Flagellation of Christ

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For other uses, see Flagellation of Christ (disambiguation) and Christ at the Column (disambiguation).
Flagellation of Christ by Rubens

The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ. It is the fourth station of the modern alternate Stations of the Cross, and a Sorrowful Mystery of the Rosary.[1][2] The column to which Christ is normally tied, and the rope, scourge, whip or birch are elements in the Arma Christi.[3] The Basilica di Santa Prassede in Rome, claimed to possess the original column.[4]

History

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Death and Resurrection of Jesus
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The event is mentioned in three of the four canonical Gospels,[5] and was the usual prelude to crucifixion under Roman law.[<span title="Need cite for this being the "usual prelude to crucifixion"; one tradition is the exact opposite: that it was intended by Pilate to be the punishment in this case, and that he resorted to crucifixion only in response to demands from the crowd; and that it was *unusual* to combine scourging and crucifixion. Either way, this shouldn't be casually passed on as fact w/o a cite (June 2013)">citation needed] In the Passion of Christ it precedes the Mocking of Christ and the Crowning with thorns.[6]

It first appears in art in the West in the 9th century. It is almost never found in Byzantine art, and remains very rare in Eastern Orthodox art at any date. Initially found in illuminated manuscripts and small ivories, there are surviving monumental wall-paintings from around 1000 in Italy. From the start there are most often three figures, Christ and two servants of Pontius Pilate who whip him. In early depictions Christ may be naked, or wearing a long robe, facing out or seen from behind; from the 12th century it is standard that Christ wears a loincloth and faces out towards the viewer.[7]

Pontius Pilate is sometimes shown watching the scene, and his wife's servant may approach him with her message, and in the later Middle Ages, probably under the influence of Passion plays, the number of men beating Christ may be three or four, increasingly caricatured in the North as grotesque figures in the dress of contemporary mercenaries.[8] Sometimes another figure, who may be Herod, is present. The Flagellation was at the hands of those working for Pontius Pilate, but the floggers may sometimes wear Jewish hats,[9] Following the Maestá of Duccio,[10] the scene may take place in public, before an audience of the Jewish people.[11]

The Franciscans, who promoted self-flagellation as a means of identification with the suffering of Christ, were probably responsible for a number of large Italian processional crosses in which the Flagellation occupies the back of the cross, with a Crucifixion on the front. These were presumably sometimes followed in processions by flagellants, who could see Christ suffering in front of them.[6]

From the 15th century the subject is also painted in individual works, rather than as one of a series of Passion scenes. At the same time Christ at the Column or Christ at the Stake developed as an image of Christ alone tied to a column or stake. This was most popular in Baroque sculpture, and also related to the subject, not found in the canonical Gospels, of Christ in the Dungeon. It is often difficult to distinguish between these two, and between Christ at the Column and a Flagellation.[12]

Church

The Church of the Flagellation shrine in Jerusalem was rebuilt in 1839, and again in 1929.

In film

In modern times, filmmakers have depicted Christ being flogged. It is a significant scene in Mel Gibson's 2004 The Passion of the Christ. In Kubrick's A Clockwork Orange, Alex imagines himself as a Roman soldier flogging Jesus.[13]

Notable examples

Events in the
Life of Jesus
according to the Gospels
Portals: Christianity Bible

Single works:

In cycles:

Gallery of art

See also

References

  1. ↑ The encyclopedia of visual art, Volume 4 by Lawrence Gowing 1983, Ency Brittanica, page 626
  2. ↑ Old Master Paintings and Drawings by Roy Bolton 2009 ISBN 1-907200-01-0 page 70
  3. ↑ Iconography of Christian Art: The Passion of Christ by Gertrud Schiller 1972 ASIN: B000KGWGH4 pages 66-68
  4. ↑ Which is still in situ photo
  5. ↑ John 19:1, Mark 14:65, Luke 22:63-65 (though Luke's account is of the High Priest's guards beating and mocking Jesus while the other gospels tell of the flagellation at the hands of the Romans) and Matthew 27:26
  6. ↑ 6.0 6.1 Schiller, 67
  7. ↑ Schiller, 66–67
  8. ↑ Schiller,68
  9. ↑ See for example Schiller fig. 231, a 13th century wall-painting from Cologne
  10. ↑ Commons image
  11. ↑ Schiller, 68
  12. ↑ Schiller, 69
  13. ↑ D.K. Holm (2004-02-04). "The Passion of the Christ". Nocturnal Admissions. Movie Poop Shoot. Retrieved November 6, 2009. 
  • Schiller, G. (1972). Iconography of Christian Art, Vol. II. London: Lund Humphries. pp. 66–69, figures 225–234 etc. ISBN 0-85331-324-5.  Unknown parameter |notes= ignored (help)
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