Four Thirds system

Four Thirds logo

The Four Thirds system is a standard created by Olympus and Kodak for digital single-lens reflex camera (DSLR) and mirrorless camera design and development.^[2]

The system provides a standard that, with digital cameras and lenses available from multiple manufacturers, allows for the interchange of lenses and bodies from different manufacturers. U.S. Patent 6,910,814 seems to cover the standard. Proponents describe it as an open standard, but companies may only use it under a non-disclosure agreement.^[3]

Unlike older SLR systems, Four Thirds has been designed from the ground up to be entirely digital. Many lenses are extensively computerized, to the point that Olympus offers firmware updates for many of them. Lens design has been tailored to the requirements of digital sensors, most notably through telecentric designs. The size of the sensor is significantly smaller than for most DSLRs and this implies that lenses, especially telephoto lenses, can be smaller. For example, a Four Thirds lens with a 300 mm focal length would cover about the same angle of view as a 600 mm focal length lens for the 35 mm film standard, and is correspondingly more compact. Thus, the Four Thirds System has crop factor (focal length multiplier) of about 2, and while this enables longer focal length for greater magnification, it doesn't aid the manufacture of wide angle lenses.

The image sensor format, generally intermediate between those of larger SLRs and smaller compact cameras, generally gives levels of cost, performance and convenience intermediate between those two classes.

Sensor size and aspect ratio

Drawing showing the relative sizes of sensors used in most current digital cameras, including Four Thirds System

The name of the system stems from the size of the image sensor used in the cameras, which is commonly referred to as a 4/3" type or 4/3 type sensor. The common inch-based sizing system is derived from vacuum image-sensing video camera tubes, which are now obsolete. The imaging area of a Four Thirds sensor is equal to that of a video camera tube of 4/3" diameter.^[4]

Sizes of the sensors used in most current digital cameras relative to a standard 35mm frame

The usual size of the sensor is 18 mm × 13.5 mm (22.5 mm diagonal), with an imaging area of 17.3 mm × 13.0 mm (21.63 mm diagonal).^[4][5] The sensor's area is about 30–40% smaller than APS-C sensors used in most other DSLRs, but still around 9 times larger than the 1/2.5" sensors typically used in compact digital cameras. Incidentally, the imaging area of a Four Thirds sensor is almost identical to that of 110 film.

The emphasis on the 4:3 image aspect ratio sets Four Thirds apart from other DSLR systems, which usually adhere to the 3:2 aspect ratio of the traditional 35 mm format. However, the standard only specifies the sensor diagonal, thus Four Thirds cameras using the standard 3:2 aspect ratio would be possible;^[6] notably newer Panasonic Micro Four Thirds models even offer shooting at multiple aspect ratios while maintaining the same image diagonal. For instance, the Panasonic GH1 uses a multi-aspect sensor designed to maximize use of the image circle at 4:3, 3:2, and 16:9; each ratio having a diagonal of 22.5 mm.^[7]

Sensor aspect ratio has an impact on lens design. For example, many lenses designed by Olympus for the Four Thirds system contain internal rectangular baffles or permanently mounted "petal" lens hoods that optimise their operation for the 4:3 aspect ratio.^{[citation needed]}

In an interview John Knaur, a Senior Product Manager at Olympus, stated that "The FourThirds refers to both the size of the imager and the aspect ratio of the sensor".^[8] He also pointed out the similarities between 4:3 and the standard printing size of 8×10 as well as medium format 6×4.5 and 6×7 cameras, thus helping explain Olympus' rationale on choosing 4:3 rather than 3:2.

Advantages, disadvantages and other considerations

An Olympus E-420, sold with a very thin 25mm "pancake" lens. The E-4XX series was advertised as the smallest true DSLR in the world.^[1]

Advantages

• The smaller sensor size makes possible smaller and lighter camera bodies and lenses. In particular, the Four-Thirds system allows the development of compact, large aperture lenses. Corresponding lenses become larger, heavier and more expensive when designed for larger sensor formats.
• Telecentric optical path means that light hitting the sensor is traveling closer to perpendicular to the sensor, resulting in brighter corners, and improved off-center resolution, particularly on wide angle lenses.
• Because the flange focal distance is significantly shorter than those on Canon FD, Canon EF, Nikon F and Pentax K, lenses for many other SLR types including the old Olympus OM System can be fitted to Four Thirds cameras with simple mechanical adapter rings. Such mechanical adapter rings typically require manual setting of focus and aperture. A series of tests ^[9] provides a demonstration.
• A smaller sensor produces a deeper depth-of-field, for the same lens aperture, reducing the risk of out-of-focus photos.

