Fela!

Fela!
Fela! logo
Music	Fela Kuti
Lyrics	Fela Kuti
Book	Bill T. Jones Jim Lewis
Productions	2008 Off-Broadway 2009 Broadway 2010 West End 2011 World tour 2012 Broadway revival

Fela! is a musical with a book by Bill T. Jones and Jim Lewis, based on music and lyrics by the late Nigerian singer Fela Kuti, with additional music by Aaron Johnson and Jordan Mclean and additional lyrics by Jim Lewis. It is based on events in the life of groundbreaking Nigerian composer and activist Fela Anikulapo Kuti. It portrays Kuti in the days when he was the target of 1,000 government soldiers assigned to end his public performances at the legendary Lagos nightclub The Shrine.

The musical ran Off-Broadway for one month in 2008 and premiered on Broadway on November 23, 2009. The Off-Broadway production won the Lucille Lortel Awards for Best Musical, Outstanding Choreographer for Bill T. Jones, and Outstanding Costume Design for Marina Draghici. The Broadway production received eleven 2010 Tony Award nominations and won Best Choreography, Best Costume Design of a Musical, and Best Sound Design of a Musical.^[1]

Productions

Fela! opened at the Off-Broadway 37 Arts Theatre B on September 4, 2008, and closed on October 5, 2008. It was conceived by Bill T. Jones, Steve Hendel and Jim Lewis, directed and choreographed by Jones, and scenic and costume designs were by Marina Draghici. The cast featured Sahr Ngaujah as Fela and Abena Koomson as Funmilayo, Fela's mother.^[2]

The Broadway production began previews at the Eugene O'Neill Theatre on October 19, 2009 and opened officially on November 23. Again directed and choreographed by Jones, the cast includes Ngaujah and Kevin Mambo as Fela, Saycon Sengbloh as Sandra and Lillias White as Funmilayo.^[3] Patti LaBelle replaced Lillias White as Funmilayo on September 14, 2010. The production closed on January 2, 2011.^[4][5] The Broadway production received eleven Tony Award nominations, including one for Best Musical, the most of any production that season, along with the revival of La Cage aux Folles.^[6][7]

For both productions, Kuti's music has been arranged and performed by the Brooklyn-based Antibalas.

The London production, staged at the National Theatre's Olivier Theatre, began previews on November 6, 2010 with an opening night on November 16. It ran in repertoire with other National Theatre productions, and was simulcast internationally in 2011 as part of National Theatre Live. Sahr Ngaujah and Kevin Mambo appeared in the cast,^[8] as well as Dele Sosimi, former keyboard player of Fela Anikulapo Kuti, reprising his own role. In 2011 a production ran at Sadler's Wells in London's Islington.

Fela! is on tour in the United States. Its opening performance was held in September 2011 at the Harman Center for the Arts in Washington, D.C. The tour opened in Canada in October 2011 at the Canon Theatre in Toronto, starring Sahr Ngaujah and Adesola Osakalumi, with a scheduled run until November 2011. From November to December 2011 it played at the Curran Theatre in San Francisco. From December 2011 to January 2012 the production played in the Ahmanson Theater of the Los Angeles Music Center, where it returned for a second run in April and May of 2013. The musical had a limited return engagement on Broadway at the Al Hirschfeld Theatre in July 2012 to August 2012. The musical then continued on its world tour, playing in Australia, Japan, and a return to Africa, among other venues.^[9]

Musical numbers

Act I "Everything Scatter" – Fela Anikulapo-Kuti and Company "Iba Orisa" (Traditional Yoruba chant) – Ismael, Fela Anikulapo-Kuti and Company "Hymn" – Company and Band "Medzi Medzi" – Company and Band "Manteca" – Company and Band "I Got the Feelin'" (James Brown) – Ismael and Company "The Clock/Originality" – Fela Anikulapo-Kuti and Company "Yellow Fever/Ikoyi Blindness" – Fela Anikulapo-Kuti and Company "Trouble Sleep" – Fela Anikulapo-Kuti, Funmilayo and Company "Teacher Don't Teach Me Nonsense" – Fela Anikulapo-Kuti, Funmilayo and Company "Lover" – Fela Anikulapo-Kuti and Sandra "Upside Down" – Fela Anikulapo-Kuti, Sandra and Company "Expensive Shit" – Fela Anikulapo-Kuti and Company "Pipeline" – Fela Anikulapo-Kuti and Company "I.T.T. (International Thief Thief)" – Fela Anikulapo-Kuti and Company "Kere Kay" – Fela Anikulapo-Kuti and Company

