Dudley Andrew (born 27 July 1945)[1][2] is an American film theorist. He is R. Selden Rose Professor of Film and Comparative Literature at Yale University, where he has taught since the year 2000. Andrew has been called, on the occasion of one of his invited lecture series, "one of the most influential scholars in the areas of theory, history and criticism".[3] He particularly specializes in world cinema, film theory and aesthetics, and French cinema. He has also written on Japanese cinema, especially the work of Kenji Mizoguchi. He has been given a Guggenheim Fellowship[4] and was named an Officier of the Ordre des Arts et des Lettres by the French Ministry of Culture. He was elected a Fellow of the American Academy of Arts and Sciences in 2006.[1] In 2011, he received the Society for Cinema and Media Studies Distinguished Career Achievement Award.[5] He is currently chair of the Department of Comparative Literature at Yale.[6]
Selected publications
- André Bazin. New York: Oxford University Press, 1978. ISBN 0-19-502165-7
- Concepts in Film Theory. Oxford, New York: Oxford University Press, 1984.
- Mists of Regret: Culture and Sensibility in Classic French Film. Princeton: Princeton University Press, 1995. ISBN 0-691-00883-3
- Andrew, Dudley; Cavanaugh, Carole (2000). Sansho dayu. British Film Institute. ISBN 0-85170-541-3.
- With Steven Ungar. Popular Front Paris and the Poetics of Culture. Cambridge: Harvard University Press, 2005.
References
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Andrew, Dudley |
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American film theorist |
| Date of birth |
27 July 1945 |
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