Disadvantages

• The main disadvantage of a smaller sensor, with a pixel count that matches a larger sensor, is the reduction in incoming light hitting the light sensitive part of each pixel of the sensor. This is true even if the Four Thirds camera and lens is properly designed to focus all captured light onto the smaller light circle circumscribing the smaller sensor. The reason is that a smaller pixel has a proportionately smaller light sensitive area because the pixel loses a larger proportion of its total area to secondary circuitry and edge shading than a larger pixel. With less captured light to work with each pixel output voltage requires additional amplification with associated higher signal noise, resulting in increased chromatic and color noise as well as reduced dynamic range. A telecentric lens design helps reducing this problem but still leaves a smaller sensor, with smaller pixels, more sensitive to the angle of incoming light, among other things producing a more pronounced image corner light fall off.

• The resolution of a sensor is often measured as the total sensor pixel count in Mega Pixels or MP. From an image resolution point of view a large sensor consisting of small sensor pixels is therefore desirable. The resolution of a lens is typically defined as the ability to produce an image of for example 100 black and white line pairs per millimeter. This corresponds to a line pair distance of 10 µm. Since this is also in the neighborhood of how small we can make the pixels today this puts a limit on what image resolution we can achieve in a Four Thirds image sensor. Smaller pixels consequently also place a greater demand on lens resolution in order to be able to take advantage of the higher image sensor resolution, although a smaller pixel active area reduces averaging effect and allows a better sampling of high spatial frequencies. The overall change in resolution is a highly non-trivial problem which cannot be summarized in a couple of short general principles. Complex numerical simulation is required to find the best balance between pixel size and pixel active area.^[10]

• Because of the higher crop factor, an image shot at a given relative aperture and angle of view has more depth of field on Four Thirds.^[11] This results in less control over depth of field, compared to larger formats. For instance, a 35 mm full frame DSLR can match the depth of field of a Four Thirds camera by closing down the aperture by two stops; but it may be more difficult or impossible for a Four Thirds system to match the shallow depth of field of a 35 mm full frame camera with fast lenses.

Differences

• Most Four Thirds cameras (notably those manufactured by Olympus) use an aspect ratio of 4:3 rather than 3:2; newer models offer cropping to 3:2, but this results in a reduced image diagonal (i.e., the effective crop factor is then 2.08).^{[citation needed]}

Four Thirds system companies

As of the 2006 Photo Marketing Association Annual Convention and Trade Show, the Four Thirds consortium consisted the following companies:

• Fuji
• Kodak
• Leica
• Olympus
• Panasonic
• Sanyo
• Sigma

This does not imply a commitment to end user products by each company. Historically, only Leica, Olympus, and Panasonic have produced bodies. Olympus and Leica/Panasonic make dedicated Four Thirds lenses, and Sigma makes adapted versions of their "DC" lenses for APS-C format DSLRs. Kodak once sold sensors to Olympus for use in their Four Thirds bodies, but the newer Olympus Four Thirds cameras used Panasonic sensors.

Four Thirds system cameras

The majority of Four Thirds system cameras (and Four Thirds lenses) are made by Olympus. Many Four Thirds cameras use "sensor-shift" in-body image stabilization, making the need for image stabilization technology in its lenses unnecessary. All Four Thirds cameras also incorporate an automatic sensor cleaning device, in which a thin glass filter in front of the sensor vibrates at 30 kHz causing dust to fall off and adhere to a piece of sticky material below. Olympus' E-system camera bodies are noted for their inclusion of a wide range of firmware-level features and customization, good JPEG engine, and compact size. Because of the smaller format of Four Thirds, the viewfinders tend to be smaller than on comparable cameras.^[12][13] All the cameras listed below are SLR cameras and thus have optical viewfinders.

Four Thirds system lenses

Four lenses for the Four Thirds system. These are three Olympus zooms (40–150 mm, 11–22 mm and 14–54 mm) and a Sigma prime (30 mm).

The Four Thirds lens mount is specified to be a bayonet type with a flange focal distance of 38.67 mm.

There are currently around three dozen lenses for the Four Thirds system standard.^[16]

Olympus produces about 20 lenses for the Four Thirds system under Zuiko Digital brand. They are divided into three "grades" (Standard, High Grade and Super High Grade). High Grade lenses have faster maximum apertures but are significantly more expensive and larger, and the Super High Grade zooms have constant maximum aperture over the full zoom range; all but the Standard grade are weather-sealed. Lenses within each grade cover the range from wide-angle to super telephoto.^[17][18] The Zuiko Digital lenses are well regarded for their consistently good optics.^[19] The following is a table of all current Zuiko Digital lenses:^[20]

Olympus also makes 1.4× and 2× teleconverters and an electronically-coupled extension tube.

Sigma has adapted 13 lenses for the Four Thirds system, ranging from 10 mm to 800 mm, including several for which no equivalent exists: the fast primes (30 mm f/1.4 and 50 mm f/1.4) and extreme telephoto (300–800 mm f/5.6).

Leica has designed four lenses for the Four Thirds system: fast and slow normal zooms and a 14–150 mm super-zoom, all with Panasonic's image stabilization system, and an unstabilized f/1.4 25 mm prime. These are manufactured and sold by Panasonic.