Act II "Water No Get Enemy" – Fela Anikulapo-Kuti, Sandra and Company "Egbe Mio" – Fela Anikulapo-Kuti, Queens and Funmilayo "Suffering and Smiling" – Fela Anikulapo-Kuti and Queens "Zombie" – Fela Anikulapo-Kuti and Company "Trouble Sleep" (Reprise) – Fela Anikulapo-Kuti, Funmilayo and Queens "Na Poi" – Fela Anikulapo-Kuti and Queens "Sorrow, Tears and Blood" – Fela Anikulapo-Kuti and Company "Iba Orisa/Shakara" – Company and Band "Rain" – Funmilayo and Company "Coffin for Head of State" – Fela Anikulapo-Kuti and Company "Kere Kay" (Reprise) – Fela Anikulapo-Kuti and Company

Response

The 2008 Off-Broadway production received generally positive reviews. Ben Brantley of The New York Times observed,

This is music that gets into your bloodstream, setting off vibrations you’ll live with for days to come.... If you set aside your basic nervous and circulatory systems, though, you might observe that by the standards of the well-made musical, Fela! leaves a lot to be desired. The structure of the book ... feels slapdash to the point of confusion. For all the impudence and exuberance of the wall-to-wall music ... a pious haze of hagiography hangs over the show, creating the blinkered view of a great man martyred. Yet the ascendancy of the music in Fela!, and the three-dimensional translation of it by Mr. Jones and his vibrant design team, makes such criticism irrelevant for as long as you’re in your seat (or out of it, since the audience is regularly encouraged to stand and undulate). Mr. Jones and company have given us an African variation on the same theme [of the energetic rebel] that triumphantly stakes out its own pioneer territory in the expanding land of musicals.^[10]

David Rooney of Variety stated, "What it lacks in structure and concision [it] makes up for in heat, energy and sensuality. Like last season's Passing Strange and this summer's Hair revival, this dance-intensive bio-portrait aims to be less traditional musical theater than cathartic experience, lacing its communicative passion with infectious euphoria, rebellious anger and heartfelt despair." It added, "There perhaps could be more texture in the central character portrait, providing deeper insight into the radical showman, and anyone expecting a detailed life story may be disappointed. Fela's questionable attitudes toward women are suggested rather than explored, and his later life, his ongoing political activity and death from AIDS-related illness in 1997 are absent. [The action] is deftly integrated with Peter Nigrini's video projections to create a show that's invigoratingly messy, visceral and transporting."^[11] Les Gutman of the Internet magazine CurtainUp was even more enthusiastic, calling the musical "one of the most visually complete theatrical experiences imaginable" and a "true treasure."^[12]

The touring production received a positive review from the Globe and Mail′s J. Kelly Nestruck, who cited Sahr Ngaujah's performance for particular praise, as "channelling the life force of the titular singer" in a "sweat-soaked performance." Nestruck observed that

Lewis and Jones do focus on the more crowd-pleasing elements of Kuti's politics – his embrace of marijuana and attacks on militarism, corruption and corporate imperialism – while slightly brushing over the less palatable elements [...] His own sexually imperialist attitude toward women is underplayed in favour of an emphasis on his worship of his mother, an operatic, otherworldly presence voiced by Melanie Marshall.^[13]

Disputes and lawsuits

In October 2010, radio journalist and disc jockey Tenisio "DJ 5th Wurld" Seanima asked the question "ARE “FELA!” MUSICAL PRODUCERS HEADED FOR TROUBLE?" via an article bearing the same name describing potential copyright issues conducted by the play's writers and producers. His prediction eventually manifested into reality as he later broke the story about Fela!'s producers being sued by writer and historian Carlos Moore, author of the authorized biography of Fela entitled Fela, Fela! This Bitch of a Life! (London: Allison & Busby, 1982). In December 2011, the dispute between the producers and Moore was settled, it being agreed that all playbills and associated materials would henceforth bear an acknowledgement stating that the musical was inspired by Moore's book. A joint statement was issued announcing that "the matter of Mr Moore’s claims has been resolved to the mutual satisfaction of the parties".^[14] Moore had been suing for copyright infringement,^{[15][16][17][18]}and was alleged to have asked the courts to close the show.^[19][20]

