Diriye Osman

Diriye Osman ديري عثمان
Portrait of Diriye Osman, July 2013
Born	1983 Mogadishu, Somalia
Occupation	Writer, visual artist
Nationality	British
Ethnicity	Somali
Alma mater	University of Birmingham, University of London
Period	2008–present
www.diriyeosman.com

Diriye Osman (Somali: Diriyeh Cusmaan, Arabic: ديري عثمان‎) (born in 1983) is a Somali-British writer and visual artist. He is the author of the short story collection Fairytales For Lost Children, and his fiction has appeared in a number of publications. His visual art is also noted for its surrealism.

Biography

Osman was born in 1983 in Mogadishu, Somalia. When the civil war broke out in the early 1990s, he and his family relocated to Nairobi, Kenya.^[1][2]

As a child, Osman developed an interest in fashion design. His parents encouraged his desire to become a designer.^[3] An avid reader, he was also entralled with the works of C. S. Lewis and Roald Dahl, as well as The Adventures of Tintin and Calvin and Hobbes. In 2001, Osman and his family moved again to London, England.^[1][4]

In 2002, at the age of 18, Osman was diagnosed with psychosis and institutionalised in a mental hospital in Woolwich, South London. He was so traumatized by the experience that he did not speak for nearly six months. After he was released from the hospital, his mother encouraged him to apply for a library card and he began to read Nuruddin Farah, Arundhati Roy, Zadie Smith, Manil Suri, Alice Munro, Alison Bechdel, ZZ Packer, Edwidge Danticat and Junot Diaz. By reading as widely as possible, Osman regained the confidence to speak again. Reading extensively also made him want to learn about characters and stories that echoed his own experiences.^[4]

For his post-secondary education, Osman studied English Literature, Linguistics and Fine Art at the University of Birmingham, graduating with a BA (hons) degree. He later attended Royal Holloway, University of London, where he earned an MA in Creative Writing.^[2]

Writing

In 2008, after recovering from another health setback, Osman started writing short stories. Most of his literary work has been based on his own life as a gay man, as well as other personal experiences. He published Earthling, a short story about a young lesbian recently released from a psychiatric unit. Ellah Allfrey in The Daily Telegraph called it "a moving exploration of family, sexuality and mental breakdown set in south-east London".^[5]

Shortly afterwards, Osman wrote Pavilion, a story about a "six-foot" Somali transvestite working in a "mental clink".^[6] These and other stories were published as part of his 2013 debut collection Fairytales For Lost Children. The book was well received by literary critics, with Magnus Taylor of New Internationalist calling Osman "a startlingly original voice".^[7] Similarly, the Lambda Literary Review described the work as "texturally beautiful and tonally gorgeous";^[8] Jameson Fitzpatrick of Next Magazine noted that the "stories are suffused with the possibility of joy and pleasure";^[9] Alison Bechdel added that through storytelling Osman creates a shelter for his displaced characters, "a warm place which is both real and imaginary, in which they find political, sexual, and ultimately psychic liberation;"^[1] Bernardine Evaristo, writing in The Independent, hailed Osman as a courageous and original writer, remarking that his language is "crafted with all the concision and riches of poetry."^[10] Roxane Gay in The Nation also summarized the piece as a "raw collection of short stories"; Eden Wood of Diva Magazine praising Osman's "vivid and intimate" style; Will Davis, writing in Attitude Magazine, likewise noted that Fairytales For Lost Children was "a rich, complex and lyrical set of tales," adding that "this collection of stories is sure to move and enthral in equal measure."^[1] Additionally, Somali writer Nuruddin Farah described Osman's prose as "fantastic", indicating that he "read some of the stories more than once and saw in each one of them plenty of talent everywhere".^[1]

Osman's writing has appeared in a number of publications, including Poetry Review, Time Out London, Prospect, Kwani?, Attitude and SCARF Magazine,^[1] the latter of which was founded by Osman's editor Kinsi Abdulleh.^[3]

Visual Art

As a child, Osman was encouraged to draw. He began creating visual art at the age of eight, spending hours alone conjuring up fairly-like fantasies enfused by his experience as an immigrant. Walt Disney, Fritz Lang, Gustav Klimt, H. R. Giger and the Japanese filmmaker Hayao Miyazaki were among his main influences.^[2][3] An overall Vogue Magazine sensibility is also evident in the sensuous physiques and catwalk poses of his figures.^[2] According to Osman, his art was a creative outlet through which he could channel his frustrations at growing up in a society that did not tolerate homosexuality. His painted images of "goddess-like" women were thus for him "the acceptable, alluring face of what was a dangerous transgression".^[2] He also describes his visual creations as "a way of distilling mania and transforming it into something beautiful."^[3]

Writing in Another Africa, Elmi Ali notes that Osman's images, "which usually feature female heroines, adorned in intricate lines, decadent and colourful", are "reminiscent of the Art Nouveau masters of the past[...] The Austrian artist Gustav Klimt is hinted at but his work finds an uncanny kinship in Margaret Macdonald Mackintosh, a brilliant Scottish artist also of the Art Nouveau period." However, Ali remarks that Osman's work, like that of William S. Burroughs, "goes a step further, and incorporates Arabic calligraphy and Hebrew".^[11] To this end, Osman's piece THE GODDESS COMPLEX – Aquatic Arabesque, which he painted over a three-week commission for an Omani-English couple with whom he was friends, features a poem entitled "Your Love" by the Syrian poet Nizar Qabbani.^[12]

Osman usually paints using 3D textile paint, glow-in-the-dark glue, powder dye and temporary tatto stickers, among other craft-based materials. He also utilizes Swarovski crystals for a more lavish effect.^[3]

Works

• Fairytales For Lost Children (2013)

Notes

External links

• Team Angelica – Fairytales For Lost Children