli-Corleone Kay Adams-Corleone Anthony Corleone Mary Corleone Vincent Corleone Sandra Corleone Family allies Genco Abbandando Luca Brasi Willi Cicci Peter Clemenza Carmine Marino Rocco Lampone Tony Molinari Sal Narducci Al Neri Tommy Neri Ritchie Nobilio Eddie Paradise Frank Pentangeli Salvatore Tessio Don Tommasino Carlo Tramonti Joe Zaluchi Family enemies Don Altobello Momo Barone Emilio Barzini Ottilio Cuneo Don Fanucci Vincent Forlenza Paulie Fortunato Nick Geraci Archbishop Gilday Moe Greene Frederick Keinszig Joe Lucadello Licio Lucchesi Captain McCluskey Mosca Johnny Ola Carlo Rizzi Tony Rosato Carmine Rosato Hyman Roth Louie Russo Virgil Sollozzo Anthony Stracci Bruno Tattaglia Philip Tattaglia Rico Tattaglia Jack Woltz Joey Zasa Others Amerigo Bonasera Johnny Fontane Pat Geary Cardinal Lamberto Lucy Mancini Danny Shea Mickey Shea Billy Van Arsdale Aldo Trapani Albert Volpe Rival families Barzini family Carmine Rosato family Cuneo family Stracci family Tattaglia family Music The Godfather (soundtrack) The Godfather Part II (soundtrack) The Godfather Part III (soundtrack) "Speak Softly Love" "Promise Me You'll Remember" The Godfather: The Game Soundtrack Miscellaneous Francis Ford Coppola Mario Puzo Albert S. Ruddy Nino Rota Dean Tavoularis Gordon Willis Mark Winegardner Edward Falco Crime film Organized crime American Mafia Sicilian Mafia Five Families Corleone The Godfather Effect The Godfather Papers and Other Confessions The Sicilian The Freshman The Godfather Saga Omertà Book Category

v t e Coppola family 1st generation Carmine Coppola Anton Coppola Italia Coppola 2nd generation August Coppola Francis Ford Coppola Talia Shire Eleanor Coppola Jack Schwartzman 3rd generation Nicolas Cage Matthew Shire Jason Schwartzman Robert Coppola Schwartzman Sofia Coppola Roman Coppola Gian-Carlo Coppola Marc Coppola Christopher Coppola Thomas Mars 4th generation Gia Coppola See also Palazzo Margherita (Bernalda)

Authority control WorldCat VIAF: 112744406 LCCN: n80145599 ISNI: 0000 0001 1480 194X GND: 118522094 SELIBR: 239064 BNF: cb12373335m NDL: 00620525 NKC: jn20010525098

Persondata
Name	Coppola, Francis Ford
Alternative names
Short description	Director, producer, screenwriter
Date of birth	April 7, 1939
Place of birth	Detroit, Michigan, United States
Date of death
Place of death