In 2010 a lawsuit was also served on the producers of the show when New York photographer Marilyn Nance sought damages claiming the unauthorized use of one of her images.^[21][22][23]

Plot

Fela! takes place around 1977, at the height of Fela Kuti's influence as a composer and performer in Nigeria. Kuti was an originator of the Afrobeat sound, and the musical opens with Kuti addressing the audience from a concert at his club, the Afrika Shrine in Nigeria's largest city, Lagos. Kuti indicates that the Afrika Shrine had become a hugely popular venue, and a gathering place for youth opposed to Nigeria's military dictatorship. As one critic describes much of the first half of the show:

It's part musicology lesson as Kuti explains how he discovered the Afrobeat sound by pulling together the drums from West African highlife and the ragged guitars from James Brown with traditional call-and-response vocals. As a front-man-in-training rambling around London in the early 1960s, he absorbed the influences of the two different shades of cool represented by Frank Sinatra and Miles Davis.^[24]

Kuti reveals how torn he is between his respect for the example set by his mother, Funmilayo, a teacher and Nigerian civil rights activist, and his quest for fame and sometimes hedonism. He gradually becomes more involved in open opposition to Nigeria's military regime, and his lyrics become overtly political. The regime responds to the provocation with increasingly violent retaliation. Kuti perseveres and releases Zombie, an international hit openly critical of the Nigerian government. The show depicts the army raid of Kuti's compound (a commune he called Kalakuta Republic^[25]), reportedly by 1000 soldiers, which followed the release of Zombie. The raid culminates with the torture of Kuti, his wives and other commune residents, and the murder of his mother. The show concludes with a protest staged by Kuti in October 1979, accompanied by his family and members of the Young African Pioneers. The protest was held on the day before General Olusegun Obasanjo was to retire from the Nigerian presidency for the first time. Kuti held Obasanjo responsible for his mother's death, and publicly defied the regime once again with his protest, leaving a symbolic coffin in front of Obasanjo's residence at the Dodan army barracks. The show concludes with symbolic coffins being laid on the stage to protest injustices suffered by the people of Nigeria and throughout Africa.

Awards and nominations

Original Off-Broadway production

Year	Award Ceremony	Category	Nominee	Result
2009	Drama Desk Award[26]	Outstanding Musical		Nominated
		Outstanding Actor in a Musical	Sahr Ngaujah	Nominated
		Outstanding Choreography	Bill T. Jones	Nominated
		Outstanding Orchestrations	Aaron Johnson	Nominated

Original Broadway production

Year	Award Ceremony	Category	Nominee	Result
2010	Tony Award	Best Musical		Nominated
		Best Book of a Musical	Bill T. Jones and Jim Lewis	Nominated
		Best Performance by a Leading Actor in a Musical	Sahr Ngaujah	Nominated
		Best Performance by a Featured Actress in a Musical	Lillias White	Nominated
		Best Direction of a Musical	Bill T. Jones	Nominated
		Best Choreography		Won
		Best Orchestrations	Aaron Johnson	Nominated
		Best Scenic Design	Marina Draghici	Nominated
		Best Costume Design		Won
		Best Lighting Design	Robert Weirzel	Nominated
		Best Sound Design	Robert Kaplowitz	Won
2011	Grammy Award	Best Musical Show Album		Nominated

Original London production

Year	Award Ceremony	Category	Nominee	Result
2011	Laurence Olivier Award	Best New Musical		Nominated
		Best Actor in a Musical	Sahr Ngaujah	Nominated
		Best Theatre Choreographer	Bill T. Jones	Nominated

References

External links

• Official website
• Internet Off-Broadway Database listing
• Fela! at the Internet Broadway Database
• National Theatre London production
• Ovrtur.com Entry