An official list of available lenses can be found on Four-Thirds.org web site.^[21]

Micro Four Thirds system

Concept Micro Four Thirds camera by Olympus

In August 2008, Olympus and Panasonic introduced a new format: Micro Four Thirds.

The new system uses the same sensor, but removes the mirror box from the camera design. A live view preview is shown on either the camera's main LCD or via an electronic viewfinder, as in digital compact cameras. Autofocus is accomplished via a contrast-detect process using the main imager, again similar to digital compact cameras. The goal of the new system is to allow for even smaller cameras, competing directly with higher-end point-and-shoot compact digital cameras and lower-end DSLRs. The smaller flange focal distance allows for more compact normal and wideangle lenses. It also facilitates the use, with an adaptor, of lenses based on other mounting systems, including many manual focus lenses from the seventies and eighties.

In particular, Four Thirds lenses can be used on Micro Four Thirds bodies with an adapter, however, "all of the functions of the Micro Four Thirds System may not always be available."^[22]

See also

• Lenses for SLR and DSLR cameras
• Lens mount
• List of lens mounts
• Micro Four Thirds system
• Image sensor format
• Video camera tube#Size, origin of 4/3" sensor measurement

References

External links

• Official Four Thirds System site
• Four Thirds US patent 6,910,814; PDF version (1.7 MiB)
• Andrzej Wrotniak's pages about the Four Thirds System – includes a complete lens list
• Four Thirds User – independent site and user-community dedicated to the Four Thirds system, including Micro Four Thirds

v t e Four Thirds System lenses timeline

Wide-angle Standard Telephoto Super Telephoto 4.5 7 8 9 10 11 12 14 17.5 18 20 22 24 25 30 35 40 42 45 50 54 55 60 70 90 100 105 125 135 150 180 200 250 300 400 500 800 2003 Olympus Zuiko Digital 14-54mm F2.8-3.5 Olympus Zuiko Digital 50mm F2.0 Macro Olympus Zuiko Digital 50-200mm F2.8-3.5 2004 Olympus Zuiko Digital 11-22mm F2.8-3.5 Olympus Zuiko Digital 14-45mm F3.5-5.6 Sigma 18-50mm F3.5-5.6 DC Sigma 18-125mm F3.5-5.6 DC Olympus Zuiko Digital 40-150mm F3.5-4.5 Sigma 55-200mm F4-5.6 DC Olympus Zuiko Digital ED 150mm F2.0 Olympus Zuiko Digital ED 300mm F2.8 2005 Olympus Zuiko Digital ED 7-14mm F4.0 Olympus Zuiko Digital 17.5-45mm F3.5-5.6 Olympus Zuiko Digital 35mm F3.5 Macro Olympus Zuiko Digital ED 35-100mm F2.0 Olympus Zuiko Digital ED 90-250mm F2.8 2006 Olympus Zuiko Digital 8mm F3.5 Olympus Zuiko Digital ED 14-42mm F3.5-5.6 Leica D Vario-Elmarit 14-50mm F2.8-3.5 ASPH Sigma 18-50mm F2.8 EX DC Olympus Zuiko Digital ED 18-180mm F3.5-6.3 Sigma 24mm F1.8 EX DG Sigma 30mm F1.4 EX DC HSM Olympus Zuiko Digital ED 40-150mm F4.0-5.6 Sigma 50-500mm F4-6.3 EX DG HSM Sigma 105mm F2.8 EX DG Macro Sigma 150mm F2.8 EX DG APO Macro HSM 2007 Olympus Zuiko Digital ED 12-60mm F2.8-4.0 SWD Leica D Vario-Elmar 14-50mm F3.8-5.6 ASPH Leica D Summilux 25mm F1.4 ASPH Olympus Zuiko Digital ED 70-300mm F4.0-5.6 Sigma 135-400mm F4.5-5.6 DG APO Sigma 300-800mm F5.6 EX DG HSM APO 2008 Olympus Zuiko Digital ED 9-18mm F4.0-5.6 Sigma 10-20mm F4.0-5.6 EX DC HSM Olympus Zuiko Digital ED 14-35mm F2.0 SWD Olympus Zuiko Digital 14-54mm F2.8-3.5 II Leica D Vario-Elmar 14-150mm F3.5-5.6 ASPH Olympus Zuiko Digital 25mm F2.8 Sigma 50mm F1.4 EX DG HSM Olympus Zuiko Digital ED 50-200mm F2.8-3.5 SWD 2009 Sigma 70-200mm F2.8 EX DG Macro II HSM 20?? Sigma 4.5mm F2.8 EX DC HSM Sigma 10mm F2.8 EX DC HSM Sigma 50-150mm f2.8 II APO EX DC HSM Green background indicates lenses with image stabilization. Red background indicates unconfirmed lenses (rumors, please edit).